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Argot Roles The movie Shawshank Redemption analyzing various aspects of prison life. These characteristics include prison culture specifically guard subculture and inmate subculture. The movie explores how prison is used as a punishment and can be seen as a form of machine. Argot roles, in prison as explained by Gresham Sykes, display the beliefs and attitudes of prisoners expressed in a rather distinctive manner (Lovell, 1998). They are exemplified through the inherit meanings generation by the prison environment and tied together through the prisoner social world. The language is a significant aspect of prison, and therefore it is essential to understanding the social worlds of prisoners. These argot roles represent a framework in which the social world can be further understood. There are several argot roles found in a prison. In specific, throughout the movie Shawshank Redemption, many of the characters are labelled and interpreted to be play such roles signifying how common these roles are in a prison. …show more content…
These are the individuals that never give the guards a break. The stereotype given to these individuals is that they are respected by the other inmates, however the reality is that they are looked down upon due to their disregard for the negotiations and compromises which comprise the social order of a prison (Lovell, 1998). While the ball busters are portrayed in a negative manner by many inmates, the real men are the most admired in the prison world (Lovell, 1998). The ball busters tend to disrupt the social order of the prison, the real men on the other had do their time without confronting their captors by not acknowledging them. According to Sykes “it is the man who can stop himself from striking back at the custodians that wins the admiration and thus their image of the hero functions wittingly or unwittingly to maintain the status quo” (Sykes,
I feel that this book gives a rough, inspiring and passionate warning that the rush to imprison offenders hurts the guards as well as the guarded. Conover reminds us that when we treat prisoners like the garbage of society, we are bound to treat prison staff as garbage men -- best out of sight, their own dirt surpassed only by the dirt they handle. Conover says in one part of his book, “Eventually admitting that being in a position of power and danger brings out a side of myself I don’t like.” I feel both prisoners and officers deserve better.
This paper is about the book 'Behind a Convict's Eyes' by K.C. Cerceral. This book was written by a young man who enters prison on a life sentence and describes the world around him. Life in prison is a subculture of its own, this subculture has its own society, language and cast system. The book describes incidents that have happen in prison to inmates. With this paper I will attempt to explain the way of life in a prison from an inmate's view.
In their homosocial environment, there are no specific roles to play, it is an unstable, unspecified environment on which the foundation of dominance is placed to create roles. This lack of roles and desire for patriarchy creates the perfect environment for the boys to enact methods of obtaining dominance. The boys obtain their hierarchy through the “fourth-class” system by abusing and effeminizing the “knob” underclassmen. Their method of obtaining a patriarchal dynamic between all men is very similar to the manner in which the experimental prison guards established dominance in the Stanford experiment in Gladwell’s reading. In this experiment, the volunteers placed as guards were “given uniforms and dark glasses and told that their responsibility was to keep order in the prison” (Gladwell, 157). In a sense, these guards were given a specified role in a new environment, but were not given an explicit method of how to do so. It was entirely up to the guards as to how they would go about enacting their new roles to “maintain order”, or establish dominance in the environment. The only way the guards knew how to obtain such dominance was through violence, for “as the experiment progressed, the guards got systematically cruieler and more sadistic” (Gladwell, 158). By abusing the volunteer prisoners, the guards made them weak
The creators of this movie used several effective, and often subtle, methods to illustrate the hope found in Andy and his surroundings. Andy was always portrayed as a clean-cut and well-groomed prisoner with his shirt always buttoned and his hair always combed. This self-respect was in great contrast to the other prisoners who were portrayed as dirty, stereotypical prisoners. The common prisoners also had vocabularies and grammar that were far inferior to Andy’s. The distinctions between Andy and the common prisoners showed that Andy was different, those differences were that he had hope.
Relations during this time with the prison and the outside world are discussed, as well as how these relations dominated life inside of a prison and developed new challenges within the prison. After Ragen left, Frank Pate become his successors. Pate faced a problem because he neither sought nor exercised the charismatic authority of Ragen. The Prison remained an imperatively coordinated paramilitary organization, which still required its warden to personify its goals and values. Jacobs goes on to discusses how what Pate did, was not the same direction or ideas that Ragen was doing or had. Jacobs’s counties this discussion with the challenges and issues that prison had during the time of 1961 through 1970. Jacobs blames that the loss of a warden who could command absolute authority, the loss of local autonomy, it heightened race problems among blacks, and the penetration of legal norms exposed severe strains in the authrotitarian system, and says pate cant control
Although prisons have the primary objective of rehabilitation, prisoners will likely go through many other troubling emotions before reaching a point of reformation. Being ostracized from society, it is not uncommon to experience despair, depression, and hopelessness. Be that as it may, through reading various prison writings, it can be seen that inmates can find hope in the smallest things. As represented in “Hard Rock Returns to Prison from the Hospital for the Criminally Insane”, the author, Etheridge Knight, as well as other black inmates look up to Hard Rock, an inmate who is all but dutiful in a world where white people are placed at the top of the totem pole. However, after Hard Rock goes through a lobotomy-esque procedure, the motif
Within the film, prison culture illustrates the subculture within Shawshank State Prison. Prison culture and the Inmate Code dictate the typical rules and values that have emerged in prisons (Clear, 2006). The aggression of both prison guards and inmates, as well as the punishments and sanctions imposed for deviant behavior highlight the prison subculture. Throughout the film, the inmates showcase certain distinctive markers of the subculture that set the group apart from the dominant culture because they use cigarettes as currency, engage in violence, establish specific roles and identity, and share similar goals and values, such as
Gresham M. Sykes describes the society of captives from the inmates’ point of view. Sykes acknowledges the fact that his observations are generalizations but he feels that most inmates can agree on feelings of deprivation and frustration. As he sketches the development of physical punishment towards psychological punishment, Sykes follows that both have an enormous effect on the inmate and do not differ greatly in their cruelty.
One aspect of the documentary that relates to class material was the inmate’s description of being trapped in their cells like animals in a cage. This description of imprisonment can be associated to the article written by Sykes entitled, “The Pains of Imprisonment”. In this article, the author elaborates about how an inmate’s liberty is restricted to a specific building but then reduced further to a specific routine where they are told where to go and what to do. “In short, the prisoner’s loss of liberty is a double one — first, by confinement to the institution and second, by confinement within the institution.” (Sykes, 65). This is similar to how the prisoners in segregation are confined to the prison, and additionally to their cell. Another feature of the film that reflected class material was the campus style design of the prison. The inmates were allowed to roam around cell area and interact with other prisoners. Furthermore, different styles of adaptation to the segregation unit can be linked to class material. For instance, one member of the isolation unit is focused on completing his GED, an adaptation called gleaning. This is when an inmate takes advantage of offered programs because they do not want to return to prison. Prisoners who have served longer sentence times in isolation, for instance over a year, reflected a “doing time” adaption. They were simply focused on
Ralph, P.H.(1997). From Self Preservation to Organized Crime: The Evolution of Inmate Gangs. In J.W. Marquart, & J.R. Sorensen (Eds.). Correctional Contexts: Contemporary and Classical Readings (pp. 182-186). Los Angeles: Roxbury
Knowing and understanding the author’s purpose, we see where he is coming from and what his “point of view” is. We see that the author is someone that does not agree with the activities that occur in the native prison. It makes the author feel uncomfortable with the establishment and its procedures.
As stated previously the results of this study came with shock some value along with affirmation for many theorists. “Correctional officers work directly with inmates, and their perceptions of inmates either enhance or reduce the possibility of stress” (Misis, Kim, Cheeseman, Hogan, and Lambert, 2013). This study opened the door for psychologist to continue to research the ramifications of incarcerations in many realms and spectrums. The rapid deterioration of the mock inmates due to the immediate acceleration of aggression by the subject prison guards, enables psychologist to test the theory of inhumanity by ways of social behavior social
In the media, prisons have always been depicted as a horrible place. The film, The Shawshank Redemption, is a prime example that supports the media 's suggestions about prison life. In the film we are familiarized with Andy Dufresne, who is a banker that is wrongfully convicted of murdering his wife and her lover. While trying to both remain discreet and find his prison identity, he assists Ellis Boyd 'Red ' Redding, a peddler, and Brooks Hatlen. In his attempt to fit into the rough prison subculture, Andy strategically starts a business relationship with the captain Captain Bryon Hadley and Samuel Norton. The film gives an insider 's look at various aspects of prison life. These aspects include prison culture; explicitly, guard subculture and inmate subculture.
Prison has held a place in our society for centuries. Throughout history, prisoners have been incapacitated in a vicious environment and that still rings true today. A person’s experience in prison can greatly vary. It may be a place of solace for those that are homeless because they have three meals and a bed to sleep in every night. However, it can be a nightmare for others who feel as though prison will ruin their future. It is an environment where a person is stripped of their free will. Due to overcrowding in prisons, inmate’s psychological strain, and prison officer cruelty through gladiator games and drug smuggling, proves that prison continues to be a brutalizing and debilitating experience for adult males in the United Kingdom.
The mass media uses prison life as the source for movies and television shows. Over the years there have been many movies written about prison but the most prominent in my mind is Frank Darabont’s, The Shawshank Redemption. Throughout the film there are many examples of the falsities of prison life. There are some elements of truth but they are out weighed by the misconceptions. Numerous prisoners are allowed to walk around the prison and the prison yard with no guards in sight. In actuality there are always guards around, especially on the inside. The prisoner’s movement through the prison is highly restricted.