"...no nation is rich enough to pay for both war and civilization. We must make our choice; we cannot have both." -- Abraham Flexner "Regeneration" is an anti-war novel, reflecting the issues and the concerns in wartime Britain. "All Quiet on the Western Front" is also an influential anti-war novel and an important chronicle of World War 1. Both are historical fiction set near the end of the war, 1917-1918. The two texts explore similar themes in condemning the war. Remarque’s novel (All Quiet on the Western Front) is a profound statement against war, focusing especially on the ravaging effects of war on the humanity of soldiers. Similarly, Barker (author of Regeneration) offers realistic detail of many abominable war scenes, dwelling upon the destruction that war wreaks upon men’s minds. These details comprise a large portion of the novel. In All Quiet on the Western Front, through the narrative of Paul Bäumer, a young German soldier, there are constant attacks on the romantic ideals of warfare. The novel dramatizes the disjunction between high minded rhetoric about patriotism and honour, and the actual horror of trench warfare. Remarque continually stresses that the soldiers are not fighting with the abstract ideals of patriotic spirit in mind; they are fighting for their survival. Nothing in this novel makes the actual experience of war look attractive. The overriding theme of All Quiet on the Western Front is the terrible brutality of war, which informs every scene in the novel. It sets out to portray war as it was actually experienced, replacing romanticized versions in preceding novels, with a decidedly unromantic vision of fear, meaninglessness, and butchery. World War 1 completely alter... ... middle of paper ... ... large concepts of duty, sanity, and war. Barker, with her insightful and direct writing style, succeeds in presenting a microcosm of madness that prevails during war. Regeneration recounts many vivid war scenes, and without drawing conclusions, effectively instils a feeling of vexation against the war into the reader. In presenting his grimly realistic version of a soldier’s experience, Remarque strips away the typical romanticism of war narrative in All Quiet on the Western Front, providing an unrelenting portrayal of carnage and gore. It is a novel of social protest; totally rejecting the war and nationalistic policies; and in doing so, successfully depicts the many horrors of World War 1. Works Cited Barker, Pat. Regeneration. New York: Plume, 2003. Remarque, Erich Maria. All Quiet on the Western Front. New York: Ballantine Books, 1984.
In Remarque’s All Quiet on the Western Front, characters such as Paul and his friends become indifferent to shocking elements of war through constant exposure to them. For example, the characters are unconcerned about the dangers of the front because they are accustomed to being on the front. In another instance, Paul’s friends show no emotions when they witness snipers killing enemy soldiers. Also, Kat finds the unusual effects of mortar shells amusing. These examples prove that through war, characters of the book have become indifferent to things that they would normally find shocking.
Imagine being in an ongoing battle where friends and others are dying. All that is heard are bullets being shot, it smells like gas is near, and hearts race as the times goes by. This is similar to what war is like. In the novel All Quiet on the Western Front, the narrator, Paul Baumer, and his friends encounter the ideals of suffering, death, pain, and despair. There is a huge change in these men; at the beginning of the novel they are enthusiastic about going into the war. After they see what war is really like, they do not feel the same way about it. During the war the men experience many feelings especially the loss of loved ones. These feelings are shown through their first experience at training camp, during the actual battles, and in the hospital.
Paul Bäumer's leave from the war is an opportunity for him to see life removed from the harshness of war. As he makes the journey home, the closer he gets the more uncomfortable he feels. He describes the final part of his journey, "then at last the landscape becomes disturbing, mysterious, and familiar." (154) Rather than being filled with comfort at the familiarity of his homeland, he is uneasy. War has changed him to the extent in which he can no longer call the place where he grew up home. Bäumer visits with his mother and recognizes that ideally this is exactly what he wanted. "Everything I could have wished for has happened. I have come out of it safely and sit here beside her." (159) But ultimately he will decide that he should have never gone on leave because it is just too hard to be around his family and see how different he has become. Bäumer finds that it is easier to remain out on the war front than return to his family.
The Comradeship of War in All Quiet on the Western Front War can destroy a young man, mentally and physically. One might say that nothing good comes out of war, but in Remarque's All Quiet on the Western Front, there is one positive characteristic: comradeship. Paul and his friends give Himmelstoss a beating, which he deserves due to his training tactics. This starts the brotherhood of this tiny group. As explosions and gunfire sound off, a young recruit in his first battle is gun-shy and seeks reassurance in Paul's chest and arms, and Paul gently tells him that he will get used to it.
All Quiet on the Western Front. Literary Analysis The U.S. casualties in the "Iraqi Freedom" conquest totals so far at about sixteen thousand military soldiers. During WWI Germany suffered over seven million deaths.
“…It seemed clear that wars were not made by generations and their special stupidities, but wars were made instead by something ignorant in the human heart.”
In other words, if you don't want war, watch how you vote. The connotation of this statement is far reaching, it naturally places responsibility on the American government for having participated in the war, but it foremost appeals to the American public to take responsibility and to use this history, this story, to create a better future. Works Cited:.. O'Brien, Tim. A.
Erich Maria Remarque’s All Quiet on the Western Front is a novel that takes you through the life of a soldier in World War I. Remarque is accurately able to portray the episodes soldiers go through. All Quiet on the Western Front shows the change in attitudes of the men before and during the war. This novel is able to show the great change war has evolved to be. From lining your men up and charging in the eighteenth century, to digging and “living” in the trenches with rapid-fire machine guns, bombs, and flame-throwers being exposed in your trench a short five meters away. Remarque makes one actually feel the fun and then the tragedy of warfare. At the beginning of the novel Remarque gives you nationalist feelings through pride of Paul and the rest of the boys. However at the end of the war Remarque shows how pointless war really is. This is felt when everyone starts to die as the war progresses.
All Quiet on the Western Front, directed by Delbert Mann, is based on the novel written by Erich Maria Remarque. It tells the story of a German schoolboy, Paul Baumer, and a group of his classmates, who journey from fantasies of heroic glory to the real horror of actual soldiering. Their journey is a coming of age tale that centers on the consternation of war and emphasizes the moral, spiritual, emotional, and physical deterioration suffered by the young soldiers.
The story of several schoolmates who symbolize a generation destroyed by the dehumanisation of the First World War, All Quiet on the Western Front tells of the men who died, and the tragically changed lives of those who survived. Remarque follows the story of Paul Bäumer, a young infantryman, from his last days of school to his death three years later. Whereas the journey motif is typically used to portray a positive character development, that of Paul is deliberately the opposite. In what has been dubbed the greatest antiwar novel of all time, Remarque depicts the way in which Paul is snatched away from humanity by the brutality of war. However while Paul and his comrades become separated from society, and begin to rely on their basic survival instincts, in their own surroundings they still show humane qualities such as compassion, camaraderie, support and remorse. Paul’s transformation from human to soldier begins in training camp, and is reinforced by the trauma at the front. His return home further alienates him from society, and Paul begins to feel safe at the front with his friends. Nonetheless throughout the novel suffering and mortality bare Paul’s true side, and he momentarily regains his former self. Bäumer, the German word for tree, is an early indication that Paul must remain firmly rooted in reality to survive the brutality of war.
Throughout their lives, people must deal with the horrific and violent side of humanity. The side of humanity is shown through the act of war. This is shown in Erich Remarque’s novel, “All Quiet on the Western Front”. War is by far the most horrible thing that the human race has to go through. The participants in the war suffer irreversible damage by the atrocities they witness and the things they go through.
Alienation in All Quiet on the Western Front According to the Webster's New World College Dictionary, alienation is 1. Separation, aversion, aberration. 2. Estrangement or detachment. 3.
World War I had a great effect on the lives of Paul Baumer and the young men of his generation. These boys’ lives were dramatically changed by the war, and “even though they may have escaped its shells, [they] were destroyed by the war” (preface). In Erich Maria Remarque’s novel, All Quiet on the Western Front, Paul Baumer and the rest of his generation feel separated from the other men, lose their innocence, and experience comradeship as a result of the war.
“What if free people could live secure in the knowledge that their security didn’t depend upon the threat of instant U.S. retaliation to deter an enemy attack?”
"I am young, I am twenty years old; yet I know nothing of life but despair, death, fear, and fatuous superficiality cast over an abyss of sorrow. I see how people are set against one another, and in silence, unknowingly, foolishly, obediently, innocently slay one another. I see that the keenest brains of the world invent weapons and words to make it yet more refined and enduring. And all men of my age, here and over there, throughout the whole world see these things. All my generation is experiencing these things with me..."