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Cubism was one of the strongest art movements in the 20th century that gave birth to many other movements such as futurism and suprematism. The Forefathers of this revolutionary way of painting were Pablo Picasso and George Braque. Although it may have seemed to be abstract and geometrical to an untrained eye, cubist art do depict real objects. The shapes are flattened onto canvas so that different sides of each shape can be shown simultaneously from many angles. This new style gave a 3 dimensional look on the canvas. The cubist movement gave rise to an extraordinary reassessment of the interaction between form and space changing the course of western art forever. The groundbreaking Demoiselles d’Avignon was controversial not only for the way the women looked but also for the positions of the women. Although Picasso did not emphasize on detail, he “saw that the rational, often geometric breakdown if the human head and body employed by so many African artists could provide him with the starting point for his own re-appraisal of his subjects”(Cubism 53). “The naked women become inextricably bound up in a flux of shapes or planes which tip backwards and forwards from the two-dimensional surface to produce much the same sensation as an elaborate sculpture…”(Cubism 54). Futurism was an art movement, which was influenced by cubist art. Cubism showed no motion it was futurism that was fascinated with machinery, transport and communications. In paintings and sculpture,...
The first day an unknown sample was assigned to each group of students. The first test applied was a gram stain to test for gram positive or gram-negative bacteria. The morphology of the two types of bacteria was viewed under the microscope and recorded. Then the sample was put on agar plates using the quadrant streak method for isolation. There were three agar plates; one was incubated at room temperature, the second at 30 degrees Celsius, and the third at 37 degrees Celsius. By placing each plate at a different temperature optimal growth temperature can be predicted for both species of bacteria.
Cubism began as an intellectual revolt against the artistic expression of previous eras. Analytical Cubism and Synthetic Cubism are the two main terms used to describe paintings from this movement. In Analytical Cubism, the artist broke down, or analyzed, and then reassembled the observed forms in a mixture of ways. Similarly, in Synthetic Cubism, artists attempted to synthesize or combine imaginative elements into new representational structures. Among the specific elements abandoned by the cubists were the sensual appeal of paint texture and color, subject matter with emotional charge or mood, the play of light on form, movement, atmosphere, and the illusionism that proceeded from scientifically based perspective. Instead, Cubists used an analytic system in order to disjoint and reorganize the three-dimensional subject, which they were painting. In a shallow plane or within many interlocking and usually transparent planes the object would be lost and found again. Usually showing the object from different angles on a two dimensional plane.
This movement started in Germany and later on settled in the United States. Neo-Expressionists were sometimes called Neue Wilden (“The Wild Ones”). The word Expressionism was a movement in poetry and in paintings and this usually would present the subjective perspective.
The purpose of Friedrich Nietzsche's On The Genealogy of Morals (1887) is to answer the following questions, which he clearly lays out in the preface: "under what conditions did man devise these value judgments good and evil? And what value do they themselves possess? Have they hitherto hindered or furthered human prosperity? Are they a sign of distress, of impoverishment, of the degeneration of life? Or is there revealed in them, on the contrary, a plenitude, force, and will of life, its courage, certainty, future?" (17). These questions come about from Nietzsche's rejection of the Darwinian-Spencerian-utilitarian explanation of morality, characterized by his portrayal of the "English psychologist, " and serve as a framework in which he constructs the arguments in his book.
Crooked Beak of Heaven Mask is a big bird-figure mask from late nineteenth century made by Kwakwaka’wakw tribe. Black is a broad color over the entire mask. Red and white are used partially around its eyes, mouth, nose, and beak. Its beak and mouth are made to be opened, and this leads us to the important fact in both formal analysis and historical or cultural understanding: Transformation theme. Keeping that in mind, I would like to state formal analysis that I concluded from the artwork itself without connecting to cultural background. Then I would go further analysis relating artistic features to social, historical, and cultural background and figure out what this art meant to those people.
Friedrich Nietzsche is recognized for being one of the most influential German philosophers of the modern era. He is known for his works on genealogy of morality, which is a way to study values and concepts. In Genealogy of Morals, Friedrich Nietzsche mentions that values and concepts have a history because of the many different meanings that come with it. Nietzsche focused on traditional ethical theories, especially those rooted in religion. Not being a religious man, he believed that human life has no moral purpose except for the significance that human beings give it. People from different backgrounds and circumstances in history bend morality's meaning, making it cater to the norms of their society. For example, the concept of what is "good" in the ancient Greek culture meant aristocratic, noble, powerful, wealthy, pure, but not in modern era. Meaning, in the past the term “good” was not applied to a kind of act that someone did but rather applied to the kind of person and background they had. Nietzsche’s project was to help expand one’s understanding by re-examining morality through genealogy of morality; helping one to be more aware of a potential confusion in moral thinking. He feels that the current values and concepts that have been instilled into a society are a reversal of the truth, forcing him to believe that one’s moral systems had to have been created within society. In the works of genealogy of morality, Nietzsche traces out the origins of the concepts of guilt and bad conscience, which will be the main focal point, and explaining its role in Nietzsche’s project against morality. It will be argued that guilt and bad conscience goes against Nietzsche’s role against morality because it can conflict with the moral co...
Cubism reveals the degree to which modern artists were conscious of their relationship to artistic conventions born in the Renaissance. It was loose abstraction, and stayed a forceful hold on the physical world. There are two categories of Cubism. Analytical Cubism is analyzing and dissecting a painting to get full accuracy. Shadows play a huge roll in this and it is the opposite of Impressionism. The other type of Cubism is Synthetic Cubism, which is a synthesis, bringing together other sources and materials that are collage-like.
The Art Deco movement had its beginnings in Paris, at the 1925 Exposition Internationale des Arts Decoratifs which was a showcase for new inspiration and was initially meant to advertise the authority of the French in the creation and manufacturing of luxury goods. With a small, yet faithful following from the early 20th century, Art Deco evolved from nationalism, Art Nouveau, Cubism, Futurism, Neo-Classism, and modernism, and flourished after World War 1, achieving global popularity between the two world wars, primarily in the jazz age of the roaring 20's and 30's. As a result of a civilization ravaged by war and the deprivation and poverty that follows war, intertwined with the hopefulness of the machine age and the new women's liberation
When Americans hear the names Al Capone, Pablo Escobar and even Tony Soprano voluminous thoughts come to mind, one recollection being the organized crime that all of them were involved in. Popular culture has ingrained the image of the mafia or the mob when we think of organized crime. In order to understand how organized crime came to grow so productive, one must understand what exactly organized crime is. It is hard to tell where or when organized crime in the United States began, but there is a clear timeframe that organized crime began to spread and multiply. Before there were speakeasies and bootleggers, there was the 18th amendment that outlawed the sell and consumption of Alcohol. It was a simple notion of supply and demand. Many Americans
In 1907, Picasso created a new type of art, Cubism. For those who don’t know what cubism is, it captured and exaggerated certain features of a subject. “Cubism is renowned as a groundbreaking artistic movement in and of its own right, yet it also influenced generations of artists to follow, shaping the very history of art.” (Unknown 6) This technique changed art all around the world. It helped people express more depths within a painting. To this day, artists look at Picasso’s pieces for inspiration.“There had been no prior artist to Picasso, who had such an impact on the art world, or had a mass following of fans and critics alike, as he did.” (McConell
Alberti was known to be a great advisory to me and he was influenced from a lot of people including Sigismondo Malatesta. During that time of when he was in Rimini, Italy, he was working with an outstanding person in which this person would realize his most delicate and original ideas in marble, shaping brilliant, carefully chosen stones with dazzling precision until they embodied Alberti’s vision of fortune as a filled sail. Malatesta has ransacked his way from the churches in the surrounding area. It was worse in which Sigismondo ran out of money long before Alberti’s full design was complete, so that neither does the second story that Alberti had planned for his façade nor the magnificent lead-roofed dome that he has planned to raise at the east end of the church that has ever builded.
In the process of development of human society, architecture and culture are inseparable. Cuthbert (1985) indicates that architecture, with its unique art form, expresses the level of human culture in different historical stages, as well as the yearning towards the future. According to his article, it can be said that architecture has become one of the physical means for human to change the world and to conquer the nature. Consequently, architecture has been an important component of human civilization. Since 1980s when China started the opening and reforming policy, a variety of architectural ideas, schools and styles have sprung up. Accompanying with a momentum of...
In the 1960s we saw that IBM was getting majority of its income from the System 360. This was a very good time for IBM because sales were booming and it was growing. Eventually sales begin to decline and the company nearly died because its plans and strategies did not change with the circumstance. Then Louis V. Gerstner comes in as the new CEO and turns the company around over time through his leadership. He does this by changing the company’s plans and the way the company operated because circumstances were now different. This shows that leaders play a huge role in the fate of its people and organization. In the IBM book we see Lou shares the same opinion because he says, “It’s been said that every institution is nothing but the extended shadow of one person”. This person Lou refers to is the
However, these values changed after the emergence of Christian ressentiment which flipped the cruelty exhibited by the masters before from something good to something evil; this taught man to be ashamed and to reject his primal instincts (those of the masters) which told him that cruelty and abuse was essential to a happy life. Before this reversal, humans celebrated our cruel instincts: "[W]ithout cruelty there is no festival: thus the longest and most ancient part of human history teaches—and in punishment there is so much that is festival!"( Nietzsche, Genealogy , essay 2, section 6). Nietzsche believed that punishment as it was supposed to be practiced in the days of the masters is no longer how it is actually practiced in modern society. This is because if punishment still represented the sovereign power (as Foucault would put it) of those who punished, we would no longer punish. Originally, punishment came about as the direct expression of the will of the powerful (what Foucault called the “sovereign”). However, in our modern society, a change has taken places and the roles in punishment have been reversed. Being powerful in ancient times was likened to being cruel and happy; being powerful nowadays is the ability to suppress those instincts, to reject cruelty and through that,
Those visual art styles were created by Pablo Picasso and Georges Braque. Cubism has a great role about the understanding of modernism and that plays a role in the 20th century art till this day. In the article it says: “…Cubism was the cornerstone of twentieth-century art because it broke with past tradition definitively; established “modernist” flatness, opticality, and involvement with the medium of art; and thus sanctioned a new tradition that would lead to nonobjective art as well as to assemblage and to other “modernist” principles and practices.” By reading this it shows that Cubism had a huge impact in the 20th century and that it had something special about it that made it really important. Cubism is all about art and it’s also art, Picasso is really popular because of his work and that was all in the period of Cubism which is still to this day. Cubism is one of the first to be most developed in the modern era, especially in the visual