In early 20th century China, women were forced into marriage. This was known as arranged marriage. In China, women were not equal to men due to their patriarchal society. Often arranged marriages in China had a negative effect on women. Amy Tan portrays how women were mistreated in marriages in her book, The Joy Luck Club. In the chapter,“ The Red Candle” Lindo Jong was forced into an arranged marriage at a very young age and was treated horribly( Tan 23). Arranged marriages portrayed in Amy Tan’s “The Red Candle” clearly exemplify the culture of early 20th century China and its negative impacts on women.
Lindo’s arranged marriage forced her to perform tasks obediently. When Lindo arrived at her new home, Huang Taitai came to get her and pushed
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Lindo’s status in the family was considered equal to a servant. Lindo had diminished her self-worth. She thought everyone’s opinions were more important than her own opinion. "I came to think of Tyan-yu as a god, someone whose opinions were worth much more than my own life."(Tan 27). Lindo felt Tyan-yu’s approval was the most important thing in her life. She was physically abused for not sleeping with her husband. "All of a sudden she stood up from her chair, walked over to me, and slapped my face."(Tan 30). She was just used to create offspring for her husband’s family. "My son says he's planted enough seeds for thousands of grandchildren."(Tan 30). "Her position and security within her husband's family remained ambiguous until she produced male heirs."(Hays par 14). It shows that wives had not status until they had children. Lindo had many negative impacts during her arranged marriage.
In the journal,"The Impact of Chinese Cultures on a Marital Relationship", shows an example of a Chinese arranged marriage with negative impacts. The wife is treated as if she is a servant. "Treat me like a nanny."(Scharff 2). Her husband doesn't see her as a wife, he sees her as a worker. The wife needed to produce babies for the husband. "I needed to have a child for him."(Scharff 8). This marriage clearly represents how women were negatively
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
In her book, The House of Lim, author Margery Wolf observes the Lims, a large Chinese family living in a small village in Taiwan in the early 1960s (Wolf iv). She utilizes her book to portray the Lim family through multiple generations. She provides audiences with a firsthand account of the family life and structure within this specific region and offers information on various customs that the Lims and other families participate in. She particularly mentions and explains the marriage customs that are the norm within the society. Through Wolf’s ethnography it can be argued that parents should not dec5pide whom their children marry. This argument is obvious through the decline in marriage to simpua, or little girls taken in and raised as future daughter-in-laws, and the influence parents have over their children (Freedman xi).
No relationship is ever perfect no matter how great it seems. In the novel The Joy Luck Club, written by Amy Tan, she tells the story of a few mother daughter pairs that are in a group named the Joy Luck Club. The Joy Luck Club is a group of women who come together once a week to play mahjong. The founder of the Joy Luck Club, Suyuan Woo, dies, leaving her daughter Jing-mei to take her place in the club. Her daughter, Jing-mei, receives money from the other members of the club to travel to China in order to find her mother's twin daughters who were left many years ago. In this book you get more of the details of this family and a few more. Amy Tan uses the stories of Jing-mei and Suyuan, Waverly and Jindo, and An-mei and Rose to portray her theme of, mother daughter relationships can be hard at times but they are always worth it in the end.
However, this “ladder of success” was not as simple as it seemed. First of all, the class of both families will be a huge barrier. We are not even talking about freedom to love here, there is no such thing in late imperial China. Although we can’t say that love doesn’t exist even in such systems, such as Shen Fu and Chen Yun, but most marriages are not about love. Rather, it was about exchange of values. For example, when two families want to become business partners, the parents of the family will have their son and daughter married, so the two families will have closer bonding which made the business much easier. In this sense, we can see that the couple is simply a tool. In the same sense, the families which has not much “values” can only have marriages with the same class of families. Meaning for a women to climb up the ladder of success is not quite possible as the class of her family is a huge deciding factor for marriage in the
Tan likes to show Lindo through indirect characterization. Lindo would always try to make things right. She would be polite to her new mother in law and when she was with her mother in law she would hold out a treat and say “ For you, Mother” (53). Even though Huang Taitai was not her real mother, Lindo would act as though she was, but before Lindo did this she would turn to her mother and ask for forgivness. This shows that she is a caring girl and she will always try to behave and be nice to every one. Tan also shows us how brave Lindo is. When it came time for the family to leave for shanghai, it was said that “the whole family except for Lindo would leave” (53). Lindo didn’t say a word. When the day finnaly came, no one said goodbye. All that was said was, “do not disgrace us”
From the beginning of Wang Lung’s marriage to O-lan, she saved him time, money, and effort without complaint. She offered wisdom when asked and was smart in the ways of the world. During the famine, when the family went south in search of food, O-lan taught her children how to beg for food, “dug the small green weeds, dandelions, and shepherds purse that thrust up feeble new leaves”(p. 128). She raised her children prudently. She knew how to bind her daughter’s feet, and she gave them a better childhood than she had had. O-lan knew that the land was the only consistent thing in her life, so she willingly helped Wang Lung as he bought more and more land. O-lan knew her place in the family was as a wife and mother. As a wife, she fe...