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More handpicked essays just for you.
The importance of poetry
The importance of poetry
The importance of poetry
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Ahkmatova’s Requiem: A Discussion of the Events that Inspired a Russian Masterpiece Few authors can convey the raw emotion of world changing events in such a moving and simplistic fashion. Anna Ahkmatova is able to capture this through her almost tangible use of imagery. Her words can transport the reader through time, allowing them to feel the same pain and fear she survived in Russia during Stalin’s reign of terror. Ahkmatova’s writing is known for its abrupt changes in point of view, and quickly shifting stanzas. Her unique style and poetic form can be attributed to the emotional turmoil of the world changing events she and her nation suffered through; and her innate love for music, as found in Mussorgsky’s Russian Opera, Boris Godunov. Requiem is unique for its simplicity; a quality that can be attributed to the furtive way in which it was written, and …show more content…
It is the reason the speaker is in constant, silent agony and the reason she continues forth. She describes her pain in the poem as an unmovable force, “Mountains bow down to this grief, / … but the prison gates hold firm,” (Dedication lines 1 and 3). Not even the force of nature can penetrate the cold iron and stone of the prison walls. The wailing and grieving of millions of mothers cannot move the cold heart of Stalin. One can clearly see how this emotional fight against a looming and imminent figure, shaped Ahkmatova’s voice and style. Ahkmatova is known for her quickly changing point of view. In “Dedication” the speaker initially refers herself and many others as “we” (line 8). However, the speaker then begins describing herself and the following events in third person, only to shift again to first person. Once again, Ahkmatova is showing a personal struggle within the whole of a community. The speaker feels a communal grief, as these women suffer the same fate outside the gates of Leningrad, waiting for their loved ones to be
The short story, “Ivan Fyodorovich Shponka and His Aunt”, explicates the life of a man named Ivan Fyodorovich Shponka. We see him briefly in his young years, followed by his life in the army, and his return to the farm where his strong characterized aunt resides. We can see immediately that this man lives in constant cleanliness and dutiful paranoia; these are some of his desires that he wishes to exhibit to others. We can also see his fears, which reside in the confiscation of his masculinity and independence. This short story has many elements that resemble others in the Nikolai Gogol collection.
Using form, Wislawa Syzmborska conveys the message through a serious of parallelism, stanzas, and lines in her unconventional poem. Examples of parallelism are found in the 2nd and 3rd stanza where the poet is emphasizing “because” and “luckily” to show the reader that because of these situations the victim survived and that the victim was extremely lucky to have all these materials provided to hide and protect the victim which adds to the message. The poem begins with a breathless response to some disaster, as if the speaker is processing as we listen. Therefore, the mood is rushed and fast paced. The parallelism keeps the poem moving and at a quicker pace while sustaining the mood. The poem itself is in an unconventional form. With the different lined stanzas and different line lengths, she uses them to represent different situations and with the different situations and circumstances, it comes out to be successful, into a meaningful poem, which correlates to the whole message. With the different turns the victim took by chance, that person survived. Form is used, in this poem, to gather together ideas and unify the poem.
Fay, Laurel E. ‘Shostakovich vs. Volkov: whose Testimony?’ The Russian Review (October 1980), pp. 484-93.
... to mind works written by subsequent generations of women novelists. One sees Chopin’s text straining toward, among other elements, the narrative innovations achieved in Virginia Woolf’s Mrs. Dalloway and The Waves. One is also reminded of the “lyric” novels of the American writer Carole Maso, whose so-called experimental works typically eschew plot and conventional linear narration. In a recent book of essays, Maso admits that her erotic novel Aureole was “shaped by desire’s magical and subversive qualities,” she notes; “[desire] imposed its swellings, its ruptures, its erasures, it motions.” (Break Every Rule, 115). If contemporary authors like Maso are able to access such boundless spheres of narrative play, it may be due in part to the pioneering efforts of writers such as Chopin, who first began to articulate the need for such liberating spaces in the novel.
The conflict between good and evil is one of the most common conventional themes in literature. Coping with evil is a fundamental struggle with which all human beings must contend. Sometimes evil comes from within a character, and sometimes other characters are the source of evil; but evil is always something that the characters struggle to overcome. In two Russian novels, Fyodor Dostoevsky’s Crime and Punishment and Mikhail Bulgakov’s The Master and Margarita, men and women cope with their problems differently. Raskolnikov in Crime and Punishment and the Master in The Master and Margarita can not cope and fall apart, whereas Sonya in Crime and Punishment and Margarita in The Master and Margarita, not only cope but pull the men out of their suffering.
Alice Petry Hall gives readers of Kate Chopin’s works an exceptional overview of this author’s life, sharing Chopin’s understanding of fundamental issues based on critical essays, interviews, criticisms, and Chopin’s personal notes.
Dostoevsky’s St. Petersburg is a large, uncaring city which fosters a western style of individualism. As Peter Lowe notes, “The city is crowded, but there is no communality in its crowds, no sense of being part of some greater ‘whole.’” Mrs. Raskolnikov initially notices a change in her son marked by his current state of desperate depression, but she fails to realize the full extent of these changes, even after he is convicted for the murder. The conditions and influences are also noticed by Raskolnikov’s mother who comments on the heat and the enclosed environment which is present throughout the city. When visiting Raskolnikov, she exclaims "I'm sure...
Kate Chopin was a woman and a writer far ahead of her time. She was a realistic fiction writer and one of the leaders and inspirational people in feminism. Her life was tragic and full of irregular events. In fact, this unusual life had an enormous effect on her writings and career. She depicted the lifestyle of her time in her works. In most of her stories, people would find an expansion of her life’s events. In her two stories “The Storm” and “The Story of One Hour” and some of her other works she denoted a lot of her life’s events. Kate Chopin is one of those writers who were influenced by their life and surrounded environment in their fiction writing, and this was very clear in most of her works.
Calixta and Alce, the two main characters in the short story “The Storm” by Kate Chopin, are sexual, mature, and knowing adults. By having them discover amazing sex outside their marriages, they return to their own marriages renewed. Chopin openly condones adultery due to the fact that the characters are not punished and in the end “everyone was happy” (paragraph 40) . A common theme of fresh sexuality and desire is seen in this story though symbols and other literary elements. Kate Chopin is an American author that wrote short stories and novels in the 20th century.
Storytelling has been a common pastime for centuries. Over the years it has evolved into different styles containing different themes. Kate Chopin, a well-known author of the 20th century, wrote stories about the secrets in women’s lives that no one dared to speak of. Her work was not always appreciated and even considered scandalous, but it opened up a world that others were too afraid to touch. In Chopin’s story “The Storm,” a woman has an affair that causes an unlikely effect. The story’s two themes are portrayed greatly through an abundance of imagery and symbolism, along with the two main characters themselves.
To begin, the sound of this poem can be proven to strongly contribute an effect to the message of this piece. This poem contains a traditional meter. All of the lines in the poem except for lines nine and 15 are in iambic tetrameter. In this metric pattern, a line has four pairs of unstressed and stressed syllables, for a total of eight syllables. This is relevant in order for the force of the poem to operate dynamically. The poem is speaking in a tenor of veiled confessions. For so long, the narrator is finally speaking up, in honesty, and not holding back. Yet, though what has been hidden is ultimately coming out, there is still this mask, a façade that is being worn. In sequence, the last words in each of the lines, again, except for lines nine and 15, are all in rhythm, “lies, eyes, guile, smile, subtleties, over-wise, sighs, cries, arise, vile...
During the hard and cruel era of Stalinism, Shostakovich had the courage to express the desolation of his people by method of remarkable dramatic feeling; hence, his music became a moral support for all who were persecuted. Sofia Gubaidulina reflected, "The circumstances he lived under were unbearably cruel, more than anyone should have to endure." With Stravinsky and Prokofiev, Shostakovich embodies the culmination of 20th Century Russian music, but unlike his contemporaries, he is unique in having composed his entire opus within the framework of Soviet aesthetics. When forced onto the defensive, he did not dispute; but instead overcame the limitations of socialist realism and infused throughout his works his belief in the final victory of justice, which transformed his music into a powerful stimulus to the spirit of resistance and freedom.
Akhmatova then alludes to an actual verse in the gospels by depicting Jesus as saying “Why hast thou forsaken me!” to describe how many people were feeling during Stalinist Russia (Requiem 171). The Russian people felt abandoned in life since religion was banned. This suppression of religion made it more difficult to cope with the misery that they were encountering since they had no hope for the future. Moreover, repetition of the phrase “weep not for me” is used to emphasize that Akhmatova had hope that her son would’ve been able to survive working in the gulag. Crucifixion later alludes to Mary Magdalene with the quote “Magdalena smote herself and wept” (Requiem 174). Magdalene was one Jesus’ most zealous followers and stayed with him until his crucifixion (Carroll 2). Her reaction to the death of Jesus is a metaphor as to how the Russian people often felt after the death of their loved ones in that they felt hopeless and suicidal. Jesus’ mother, who was deeply impacted by her son’s death, is introduced by saying “but there, where the mother stood silent, not one person dared to look” (Requiem 176-177).
A. The Epic of Russian Literature. New York: Oxford University Press, 1950. 309-346. Tolstoy, Leo. "
I found that throughout this poem there was much symbolism within it. Identifying that it was written in first person form showed that this poem relates to the author on a personal basis, and that it was probably written to symbolize his life. But when talking about people’s lives, you can conclude that people’s lives are generally and individually very diffe...