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Antigone and Malala; Comparing and Contrasting Activists
Sophocles’ Antigone and Malala Yousafzai share many similarities and have many differences through their actions. As females, Antigone and Malala face many challenges in regard to the government and the rules of society when persevering in the fight for their causes. Such challenges define their characters and provide similarities between them.
Within the life of Antigone and Malala, the activists are both females; thus thrusting them into a world of struggle that may be entirely avoided if they were male.
“Ismene: Rather, consider that we were born women, proving that we should not fight with men.” (Sophocles 15)
In the societies of Malala and Antigone, where the societies are predominately male dominated, the ability to speak out and act is much harder for women. As activists both Malala and Antigone choose to defy their governments and societies and continue to fight for their beliefs.
“Ismene : I do not dishonor them but to do this against the state – I have no strength for it.
Antigone: Use that excuse if you like but I indeed will go and heap a tomb for my dearest brother.” (Sophocles 16)
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This quote illustrates the moment Antigone firmly decides to defy the government, Malala also decided to defy the government by using the radio to convey her message. Although Antigone and Malala share many similarities, they also have their differences. Antigone and Malala have many differences, of these differences two Activists all have a cause to fight for, and in the case for Malala and Antigone, their causes differ.
In the story of Antigone, the ruler of Thebes, Creon, has decreed that only one of Antigone’s brothers shall be buried and the other not, as within her culture the highest form of dishonor is to not be buried. As a result of this, Antigone’s cause becomes to bury her brother, no matter what the price. Malala’s cause is far from the ability to honor a family member; she fights for women’s education. Another distinct difference between the two activists is the time period in which they live. Antigone lives in the classical era, where the Greeks fully believe that the Gods control everything, including curses (in the case of Antigone and
Oedipus). “Antigone: Ismene my dear sister through common blood, do you know of any evil from Oedipus [Who has been long since dead] Zeus will not perform on us who still live?” (Sophocles 13) This quote provides insight to the time period of Antigone as it portrays Gods as actively placing curses on certain families. The time period of Malala takes place in the recent past of the reader (1997 CE +), and elements of technology and groups effect her decisions and daily life rather than the curses and Gods of Antigone. Antigone and Malala have many differences ranging from causes to time periods that affect their ability to act on their causes and perform their daily lives. Antigone and Malala have many similarities and differences. Such similarities include gender and the decision to defy the government. Apart from similarities, differences include causes as well as the time period in which the two characters live. In conclusion, Sophocles’ Antigone and Malala share many similarities and differences that are shown throughout their fights for their causes.
Antigone and Ismene, although sisters, are almost opposites. While Antigone is bold, proud, and stubborn, Ismene is timid, obedient, and scared. She warns Antigone that
Antigone, a story written by Sophocles, is about a young woman, Antigone, choosing whether she will not bury her brother, Polyneices, to not break the law or disobey Creon’s law and bury him; however choosing to bury her brother does not derail her moral development.
Antigone believed that burying her brother was the right thing to do, even if it meant death. It was also demanded by the Gods that one must be buried, and not doing so would be to go against them. She gained supporters, her biggest one being her fiancé, Haemon, who also was the son of Creon. She ended up killing herself for what she believed in. Haemon, realizing the suicide of his fiancé, drews his sword and jammed it through his ribs. “He collapsed against Antigone’s arms which were still warm, and hugged her. Then his blood came coughing, and covered all her white cheeks with scarlet. So now lies one corpse upon another.” Malala was a hero in the eyes of her people. She believed in women’s right to an education and wasn’t afraid to speak up. Inspired by her voice, the people managed to drive away the Taliban out of Pakistan, and the citizens were able to experience freedom once again. But her doing so got her shot. “Malala Yousafzai was sitting on a school bus with her classmates waiting to go home when two bearded gunmen appeared. ‘Who is Malala?’ one of the men demanded… The gunmen opened fire. One bullet pierced Malala’s head near her left eye.” She miraculously survived and became an inspiration to
A young girl named Paikea once said, “In the old days, the land felt a great emptiness. It was waiting. Waiting to be filled. Waiting for someone to love it. Waiting for a leader” (Whale Rider). As seen in the eyes of Paikea, from the movie Whale Rider, a leader is a guide, someone who guides his or her people in the right directions, someone who does all he or she can do to improve his or her land. In the eyes of Antigone, from the play Antigone, princess of Thebes, the rules of the leader only seem right when she feels they don’t contradict with the rules of the gods. As she states in this quote: “It is the dead, Not the living, who make the longest demands: We die forever. . . .You may do as you like, since apparently the laws of the gods mean nothing to you” (Sophocles 58-60). Conversely, Paikea believes that she’s different, and that the rule of the gods is different for her. Although these characters display similarities by being defiant figures, the Greek tradition in which Antigone believes in, and the New Zealander’s tradition in which Paikea follows, differs significantly by beliefs. However, their culture’s discrimination towards women seems to be comparable. While the views on tradition, gender, and defiance are similar for Paikea and Antigone, the differences amongst them are striking.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
Antigone is a young woman whose moral background leads her to go against the wishes of the king to bury her brother, Polyneices. Sophocles uses Antigone as a character who undergoes an irreversible change in judgment and as a result, ends up dying. Antigone is hero, and she stands for honor, and divinity. Because Antigone's parents were Oedipus and Iacaste, she was born into a family of power; something that she could not change. At times, Sophocles leads the reader into thinking Antigone wishes she was not who she was. Ismene, Antigone's sister, refuses to help Antigone because (as she states) "I have no strength to break laws that wer...
Antigone did the right thing by defileing Creon's strict orders on burying Polynices because the unalterable laws of the gods and our morals are higher than the blasphemous laws of man. Creon gave strict orders not to bury Polynices because he lead a rebellion, which turned to rout, in Thebes against Creon, their omnipotent king. Antigone could not bare to watch her brother become consumed by vultures' talons and dogs. Creon finds out that somebody buried Polynices' body and sent people out to get the person who preformed the burial. Antigone is guilty and although she is to be wed to Creon's son, Haemon. He sentences her to be put in a cave with food and water and let the gods decide what to do with her. He was warned by a blind profit not to do this, but he chooses to anyway, leaving him with a dead son, a dead wife, and self-imposed exile.
Like her parents, Antigone defies a powerful authority. Unlike her parents though, that authority is not of the gods, but rather of a person who thinks he is a god: Creon, Antigone's uncle, great-uncle, and king. He proclaims that the body of Polyneices, Antigone's brother who fought against Thebes in war, would be left to rot unburied on the field, “He must be left unwept, unsepulchered, a vulture's prize....” (ANTIGONE, Antigone, 192). Antigone, enraged by the injustice done to her family, defies Creon's direct order and buries her brother.
Medea and Antigone are two stories of women fighting back for what they want, or what they feel is right. These stories take place in ancient Greece, around the time of its rise to power. Medea and Antigone are both strong, sometimes-manipulative characters but have different moral settings that control what they do.
Joseph Campbell describes the hero’s journey as a quest where the “hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man” (Campbell 7). The heroine’s quest, according to Valerie Estelle Frankel includes “battling through pain and intolerance, through the thorns of adversity, through death and beyond to rescue loved ones” (Frankel 11). Contrary to the hero’s journey, the heroine’s journey focuses on the “culture on the idealization of the masculine” while the hero’s journey focuses on the adventures. In the inspiring autobiography, I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban, Malala Yousafzai represents a heroine because she goes through the stages of the heroine’s journey as she refuses to be silenced and risks death to confront the Taliban on behalf of the young Pakistani girls that are deprived of education. The stages of the journey include the ordinary world, the call to adventure, the supernatural aid, the crossing of the first threshold, the road of trials, the ordeal, death and rebirth, and the return with the elixir.
Antigone is a strong willed character who is not afraid to defend her beliefs. After learning that Creon has denied Polyneices of a proper burial she uses her free will to decide that she must lay her brother to rest, as she strongly believes he should be honored like the other fallen soldiers. Unable to
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
Nearly every society, Nora and Antigone's are no exception, dictates a specific place or purpose for women, and while Nora and Antigone's respective societies possess some similarities regarding women's place and purpose, they contain several important differences. In Antigone, for example, the relative worth and status of women in Thebian society seems clear; women are to submit to the rule of man. Ismene suggests this submissive attribute of women in Thebian society when she begs Antigone not to defy Creon's commands, "Remind ourselves that we are women and as such are not made to fight with men." (193) Evidently the Thebian society controlled by men has kept a lid on women's individuality so much so that even a member of the royal family, Ismene, speaks of the futility in attempting to clash with the rule of man. Furthermore, Creon asks Antigone if she is "ashamed to differ from such men [the Chorus]?" (212) This suggests that in Thebian society w...
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
Ultimately, I find that Antigone is a play that can be interpreted in many different ways. Through the examination of characters, events and scholarly arguments I have attempted to show that the catalyst for Antigone’s tragic end stems from the edict of Creon, an edict that as a ruler he is within his rights to make – but which Sophocles ultimately forces Creon to acknowledge as wrong. However, whilst the actions and events leading up to this event cause Antigone to disregard the law in order to pay burial rites to her brother, her treatment of Creon and acceptance of her fate must show that she herself accounts for a decent share in the responsibility for her own death.