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Analysis of chronicles of narnia
C s lewis short essays christianity
Essay on the book the chronicles of narnia
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“ Once a king in Narnia, always a king in Narnia” (Lewis, 206) Clyde Staples Lewis said this in his novel, The Lion, the Witch, and the Wardrobe. C. S. Lewis was a British Writer and scholar, He was born on November 29, 1898, in Belfast England. His mother died when he was ten years old, consequently, he lost his faith in the Christian god and not only but also declared his self an atheist. Later in life, he regained his faith and became a Christian. (“Faith”). In his novel C.S. Lewis uses the archetype the evil figure with the ultimate good heart, the symbol of Father Christmas, the symbol of the stone table, The symbol of the muzzle and the public defacing of Aslan, lastly the symbol of Aslan breath to convey his theme of Christianly in his novel. …show more content…
Lewis best-selling novel, The Lion, the Witch, and the Wardrobe, Edmund portrays the archetype the evil figure with the ultimate good heart. Edmund, the youngest son, in Edmunds first trip to Narnia, he meets the protagonist know as the White Witch. “The worst character in The Chronicles, after all, is not the Black Witch (there is no such character) but the White Witch.” (Nelison) In his initial meeting the White Witch enchants Edmund and commands him to bring his brothers and sisters to her home in Narnia. This is the of his many evil deeds. “Edmund, Who was becoming a nastier person every minute…”(Lewis, 48). He later Redeems himself in battle. C.S. Lewis uses this archetype many times in his novel, Weather it is through Edmund breaking his enchantment or Mr. Tumnis coming to Aslan’s noble
Every story has characters with different roles, and each of them are important to make the story complete. Three characters, Bilbo, Gandalf, and Smaug represent three archetypal roles in this story. Their guide Gandalf, represents the mentor, Bilbo represents the hero, and Smaug represents the shadow. Smaug symbolizes fear to the characters, and the dragon represents one of the characters that are most often causing the most terror and trouble to the other characters in the story. The hobbit symbolizes the hero of the story, because he sacrifices himself throughout the book. Mr. Bilbo Baggins learns more and more each day, and he tries to always do the right thing. Gandalf symbolizes the guidance and help as a mentor, and he provides training and motivation to the characters. These three important characters greatly explain the
The archetypes that permeate many different stories all originate from Joseph Campbell's Hero With a Thousand Faces. More specifically, in the medieval story, Sir Gawain and the Green Knight, a variety of different archetypes are especially necessary to the theme of the story. An understanding of three key archetypes—the temptress the magic weapon, and the task—reveal the essence of Gawain’s role within the archetypal quest motif.
Quite often in life we wish for things bigger than ourselves. Seeming to get wrapped up in our own minds we do not pay attention to reality. As reality comes full force we are not sure how to take it, so we let it take us. In the writing “Where are you going, where have you been?” we see Oates craft archetypes and allegories into the work through detail and word choice in order to help the reader understand the shocking outdistancing of day dreams and the overshadowing sockdolager called reality. These archetypes and allegories provide a way for the reader to join Connie in the story, but also to see the danger of what Connie doesn’t see.
Through the ages, archetypes have constantly shown up in all forms of literature. One specific classic, the quest, is most notably known from many literature novels. The character Lennie in the novel Of Mice and Men demonstrates the archetype of the quest by facing trying challenges, and the goal of a peaceful life.
When referring to archaic writing, it is clear to see the recurring archetypes and symbols throughout plots and situations. Understandably, certain patterns involving such motifs have continued through centuries, resulting in various works based around the same monomythic template with slight variations. All the big movie titles we love, Aladdin, Shrek, even, Sharknado contain more than traces of these archetypal patterns, consisting of a hero, a mentor, a dark figure and so on. Prime examples of this archetypal plot structure, with their own unique adaptations, may be found within the two poetic narratives Beowulf and Sir Gawain and the Green Knight. Aside from their completely disparate backgrounds and morals, both works include and follow the monomythic journey, as perceived by Joseph Campbell in The Hero with a Thousand Faces, as well as in the secondary works of others who have helped to further our understanding of this analytical method. This generalization, however, is shifted when one dissects further into these two pieces of literature. As in the majority of monomythic quest narratives, the protagonist often practices and displays the characteristics of courage, loyalty, humility
The youngest Pevensie brother, Edmund, is the mischievous child among his siblings in The Lion, the Witch and the Wardrobe. He is a representation of the possibility of what can go wrong when a child is not properly taught and does not follow set boundaries. Edmund’s subversion of set standards is the cause of a great deal of the troubles the Pevensies face in Narnia. For example, when he goes to the White Witch’s castle instead of listening to the others when they say Aslan is the true leader. In order to redeem himself, he must first be renewed and return to an earlier state. He is not allowed to stay indignant, but is reformed when he learns that Aslan is really the true ruler, and Jadis is not. He is allowed to do so because of his status as a child who is still developing. Edmund’s corruption and later redemption show that he is not really wicked, but has an innate goodness.
“Courage is not simply one of the virtues but the form of every virtue at the testing point, which means at the point of highest reality.” Clive Staples Lewis, known as C.S. Lewis, was a popular Irish author, famous for his Christian works, especially “The Chronicles of Narnia.” Throughout his novels, Lewis enlightened his readers with his views about faith. Although his novels were revolved around Christianity, Lewis was not always a believer. There were many things that influenced Lewis as a writer, but the most significant were his love of fantasy, his fascination with mythology, and his Christian beliefs.
In conclusion, C.S Lewis symbolizes good and evil into his characters. The good one would be Aslan and the bad one would be the White Witch. They embody their role with characterization. This can be shown with the description of the two characters. Aslan is pure of heart and powerful and the Witch is cruel and terrifying. Also, their actions are key facts to demonstrate their chosen side. Aslan is always doing beneficial action for others, instead of the Witch that wants more and more power, willing to destroy life to achieve her goals. Through this book, the two opposite characters are really well explained and analysed.
“Not only was resurrected from death, but gives life back to the witch’s statues; he represents the good and is quite clearly a figure of Christ” (Source B). Aslan, a mighty lion was a symbol for Jesus Christ, there were many ways that C.S. Lewis uses Aslan to symbolize Jesus, including: Aslan’s death for others, his resurrection, how he brings others back to life as stated above. “The most important character in Narnia is Aslan. Aslan founded and rules the kingdom” (Source G). Just like Jesus Christ founded and rules over the world, Aslan rules over Narnia. Throughout the book Aslan’s name has a certain glow to it that is unlike other names.
Aslan is the King of Narnia. Lewis tries to resist any recognition that Aslan is Jesus Christ. When readi...
The Chronicles of Narnia are veritably the most popular writings of C.S. Lewis. They are known as children’s fantasy literature, and have found favor in older students and adults alike, even many Christian theologians enjoy these stories from Lewis; for there are many spiritual truths that one can gleam from them, if familiar with the Bible. However, having said this, it is noteworthy to say that Lewis did not scribe these Chronicles for allegorical didactics of the Christian faith, but wrote them in such a well-knit fashion that young readers might understand Christian doctrine through captivating fantasy and thus gain an appreciation for it. With this in mind, and in the interest of this assignment, the purpose of this paper is an attempt to analyze one of the many doctrines of the Christian faith from The Lion, The Witch, And, The Wardrobe (LWW), namely, temptation and how Lewis illustrates it through an individual character, Edmund.
C.S lewis, the mind behind both great theological, and Fiction books such as the Narnia, and Mere Christianity. Lewis had been a man of many positions, and jobs always working or thinking. Lewis was born November twenty ninth, 1898, as a youth he was always interested in something, like writing and drawing stories about anthropometric animals, as a nine year old. Lewis was always thinking logically, and thoroughly trying to seek out every little detail that he could get his hands on. He represents a sort of wisdom only found in a few and only after they go through heavy trials, both physical and spiritual, my faith and physical and walk was very near his in areas concerning God.
C.S. Lewis uses a secondary world, Narnia, to convey complex, thought-provoking messages to readers of The Lion, The Witch and the Wardrobe. This paper examines the way a selection of Narnia's key characteristics prompt debates over logic and faith, comment on the nature of spiritual and metaphysical journeys, allow readers to broaden their conception of their own capabilities, encourage new reflection on the story of Christ and help to clarify conceptions of good and evil.
“The Lion, the Witch and the Wardrobe” is a story about four siblings, the Pevensies, who discover another world from inside a dresser within their professor’s home. This other world is called Narnia. Lucy, the youngest of the siblings is the first to discover this new world when she enters the dresser and realizes it has no ending point. When she ends up in this cold world she meets a faun named Tumnus. He is in this other world ruled by the White Witch ordered to capture “brothers and sisters of Adam and Eve.” When Tumnus tells Lucy what he has done to other humans, who have entered this secret world, she begs him to spare her life. This weighs heavily on his conscience, and he escorts her back to Earth before anyone finds out she was ever in Narnia and set free. When Lucy comes
The White Witch is the most evil person in Narnia. “The White Witch is pure evil and tries to kill everyone who stands in her way of being queen of Narnia” (Persson 6). Here the reader is witnessing a figure that is truly evil and just wants to rule Narnia; so it can be hers, and so she