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Contributions of Johann Sebastian Bach
Contributions of Johann Sebastian Bach
Contributions of Johann Sebastian Bach
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Recommended: Contributions of Johann Sebastian Bach
On April 10, 2017, I attended the Auburn Guitar Ensemble concert. The program consisted of eight different performances: three Inventions by Johann Sebastian Bach (1685-1750), Variations on a Theme of G.F. Handel arranged by Mauro Giuliani (1781-1829), Tango en Skai by Roland Dyens (1955-2016), Summa by Arco Pärt (b.1935), Going Dutch by John Duarte (1919-2004), Sakura, Variations on a Japanese Folksong arranged by Auburn’s Joseph Ikner, Cuban Landscape with Rain by Leo Brower (b.1939), and Kashmir by Led Zeppelin. The first piece was performed by a guitar and marimba duo, and it was actually a combination of Bach’s Invention No.4 in D Minor, BWV 775, Invention No.13 in A Minor, BWV 784, and Invention No.15 in B Minor BWV 786 in separate …show more content…
Duarte, who composed the 20th century piece based on the Dutch countryside, was a classically trained English guitarist, and he published many collections and books on classical guitar pieces, such as Bases of Classical Guitar Technique and Guitarist’s ABC (Annala & Mätlik, 2007). Windmill is in quadruple meter and is mostly conjunct, but it has moments of dissonance and is polyphonic. This movement sounds entirely like a variation of a single scale. The second movement, Carillion, is played in a homophonic texture, and has a dissonant, yet bell-like tone. Along with the guitars being played as chordophones in the March, this movement also featured percussive effects being played on the body of the guitars. This last movement was played in an allegro tempo in triple meter and was through composed in form. The third to last piece, Sakura, Variations on a Japanese Folksong by Auburn’s own guitar instructor Joseph Ikner, was light yet dissonant. The light and dissonant tone is reflective of the Asian culture that the music is intended to represent. The piece contained imitative polyphony in quadruple meter, and is through composed in form. Its dynamics change from being pianissimo to subito mezzo forte while the tempo simultaneously experiences an
Thursdays at Cal State L.A. seemed like any other typical day- warm, busy, and tiring. However, on December 2, 2015, something was particularly different; not only was it the last day of class before finals, but there was also a Mariachi concert directed by Cynthia Reifler Flores. As I was walking towards the State Playhouse, I thought about how the music would be composed. The first thing that I expected was the music to have a quick, upbeat tempo, something that would be played at a festival or a party. I walked through the screen door and was given a pamphlet. In it contained detailed information about their programs, musicians, Flores’ biography, and the prodigious mariachi group. After waiting for what seemed like an eternity, the doors
A sinfonia (Italian for symphony) broadly refers to a number of instrumental works from the Baroque period, including symphonies, sonatas, canzonas, concerti, and Italian opera overtures. Even J.S. Bach titles his “three-part” inventions for harpsichord “Sinfonia”. Torelli’s Sinfonia in D (G.8) is a four-movement “concerto” for trumpet, strings and harpsichord continuo. Unlike a concerto grosso, where a main theme is presented and then reappears in fragments, the main themes of Sinfonia in D are developed rather freely. The second movement (Adagio) is a very short, slow, interlude without trumpet that introduces the third movement (Allegro). Hence, the program shows these two movements as “adagio-allegro” joined together.
On Friday November 15, 2013, I attended a concert that I found very interesting. It took place at 7:30 pm at the First Presbyterian Church of the Covenant. The group performing was the Erie Chamber Orchestra but as a special the Slippery Rock University Concert Choir was also there.
The history of the Concert Band and Wind Ensemble will be reflected through a timeline of events, including an analysis of significant events, groups, composers, and advancements. When society envisions a Wind Ensemble, talented musicians, grand music halls, and difficult arrangements typically come to mind. However, a modern-day Wind Ensemble includes a variety of musicians, each with positive and negative aspects. In society today, music is greatly appreciated and accepted. It is considered an honor and a privilege to expose our ears to the music.
Howard, John Tasker, and George Kent Bellows. A Short History of Music in America. New York: Thomas Y. Crowell Company, 1957. 342-3. Print.
The first piece presented in this concert was Robert Strauss’ Metamorphosen, Study for 23 Solo Strings a piece was composed during the last months of World War II, from August 1944 to March 1945, dedicated it to Paul Sacher. It was first performed in January 1946 with ten violins, five violas, five cellos, and three double basses, this was immolated in the performance by the Atlanta Symphony orchestra on April 13th that I attended. It is widely believed that Strauss wrote the work as a statement of mourning for Germany's destruction during the war, in particular as an elegy for devastating bombing of Munich during the second World War.
Bamboula, one of Gottschalk’s early solo piano works, is part of a set of four pieces called the L...
Each young musician did their own piece as well as Simon Shaheen. Xavier Foley played an amazing piece by Giovanni Bottesini. Xavier performed Concerto No. 2 in A Minor: l. Allegro. Nicholas Mariscal selected a piece by Sir Edward Elgar, and was his Concerto in E Minor: lV. Allegro – Moderato – Allegro, ma non troppo, which translates to Lively – Moderate – Lively, but not too much. Clayton Penrose-Whitmore designated to a...
Boynick, Matt. "Georg Friedric Handel." Classical Music Pages. 1 Feb. 1996. 13 July 2005 .
I enjoy and listen to variety of music from classical music to rap music. I have attended many concerts, mostly symphony bands concerts. However, interestingly, through whole my life, I have never experienced jazz music and I have never been to jazz concert. Therefore, it was hard for me to decide which jazz concerts would give me most pleasure and exciting experience. I researched for jazz concerts listing and I have decided to go to the Ron Eschete Trio Concerts because it was held closed to my house and was free.
On Monday, October 3, 2016 I was privileged to attend the fabulous performance by the Pittsburg State University Jazz Band at the Bicknell Family Center for the Arts in Pittsburg Kansas. It was a beautiful evening filled with fantastic music. The concert featured many well-rehearsed songs, talented solos, and enjoyable evening for everyone who attended.
That brings us to the last segment of our concert, the Modern Era. Traditoinal musical instruments in the modern period have not changed nearly as much as they have in the 18th and 19th centuries. There have been gradual iterations of musical instruments within the 1900’s, such as updates to the violin family. There were many new instruments created in the Modern Era, all of which focused around electricity. This evening’s selections do not include any such selections with electronic instruments; however, there are arrangements available for the electric instruments such as the organ, keyboard or syntehsizer, or electric guitar.
Bach’s musical style is baroque, and set apart from other music by simple motoric rhythms, st...
Next music piece was called Dance Preludes, which was created in 1954 by a Polish composer name Witold Lutoslawski. This piece had five movements, which was going to be played by clarinet player Garry Evans and piano player Natalya Pitts. The first movement was in allegro molto. The music was quick, direct, and had a lively tempo. The second one was in andantino which was slightly in walking tempo. It was a bit fast with crescendos and bit slow with decrescendos on some part. In the middle of the music is where it got faster but then slowed down in walking tempo. Third music is in Allegro giocoso which way different from the others. While it was fast and much more lively and it was also really jagged. The fourth movement was in andante which
The second piece, Paratum Cor Meum, was a much shorter piece with very few lyrics. It was interesting to hear a piece by Haydn, since we had discussed this composer in class. I was impressed by the choir members’ ability to remember words in another language, and I enjoyed the sounds of the piano accompaniment.