Widely respected throughout America, Anna Quindlen is a notable author and columnist who jump started her career as a part-time reporter for the New York Post at the age of 18. After earning her B.A. degree at Barnard College, New York City, Quindlen upgraded to positions as a general columnist, and later deputy metropolitan editor, for the New York Times. Her biweekly column, “About New York,” resulted in her becoming the third woman in all history of the Times to write a regular column for the exclusive and elite op-ed page. Quindlen then went on to receive the Pulitzer Prize for Commentary in 1992. From essays to children’s books to semi-autobiographical novels, Quindlen has been putting her thoughts down on paper for as long as she can remember -- a habit that has certainly paid off, as evidenced by her incredible success. This writer’s duty is to pass on the advice and …show more content…
She lists ideas in swift successions, often choosing to forego coordinating conjunctions such as “and,” “if,” “or,” and “but” in order to get the same point across in fewer words. She also utilizes hyphens and em dashes rather than periods or semicolons. This is an effective strategy in that it implies an interruption, and then recommencement, of ideas. Her writing is polished and organized but still depicts a visible thought process. For example, in Loud & Clear, Quindlen writes, “...Penelope Leach, T. Berry Brazelton, Dr. Spock. The [books] on sibling rivalry and sleeping through the night and early-childhood education - all grown obsolete. Along with Goodnight Moon and Where the Wild Things Are, they are battered, spotted, well used…. What those books taught me, finally, and what the women on the playground taught me, and the well-meaning relations -- what they taught me, was that they couldn't really teach me very much at
Kaufman, Debra R. and Richardson, Barbara L. Achievement and Women, Challenging the Assumptions: The Free Press, New York 1982
Both Chang Rae-Lee and Amy Tan use their articles to illustrate the impact their mothers had on creating a respectable ethos as a writer. Lee and Tan are authentic and true, which are great values instilled by a mother that shine through in their writing. These articles are great examples of how much a writer’s ethos contributes to his/her overall argument. As said by Lee, "Having been raised in an immigrant family,…[one sees] everyday the exacting price and power of language…" (Lee 584).
The primitive American culture during the 1950’s has damaging effects on Esther’s mental stability because she discovers that marriage halts career focus and promotes male dominance. Esther is a young woman who aspires to achieve a high standing in society by becoming a renowned writer. However, her motivation to follow her passion is stifled by the other women prevalent in the society. During her internship for the New York magazine, Esther witnesses:
Women have faced oppression in the literary community throughout history. Whether they are seen as hysterical or unreliable, women writers seem to be faulted no matter the topics of their literature. However, Anne Bradstreet and Margaret Fuller faced their critics head-on. Whether it was Bradstreet questioning her religion or Fuller discussing gender fluidity, these two women did not water down their opinions to please others. Through their writings, Bradstreet and Fuller made great strides for not just women writers, but all women.
Anna Quindlen describes in the essay “Abortion is too Complex to Feel one Way About” the different situation that we as a human race are put in everyday. She talks about the topic of abortion in a way that one feels they have had to make the decision of whether or not a person is pro-choice or pro-life. She uses references that are of different personal experiences in the essay that are vital to the audience. Quindlen is writing to state her point that one should never put their self in this situation because one should take the proper responsibility. In this paper you will read about the conflict with abortion and what Quindlen thinks about this issue.
In 1945, Flannery O’Connor transferred to the University of Iowa after receiving a scholarship for journalism. After a few months, she realized journalism was not her dream. She talked t...
Born in San Francisco, in the year of 1916, Shirley Jackson had an inauspicious entrance to the world, despite the chilling nature of her writing. She moved two years after she was born to Burlingame, California, where she resided for most of her childhood. When she was 17, she began to attend the University of Rochester, she only spent a year there, as after a time of questioning her friend’s loyalty and long periods of unhappiness, she left the school for a year, practicing writing almost religiously, with a minimum of one thousand words every day. In 1937, she entered Syracuse University, at first pursuing a degree in journalism before transferring to the English department.
"Up Close and Personal" effectively portrays how exceptional journalism can still win success and fame. Not only does Tally Atwater prove that it is not about what you look like or whom you know, but what you are able to produce. If a person has the talent and integrity to work towards their goal, they will be successful. Tally teaches the viewer the importance of telling the true story regardless of societies reaction. Whether or not the public agrees with the story at hand, the truth is meant to be heard. In journalism, in the real world, society should expect the same moral conscious as Tally Atwater showed in her search for the real story.
In her article “But What Do You Mean” Deborah Tannen, claims that there is a huge difference in the style of communicating between men and women. Tannen breaks these down into seven different categories; apologies, criticism, thank-yous, fighting, praise, complaints, and jokes. With each of these she compares men to women by explaining the common misconceptions that each of the genders do. The different style of communication can cause some problems at the workplace and even affect the environment. The different styles of communication has been around forever and almost becomes a “ritual”(299). Tannen is effective with mainly women and not men. She is primarily successful with women due to the fact that her tone targets women, also the organization
In this paper I will talk about some information that I have obtained from reading Mary Piphers, Reviving Ophelia, Saving the Selves of Adolescent Girls and give my view on some of her main points and arguments. I also will discuss why I feel Mary Pipher’s views on the toxic influence of media are accurate, and that it does affect adolescent girls. This paper will also point out the importance of Mary Pipher’s studies on the problems that today’s female teens are facing and why I feel they are important and cannot be ignored.
Andi Anderson (Kate Hudson) is a beautiful, young, and successful writer who maintains a “How-To” section in “Composure” magazine. Her dream is to “write about things that matter, like politics and the environment, and foreign affairs- things I’m interested in.” (How To Lose A Guy In 10 Days, time stamp 02:00). She knows that the only way she will eventually be able to write about subjects she’s passionate about is to be successful in writing her superficial “How-To” section in the magazine.
Charlotte Perkins Gilman presents her content in a journalistic style. The point of view is in first
Orenstein, Peggy. “What’s Wrong with Cinderella?” The New York Times Magazine. 4 Dec. 2006. Rpt. in Writing Communities and Identities. Ed. Cynthia Debes et al. 6th ed. Plymouth, MI: Hayden-McNeil Publishing, 2009. 50-54.
Gwendolyn Brooks once said “I felt that I had to write. Even if I had never been published, I knew that I would go on writing, enjoying it, and experiencing the challenge”. For some, writing may not be enjoyable or easy, but for Brooks writing was her life. Gwendolyn Brooks not only won countless awards, but also influenced the lives of several African Americans.
and Other Greats : Lessons from the All-star Writer's Workshop. New York: McGraw-Hill, 2006. Print.