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Impact of music in society
Impact of music in society
Effect of rap
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Ewelugo, Donald Ifeanyi Fine Arts Appreciation – HUMA 1315 – Honors Dr. Donovan Hufnagle; Professor Philippe Baugh; Professor Lisette Blanco-Cerda. November 30th, 2017. Rap Music: A Special “Kind” Of Art to Our Present Society. Abstract: This article observes several most significant influences on rap music. Today rap music is always thought as and being the most controversial art with more negativity than positivity associated with it. This article explored these positive influences, and analyze them together with the role of rap in the society in other to understand why it has become so controversial. We did this study by issuing out an opinion poll to nine people. Also, interviewing an expert who is involved in the music industry, Alton …show more content…
Rap is an excellent unifier of different populations and races around the world. With every trend it creates, rap music grows to be globally accepted (Kruse 53). Consequently, it is no longer limited to African American communities. The non-black communities total to about seventy-five percent of the global rap audience (Wingood 437). Ignoring boundaries of cultural divides, rap music has shown its ability to call out to millions of youths worldwide. This is can be seen in the urban street dressing style copied from rap artistes which include: baggy pants; caps worn backward; and expensive sneakers. These have been understood as the factors which gives its audience a sense of identity while providing support and hope (Kruse 53; Williams …show more content…
“The Work of Art in the Age of Hip Hop Reproduction: Ice-T and the Cultural Capital of Keeping It Real Again in Kings of Vice (2011) and Something from Nothing: The Art of Rap (2012).” Journal for Cultural Research, 2013, pp. 1–16. Kruse, Adam J. "Being Hip-Hop." General Music Today, vol. 30, no. 1, Oct. 2016, p. 53. EBSCOhost, doi:10.1177/1048371316658931. Salaam, Mtume ya. “The Aesthetics of Rap.” African American Review, vol. 29, no. 2, 1995, p. 303. Shusterman, Richard. “The Fine Art of Rap.” New Literary History, vol. 22, no. 3, 1991, pp. 613–632. JSTOR, JSTOR, www.jstor.org/stable/469207. Sieben, Anna, et al. "Collective Phenomena in Crowds—Where Pedestrian Dynamics Need Social Psychology." Plos ONE, vol. 12, no. 6, 07 June 2017, pp. 1-19. EBSCOhost, doi:10.1371/journal.pone.0177328. Williams, Olajide, and James M Noble. “'Hip-Hop' Stroke: A Stroke Educational Program for Elementary School Children Living in a High-Risk Community.” Stroke, vol. 39, no. 10, 2008, pp. 2809–16. Wingood, Gina M., et al. "A Prospective Study of Exposure to Rap Music Videos and African American Female Adolescents' Health." American Journal of Public Health, vol. 93, no. 3, Mar. 2003, pp. 437-439. EBSCOhost,
Watkins, S. Craig. 2005. Hip hop matters: politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press.
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Negus, Keith. "The Business of Rap: Between the Street and the Executive Suite." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 525-540. Print.
Light, Alan. "About a Salary or Reality? – Rap’s Recurrent Conflict." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 137-146. Print.
The cultural theory helps expand the knowledge of “hip hop” as an idea and influence on society. Mark Anthony Neal discusses the development of the understanding of hip hop by dissecting the layers and complexities of the culture, “Hip-hop music and culture emerged as a narrative and stylistic distillation of African-American youth sensibilities in the late 1970s,” within What the Music Said (Woldu 18). Urban history is a large, yet vital characteristic throughout the study of hip hop and its progression; Russell Potter shows how critical the representation of black musical expression and the “history of vernacular speech” is for the hip hop community in his book, Spectacular Vernaculars (Woldu 19). As decades pass and the hip hop scene expands, the history of this culture becomes influenced by more historical movements and creations. However, that is not the only historical significance that runs deep within the hip hop culture. The history and influence of the black feminist movement within the hip hop scene became a demanding characteristic in the development of the hip hop culture. As the gender divide became an evident aspect through the hip hop generation, women, especially female rappers,
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Lipscomb, Scott. "Rap and Hip-Hop." Rock and Roll: It's History and Stylistic Development. By Joe Stuessy. Upper Saddle River: Prentice Hall, n.d. N. pag. Print.
Gail Hilson Woldu, author of “The Kaleidoscope of Writing on Hip Hop Studies,” emphasizes the importance of cultural theory, urban history, and black feminism in the study of Hip Hop and its influence over the last several decades. The cultural theory aspect throughout the studies of hip hop, specifically in Houston Baker’s Black Studies, Rap, and the Academy, focuses on the importance of the “classic black sound” and the ability for the rap industry to be a profitable resource for an alternative American authority (Woldu 16). The cultural theory helps expand the knowledge of “hip hop” as an idea and influence on society. Mark Anthony Neal discusses the development of the understanding of hip hop by dissecting the layers and complexities of
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
Imagine our youth all over the country being exposed to this explicit kind of language. There is no need to imagine, because it is already happening. Ever since the rise of Rap and Hip Hop music, teens have been turning to them to help solve their problems. However these kinds of music can be very destructive to teens. It is not the youth’s fault; it is the content that the music contains. Although Rap and Hip Hop music can be a force for good, they can also have an extremely negative impact on the attitudes and behaviors of our youth.
Giovacchini, Anthony M. “The Negative Influence of Gangster Rap and what can be done about it.” Negative Influence of Gangster Rap. Stanford University, 20 Feb. 2014
Rap and Hip Hop music requires serious scholarly studies to engage the young generation in the classroom to help students with self-identification (Baker 1993). Others argue that educators should use rap and Hip Hop contexts to engage students in the classroom (Aldridge 2005). The exploration using music is expanded to educate African American students through hip hop, educators and parents look forward to positive results. The studies have been conducted on students in K-12 grade and college and university campuses. How well do students engage and retain information inspired through music? Hip hop music can inspire the audience and have an influence related to the way they dress, act, dance, attitude and their language. Hence, the importance behind incorporating sophisticated words in the lyrics and the education impact music makes on young students. Music Artists have replaced foul language with positive messages and setting examples for other artists to emulate. Hip hop music has a big impact with its audience regardless of age or gender. Emphasis towards education should continue to relay positive messages to our youth. Accordingly, Dagbovie (2005) said, “Hip Hop artists routinely account their own personal histories of resilience, which mirrors the overall theme of perseverance
The second article is about rap music and violence. The article’s authors, Jeanita W. Richardson and Kim A. Scott, explore rap music’s history and place in American culture. The article discusses the ways in which rap music is related to violence, by looking at the creators and listeners of this genre. They argue that it is not primarily about violence towards others, it began as a way for urban youths to express themselves and their unfortunate lot in life and frustration in their situations, with less education opportunities available, poverty, heavy drug influences, and police brutality. The violent lyrics are simply a reflection of a culture of violence in America. As with all people, youths are willing to spend money on things that they are drawn to, whether it is music, movies, etc. and violence is what sold. The authors explain how younger audiences are drawn towards more violent media as that is what has been promoted for them in the media from an early age, as cartoons and regular children’s commercial television are riddled with violent acts. Later in rap’s history, 7 out of 10 youths who bought rap albums
Feminist.com 15 March 2014.Feminist.com Hicks, Jeffrey National Center.org December 2013.national center.org 15 March 2014 National Center.org Idolator.com/ hip-hop master rankers 15 March 2014. Idolator.com. Meara, Paul.Complex.com. June 2012 Complex.com 15 March 2014 Complex.com Dave, Miranda. Springer:‘’ Rap and Hip-Hop Genres Today’’ April 2004.