“Your one in a million” (Pfeffer, 4), calmly sad by Ashes dad. The short story “Ashes”; is about a girl with divorced parents, with her mother having mostly full custody of her. In the beginning she is hanging out with her dad, at the end she is making a life decision. Did Ashes take the money or not? Ashes took the money because her mother is strict and didn't love her a lot, her dad loves her a lot, and she didn’t want to let her dad down.
Ashes mom had mostly full custody of her as you know, so Ashes has seen her bad side.
According to the text, “With mom, there are a lot of rainy days and she takes a grim sort of pleasure in being ready for them” (Pfeffer, 1). Ashes mom is negative, she didn't come with a natural smile, this quote is sorta
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As said in the passage, “You're the special one Ashes. You’re the one-in-a-million girl.” (Pfeffer, 2). Ashes dad is fun, exciting, and he boost her with confidence. When Ashes mom just fead her, cared for her, and picked her up from school. She never cared extra. Used in the story, “For a special date with my daughter?” (Pfeffer, 2). Ashes dad has showed that he’d do anything for her, Ashes mom on the other hand has not . Ashleigh knows her mom loves her, but she can't tell everyday if she does, meaning some days her mom is super happy with a smile and other days she's grumpy with a bitter look. Showed from the text “You’re ten thousand better than i deserve” (Pfeffer, 3). Constantly this quote is repeated. Ashes dad overwhelms her with nice little sayings. Ashes loves her dad, and he loves her 100 times …show more content…
Selected out of the passage “I looked at dad and realized he had those same fantasies. Well why not. I was his daughter after all.” (Pfeffer, 3). Ashes doesn't want to lose someone she shares so much alike with. Asserted straight out of the text “The money’s still in the teapot” (Pfeffer, 4). You and i both know that Ashes trust her dad, after telling him this. I know Ashes wasn't supposed to tell anyone this information reading how she says this and that she regrets it. “I could hear my Father's car keening in the distance. ‘You’re one in a million’, it cried.” (Pfeffer, 4). Ashes dad depends on her. She can't decide rather to lose her dad's trust or her mom’s. Letting her dad down would disappoint him. The question she ponders, is this
It’s like Tom Outland’s death stirred up turmoil for the family. Everyone became at odds with each other. Before Tom died, Mrs. St. Peter had a grudge of jealousy towards him because of the bonding relationship he and her husband, Professor, St. Peter had formed. Rosamond and Kathleen have a grudge against each other because both girls were fond of Tom but Tom loved Rosamond. Tom left all his money and inventions to Rosamond and it was a large sum that provided her with the enablement to live comfortably. Kathleen feels like Rosamond flashes the money in her face and finds it preposterous. ““I can’t help it, father. I am envious. I don’t think I would be if she let me alone, but she comes here with her magnificence and takes the life out of all our poor little things. Everybody knows she’s rich, why does she have to keep rubbing it in”” (69)? The Outland holds bitterness and unresolved
Paine, Noah’s father, is in jail and that puts more pressure on Noah’s mom because she truly cares about Noah and Abbey. Noah’s mom has to play the roles of both mom and dad because she is the only adult in the house and needs to take care of Noah and Abbey since Paine is in jail. The following quote by Noah proves that his mom is stressed, “My mother says that being married to my father is like having another child to watch after, one who’s too big and unpredictable to put in time-out.” This quote shows how family is helping you get through tough times because because Donna, Noah’s mom, knows she has Noah’s support and his listening ear.
Within this family is a rather troublesome and frankly a bit clichéd mother (being the husband’s in this case) whose sole issue appears to be being herself. Readers are made to see her as complaining and overall very unpleasant to the rest of the family, especially the two young parents. It is absolutely clear that Bailey very much dislikes his mother, taking a dismissive stance to her, “Bailey didn 't look up from his reading so she wheeled around then and faced the children 's mother” and certainly not entertaining to her pleasure, “She asked Bailey if he would like to dance but he only glared at her.” However, soon readers start to see another side of this story, one which explains the situation more than what is initially offered by O’Conner. The differences in personal beliefs and ideologies between Bailey and his mother cause a major rift. It’s implied that perhaps she was not a very good parental figure to him leading up to the end as realizations dawned upon her far too late. Some of this may be attributed to the lifestyle and morals an older woman would have been raised in, but it is also strongly hinted at that she may have certain incorrigible flaws. This idea is confirmed in the ending lines of the work: “‘She would of been a good woman,’ The Misfit said, ‘if it had been somebody there to shoot her every minute of her
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
Sara's father also feels that he should get to pick the man that his daughters will marry. This is so old world, and Sara is not going to have it. She has watched her sisters who are so unhappy with the husbands that the father picked for them. Her father believes, "No girl can live without a father or a husband to look out for her," "It says in th...
Nothing hurts more than being betrayed by a loved one, Christopher’s father has no trust in Christopher and tells him that his “Mother died 2 years ago”(22) and Christopher thinks his mother died of a heart attack. When Christopher finds out his father lied, he runs away to live with his mother and his father despritally looks for him and while looking for him realizes the importance of telling the truth. When someone betrays one’s trust, they can feel morally violated. Once Christopher finds his mother, she begins to realize how unfit her living conditions are for Christopher and brings him back to his father, bring him “[..] home in Swindon”(207) Christopher feels incredibly hurt and distressed he does not want to see his father. Whether a relationship can be repaired depends entirely on whether trust can or cannot be restored. Christopher’s father works very hard to regain his trust, he tells his son “[..] I don’t know about you, but this...this just hurts too much”, Christopher’s father is dealing with the result of being dishonest with his son and himself.
Paul, the child, knew that his family wanted money, and he knew that he was lucky, betting on the horses. Paul became partners with the gardener. He picked the horse, and the gardener placed the bet. Paul had started out with five shillings but his winnings kept adding up. When he had made 10,000 pounds he decided to give his mother 1000 pounds a year for five years. He wanted his winnings to be a secret so a lawyer handled the money. Paul saw the envelope from the lawyer and asked his mother if she had received anything good in the mail. She said "Quite moderately nice" (p. 168) in a cold voice. She liked getting the money, but she wasn't happy. She wanted more.
The couple’s daughter does not understand her father’s trust because she is young and does not have the wisdom that is acquired through age. Although her mother warns her not to read the diaries, the daughter does so anyway. “’It makes me feel I can never trust anybody ever again” (p. 46). The daughter learns that every person thinks dark things that are disturbing for other people to know.
She calls him "old lecher/old liar", which means when he was alive the father often made empty promises of false hope about mending everything, but the family could no longer wait for him (Clifton 9, 10). She wishes that her father was rich, so he would have money to pay the mother when she asks for his salary on Friday; he would be able to repay the mother all she deserved being his wife. The impatient tone is still there, but it is more mellow. Rather than expecting her father to cough up the money like before, she now wishes that he has the money. This is the turning point. In addition, the daughter explains how her father has grew up in the same circumstances, "son of a needy father,/the father of a needy son" (Clifton 12,13). She admits that her father "gave … all he had" even though it was not much (Clifton
The author shows how the feelings of each character affects the story. The sentiment of the father throughout the story is his selfishness. He doesn’t care much about other people
Emily and her mother lack any real connection or mother-daughter bond because they were apart during most of her childhood. The narrator wants Emily to know that she can rise above and become something great. Looking back, the narrator wishes she could “iron out the wrinkles” from Emily’s upbringing.
The mother's pain and torment is apparent from the very beginning of the story. Her realization that she could have been a better mother, had it not been for the circumstances and life events which occurred following Emily's birth, such as the father who dealt with his parental responsibility by leaving - "Her father left me before she was a year old. I had to work her first six years when there was work, or I sent her home and to his relatives" (Olsen, 373). The mother does, however, continually "shift" back and forth, as the metaphor of "ironing" implies, to invoke pity from the reader and explain that there were other people, and factors which played a significant role in Emily's upbringing.
Bailey’s wife asks about the location of her husband, sensing foul play. The grandmother reconfirms the possibility of honesty existing inside of him (misfit). The concluding suggestions from her tell him that he could be honest, if he tried. A final inquiry from the grandmother asks if he prays. A pistol shots in the woods verifies the irrelevance of her question with an acknowledgement of earlier feats as a gospel singer. Perhaps destiny is better enjoyed when favorable conclusions materialize. Irony always presents the considerations for contentment enjoyed in times past. The element in which this is realized needs no particular atmosphere or lessons learned from the revelation.
Awareness in “The Sister’s” becomes the main focus of the story as the boy begins to realize the truth behind his life. Before the priest dies the boy admires him as a father; but come to learn that he is not a respected as he thinks. After the priest passes on the people around him begin to talk. “-It’s bad for children, said old Cotter, because their minds are so impressionable. When children see things like that, you know it has an effect…-” (3) This shows the disgruntled attitude that most people in the story hold towards the priest. As the story goes on we learn that the boy was in the running for becoming a man of clergy not unlike the priest, even though Cotter still thought less of Father Flynn. “-The old chap had taught him a great deal, mind you; and they say he had a great wish for him-” (2) The boy was supposed to be a legacy for the position the priest held. But as we all do when people close to us die; you get hit hard with the true reality of what goes on around you, like the boy did.
The story begins with Mama, and her daughter, Maggie, waiting in their yard for a visit from Dee. Walker uses the setting of the story to allow the reader to fully grasp the financial hardships that the family has had to bear. The house is described as having “three rooms, there are no real windows, just some holes cut in the sides, like the portholes in a ship, but not round and not square, with rawhide holding the shutters up on the outside” (Baym and Levine 1531). Dee is the daughter who couldn’t wait to leave home. In fact, she hated the house she grew up in. When it caught on fire many years ago, Mama wanted to ask her “Why don’t you do a dance around the ashes? She had hated the house that much” (Baym and Levine 1532). Dee’s family raised enough money for her to go to school and, as she moved away and became more educated, she lost sight of where she came from. Mama is not just waiting on her daughter to arrive but also wondering if she will be accepted by her. Her daughter is the complete opposite of her, and Mama sometimes dreams that “I am the way my daughter would want me to be: a hundred pounds lighter, my skin like an uncooked barley pancake. My hair glistens in the hot bright lights” (Baym and Levine 1531). Mama is a practical woman though and knows this is not the way things are. The reader realizes this when