Film maker Ian Cheney takes the viewer through the lights of this world and beyond. Starting off in New York, New York, Cheney tries to locate the stars in the night sky with much difficulty. Light pollution, artificial light reflecting off dust particles in the atmosphere, creates a vail that blankets the city sky and hides the universe above. In order to experience the wonderment he felt as a child growing up in rural Maine Cheney travels to various places around the globe to capture the heavens with his camera. As he travels Cheney grades areas based on the amount of stars able to be seen at night. Cities received the lowest letter grade while rural locations in the deserts of North America were rewarded with the highest grades. Throughout …show more content…
the film Cheney learns that the lights not only effect our amazement, but also the natural world. Animals like birds and sea turtles who depend on the star light are being lost in the confusion of the artificial illuminations of the city. Lights in the night also increase the risk of breast cancer in woman. Although these lights have their draw backs they also have benefits. Lights help to make people feel safe. Since the beginning of civilization people have been trying to light up the dark world, but sometimes the world needs a little darkness. Coming from Kansas I take the stars for granted.
I have never lived in an area where stars did not exist. They have always been in my reach. All that needed to be done was to step outside and look up. It all may be one atmosphere, but there are many skies out there. The sky I see in Manhattan, Kansas is not the same sky people see in Manhattan, New York City. Natural light is our history. When we look upon the stars we are looking upon ourselves. How many more suns does this universe hold? How many more Earths? The vibrant illuminations of the night sky creates a sense of peacefulness. It creates a sense of endless wonder. There is always something new to be seen. Artificial light is not all that bad. It has endless possibilities. These lights also instill wonderment to the viewer. They are a testament to human resourcefulness and ingenuity and show just how far we have come. I have always been fascinated with light, artificial and natural. Artificial light is what could be and natural light is what is already there. Both types of light need each other. Without the stars there would be no artificial light, and without city lights there would be no desire to see the stars. I believe both lights can complement each other and make one just as amazing as the
other.
In the movie Edward Scissorhands, a lot of different cinematic techniques are used. This movie mostly focuses on lighting, usually using darker low-key lighting throughout most of the film to create a darker, creepy tone. Low-key lighting is used mostly in scenes with Edward scissorhands in them, not as much with the girl. A good example of these low-key lighting scenes are the beginning ones, when the girl first enters Edward’s castle. The atmosphere inside is dark and creepy, adding to the already mysterious and dark tone of the movie. Another example of a scene with low-key lighting is the very beginning of the credits screen. The words are displayed in white with the rest of the background as a dark and evil setting. This already gives
War was one of the most difficult and brutal things a society could ever go through. World War II was especially terrible because it affected so many people.World War II was centered in Europe and the people of the European countries felt the effects much more than many of the other countries that were also participating in the world war. In the book All the Light We Cannot See written by Anthony Doerr, the story took place during World War II in Europe, the center stage for the war. This war was one of the most difficult wars because it destroyed homes, displaced thousands, tore families apart, killed off loved ones, and forced people to make tough decisions they had to live with for the rest of their lives. In All The Light We Cannot See,
Dante's ascension throughout the entire Divine Comedy, namely that of his last book, Paradiso, is notedly marked by the variant displays of light and how it effects the poets. Quintessential to the purpose of this entire poem is the depiction of Paradise as a realm of light that exists in nine spheres, whose proximity to God varies directly with their merit, shown by the first three lines, "The glory of Him who moveth everything /Doth penetrate the universe, and shine/ In one part more and in another less." (Dante, 293) In the closer spheres with the lesser radii, Dante notes the soft glowing lights, but as he approaches the centermost sphere, he attempts to describe the inexpressible gleaming of the vision of divinity, thus the recurrence of the theme of light running throughout the poem.
In James Baldwin's "Sonny's Blues" the symbolic motif of light and darkness illustrates the painful nature of reality the two characters face as well as the power gained through it. The darkness represents the actuality of life on the streets of the community of Harlem, where there is little escape from the reality of drugs and crime. The persistent nature of the streets lures adolescents to use drugs as a means of escaping the darkness of their lives. The main character, Sonny, a struggling jazz musician, finds himself addicted to heroin as a way of unleashing the creativity and artistic ability that lies within him. While using music as a way of creating a sort of structure in his life, Sonny attempts to step into the light, a life without drugs. The contrasting images of light and darkness, which serve as truth and reality, are used to depict the struggle between Sonny and the narrator in James Baldwin's "Sonny's Blues."
Larry Watson, in “Montana 1948”, uses the motif of light and silence in many ways to develop, clarify and reinforce ideas about truth and injustice, and portray the nature of some characters. He illustrates the injustice in Bentrock through the motif of light and then demonstrates to the reader the occurrence of something wrong through the motif of silence. The motif of light also sometimes assists the motif of silence to emphasize the significance of the event.
The author of The Light In The Forest, Conrad Richter, uses setting description and imagery to fabricate the mood of the story, allowing the Conrad to convey multiple moods, from suspenseful and impending danger, to calm and serene.
Flowers can’t grow in the dark. It's just that simple. In the story “Popular Mechanics,” by Raymond Carver,it’s mentioned that there is a flower pot over by the stove but, it is also mentioned that there is no light coming through the windows. How does the flower grow with no light to nourish it? The question shouldn’t be how does it grow with no light but when did the absence of light begin because no one would try to grow a flower in a place where there was no light to begin with. Although the flower pot is a strong symbol for the couple’s crumbling relationship, the progression of darkness is a stronger symbol of the couple’s sinister actions that will end in the baby’s hopeless fate.
“We wanted to make a movie that was immersive and visceral,” he noted. “The idea of using natural light came because we wanted the audience to feel, I hope, that this stuff is really happening.”
The Role of Illumination Theatrical lighting has undergone significant changes from its first utilization to modern application. Illumination is essential to the theatrical experience we are familiar with. When the lights come up, the mood is set. Lighting in a performance context manipulates the audience's attention to focus on what the director has deemed important. When an actor or space is no longer an integral part the lights around them dim, dismissing that component and refocusing on what is lit. This process regularly dominates our experience at the theatre, yet it is often taken for granted.
What if the night sky was as bright as day? It may never be that bright, but in the future it may be close. In Paul Bogard’s “Let There be Dark,” he talks about how important the night is to the ecosystem. He also discusses how important it is to reduce light pollution in cities. Every year, the night sky gets brighter, and Paul wishes to end this. Paul’s argument is very persuasive, and he uses a variety of techniques to convince the reader.
In Heart of Darkness, Joseph Conrad used a series of reversed traditional binary oppositions to convey the theme that every man has his own heart of darkness that is simply masked by the superficial light of civilization.
I wouldn’t say that there is an objective perspective you would have to take as you collect the data, however, being that this project does have to do with the idea that light is polluting the dark; the majority population would agree that artificial light is affecting the night sky. However, data can be biased by perspective because a citizen scientist can go to a place that is relatively lighter and brighter to take pictures of skies that show little to no star, rather than an area that isn’t as bright just to prove that artificial light pollution is serious and growing.
As many homeowners, you are taking steps to reduce your carbon footprint at home. You dutifully recycle glass, metal, paper, and plastic waste each week. You replace all the incandescent light bulbs in your home with energy-efficient compact fluorescent lamps (CFL) or light-emitting diode (LED) bulbs. However, you may be unwittingly contributing to carbon emissions and interfering with delicate ecosystems through light pollution.
Lighting today is done by the flick of a switch, but it has not been this way forever. This essay takes a look at how things were, how they are and how they might be.
Light quantity refers to the intensity or concentration of sunlight and varies with the season of the year. The maximum is present in the summer and the minimum in winter. The more sunlight a plant receives (up to a point), the better capacity it has to produce plant food through photosynthesis. As the sunlight quantity decreases the photosynthetic process decreases. Light quantity can be decreased in a garden or greenhouse by using shade-cloth or shading paint above the plants. It can be increased by surrounding plants with white or reflective material or supplemental lights.