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Historical analysis of Renaissance art
Renaissance art and ideas
Renaissance art and ideas
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Artemisia Gentileschi is an artist who became a well-known famous woman painter. Her 1614 Baroque artwork is done in an oil on canvas painting named Judith Slaying Holofernes, it shows a lot of emotions and a dramatic event. Gentileschi painting is a painting that makes us think and ask questions about the painting. Gentileschi uses dark and light colors in her Judith Slaying Holofernes painting. In the background the artist used dark brown and black colors by incorporating them by using some brush strokes. The colors in the clothing and sheets seems bright and it catches the viewer’s attention because of the background that she used. Gentileschi also used a lot of lines in the sheets, dress, and in the blood. The line makes the dresses and sheets look …show more content…
wrinkled, making them look as natural as possible, and the sword was perfectly aligned with the blood running down the white sheets to show and emphasize the violence in the slaying. She also used straight lines to show the viewer’s when the blood splattered once Judith cut Holofernes neck. She used lines in both women’s arms to show the struggle and the strength that they are putting to keep Holofernes down to slay him. Analyzing this painting it shows only violence and emotions with all characters, and it seems like she wanted to relate the violence by each one of the woman having red sleeves on them showing aggression towards the man. Holofernes is covered with a red sheet covering his lower body. In The Columbia Encyclopedia it states that one of Baroque art characteristics is the importance to develop a naturalistic illusion, dramatic lighting effects, energy, and movement of forms. In Gentileschi painting it shows dramatic lighting with the dark background and light colors to emphasize in the dramatic scene that the artist in trying to depict. In addition, she created the blood splatter as naturalistic illusion as possible by showing that blood splatters upwards once Judith made the cut. The painting also shows energy and movement in the way that the characters are positioned. It shows how they are in a position that one would make when putting a lot of strength. Also, according to The Columbia Encyclopedia two other characteristics of Baroque art styles is to portray restrained feelings and depict religious, physical sensuality, or individual psychology, and to use colors to bring and deliver emotional and physical effects to viewers.
In Judith Slaying Holofernes it clearly depicts individual psychology because of the violence and torture that the artist shows in her painting. Holofernes face shows a face that he doesn’t understand what is happening to him at that moment and it also shows that he is scared. Both woman shows hate and sadness in their face, but mostly hate because they are looking directly at Holofernes. Gentileschi delivers an emotional effect on viewers because it makes us think why is the painting so violent and to see that she was able to show such violence in a painting in such a gruesome way is incredible. In the painting Judith Slaying Holofernes it represents the artist psychological context. Based on lecture notes from Patricia Bostian, Formalism is assumed that the work is carefully calculated to the works unity. Some of the Formalism ideas that contribute to Gentileschi painting are: the theme, conflict, and the
tone. The theme of the painting shows violence and vengeance. The artist calculated the representation of the theme of the art to bring out the meaning behind the image. The theme appears in the painting with Holofernes struggles to be released. This shows the theme of violence and vengeance as the two women are above the men taking his life away. The conflict in the painting is that Holofernes was in bed covered with a sheet, and two women are slaying him. It is a conflict because women are doing a gruesome act towards a man. The artist completing this work of art shows no remorse against men. The tone in the painting is an aggressive, violent tone as it shows the anger that a woman has toward the men. The dark colors emphasize the brutal act and the mission that the women have achieved. The artist also emphasizes the tone of the painting by creating a vivid act with blood splattering up and all over the bed. In conclusion, the painting Judith Slaying Holofernes is a Baroque style painting that shows aggression and violence. The artistic use of dark colors in the background emphasizes the act and gives it light to the characters and the violence. The artist portrays emotion and violence with the characteristics used, such as the colors, lines, and facial expressions. This painting is a very aggressive painting, but one that can portray different meanings behind what the artist is trying to express.
The colors used in the painting are dark and some parts bright illustrating a focal point being the skull in the center as well as the quill, both surrounded by darker colors in comparison.
Additionally, Lie placed tall trees in the foreground of the painting to give a sense of the scale between the observer’s perspective and surrounding objects. Furthermore, Lie used dark, cold colors, such as purple, blue and black, to depict the feeling of a winter’s afternoon. Lie also used snow on the ground as an obvious indicator of the time frame in which the painting is occurring. However, in contrast to the dark cold colors used, Lie also used subtle hints of orange, yellow and red to show that there is some presence of light in the piece. The background of the painting is a sheen of yellow, suggesting the presence of light and the forming sunset.
I had never heard of the artist Artemisia Gentileschi before this introductory Art course. Of all the paintings and sculptures found within the book, it was her work that stood out and spoke to me. "Judith and Maidservant with the head of Holofernes" is a particularly rich oil painting by the Italian Gentileschi, painted circa 1625 Europe. Her large canvas measures 72 and 1/2 inches by 55 and 3/4 inches and began as a biblical story telling inspiration come to life within the oil. Located at the Detroit Institute of Arts, the painting was a gift to the institute from Art collector Mr. Leslie H. Green in 1952. Artemisia was the daughter of a painter (and caravaggio influenced) Orazio Gentileschi, she was also the wife of little known artist Pierantonio Stiattesi. Artemisia had four sons and one daughter during her marriage. A student of the Chiaroscuro technique and during a time when women were not believed capable of painting competitively and intelligently as the men of the day. Artemisia proved them wrong with stunning work and artistry over her artistic career.
This painting consists of regular lines as well as implied lines. Some of the regular lines that have been included are flowing, curved lines, such as the Earth that the woman is sitting on top of. Additionally, the background is made of small scenes that have been outlined by a dotted line, which places emphasis on the scenes. Besides regular and visible lines, there are a few implied lines in this painting. For instance, the woman's eyes are looking forward, so there is an implied line to the audience. Additionally, another implied line would be the woman's right arm, which is pointed towards her headpiece, while her left arm is pointed towards the earth. Nonetheless, this painting is not intense; although it does have splashes of color, this painting does not have a bright saturation. Instead, this painting is slightly dull, which makes this painting appear vintage. Additionally, since this background is a dark color, it makes the rest of painting, especially the headpiece, stand out. Besides colors and lines, even though this is a painting and there is no physical texture, there is invented texture. Upon viewing this painting, underneath the earth where the woman is sitting on, there are roots as well as grass, which give texture and feeling to the painting. In the end, this painting consists of several elements of composition, which Heffernan has done a wonderful job
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
Louise Bourgeois and Constantine Brancusi were both two artists that had very abstract pieces of art. Though the two artists had very different pieces of work they also shared a lot in common. Bourgeois and Constantine both had very visually dramatic styles of art that focused on sexuality and reproduction in forms of the human body. In this paper I will be talking about both artists backgrounds and works as well as what they share in similiarity and the underlying message of their work.
Women were not allowed to draw naked people, so instead she painted women in informal environments as seen in “The Chess Game”. Her paintings helped break gender and class barriers and led the way for women to be accepted in society as artists. Historian Whitney Chadwick wrote that she was “placed her within a critical category of her own”. (New World Encyclopaedia, 2012) During the middle ages, the only artists were nuns, and Sofonisba’s newfound success influenced the art of today. Many famous male renaissance artists copied her artwork style, which can be seen in the works of Peter Paul Rubens. Giorgio Vasari, the first art historian credited her work: “…she has not only succeeded in drawing, colouring, and copying from nature, and in making excellent copies of works by other hands, but has also executed by herself alone some very choice and beautiful works of painting.” (Oxford,
Gentileschi’s Judith Slaying Holofernes epitomizes the style of artwork during the Italian Baroque era. By using a Catholic subject and key elements and techniques essential to baroque art such as chiaroscuro and foreshortening, she was able to create a piece that gushes drama and realism. Without the use of all of these elements the effect would be lost, but instead the piece is one that moves the viewer with its direct and gritty realism of the religious subject, evoking emotion in a way that leaves the viewer in awe.
RODERICK CONWAY MORRIS, “Artemisia: Her Passion Was Painting Above All Else”, New York Times, Published November 18, 2011
Color is used to draw attention to important characters and objects in the painting. The red of Mary’s shirt emphasizes her place as the main figure. A bright, yellow cloud floating above the room symbolizes the joy of the angelic figures. De Zurbaran uses warm colors in the foreground. The room, used as the background for the scene, is painted in dark colors utilizing different hues of gray and brown.
The Interpretation/Meaning (III) will be written without any guideline points, the aim of this part will be to determine what the painter wanted to express with his piece of work and what it tells us in a symbolic or not instantly clear way. This part will also handle why the artist drew the painting the way he did it and why he chose various techniques or tools.
Frida was born around the beginning of the Mexican Revolution and the overthrowing of the President of Mexico,Porfirio Diaz. However, Artemisia Gentileschi was from the Baroque period; the baroque period was a more peaceful era than the mexican revolution. The baroque period consisted of poets, painting, architecture, and etc. The way that Artemisia learned to paint was from her father, who was also a painter. Her life did not consist of butterflies and daisies. She experienced of the most heartbreaking thing a child could come to know; her father died when she was
The most prominent color in this painting is blue; it is used in the walls, the doors the articles of clothing hanging on the wall hook and some of the items resting on the nightstand. The other prominent color is green, used on parts of floorboards, the window, a part of one of the doorframes, parts of the hanging paintings and the empty vase on the nightstand. Brown is the only ...
In order to familiarise myself with the above topic, I have invested much time reading vast selection of the portraiture art themes with aim to get acquainted with the knowledge and the language used in this particular subject. It was very challenging and entertaining to read comprehensive range of various critiques and analysis of the world best paintings stretching from ancient classic to contemporary western image. Developing understanding of the diverse art expressions and social and political influences tha...
Rossetti shows us the woman being painted as many different things. Although she is just a painting, the woman symbolizes how the artist views women in real life: as objects. Irony is used when the woman is painted as “a queen”(5). She is put on a pedestal in a position of power, yet she is only described as being “in [an] opal or ruby dress”(5), cementing her role as an ornament. The ruby symbolizes passion and perhaps promiscuity. Opal is a white stone that reflects many colors. White symbolizes purity; while the different colors reflected symbolize how her meaning can change, and how the artist controls her identity and can make her fit any persona he desires. The woman is also depicted as a “nameless girl”(6), indicating her identity is not important to the artist. It also shows that he does not personally know the women he’s painting, but only their looks, affirming that he bases their value off of their appearances. Lastly, the artist portrays a woman as “a saint [and] an angel”(7) and compares her to the “moon”(11), an allusion to Artemis, the goddess of virginity. In this painting, she is established as a pure virgin, which was a requirement of the time period Rossetti lived in. However, because it is one of the fantasies the artist creates, and the poem antagonizes him, this line also expresses the idea that a woman’s purity should not define her. He makes the innocent virgin and the licentious queen the only ways women can be viewed. Yet, they are the same to him. Lacking depth, their physical description is the only thing giving them any meaning. Rossetti describing the portraits conveys the idea that no matter the position in society; or what their actual personalities are like, women are just blank canvases for men to project their fantasies onto. Uninterested in a real person, the artist worships the idea of a