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The short story “Where Are You Going, Where Have You Been?” written by Joyce Carol Oates, hasn’t failed to leave readers captivated and terrified. Many critics analyze what exactly happened during the story, was the whole scene a dream or was Arnold Friend really the devil? Those two speculations represent a big part of the story, the character who is often forgotten in analysis, continues to be Ellie Oscar. Although he rarely speaks, Ellie’s mysterious and passive identity is still important. In the article titled, “The Identity of Ellie Oscar Reconsidered” by Anthony Ellis, he offers the idea that Ellie and Eddie were actually the same person, which would explain where Arnold got his information about Connie. In contrast, Alice Hall Petry’s …show more content…
At first, Ellie just sits in the car without a care of what’s happening between Connie and Arnold. However, by giving him a second thought, it’s almost like he’s the last resort in the plan, the one to really cause trouble if Arnold couldn’t get Connie to come with them. It seems that he wanted to get the whole thing over with; he remained quiet throughout the whole scenario, and suddenly said, “You want me to pull out the phone?” (Oates) when Connie tries fighting back. After finally seeing Ellie’s face, it was the first time that Connie started feeling uncomfortable and says, “Maybe you two better go away” (Oates). This shows how big of an impact Ellie had because he made Connie realize that maybe something was actually wrong with the situation. There is much more to the character of Ellie Oscar than just being the strange man in the car, and it will take more analyzing to uncover …show more content…
Connie meets Eddie the same night that she sees Arnold Friend wagging a finger at her saying, “Gonna get you, baby” (Oates). By making this connection, it would be easier to infer where Arnold gained his information about Connie. Arnold knew a long list of her friends, her address, and even her family. Eddie could’ve very well learned all this while spending the night with her. To solve the issue with Connie recognizing “Eddie” again in the car, he was careful to hide his face and never step out. However, Hall also points out how Connie states, “All the boys fell back and dissolved into a single face that was not even a face, but an idea, a feeling” which makes it even easier for Ellie to keep up his act. According to the article, more clues are given about Ellie when Arnold says, “This isn’t Ellie’s date. You’re my date…” and “Ellie keep to yourself, this ain’t your date-right?” (Oates) because it indicates that Arnold is reminding Ellie that he already had his turn to go out with Connie. These clues and opinions all point to the conclusion that Ellie is Eddie, and he played a big part in providing information about Connie during their first
Where Are You Going, Where have You Been by Joyce Carol Oates is a tale of a naive young lass taking her first steps into the illusion of the teenage dream. For the regular viewer of the film Smooth Talk, one would not pick up on the elaborate history behind the movie. Dating back to the 1960’s, the written story sheds very little light on the true sadistic nature of the means and intentions of Arnold Friend. Going back even further, the written tale is based on Life Magazine's article “The Pied Piper of Tucson” the true story of a middle aged man who preys on adolescent girls, getting away with devious sexual acts and sometimes murdering said adolescents. Without this previous knowledge, both the story and the movie seem for the most part innocent, with only a tad of creepiness generated
A spider, a zombie, a serial killer, all of these things would scare most but why do people pay good money to be scared by all these things? Because people like to be scared. Ever since people could speak to one another, they have been telling these stories. whether it be around a dim lit campfire, in the form of a book, or even on the big screen. these stories stand out through time because of their graphic word choice, unique characters, and suspense. Edgar Allen Poe’s “The Black Cat” and Joyce Carol Oates “Where Are You Going Where Have You Been?” both possess these elements of word choice and suspense along with psychotic like characters such as Arnold Friend (WAYG) and the narrator (The Black Cat). Poe's character the
Oates uses a great number of symbols in her short story "Where are you going? Where have you been? to create an aura of unease and Devilishness. Her principal symbols are Arnold Friend, his disguise, and the music Connie listens to. Oates' use of symbolism and Biblical allusions to Satan force the reader to raise an eyebrow to the character of Arnold Friend and the doomed future of Connie.
Arnolds uses his charms and good looks when he enters to start off his adventure. It is clear that Connie enjoyed
In the short story “Where Are You Going, Where Have You Been?” written by Joyce Carol Oats, the writer includes a very interesting character. One of the main characters, Arnold Friend, is a dynamic character due to the sudden changes of this physical appearance and personality. At first he seems charming and a little on the sweet side, but then his dark side starts to show as the story progresses. He first appears when Connie abandons her friend to go with a boy named Eddie. Arnold is seen in his gold convertible Jalopy, which is the first sign that he wants to be alluring. His first words in the story are "Gonna get you, baby" this foreshadows his intentions when it comes to Connie
"Connie, don't fool around with me. I mean—I mean, don't fool around," he said, shaking his head. He laughed incredulously. He placed his sunglasses on top of his head, carefully, as if he were indeed wearing a wig…” (Oates 6). Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” highlights an altercation, meeting, conflict and dispute between a teenage girl, named Connie, and a psychotic rapist named Arnold Friend. Throughout their altercation, Arnold Friend tempts and encourages Connie to get in the car with him and lead her to a variety of possible dangerous situations, one of which includes her getting raped . There is no doubt that Joyce Carol Oates’ uses Arnold Friend in her short story “Where Are You Going, Where Have You Been?” to symbolize the Devil and embody all of the evil and sinister forces that are present in our world. This becomes apparent when the reader focuses on how deranged Arnold Friend is and begins to
In “Where Are You Going, Where Have You Been?”, Oates wants to show a more intellectual and symbolic meaning in this short story. Oates has many symbolic archetypes throughout the short story along with an allegory. Oates uses these elements in her story by the selection of detail and word choice used. Oates does this because she wants to teach her audience a moral lesson.
Arnold Friend imposes a devilish and menacing pressure upon Connie, who ultimate gives in, like a maiden entranced by a vampire's gaze. His appearance, sayings, and doing all combine to form a terrifying character that seems both reasonable and unlikely at the same time. There are people like Arnold Friend out there, not as incoherently assembled, and still he seems an extraordinary case of stalker. A small and even insignificant aside about his name, Arnold Friend, is that with the R's his name would read A'nold F'iend, or "An Old Fiend" i.e. the devil. But, regardless, Arnold Friend is very precisely portrayed as a corrupter of youths and a deflowerer of virgins. Without his useless sweet-nothings or his strange balance problem, he would come across less dangerous and alluring.
The narrator implies that Arnold Friend is Satan by giving certain clues that the reader can easily deduce. The name that Oates gives to the character is one hint to the reader: “Connie looked away from Friend's smile to the car, which was painted so bright it almost hurt her eyes to look at it. She looked at the name, Arnold Friend. She looked at it for a while as if the words meant something to her that she did not yet know” (583). The name “friend” was commonly used by the Protestants to refer to evil or the devil. Moreover, Arnold Friend's appearance also hints that he is Satan: “There were two boys in the car and now she recognizes the driver: he had shaggy, shabby black hair that looked as a crazy wig”(583). The narrator emphasizes the “wig” to make the reader think that he is wearing it for a purpose, which is hide his devil’s horns. Also, the fact that Arnold Friend's eyes are covered is another stragedy use by Oates to confirm the assumption of the diabolic presence: “ He took off the sunglasses and she saw how pale the skin around his eyes was it, like holes that were not in shadow but in...
Connie's actions also played a big role in her abduction. Connie liked to go out and hang out with guys. She liked to hang out with different guys, not the same one every night. Guys talk about girls like this and spread nasty rumors about them. These rumors probably did not escape the ears of Arnold Friend. So even before he saw Connie for the first time he probably had the idea that she was easy. He said as much towards the end of the story when he started naming people she knew and telling her that they told him things about her (Oates 983).
"I mean, anybody can break through a screen door and glass and wood and iron or anything else if he needs to, anybody at all, and specially Arnold Friend.” (Where Are you Going, Where Have You Been, Joyce Carol Oates, pg. 8) Oates manages to make the story “Where Are You Going, Where Have You Been?” a true horror, because it is relatable. The story leads us through the life of Connie until she encounters Arnold Friend and Ellie Oscar, who pressures Connie into leave her home and leaving thus leading to her murder. Throughout the story we have three main characters: Connie, Arnold Friend, and Ellie Oscar. We relate to Connie, we know people like Arnold Friend exist, and we could be Ellie Oscar.
In the short story, Connie is a young, naïve, sassy, little girl who hates her mom and sister. According to Oates, “Connie wished her mother was dead” (324). Connie enjoys going out with her friends and going to a drive-in restaurant where the older kids hang out. Connie is innocent, but thinks about love and sex. She is desperate to appeal to boys and succeeds at it when a boy with shaggy black hair says to her, “Gonna get you, baby” (325). Her encounter with this boy will change her life forever, because he is the antagonist that influences Connie’s loss of innocence. On a Sunday afternoon, the boy, Arnold Friend, visits Connie and asks her to come for a ride, which she declines. But, Arnold Friend won’t take “no” for an answer and threatens to go in the house. For example when Connie says she will call the cops, Arnold says “Soon as you touch the phone I don’t need to keep my promise and come inside”
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
Rubin attempts to convey the idea that Connie falls asleep in the sun and has a daydream in which her “…intense desire for total sexual experience runs headlong into her innate fear…” (58); and aspects of the story do seem dream like - for instance the way in which the boys in Connie’s daydreams “…dissolved into a single face…” (210), but the supposition that the entire episode is a dream does not ring true. There are many instances in which Connie perceives the frightening truth quite clearly; she is able to identify the many separate elements of Friend’s persona - “… that slippery friendly smile of his… [and] the singsong way he talked…” (214). But because of the lack of attachment with her own family, and her limited experience in relating deeply to others, “…all of these things did not come together” (214) and Connie is unable to recognize the real danger that Arnold Friend poses until it is too late.
According to A.R. Coulthard, the author of the story scrupulously reproduced her details based on Charles Schmid who murdered Alleen Rowe in 1965 (Coulthard). Alleen was just one of other young teenagers that Charles and his buddy John raped and assassinated. There is no doubt that John represents Arnold’s frightening friend Ellie. What is more, there are several parallels between the story itself and Alleen’s murder. By way of illustration, Connie was fifteen years old, which is the same age as Alleen at the moment of her murder. Also, Connie has just washed her hair like Alleen did right before her aggressors appeared. Connie was at home alone unable to defend herself as well as the other girl. However, the most interesting demonstration is how Arnold’s description duplicates strange characteristics of Charles: “Like Friend, he was short (5’3”) and muscular, and he tried to appear younger and to disguise his lack of height by dying his hair black, wearing pancake makeup, and stuffing rags and even crumpled cans into his black leather boots” (Coulthard). Arnold even drives “a convertible jalopy painted gold” (Oates 552) and loves popular rock music just as real Charles does. All these little particulars from a true assassination lead to the belief of realistic