“The Sixties” were a time where music was desired and men and women began to explore deeper into their sexuality. In Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” Connie, a fifteen-year-old girl obsessed with her appearance, was like the sexually curious women of the sixties. Her friendliness and the way she dressed allowed Connie to “test the waters” with a few men. However, Connie may have drawn some unwanted attention to herself one night from a man, who would soon be known as Arnold Friend, while out with her best friend one night. There are many things that are off about Arnold Friend, but Connie is too caught up in her looks to notice that Arnold is not who he says he is. Connie was a very beautiful girl who …show more content…
was obsessed with how she looked. The narrator states that “[Connie] had a quick, nervous giggling habit of craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (94). Connie believed her hair was part of what made her beautiful. Her long, dark blonde hair is a symbol of her vanity. Connie is always doing something to her hair. She skips out on going to the barbeque with her family just so she can wash her hair, making Connie seem like a self-absorbed individual. Also, when Arnold Friend pulls into her driveway, her first reaction is to fix her hair for the person coming to see her. Arnold notices that Connie is fond of her hair and jokes about why she would not want to go with him in his car because the wind would mess up her hair. Once Arnold starts to gain more control over Connie, she starts to wish that her hair did not look the way it did. Connie mentions she only had to wash her hair and then her father would be coming back to get her, but Arnold retaliates and tells Connie “you had to wash your hair and you washed it for me. It's nice and shining and all for me” (105). Arnold also mentions that he knows her father, along with the rest of her family, will not be coming home any time soon to help her. This makes Connie a little uneasy. From Connie’s actions and reactions towards the things that Arnold says, we can tell that Connie is starting to second guess if her beauty is everything. Arnold’s knowledge about the whereabouts of Connie’s family shows that Arnold cannot be human. Arnold Friend is the demon figure in this story.
Simply enough, you take the “r” out of his last name to see what he truly is: a fiend, which is an evil spirit or demon. Arnold Friend is the Devil. The narrator says that “evidently his feet did not go all the way down; the boots must have been stuffed with something so that he would seem taller” (105). This suggests that Arnold may not have human feet, but rather hooves like the Devil is depicted to have. These hooves would mean that Arnold does not have a heel to support him, which is why he lost his balance. Also, having hooves would explain why he appears taller. Arnold’s character is also very sexual and controlling. The story hints at religion a lot, so if looked at from a religious standpoint, sex before marriage is a damning thing, which could again lead someone to assume Arnold is the Devil. Another factor that points towards Arnold being the Devil is the fact that he can make himself appear younger than he is. At first, Arnold is this skinny, muscular teenager with messy hair and sunglasses; but as the conversation between Connie and Arnold continues and he becomes more violent, his age starts to show. This is one example of how the story hints at Arnold’s true …show more content…
character. Arnold’s car also suggests that there is something odd about him. Arnold’s car is painted bright gold, which is the bible represents God and God’s love. The broken mirror and black writing all over the car suggests sin and death and the impurities in God’s love. God does not love the Devil, which is why Arnold’s name was written on the car in black letters. The car also has the saying “MAN THE FLYING SAUCERS” (101) written on the side of it. This being an old saying alarms Connie. This could suggest that Arnold is an old man trying to relate to slang used by younger people. The numbers that are painted on the car, which are 33, 19, and 17, could mean many things. In the book of Judges (33), chapter 19, verse 17: “And when he raised his eyes, he saw the traveler in the open square of the city; and the old man said, ‘Where are you going, and where do you come from?’” This verse reveals the title of the story. In regards to the bible, “where are you going” could be Arnold asking Connie if she is going to Heaven or Hell. “Where do you come from” is Connie questioning whether Arnold is just some old, creepy man, or if he, in fact, is from Hell. Arnold Friend’s appearance also suggests something sinister.
Arnold is described as having “shaggy, shabby black hair that looked crazy as a wig” (98) and he was always wearing sunglasses. Arnold was also wearing a “white pull-over shirt that was a little soiled” (100) and black jeans with boots. Connie was attracted to Arnold because of the way he was dressed. The white shirt that Arnold was wearing represents Connie’s purity. However, the shirt is somewhat soiled, which suggest that Connie’s innocence is also soiled. Connie has messed around with a few men, but has not gone all the way with them, which is why the shirt is still somewhat white. The narrator also suggests that Connie may have been raped by Arnold Friend when she picked up the phone to try to call for help, stating there was “something Arnold Friend was stabbing her with again and again with no tenderness” (107). Connie’s green blouse being wet could also suggest that Arnold had done something to her. Green in the bible suggests plant life. Arnold wants to take Connie to a field where he will end up killing her. The blouse being wet would also represent that blood that may saturate the field once Arnold kills
Connie. Connie and Arnold, as the Devil, have something common. Both were taken down by their pride and self-love. The Devil himself once was an angel, but had become a Fallen Angel because he took too much pride in himself. Connie also took too much pride in herself. She thought she was the most beautiful girl and believed her mother favored her over her sister, June, because of her looks. Once Connie met the Fallen Angel, Arnold, she would too meet her demise. This story by Joyce Carol Oates shows that too much pride will bring someone down and will eventually turn them into something they never wanted to be.
At the end of the movie, a stranger named Arnold Friend encountered Connie at her home while she was home alone. Arnold was a vicious, but alluring character. The way he dressed was as if he tried to imitate a young teenage boy. First, his intentions for Connie were kind of blurry. Connie, being as
Greg Laurie describes the devil as a sly, smart person, in his article “The Truth About the Devil,” and says that even though Satan does not know everything, he knows how to use what he has to lure you to him. Right off the bat, Arnold tells Connie that he knows her family is out and for how long. He also mentions her best friend and other friends by name and tells her, “’I know everybody’ (4)”. This shocks Connie and I think makes her fear that he will hurt them if she does not comply.
In Joyce Carol Oates’, “ Where are You going Where have you been,” it was a sunday morning when Arnold continues another one of his daily routines. The main girl, Connie, is a self-centered and shy girl, whose mother is always puts her in the background and makes her feel excluded. For instance, her mother says rude comments like “you think your so pretty” and “you don't see your sister using that junk” (1). Then a guy came into her life. “Where are You Going Where Have You been illustrates a man who uses charms and good looks to get young or middle aged women to satisfy himself, but with this one girl he has some trouble along the way.
Connie, from “Where Are You Going, Where Have You Been”, wants to rebel against her family. She uses her attractiveness to flirt with boys at the local restaurant behind their backs as a form of rebellion. She feels as though her family does not appreciate her; her father does not pay any attention to her and her mother constantly compares her to her sister, criticizing her every move and asking why she cares so much about her appearance. On one of her outings she sees a boy who she vainly chooses to ignore. Later he shows up at her house posing as her friend, calling himself Arnold Friend, and talking to her as though he is another boy she flirts with down at the diner and pretending to be her age. She subtly flirts with him at first, only realizing the danger when it is too late.
Arnold Friend could possibly be a symbol of the devil. Friend tries to be kind and tells Connie he will take care of her and everything to try and get her to come with him. Oates says, “His whole face was a mask, she thought wildly, tanned down onto his throat…”; this could symbolically be connected with the devil. The devil would never be out in the open he would be in disguise. McManus also talks about how Friend is related with the devil. “Friend’s suggestion is that if Connie’s house was on fire, that she would run out to him, may also suggest symbolism. Fire being associated with devil.” This is a great symbol of Friend and the devil because fire is most definitely associated with the
Arnold Friend is the devil in human form. However, as his physical description progresses, he becomes more unreal and more caricature-like with every trait. Everything Connie, the protagonist and object of Arnold Friend's desire, sees is like something else she knows, familiar and recognizable. These traits, however, do not create a homologous character; instead it is an awkward collection of incongruities. If a trait does not appear borrowed, it appears fake or imitating. His hair is "shaggy [and] shabby . . . that looked crazy as a wig," and Connie's assertion is strengthened when he put his sunglasses on his head "as if he were indeed wearing a wig." Already Arnold Friend seems assembled, completely divergent from human characteristics. Connie describes the way he is dressed, as well as his body type, as similar to every other boy out there. With every physical detail, Arnold Friend seems more and more like the devil taking on the appearance of a typical teenage boy in order to prevent scaring young girls away. "His face was a familiar...
The overuse of biblical allusions throughout the story helps to expose the naive nature of Connie that reveals her as a victim of evil which shows that lust often transgresses on an individual’s identity. In “Where Are You Going, Where Have You Been,” Joyce Carol Oates expressed the subjective ideas by symbolizing Arnold Friend as a devil that tempts a clueless teenage girl Connie, who wanted to experience love.
In “Where Are You Going, Where Have You Been” by Joyce Carol Oates, Connie is a normal teenage girl who is approached outside her home by a guy named Arnold Friend who threatens to harm her, and she obeys, if she does not get in the car with him. Connie is the main character in this story who teaches us that sometimes we might search for adult independence too early before we are actually ready to be independent and on our own. Connie is so focused on her appearance that she works hard to create a mature and attractive adult persona that will get her attention from guys. This search for independence conflicts with Connie’s relationship with her family and their protection of her. Connie’s insecurity and low self-esteem is triggered by her fear of intimacy. Connie confuses having the attention of men with actually having them pursue her in a sexual way.
Ignorance and vanity can be good, in small amounts, but too much can lead to very unwelcome consequences. Connie, a teenage girl who can’t get enough of herself, learned this the hard way when a strange man by the name of Arnold Friend arrives at her house with the intent of taking her on a ‘date’. Instead of calling the police or locking herself in, like common sense would imagine, Connie uneasily greets Arnold from her door when he gets out of his car, instantly letting her vanity and ignorance get the best of her. Joyce Carol Oates shocks the reader with the twist ending in her short story “Where Are You Going, Where Have You Been” in which after hearing Arnold’s threat towards her family, Connie hands herself over to Arnold allowing him
During the teenage years they no longer want to be labeled the “child; matter of fact, they have a strong desire to rebel against the family norms and move quickly into adulthood. This transition and want for freedom can be a very powerful and frightening thing as there are evils in this world that cannot be explained. Most parents try to understand and give their teens certain freedoms, but at what expense? Joyce Oates gives us a chilly story about a teenager that wanted and craved this freedom of adulthood called “Where Are You Going, Where Have You Been?”. This is a haunting story of a young girl by the name of Connie who gives us a glimpse of teenager transitioning from childhood with the need for freedom and the consequences of her actions. Connie is described as a very attractive girl who did not like her role in the family unit. She was the daughter who could not compare to her older sister and she felt her Mom showed favoritism towards her sister. Connie is your average teen who loves music, going out with friends, and she likes the attention she receives from boys. During this time, Connie is also growing into her sexuality and is obsessing with her looks as she wants and likes to be noticed by the opposite sex. Her sexual persona and need to be free will be what is fatal to her character’s life and well-being.
Joyce Carol Oates’s short story “Where Are You Going, Where Have You Been?” clearly illustrates the loss of innocence adolescents experience as they seek maturity, represented by Connie's dangerous encounter with Arnold Friend. Connie symbolizes the many teens that seek independence from their family in pursuit of maturity. Connie’s great desire to grow up is apparent from the beginning of the story, as she experiments with her sexuality. However, it is clear that Connie is not interested in pursuing a relationship, but relishes the maturity she feels after being with the opposite sex. After following a boy to his car, she was “gleaming with a joy that had nothing to do with Eddie or even this place” (2). This suggests that Connie's exploits
Oates takes us to a journey of rebellion as the protagonist sorts through self-created illusion in order to come to terms with her own sexual inexperience. Connie’s desires for attention from the opposite sex, her vanity and immaturity blind her to think of the real intentions of guys, in this case Arnold Friend. A character that many critics argue is real, yet, others argue it was created by Connie’s mind.
In the short story “Where Are You Going? Where Have You Been?”, by Joyce Carol Oates, the use of the symbolism of Connie’s clothes, her fascination with her beauty, Arnold Friend’s car and Arnold Friend himself help to understand the story’s theme of evil and manipulation. The story, peppered with underlying tones of evil, finds Oates writing about 15-year-old Connie, the protagonist of the story, a pretty girl who is a little too into her own attractiveness, which eventually gets her into trouble with a man named Arnold Friend. The story is liberally doused with symbolism, from the way Connie dresses to the shoes on Arnold Friend’s feet. In “Where Are You Going? Where Have You Been?” the reader can pick up on some of the symbols very easily, while others need deeper thought. The subtle hints of symbolism throughout the story create a riveting tale that draws the reader in. Connie finally succumbs to Arnold Friend at the end of the story, it then becomes obvious that he represents the devil and the symbolism of her clothing and Arnold’s car all tie together to create a better understanding of the story.
Joyce Carol Oates’s “Where Are You Going, Where Have You Been?” tells the tale of a fifteen year old girl named Connie living in the early 1960’s who is stalked and ultimately abducted by a man who calls himself Arnold Friend. The short story is based on a true event, but has been analyzed by many literary scholars and allegedly possesses numerous underlying themes. Two of the most popular interpretations of the story are that the entire scenario is only dreamt by Connie (Rubin, 58) and that the abductor is really the devil in disguise (Easterly, 537). But the truth is that sometimes people really can just be in the wrong place at the wrong time. Connie, a victim of terrifying circumstance will be forever changed by her interactions with Friend.
First, Arnold Friend’s physical traits portray him as Satan. Oates says that “There were two boys in the car and now she recognized the driver: he had shaggy, shabby black hair that looked crazy as a wig and he was grinning at her,” (Oates 316). The hair could actually be a wig hiding something that he didn’t want someone to see. Maybe he was hiding his devil horns. Also when he was standing Connie had mentioned that “He was standing in a strange way, leaning back against the car as if he were balancing himsel...