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Example of symbolism essay
Significance of symbolism in literature
Significance of symbolism in literature
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Blake’s Visions on Social Ills
(analysis of William Blake’s use of archetypes in the four poems we studied)
There are many social errors all around us. From the misuse of social media, to the perception of idolizing the lives of celebrities. We are blindsided by the luxury of money and fame, that we forget the small joys in nature and life. William Blake noticed these same misperceptions and strove to break the social norm in literature. He stated, “I must create a system or be enslaved by another man’s.” Blake worked to stray from common thought and experience by claiming that mystical visions inspired his works or poetry and art work. William Blake uses archetypes in his poems The Lamb, The Tyger, The Chimney Sweeper, and Infant Sorrow,
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Blake paired these two poems together. Just in the titles, the reader can observe the opposites of the animals used for the titles. A lamb signifies that of chastity, purity and naiveness. In fact, this poem was put in Blake’s Songs of Innocence, whereas, The Tyger was placed in Songs of Experience. These two writings show some of the differences between innocence and experience. For example, in The Lamb Blake asks the question, Little Lamb who made thee dost thou know who made thee.” (lines 1-2) The same question is asked in The Tyger, however, in a much different manner. “What immortal hand or eye, could frame thy symmetry?” (lines 3-4) Blake uses the lamb to establish the connection of the natural world and human world with religion. These types of ideas demonstrate that of pastoral life. On the other hand, The Tyger, depicts a different type of life; one that is powerful, and sometimes greedy. However, both of these animals share characteristics that one another need for …show more content…
Blake takes the character of a little boy that has been sold into the work of chimney sweeping. The child’s mother died at a young age, thus forcing his father to sell him for a small profit. The child then tells the story of a young boy named Tom Dacre, who had a dream about dying and going to heaven, where God took care of him. This dream gave the boy hope and therefore he worked hard to clean the chimneys so that he could go to heaven one day. This poem takes its place in the Songs of Innocence as explained by these lines, “Tho’ the morning was cold, Tom was happy & warm, so if all do their duty, they need not fear harm.” (lines 23-24) The children had to work in horrible conditions and they weren’t expected to live very long. In Trey Brown's article, Industrial hygiene 101: protecting health & reputations, he states, “In 18th century England, Percival Pott, as a result of his findings on the insidious effects of soot on chimney sweepers, was a major force in getting the British Parliament to pass the Chimney-Sweepers Act of 1788.” Blake noticed these awful work conditions and wrote this poem to try and bring attention to the indecent acts of child
The ideas that are presented in poems are often the same ideas everyone is thinking but are too afraid to speak their mind for fear that they might be judged. Allen Ginsberg explained this predicament when he said “[p]oetry is the one place where people can speak their original human mind. It is the outlet for people to say in public what is known in private” (Ginsberg). This quote applies especially to “The Tyger” by William Blake. William Blake’s poem “The Tyger” at the surface is very simplistic; however, with further analysis the story’s theme of religion asks fundamental questions that pertain to one’s worldview with the use of symbolism.
The theme of the suffering innocent person, dying and being diseased, throws a dark light onto the London seen through the eyes of William Blake. He shows us his experiences, fears and hopes with passionate images and metaphors creating a sensibility against oppression hypocrisy. His words come alive and ask for changes in society, government and church. But they remind us also that the continued renewal of society begins with new ideas, imagination and new works in every area of human experience.
Blake’s poetry focuses on imagination. When Blake created his work, it gained very little attention. Blake’s artistic and poetic vision is reflected in his creations. Blake was against the Church of England because he thought the doctrines were being misused as a form of social control, it meant the people were taught to be passively obedient and accept oppression, poverty, and inequality. In Blake’s poems “The Lamb,” “The Tyger,” and Proverbs of Hell, he shows that good requires evil in order to exist through imagery of animals and man.
It starts out with a child being sold by his father after the mother died to be a chimney sweeper. Blake goes on to describe the horrors conditions, "So your chimneys I sweep and in soot I sleep", as a way to show that a child cleans the chimneys and at night sleeps in the soot. Blake discusses a boy named Tom crying because he got his head shaved. They did this was because soot got in their hair and built up which caused problems for the children when working. The children never lasted long in chimney sweeping due to the soot getting into their lungs or even betting trapped inside. He tells about how many children died and what they did with them by saying, "That thousands of sweepers, Dick, Joe, Ned or Jack . Were all of them lock 'd up in coffins black". He continues on by saying the child saw an angel who unlocked all of the children 's coffins and set them free to heaven like Jesus rose up on the third day. They left all their mortal possessions behind since they no longer needed them and went up in the sky to heaven. In the bible God sent down angels to deliver messages like the one did in this poem. The angel tells Tom that if he 's a good boy, God will be his father and he will never want joy again. Uplifted by this Tom was happy and continued to do his job without fearing of getting
The imagery of nature and humanity intermingling presents Blake's opinion on the inborn, innate harmony between nature and man. The persona of the poem goes on to express the `gentle streams beneath our feet' where `innocence and virtue meet'. This is where innocence dwells: synchronization with nature, not synchronization with industry where `babes are reduced to misery, fed with a cold usurous hand' as in the experienced version of `Holy Thursday'. The concept of the need for the individual's faithfulness to the laws of nature and what is natural is further reiterated in `the marriage of heaven and hell' in plate 10 where Blake states `where man is not, nature is barren'. The most elevated form of nature is human nature and when man resists and consciously negates nature, `nature' becomes `barren'. Blake goes on to say `sooner murder an infant in its cradle than nurse unacted desires'. This harks back to `the Songs of Innocence' `A Cradle Song' where the `infants smiles are his own smiles'. The infant is free to act out its desires as it pleases. It is unbound, untainted. Blake's concern is for the pallid and repressed, subjugated future that awaits the children who must `nurse unacted desires' and emotions in this new world of industrialisation. Despairingly, this is restated again in `the mind-forg'd manacles' of `London'. The imagery of the lambs of the `Songs of Innocence' `Introduction' is developed in `the Chimney Sweeper' into the image of `Little Tom Dacre, who cried when his head, that curl'd like a lamb's back, was shav'd'.
Swiss political philosopher Jean-Jacques Rousseau is known for his conception of the “myth of the nobles savage,” which discusses the contrasts between natural human existence, and the corrupted, societal existence in which human beings adapt and grow. English poet and activist William Blake addresses the concept of human existence in his Romantic poems, “The Lamb,” and “The Tyger.” In both poems, Blake presents the ideals of innocence, and acquaintance, demonstrating the contradictions and similarities between untainted existence, and the effects of modern worldly life.
William Blake was a modern thinker with a recalcitrant political spirit. He used poetry and art as sociopolitical weapons, which were raised boldly against the establishment. These sociopolitical weapons, which began with him, are still used today in all types of artistic and political activities. Although known as a madman and a mystic, (Elliott) his art and his poetry were guided by the visions of radical change. Even today, his work is both relevant and profound. The brilliant approach he took with difficult political and moral topics created unique artistic representations that are very much as relevant today as they were when Blake first adopted their use.
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
William Blake’s 1793 poem “The Tyger” has many interpretations, but its main purpose is to question God as a creator. Its poetic techniques generate a vivid picture that encourages the reader to see the Tyger as a horrifying and terrible being. The speaker addresses the question of whether or not the same God who made the lamb, a gentle creature, could have also formed the Tyger and all its darkness. This issue is addressed through many poetic devices including rhyme, repetition, allusion, and symbolism, all of which show up throughout the poem and are combined to create a strong image of the Tyger and a less than thorough interpretation of its maker.
Throughout the Industrial Revolution in England in the 18th century, many children were forced to work against their own will, to support the growing need for labor in the demanding economy. William Blake’s “The Chimney Sweeper,” meticulously portrays the mindsets of two individuals obligated to carry out these societal expectations of working at a very young age. However, contrary to societies opinion on harmful child labor, Blake uses irony and sarcasm to convey his critical allegation of the wrongdoings of the church and society on their lack of effort to intervene and put an end to the detrimental job of adolescent chimney sweeping. By creating this ironic atmosphere, Blake establishes a poem that is full of despair and suffering but is sugar-coated and disguised with happiness and content provided by the church and society of London.
William Blake was born and raised in London from 1757 to 1827. Throughout his early years, Blake experienced many strange and unusual visions, claiming to have seen “angels and ghostly monks” (Moore). For those reasons, William Blake decided to write about mystical beings and Gods. Two examples of the poet expressing his point of view are seen in “The Tyger” and “The Lamb.” Both poems demonstrate how the world is and to sharpen one’s perception. People perceive the world in their own outlook, often times judging things before they even know the deeper meaning of its inner personification. Blake’s wondrous questions actually make an acceptable point because he questions whether God created the tiger with the same intentions as he did with the lamb.
In William Blake’s poem “The Lamb” the speaker begins with the ultimate question, “Little Lamb, who made thee?/ Dost though know who made thee?/” (Blake lines 1-2). The speaker then continues to elaborate on the question in a playful, innocent, singsong manner describing the kindness and thoughtfulness that the creator put in to producing this ever so gentle lamb. The tone of this poem is soft and lulling, the tender, calm rhyme scheme puts the reader in a soothing, dreamlike state. “The words and images presented - stream, mead, delight, softest, tender and rejoice - are positive and pastoral. One can picture a lamb frolicking in the green grass…” (Smith).
William Blake, one of the infamous English romantic poets, is most known for his romantic views on conventional scenes and objects, which were presented in his works The Songs of Innocence and The Songs of Experience. The first collection was published in 1789, and addresses subjects such as suffering and death from the innocent and optimistic perspective of a child. The later collection addresses these same issues, but is told from the perspective of an experienced bard. The poems contained in The Songs of Innocence often have a counter part in the second collection that reflects a darker or more corrupted take on the same subject. For example, the purity presented in the creation of “The Lamb” is dramatically contrasted with its shameful counterpart “The Tyger”. In this essay, I will argue that William Blake’s poem “The Tyger” alludes to his belief in a darker side of creation and the implications of the Industrial Revolution, my argument is based on Blake’s use of rhetorical questions, word choice, and the poem’s context; specifically in the fourth and fifth stanzas. In the beginning of the poem the tiger appears as a striking and wondrous creature, however, as the poem progresses, the tiger takes on a symbolic meaning, and comes to be a physical manifestation of the spiritual and moral problem the poem explores: creation, divine and manmade.
The greatest poets can match the form of their poems to their content. William Blake is one such example of a great poet. He is able to utilize standard poetic techniques to illuminate the themes of his poetry. The rhymes in William Blake’s The Lamb parallel the perfect innocence of the lamb being addressed, and create a singsong mood, which enhances the rejoiceful theme of the poem.
“The Chimney Sweeper” is a great title for Blake’s poem. The title is a symbol representing the harsh life of a chimney sweeper and his life as a child. He states, “When my mother died I was very young, and my father sold me while yet my tongue”, (ln 1-2). This is saying that his mother died when he was young and his father gave him up. Blake’s unhappiness resembles being mortal in a sense that his unhappiness is like being dead. Blake has two meanings when he says, “So your chimney’s I sweep, and in soot I sleep”, (ln 4). This line denotes that he is an adult now with the responsibility of being a chimney sweeper. Blake is really saying that his childhood was terrible like the work of a chimney sweeper.