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Where does conflict lie between creon and antigone
Essay about creon in antigone
Where does conflict lie between creon and antigone
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“I know it too, and I am shaken in my mind. To yield is awful; but, by standing firm, to strike with my ruin my proud heart-why, that is awful too.” (Sophocles 1095-1097). Creon in the play, Antigone, by Sophocles plays a major role as the tragic king of Thebes and the uncle of Antigone. Creon and Antigone’s conflicting relationship highlights Creon’s tragic figure. In the play Creon tries to establish decisions for the common good of Thebes, but his results end in great tragedy. In this play, I sympathize more with the character Creon because he puts Thebes above everything else which makes him blind to what is happening around him and he ends up losing more than Antigone. While Antigone loses her brothers but remains strong and fights for what she believes is morally right until she chooses her own demise, Creon loses his family and ends up alone and can not fix his actions.
First off, Creon puts the city above everything else but he ends up
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losing his son, Haemon, and his wife in the process. Creon’s efforts to put Thebes above what is morally right makes him act in tyrannical ways and blinds him from what is truly important which is his son and wife. In line 739 Haemon says, “You will do well ruling in a desert by yourself” (Sophocles 739). Haemon is saying that Creon wants to rule for himself so he is better off ruling a desert where no one can get in his way. Creon loses Haemon because of this due to the fact that he is putting the city above his relationship with his son. Creon is so blinded by the laws and Thebes that he destroys his relationship with his son. For instance, Haemon begins to view Creon in a more negative light by saying, “Yes, in justice I can see that you are wrong” (Sophocles 743). Haemon ends up killing himself due to Antigone committing suicide because she was willing to die for her cause and Creon’s wife in turn kills herself because Haemon commits suicide. Creon ends up losing his son and his wife because he puts the law above everything else. The messenger says, “Before she died, your wife denounced you as the one responsible for both the dooms of your two sons” (Sophocles 1312-1313). Creon blames himself for his wife’s death and he becomes full of grief. Creon’s mistake of putting Thebes above everything around him makes him blind to what he is doing to the people around him which in the end leaves him alone. Overall, I sympathize more with Creon because he values Thebes above all else and as a result he ends up losing his family. In addition, I sympathize more with Creon because he realizes after he is left alone that his actions were wrong. Creon in the play is blinded by the laws and what he has to do to be king that it was not until the end when he finally sees the implications of his actions. In line 1270 the chorus says, “Alas! You seem now to see justice, but too late” (Sophocles 1270). Creon sees that he is truly wrong after the death of Haemon but that guilt builds more after he hears about his wife passing. Creon says, “Alas! I have learned, wretched that I am” (Sophocles 1271-1272). He was so blinded by what he was doing that he ends up regretful and alone which makes him more worthy of empathy because he does realize that he was wrong, but it is too late to fix them while Antigone who is certain of her actions and is willing to die for them. This plays into the fact that Creon had no choice but to do what was best for Thebes as king, which made him blind to do what was right. Creon ruled by doing what he believed was best for Thebes even though he might have not always believed it was morally right. This is unlike Antigone because Antigone was doing it out of her own free will while Creon was trapped in the title of king. Creon’s duty as a king portrays him as stubborn and leads him to become isolated from his family, but he only realizes when its too late. Creon does regret putting Thebes above his morals and his family and that is why I empathize with Creon more as a character. On the other hand, I feel less sympathy for Antigone because she remained strong and fought for what she thought was morally right.
Antigone fought to her death against Creon about burying of her brother, Polyneices, who was left to be unburied. Antigone believed that dying with honor is better than living with no honor. She says, “What I shall will be far less dire than dying an ignoble death” (Sophocles 96-97). She chooses her own path to her honorable death while Creon has to put Thebes above doing what is right. Antigone chooses to die while Creon was left to live alone and regretful. Antigone’s choice to fight was more straightforward because she does not have the same responsibilities Creon has as king. Creon deserves more sympathy in this aspect over Antigone because Antigone remained strong after both her brothers died and stood up to fight against the king, whereas Creon had to deal with further internal struggles. In the end, Antigone dies by her own hand and her own will while Creon is left to live and
suffer. Also, Antigone deserves less sympathy because she chooses her own path to her own destruction and in some ways, an easier path much like her father Oedipus in Oedipus Rex. Antigone chose to be a hero and go by her own free will. Antigone says in lines 546-547, “Don’t try to share this death with me. Don’t claim as yours a deed you did not touch. My own death will suffice.” (Sophocles 546-547). She chooses her own path to her death because she wants to prove a point that some things are worth dying for. Antigone is stubborn in this line when she is talking about her sister and it shows that she wants to die but not anyone else. She chooses to be the person who dies for what she believes in rather than Creon who faces the more difficult struggle of doing what is right for Thebes. This shows up again at the beginning of the play in lines 72-77, “…To me it’s fine to die performing such a deed…” (Sophocles 72-77). She is willing to defy the citizens unlike Ismene and choose to die honorably than to live not honored by the gods. Overall, Antigone deserves less sympathy than Creon because she chooses her own path to her death when Creon was trying to do what was best for Thebes. In conclusion, I think that Creon deserves more sympathy because he has to live with his mistakes rather than Antigone who dies by her own hand. Creon as king puts Thebes above everything around him and causes himself to lose everything he cared about including his son and wife while Antigone fought for what she believed was right and died due to it. Also, Antigone was sure from the start and did not have the responsibility Creon had as king as well as Creon had to live with his regret while Antigone died and it was done. Creon being more of a tragic hero than Antigone, helps Sophocles develop conflicts between all the characters including Creon vs. Haemon and Antigone vs. Ismene. Then in the end there is more of a meaning behind what Sophocles was trying to tell us because Creon ends up alone and regretful. So in the end, Creon does deserve more sympathy than Antigone due him being so blinded by what is best for Thebes rather than what is morally right.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
To open, the things he said showed how he changed and became the tragic hero of the play. Many of his statements reveal his personality including his admirable parts and his flaws. When Creon says: "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26), it shows his strong sense of nationalism and leadership which catches up with him in the end. "The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their necks at the pull of the smallest curb" (scene 2,76-79) is what Creon says to Antigone after finding out she is the one who buried Polynieces. He thinks that if Antigone wasn't so headstrong and arrogant then she could have avoided the consequence he was about to give her. I think Creon was being a hypocrite because he is just as stubborn as she is. The reason why Creon and Antigone come in to so much conflict is because their ways of thinking are almost exactly alike. "It is hard to deny the heart! But I will do it: I will not fight with destiny" (scene 5, 100), is a statement that shows Creon detecting his fault and how he needs to correct it. After talking to Teiresias, the blind prophet, he realizes in order for the higher powers to forgive him he needs to release Antigone. "Fate has brought all my pride to a thought of dust" (exodos, 138). Creon recognizes his flaw and its consequences but it is too late because fate has already occurred.
Choosing to follow authority and the law is admirable and important in order to have a stable society; however, prioritizing family over all is imbedded in humanity. Family is part of one’s identity and greatly affects one's morals and opinions. If a person solely lives a rigid life, following authority over family, then compassion and the ability to be flexible is lost. Sophocles poses if authority or family is superior through the characters Antigone and Creon as their actions and opinions drastically contrast. Creon puts more importance on his rule and the law, while Antigone emphasizes the devotion to her bloodline and the gods. Antigone, although depicting that authority and the king’s rule is important, puts more importance
In Antigone Creon reveals his obstinate nature and how even someone as important as a king is not invulnerable to the problems such a character flaw causes. In the beginning of Antigone the townspeople of Thebes rejoice in their new leader, “Creon,” they call, “the new man for the new day” (174). The repetition of ‘new’ shows how the city is ready to welcome Creon with open arms; this outright praise of Creon shows how highly he is regarded by his people. “You cannot know a man completely…his sense of judgment, not till he’s shown his colors…making laws” (194-197). Here Sophocles is showing the reader not to trust Creon absolutely because even if it seems that it is a new age is dawning, Creon may not be a good leader. In this passage Creon seems determined to prove that he is as strong as Oedipus and Laius to whom Thebes was extremely loyal even through tough times, he is so desperate to prove himself that soon after he sentences Antigone to death. Later, after Antigone has been captured, Creon’s own son, Haemon, comes to him saying, “don’t please, be quite so single-minded” (789). At this point Creon is being directly told of what he is doing. Haemon is someone Creon shou...
Jodi Picoult once said “Some lessons can’t be taught. They simply have to be learned.”; in life what defines a person is what they become after they go through a series of trials and tribulations. Oedipus The King tells the story of a king who tries to outrun his fate and in the end self-banishes himself out of guilt leaving the kingdom of Thebes to Creon. The play starts with King Laius, who appoints Creon to rule in his kingdom while he consults the oracle at Delphi. Enraged by the death of King Laius, the gods cast a plague upon Thebes, which is the Sphinx, who starts to destroy the city. Terrified by the destruction of the kingdom, Creon states that anyone who might solve this riddle,
Antigone, a tragic drama written by Sophocles explores the different ranges of characters: static and dynamic or flat and round. Creon, King of Thebes in the dramatic play Antigone takes on the role that of a static character. Throughout the whole play Creon believed the idea that he was above the law of the Gods and his decrees cannot be disputed. Unknowingly, who would think that Creon’s sense of pride would cause him the life of his wife, son, and niece? However, at the very end of the play Creon returns to the palace, holding his son’s lifeless body, where he finds out that his wife has killed herself as well. Overwhelmed with grief about the death of his loved ones, Creon turns to the Chorus and says, “Lead me away. I have been rash and foolish. I have killed my son and wife. I look for comfort; my comfort lies here dead. Whatever my hands have touched come to nothing. Fate has brought all my pride to thought of dust” (1833). Creon takes responsibility of the death of his son and wife by calling himself a “rash” man and this is where Creon undergoes the changes of a dynamic character by admitting that he was wrong.
There were some differences between Antigone and Creon. For instance, Antigone's action was more heroic than her uncle's action because, she defied the power of the state out of love for her brother and faith in her conscience" I was born to join in love, not hate that is my nature" and she spoke out against the king in this manner. She was first a woman and second she knew that her fate could be sealed if she didn't try to
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Creon does not learn a lesson from Oedipus' accusatory behavior. Instead he adapts this bad personality trait. Throughout Antigone, he accuses everyone who tries to give him advice of betraying him. Whereas, in Oedipus, he is falsely accused by Oedipus of trying to take over the throne. This paper will compare and contrast his behavior and evaluate if he learned anything from one play to the next.
The main source of conflict between Antigone and Creon is the issue of the burial of Antigone’s dead brother. Both of her brothers were killed in battle, however one brother fought against their home city and was considered a traitor. Creon issued a law that whoever tries to bury this man will be put to death. Antigone is very upset because her one brother is graced with all the rites of a hero while the other is disgraced.
Throughout the Greek play, “Antigone”, we see one of the main character’s, Creon, who recently was named King of Thebes due to his Nephews battling to the death for the throne. Creon by the end of the play would eventually develop a theme known as a “Tragic Hero.” His character's emotion and motivations conflict with another main character, his Niece who the play is named after, Antigone. The characteristics of Creon have conflicting motives such as his hierarchy, greed, and vengefulness are highlighted by Antigone’s opposing ethics. Ultimately these conflicting motivations develop Creon as a tragic hero by making him regret his Decree and rash decisions once he has learned of his fate.
In the story “Antigone” you are introduced to two characters, Antigone and Creon, they both share traits of a tragic hero, but Creon better fits a tragic hero then Antigone does.
In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.
Antigone’s stubborn will is not the only force the drives her to make a political statement. King Creon’s harsh edict forces Antigone to reconcile her allegiance to her family and her familial duty with her alliance to the city-state and her place within society. Through this intrapersonal struggle Antigone decides that she will not go against the traditions of the gods, because she would rather face “some man’s wounded pride,” than “face the retribution of the gods” (Sophocles 509-511). It is this fervor to obey the gods and fulfill her morals that contributes to her death. Likewise, Antigone’s political statement also directly influences Creon’s behaviour. Creon transitions from a logical ruler that upholds the values of
Antigone was born full of superiority and courage, yet leaves the world as a conquered personage. She respects her family despite what has happened in the past and always seems to be loyal towards her brothers, Polyneices and Eteocles, as well as her sister Ismene. Antigone feels as though abiding by the laws of the gods, is a valuable merit to follow. This theory gradually affects her actions and behavior towards Creon. The tragic flaw of Antigone leads to many lamenting events in the play. The manner she poses her characteristics in such as being stubborn and raggedness portrays her flaw in the play. Antigone attempts to challenge Creon's love for power and accepts the punishment given to her. She bows to death because she is aware that she has done a good deed and she will inhale her last breath in honor. Whether Creon thinks of her as a traitor or not, Antigone knew the gods would reserve their judgment in favor of her. She never once regrets burying her brother which makes her character all the more admirable.