“Antigone” by Sophocles is a well drawn out play that depicts a brave heroine going against a tyrannical power. Throughout the play, it’s made apparent that Antigone, the protagonist, possesses a fiercer spirit in comparison to her sister Ismene when it comes to facing the issue of the plot. The leader of the city the sisters resided in created a rule that their “traitor of a brother may not be buried properly and be left as scraps for animals, this angered Antigone greatly as she saw her brother as blood and not a traitor. Consequently, Antigone’s reaction to such an outrageous law held a moment of significance, protecting her family’s name and demonstrating that she is more than just a woman by doing exactly what she was forbidden to do. …show more content…
Moreover, Antigone creates a lot of fuss by going against Creon’s law and burying her brother, Polynice. Ismene and Antigone argued greatly over this, since Ismene telling her that they are both only women and with that fact they would be ignored and punished worse than a man Antigone only has more drive. Moving forward it becomes apparent that Antigone is clearly caught by Creon’s guards, “Just now someone has buried the corpse and gone off, sprinkling dust over its flesh and performing the due rites.” (249-251). Besides, Creon did not particularly enjoy this as Antigone rejected his power as King despite her honorable attempt to bury her brother. Furthermore, when Antigone is caught, she admits guilt; only complete truth left her lips when she met Creon face-to-face, which says a lot about her fierce character. Afterwards Antigone braces for her punishment and the city is split on how to feel about her actions and Creon’s insecurity only fuels his prideful actions to exalt his tyrannical power. In being shut in and left to die Antigone’s lover, who was supposed to be her husband; Haemon runs to find her before she
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
She expresses her allegiance to family by giving her beloved brother, Polyneices, a proper burial despite Creon's orders. She ignores his threats to any citizen of Thebes who buries him will be executed for treason. Antigone, daughter of Oedipus, puts her own life on the line to do what she thinks is right for her brother, and honoring him in death. "He is my brother still, and yours; though you would have it otherwise, but Ii shall not abandon him." (193) She feels that everyone deserves a proper burial regardless of circumstance and in support of the Gods wishes. Antigone pays the ultimate high price for her loyalty to her brother Polyneices because it results in her death when she commits suicide after being locked up by Creon, This which sets up a chain reaction forof the suicides of Haemon and Eurydice. Antigone is also loyal to her sister because she wouldn't let Ismene participate in the burial and share any blame or punishment. She says "I will not press you any more. I would not want you as a partner if you asked" (194) . Regardless of Creon's edict, she decides to do what is right according to a much stronger law, her own personal law of family loyalty. When faced with Creon's anger, Antigone does not deny burying Polyneices' body, showing pride in her decision. Antigone realizes that regardless of what a king or a ruler wants, family loyalty comes
In the play Antigone, created by Sophocles Antigone is a foil to Creon because their personalities contrast. This makes Creon a Tragic Hero because he thinks that he is a god but in reality he is a mortal upsetting the god's and he will eventually meet his demise. At the start of the play the reader is introduced to a character named Creon, who is the king of Thebes, the previous king, Eteocles, was killed by his brother Polyneices. There is a law arranged by Creon, so nobody could bury the body of Polyneices but Antigone, the sister of both Eteocles and Polyneices, wants to bury her brother and is willing to risk her life to bury him. She eventually gets caught and is sentenced to death by Creon.
Creon required the support of the Chorus of Theban elders, and for his verdict considering what to do with Polyneices' body. When Creon came to know of Antigone’s plan he called for her and when she did not deny of the fact that she buried her dishonorable brother’s body he grew angry and assumed Ismene her younger sister had helped her. Ismene being the good sister that she is lied and said she had helped Antigone, after that Creon ordered for them to be locked up. Haemon, Creon's son and Antigone's fiancé, promised to be loyal to his father and not talk to Antigone but he tried his best to persuade his father to spare her life, but they end...
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
When he states that no one shall honor the death of Polynices, a domino effect plays throughout the story. Antigone’s role comes in as Creon’s antagonist when she says to Ismene, “Will you help these hands take up Polynices’ corpse and bury it?” (lines 54-56). Antigone’s first attempt to bury the body provokes Creon, which can be seen in line 286 when he exclaims, “What are you saying? What man would do this?” Not only does this line show his anger towards the defiant person who went against his orders, it also shows the readers of the 21st century the sexism that Creon holds and highlights the dramatic irony in the play, because the reader knows it was a woman-Antigone. Once finding out it is Antigone who defies his rules, Creon tries to coerce her to conform her views through a long dispute from lines 497-601. Creon even goes as far to point out that Antigone is “the only one who looks at things that way.” And “these views of yours—so different from the rest” (lines 575-576 and 580). Regardless of him pointing out these details, her views are left unchanged; she remains a static or unchanging character. Creon becomes irritated, and harshly punishes Antigone by sending her to an unavoidable death by locking her in a tomb. All this cruelty happens while the feelings of Haemon, Antigone’s romantic partner and Creon’s son, are over looked. This death sentence begins the doomed occurrences Creon
He anxiously awaits the day when he can call Antigone his wife, but because she defies King Creon, she deprives him of that opportunity. At first, Haemon tries to be loyal to his father. He tells Creon that he supports his decision to execute Antigone. However, as the conversation continues, he reveals that the community members are starting to renounce Creon’s decision. As the pain of potentially losing his fiancé becomes too much, he also renounces his father’s decision, arguing that the Gods would not condone it. In an act against his father, Haemon hurries to the cave Antigone was exiled to, in hopes to save her, but instead finds her hanging from the veil she was supposed to wear on her wedding day. Instantly overwhelmed with grief, Haemon, “[bewails] the loss of his bride” (Sophocles 152). Similarly, to Ismene’s case, Haemon cannot picture himself living on Earth without Antigone by his side, and commits suicide. In Antigone’s desire to appease the Gods, she abandons her loved ones, and causes them great suffering. This could have been avoided has she not pursued her desire to bury
Antigone was dejected with Creon’s ruling and decided to bury Polynices herself. She tried to enlist Ismene to help her, but Ismene was to afraid. Antigone furiously continued with the plan on her own. A sentry discovered Antigone and brought her to Creon. Ismene was also brought to Creon and confessed that she had helped Antigone with the burial rites of Polynices. Antigone stopped Ismene and told her not to admit to an act that she had not committed. Antigone took sole responsibility for the burial and claimed that Creon had no right to forbid the burial of Polynices. Ismene pleaded with Creon to spare Antigone’s life for the sake of Haemon, Creon’s son.
You shall leave him without burial...” (222). Opposing the king, she neglects the decree and is now to die at the orders of the law for being disobedient; yet Antigone proudly states her crime. There is no sign of remorse shown by Creon as he states: “No; though she were my sister’s child or closer in blood than all that my hearth god acknowledges as mine, neither she nor her sister should escape the utmost sentence-death” (530-33). Bobrick, explains that Creon values the love for his land more than he values family and this becomes a struggle for Antigone as it becomes a fight between obeying the laws of man and the laws of the god’s. The second struggle Antigone faces comes when she realizes she is alone. Antigone confides in her sister Ismene with her plans to disobey Creon; but Ismene, a clear example of how a lady was obliged to be in this time, urges Antigone not to commit the act. Antigone rejects her advice and declares that Ismene is an enemy to her now (41): “If you talk like this I will loathe you, and you will be adjudged an enemy…” (109-10). Antigone must fight on her own. Thirdly, per Bobrick, Antigone
Antigone, a play written by Sophocles, became a classic due to its timeless subject matter. In this play, the Greek dramatist reflected mainly on civil disobedience. Antigone believes in individual rights over state rights. Creon, however, strongly believes in putting state over religion. The play not only revolves on these two political and religious issues, but it also deals with the battle of the sexes.
Sushma Karki P English 1302 October 10, 2017 Antigone “Antigone” is a Greek tragedy by Sophocles. The story is about a young woman who has a brother by breaking the king’s decree, and now she is punished for obeying God’s law. In the classic model of dramatic structure, two characters move the action of the play from introduction to climax to resolution with their conflict. One of these characters is the protagonist, and the other is the antagonist. The protagonist is a “good guy” and the antagonist is the “bad guy”.
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
“...never let some woman triumph over us. Better to fall from power, if fall we must, at the hands of a man —never be rated inferior to a woman, never.” This quote spoken by Creon, in Sophocles’ Greek tragedy Antigone, adequately represents the opinion on women during the time in which Antigone would have been alive. Women were viewed as lower than men and were expected to be docile and passive. They were expected to never object to a man’s words, no matter if those words were to be unfair or unjust. Despite this, Antigone refuses to follow one of the most fundamental teachings of her culture by burying her brother even though the king, Creon, explicitly forbids the action, since her brother is a traitor. She rebelliously does what she feels is right, which cannot be said for her sister, Ismene. Ismene represents what a woman of her time was viewed as: weak and submissive to men’s
Sports has seen so many great rivalries Muhammad Ali Joe Frazier's rivalry, Nadal Federer's rivalry, Nadal Djokovic rivalry but the biggest is Ronaldo Messi rivalry. These are two players even in their worst of seasons can be the best in the world. That is evident in the ballon Dor ceremony where one of these two have been winning it for eight years now. While Messi is undoubtedly the best player, Ronaldo has been criticized a lot.