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American culture during the Vietnam War
America in the vietnam era
US political position in Vietnam War
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Recommended: American culture during the Vietnam War
History has shaped every country and their people, in particular negative experiences like the Holocaust in Nazi-Germany or the Vietnam war, involving the United States in a grueling controversy from 1964 until 1975. The author Tim O'Brian confronts an American audience in his short stories "The Things They Carried" with the inhumane consequences of political and military power decisions by rewriting history from a subjective,individual point of view. Thus he forces the audience to take a stand, to ask questions, to get morally and ethically involved.
The narrative structure of the "Sweetheart of the Song Tra Bong" and "How to Tell a True War Story" contains two levels, the first on being a discourse about the characters of Vietnam stories. The "I", the narrator, introduces 'Rat' Kiley as his source for the narrative that follows. He characterizes stories about war as "strange", "swirling back and forth across the border between trivia and bedlam, the mad and mundane". The stories have a life of their own, reality is not absolute, not final. With this image he describes the ambiguity of war itself, the normality that turns into insanity, he summarizes the narrative about Mary Ann Bell and her experiences with the war. The narrator clearly states the purposes of these stories, he is not interested in factual truths about the war, he openly questions the reliability of his source: "Rat had a reputation for exaggeration and overstatement". He wants the audience to "feel exactly what he felt", an emotional experience, a subjective approach.
The second narrative level tells the story about Mary Ann Bell, the "Sweetheart of the Song Tra Bong". The narrator, probably the author, retells Rat's story in his own words, so that t...
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...ositive as well as its negative accomplishments. But how is this to be done, how do we deal with history personally and politically? Ths author Tim O'Brian gives us one answer in "How to Tell a True War Story" on page 69: "You can tell a true war story if it embarrasses you. It you don't care for obscenity, you don't care for the truth; if you don't care for the truth, watch how you vote. Send guys to war, they come home talking dirty". In other words if you don't want war watch how you vote. The connotation of this statement is far reaching, it naturally places responsibility on the American government for having participated in the war, but it foremost appeals to the american public to take responsibility and to use this history, this story to create a better future.
Works Cited:
O'Brien, Tim. The Things They Carried.New York: Penguin Books USA Inc., 1990.
‘Fire in a canebrake’ is quite a scorcher by Laura Wexler and which focuses on the last mass lynching which occurred in the American Deep South, the one in the heartland of rural Georgia, precisely Walton County, Georgia on 25th July, 1946, less than a year after the Second World War. Wexler narrates the story of the four black sharecroppers who met their end ‘at the hand of person’s unknown’ when an undisclosed number of white men simply shot the blacks to death. The author concentrates on the way the evidence was collected in those eerie post war times and how the FBI was actually involved in the case, but how nothing came of their extensive investigations.
Dental hygiene is amongst many professions that come with an increased risk of injury. In fact, evidence suggests that the incidence of dental professionals acquiring musculoskeletal disorders is reaching 96%. According to the Occupational Safety and Health Administration (OSHA), these complications are a result of “repetitive motion or awkward posture for more than 2 hours at a time, unassisted frequent manual handling (eg, scaling an area using the same strokes), and unassisted forced manual handling (eg, heavy calculus removal using hand-activated instruments)”. These complications not only affect the quality of life for the
An interesting combination of recalled events and editorial commentary, the story is not set up like a traditional short story. One of the most interesting, and perhaps troubling, aspects of the construction of “How to Tell a True War Story” is O’Brien’s choice to create a fictional, first-person narrator who might just as well be the author himself. Because “How to Tell a True War Story” is told from a first-person perspective and O’Brien is an actual Vietnam veteran, a certain authenticity to this story is added. He, as the “expert” of war leads the reader through the story. Since O’Brien has experienced the actual war from a soldier’s point of view, he should be able to present the truth about war...
The novel, “The Things They Carried”, is about the experiences of Tim O’Brian and his fellow platoon members during their time fighting in the Vietnam War. They face much adversity that can only be encountered in the horrors of fighting a war. The men experience death of friends, civilians, enemies and at points loss of their rationale. In turn, the soldiers use a spectrum of methods to cope with the hardships of war, dark humor, daydreaming, and violent actions all allow an escape from the horrors of Vietnam that they experience most days.
Some authors choose to write stories and novels specifically to evoke certain emotions from their readers as opposed to writing it for just a visual presentation. In order to do this, they occasionally stretch the truth and “distort” the event that actually occurred. The Things They Carried, by Tim O’Brien, is a compilation of short stories about the Vietnam War with distortion being a key element in each of them.
The truth to any war does not lie in the depths of storytelling but rather it’s embedded in every person involved. According to O’Brien, “A true war story does not depend on that kind of truth. Absolute occurrence is irrelevant. A thing may happen and be a total lie; another thing may not happen and be truer than the truth” (pg. 80). Truths of any war story in my own opinion cannot be fully conveyed or explained through the use of words. Any and all war stories provide specific or certain facts about war but each of them do not and cannot allow the audience to fully grasp the tru...
Tim O'Brien's The Things They Carried is not a novel about the Vietnam War. “It is a story about the soldiers and their experiences and emotions that are brought about from the war” (King 182). O'Brien makes several statements about war through these dynamic characters. He shows the violent nature of soldiers under the pressures of war, he makes an effective antiwar statement, and he comments on the reversal of a social deviation into the norm. By skillfully employing the stylistic technique of specific, conscious detail selection and utilizing connotative diction, O'Brien thoroughly and convincingly makes each point.
“And then one morning, all alone, Mary Anne walked off into the mountains and did not come back” (110). Tim O’Brien’s short story “The Sweetheart of the Song Tra Bong” presents an all-American girl who has been held back by social and behavioral norms – grasping for an identity she has been deprived the ability to develop. The water of the Song Tra Bong removes Mary Anne’s former notion of being as she, “stopped for a swim” (92). With her roles being erased Mary Anne becomes obsessed with the land and mystery of Vietnam and is allowed to discover herself. Through the lenses of Mark Fossie and the men in the Alpha Company, Mary Anne becomes an animal and is completely unrecognizable by the end of the story. Mary Anne, however, states she is happy and self-aware. The men of the Alpha Company argue for virtue in that Mary Anne was “gone” (107) and that what she was becoming “was dangerous… ready for the kill” (112). They did not want to accept a woman becoming something different from what women always were. In “How Tell to a True War Story” we are told that a true war story “does not instruct, nor encourage virtue, nor suggest models of proper human behavior” (65). Mary Anne did not truly become ‘dark’, because to her this is not a story about war; this is a story about a woman attempting to overcome gender roles and the inability of men to accept it.
O’Brien, Tim. “How to Tell a True War Story.” The Things They Carried. Boston and New York: Mariner Books, 2009. 64-81. Print.
The books we read in Creative Writing are Slaughterhouse-Five and The Things They Carried. Slaughterhouse-Five was written by Kurt Vonnegut in 1969 and The Things They Carried was written by Tim O’Brien in 1990. The Things They Carried and Slaughterhouse-Five are two examples of anti-war literature. Slaughterhouse-Five is a story describing the time traveling between periods of time in Billie’s life. Billie is an American prisoner in the Dresden, Germany. The Things They Carried is a journal of the events that occurred in the Vietnam War that the author writes from the Alpha Company. These two stories are similar and different in their description of the horrors of war. They are classic anti-war books. The two books are successful in blending fiction and nonfiction items to demonstrate dreamlike and unbelievable descriptions that give a complete picture of war.
Chronic laminitis sufferers also should have foot/frog support to prevent a possible founder while the disease is in the infant stages of management. This isn’t to say that the condition is entirely reversible, there has been no proof that EMS will entirely go away. Prevention in this case is key, and by not overfeeding or over-supplementing, your horse is at a lower risk for EMS.
Tim O’Brien’s novel The Things They Carried challenges the reader to question what they are reading. In the chapter “How to Tell a True War Story”, O’Brien claims that the story is true, and then continues to tell the story of Curt’s death and Rat Kiley’s struggle to cope with the loss of his best friend. As O’Brien is telling the story, he breaks up the story and adds in fragments about how the reader should challenge the validity of every war story. For example, O’Brien writes “you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (69), “in many cases a true war story cannot be believed” (71), “almost everything is true. Almost nothing is true” (81), and “a thing may happen and be a total lie; another thing may not happen and be truer than the truth (83). All of those examples are ways in which O’Brien hinted that his novel is a work of fiction, and even though the events never actually happened – their effects are much more meaningful. When O’Brien says that true war stories are never about war, he means that true war stories are about all the factors that contribute to the life of the soldiers like “love and memory” (85) rather than the actual war. Happening truth is the current time in which the story was being told, when O’Brien’s daughter asked him if he ever killed anyone, he answered no in happening truth because it has been 22 years since he was in war and he is a different person when his daughter asked him. Story truth
O’Brien, Tim. “How to Tell a True War Story.” The Things They Carried. Boston: Houghton Mifflin, 1990. Print.
Tim O’Brien, author of The Things They Carried, expresses his journey throughout the Vietnam War via a series of short stories. The novel uses storytelling to express the emotional toll the men encountered, as well as elucidate their intense experiences faced during the war. The literary theory, postmodernism, looks at these war experiences and questions their subjectivity, objectivity, and truth in a literary setting. It allows the reader to look through a lens that deepens the meaning of a work by looking past what is written and discovering the various truths. O’Brien used the storytelling process to illustrate the bleeding frame of truth. Through his unique writing style, he articulates the central idea of postmodernism to demonstrate the
The Things They Carried by Tim O’Brien tells war stories, from different perspectives, of soldiers during the Vietnam War. Many of these heart-wrenching stories are true but provide no value to society as a whole. Yes they allow soldiers to tell their story, but all that story is is a reminder of how awful the war was. Instead of reading about what has been done wrong, we should be reading about what we can do better. That’s why stories about what the world should be like provide more value to the reader than factual books do. Next time there is a war brewing, instead of hearing about how bad the last one was, or what we did wrong there, let’s read about what we should try to do in this situation, and how we want society to evolve as a result. Arguing that real stories provide context for how we went wrong in one scenario is pointless. The things leading up to an event will never be the same as a previous time so they provide no real insight as to what to do in the present. Although historically accurate books may provide some value to historical gurus, they have no added value for a society that is dynamic and