What role did the great King Arthur play in the way English Literature is perceived? The Arthurian Legends reveal King Arthur as a chivalrous king and not as a historical figure but as a myth of mass amounts of achievements. From his search of the Holy Grail, to his perfect society in Camelot and his development of the Round Table, King Arthur’s legend displayed his heroic character. Through the many countless legends of the glorious King Arthur, England’s society underwent a drastic change in the outlook on life. With the influences of King Arthur came an extreme change in philosophies and lifestyles. Countless situations on how exactly the people of England altered their views on life were they became more cultivated and highly intellectual amongst themselves. The majority of the English society felt the need to escape the strenuous lifestyle that the Industrial Revolution brought upon. The Arthurian Legends was an effect of the Romantic Era and resulted in the abstract thinking, and the beautiful arts such as music, paintings, poems, and stories. The birth of the Arthurian Legends came from Celtic mythology and medieval romance and the existence of the presence of magic confirm the conception of artistic intellect. Whether or not King Arthur truly existed the ideas of him dramatically changed the English society and English Literature to its current form. The Arthurian Legend has proven to be extremely influential and benefited the people of England during the Romantic Era. Therefore, even if he is a fictional figure of English history King Arthur’s childhood, his countless glorious achievements as the king of Camelot, the final down fall of his strong empire King Arthur validated his importance to English literature. ...
... middle of paper ...
...tousness that I acquired there;/ This is the token of the untruth I was caught in,/ And I must wear it while I still live./ A man may hide his misdeed, but never undo it,/ For where once it's attached, it is latched on forever."/ The king comforts the knight, and all the court also/ Laughs loudly about it, and courteously agrees/ That the lords and the ladies who belong to the Table,/ Each guest at the gathering, should have such a belt,/ A band of bright green circling slantwise about,/ Of the same sort as Sir Gawain's and worn for his sake” (Figg, Fiedman 2505-2518)
Works Cited
"Camelot." U*X*L Encyclopedia of World Mythology. Vol. 2. Detroit: UXL, 2009. 205-208. Gale World History In Context. Web. 24 Feb. 2011.
"Arthurian Legends." U*X*L Encyclopedia of World Mythology. Vol. 1. Detroit: UXL, 2009. 120-124. Gale World History In Context. Web. 24 Feb. 2011.
The Arthurian cycle shows a sporadic awareness of the impossibility of mere humans fulfilling all the ideals that Arthur and his court represent. The story of Lancelot and Guenevere, Merlin's imprisonment by Nimu‘, and numerous other instances testify to the recognition of this tension between the real and the unrealistic.
Who was King Arthur? Most people would tell of a great King; a devoted circle of heroic knights; mighty castles and mightier deeds; a time of chivalry and courtly love; of Lancelot and Guinevere; of triumph and death. Historians and archaeologists, especially Leslie Alcock, point to shadowy evidence of a man who is not a king, but a commander of an army, who lived during the late fifth to early sixth century who may perhaps be the basis for Arthur. By looking at the context in which the stories of King Arthur survived, and the evidence pertaining to his castle Camelot and the Battle of Badon Hill, we can begin to see that Arthur is probably not a king as the legend holds.
One of the main topics discussed in lesson one is the fact that heroes over time and overseas all heroes have something in common; which is true in the case of King Arthur and Beowulf. It is obvious that they are similar in the fact that they are both heroes, but what makes them an idol of their time and in their culture are poles apart. There are many things that are different about Beowulf and King Arthur, but the ones that stand out the most are what kind of hero they are and what actions they did to make them heroic. Both heroes possess qualities that others do not have, but it is what they do with those abilities that prompts someone to write a story about them and idolize them in time.
The Arthurian legends of Iwein and Gawain and the Green Knight are two examples of the medieval initiation story: a tale in which a character, usually in puberty or young adulthood, leaves home to seek adventures and, in the process, maturity. Through the course of their adventures, including a meeting with the man of the wilderness, temptations at the hands of women, and a permanent physical or mental wounding, the character grows from adolescent awkwardness and foolishness to the full potential knightly honor. While both Arthurian legends fit this format, the depth of character development, specifically in terms of relationships, is vastly different. Whereas Gawain and the Green Knight does little more with relationships than demonstrate the evils of female temptations, Iwein effectively explores the formation, destruction, and resurrection of numerous male and female relationships.
Morford, Mark P.O., and Robert J. Lenardon. Classical Mythology. '7th ed'. New York: Oxford University Press, 2003.
The Court of King Arthur in the Tales of Lanval and Sir Gawain the Green Knight
Rosenburg, Donna. World Mythology: An Anthology of the Great Myths and Epics. Third Edition. Chicago: NTC/Contemporary Publishing Group, Inc., 1999. Text.
Greek Myths in Order of Publication. (n.d.). Retrieved November 1 1, 2010, from Storynory LTD: http://storynory.com/category/greek-myths/
Myths and Legends of the World. Ed. John M. Wickersham. New York: Macmillan Reference USA, 2000. Web.
Malory, Thomas, and Keith Baines.Malory's Le morte d'Arthur: King Arthur and the legends of the Round Table. 1962. Reprint, New York: New American Library, 2010.
Howe, Helen, and Robert T. Howe. A World History: Ancient and Medieval Worlds. Volume 1. White Plains, NY: Longman, 1992. 533.
"Achilles." Gods, Heroes and Myth: Mythologies of Many lands. 10 June 2003. Internet. 23 June 2003.
Æsop. Fables, retold by Joseph Jacobs. Vol. XVII, Part 1. The Harvard Classics. New York: P.F. Collier & Son, 1909–14; Bartleby.com, 2001. www.bartleby.com/17/1/.
Damrosch, David, and David Pike. The Longman Anthology of World Literature. The Ancient World. Volume A. Second Edition. New York: Pearson/Longman, 2009. Pgs. .656-691. Print.
Morford Mark, Lenardon Robert, and Sham Michael. Classical Mythology, International Edition. New York: Oxford University Press, USA, 2011. Print. 830 pages.