The author of “Everyday Use,” Alice Malsenior Walker, is a writer and a civil rights activists. Born on February 09, 1944 to sharecroppers Willie and Minnie Walker in Eatonton, Georgia. She was the youngest of her eight siblings- five boys and three girls. Blinded in one eye at the age of eight by one of her siblings awarded her a “rehabilitation scholarship” to Spelman college in Atlanta, Georgia. Growing up witnessing the history of oppression of her people, and with her college education she became a civil rights activist who wrote short stories on the subject matter. (cite). Her story “Everyday Use” is a good example of how a writer writes what they know through their own experiences. “Everyday Use” published in 1973(cite), can paint mental imagery of what …show more content…
Alice Walker experienced growing up and during the civil rights movement. This critical response essay will aim to compare the themes, symbolism, and imagery to the civil rights movement of the 1960’s. The central theme in “Everyday Use” deals with the way someone could understand their relationship to their present life and to their cultural identity (cite). During the civil rights movement of the 1960’s and 1970’s, many African American felt disconnected with their roots to Africa. The antagonist of our story changes her name from Dee Johnson to Wangero Leewanika Kemanjo to be more connected to her ancestral root in Africa. Stating to her mother that she "couldn't bear it any longer, being named after the people who oppress me (cite)." However, Wanjero’s mother feels that the name Dee expresses her relation to her family. Stating that Wanjero was named after her Aunt Dice, and Aunt Dice was named after Grandma Dee (cite). Despite the fact that Wanjero rejects the name that has been passed down to her through the generations, Wanjero wants to claim many of her family objects in the house as artifacts instead of putting them to everyday use. The quilts in the story “Everyday Use” are symbolic of the conflicting ideas of the Johnson family’s ancestry. In “Everyday Use” Mama Johnson has two options. She can give the quilts to Wanjero, or she can give them to Maggie. Giving the quilts to Wanjero represents new cultural ideas, and preserving the past like museum artifacts (cite). However, giving the quilts to Maggie represents giving the quilts the purpose they were made for (cite). Other objects in the house that has symbolism is the churn and benches. They not only represent the Johnson family lineage, but the Johnson family’s poverty. Evidence of this is stated by Mama Johnson and Wanjero. When Mama Johnson says “we still used the benches her daddy made for the table when we couldn't effort to buy chairs.” Then when Wanjero asks for the churn, she also asks “Didn't Uncle Buddy whittle it out of a tree you all used to have? (cite)” The short story, “Everyday Use”, uses a lot of animal imagery.
All of the character in this story are described with the imagery of animals throughout the story (cite). The first example of this is when Mama Johnson describes Wanjero’s hair to sheep. This can also be the first clue into the characterization of our protagonist’s personality. To say that she is like a sheep who will follow any fad that is popular at the time. As evidence of this, later in the story Mama Johnson recalls that Wanjero did not want the quilts. Stating that when Wanjero turned down her offer of a quilt that Wanjero said “they were old-fashioned, out of style (cite).” Another example of animal imagery is when Maggie’s memory is compared to that of an elephant, and how she is like a cowering dog to describe her persona at the beginning of the story. Then there is also the comparison of Mama Johnson and Hakim A. Barber to cattle. Evidence of this is stated in the story when Mama Johnson says to Hakim that he must belong to the cattle people down the road, and when she tells us the story of why she stopped milking cows; which foreshadows the conclusion of the story. “I used to love to milk till I was hooked in the side in '49.
(cite)” In conclusion, Alice Malsenior Walker does a good job of showing us what it was like during the civil rights movement. This story’s theme, symbolism, and imagery deals with issues of the civil rights movement. After several generations of racial discrimination, and several years of segregation, African-Americans felt a cultural divide between their identities as American and as Africans. Muslim activist Malcolm X is a good example of this attitude from Wanjero and Hakim. This is also illustrated with the symbolism of the quilts. The use of animal imagery in her story also demonstrates the divide between educated and non-educated African-Americans.
Susan Farrell in her, “Fight vs. Flight: A Re-evaluation of Dee in Alice Walker’s ‘Everyday Use’” writes in response to Alice Walker’s short story Everyday Use. Farrell’s article is published by Newbury College in spring of 1998 in Studies in Short Fiction (179). Farrell in her article writes to argue that although Dee is inconsiderate and egotistical—supporting what she is arguing against— to a certain degree, she offers a way for a modern African American to manage with the harsh society that is, in a few ways more substantial than that described by Mother and Maggie— which is her thesis (179). Most people who have read Walker’s short story Everyday Use are prone to agree that the character Dee is ‘shallow,’ ‘condescending,’ and ‘manipulative,’;
Sigmund Freud once argued that "our species has a volcanic potential to erupt in aggression . . . [and] that we harbour not only positive survival instincts but also a self-destructive 'death instinct', which we usually displace towards others in aggression" (Myers 666). Timothy Findley, born in 1930 in Toronto, Canada, explores our human predilection towards violence in his third novel, The Wars. It is human brutality that initiates the horrors of World War I, the war that takes place in this narrative. Findley dedicated this novel to the memory of his uncle, Thomas Irving Findley, who 'died at home of injuries inflicted in the First World War" (Cude 75) and may have propelled him to feel so strongly about "what people really do to one another" (Inside Memory 19). Findley feels a great fondness for animals, and this affection surfaces faithfully in many of his literary works. The Wars is a novel wrought with imagery, and the most often recurring pattern is that of animals. Throughout the novel, young Robert Ross' strong connection with animals is continually depicted in his encounters with the creatures. Findley uses Robert to reveal the many similarities between humans and animals. The only quality, which we humans do not appear to share with our animal counterparts, is our inexplicable predisposition to needless savagery.
Benjamin Percy uses the title “Me vs Animals” for a specific purpose and chose each word carefully. With only three words, the title conveys competition and comparison, gives the reader a connection to the essay, and instills a fear of the unknown. A title can make or break an entire piece of work. I think Percy contemplated over this title and chose three words that would accurately sum up his whole essay, with success. I would like to learn from this how to create a title that does just that.
No matter where one is from or where one finds themselves today, we carry with us in some way or another a specific heritage. Certain events and circumstances can lead to someone trying to forget their heritage or doing everything in their power to preserve that heritage. Alice Walker’s “EveryDay Use” was published in 1973, not long after the civil rights movement, and reflects the struggles of dealing with a heritage that one might not want to remember (Shmoop). Alice Walker is well known as a civil rights and women’s rights activist. Like many of her other works she uses “Everyday Use” to express her feelings on a subject; in this case African American heritage. Through “Everyday Use” it can be seen that Alice Walker has negative feelings about how many African Americans were trying to remove themselves from parts of their African American culture during the time of the short story’s publishment. This idea that Walker was opposed to this “deracinating” of African Americans coming out of the civil rights
The Maus series of books tell a very powerful story about one man’s experience in the Holocaust. They do not tell the story in the conventional novel fashion. Instead, the books take on an approach that uses comic windows as a method of conveying the story. One of the most controversial aspects of this method was the use of animals to portray different races of people. The use of animals as human races shows the reader the ideas of the Holocaust a lot more forcefully than simply using humans as the characters.
The quilts were pieced together by Mama, Grandma Dee, and Big Dee symbolizing a long line of relatives. The quilts made from scraps of dresses worn by Grandma Dee, Grandpa Jarrell’s Paisley shirts, and Great Grandpa Ezra’s Civil War uniform represented the family heritage and values, and had been promised to Mama to Maggie when she married. However, Dee does not understand the love put into the making of the quilts, neither does she understand the significance of the quilts as part of her family heritage. It is evident she does not understand the significance of the quilt, having been offered one when went away to college declaring them “as old-fashioned” and “out of style”. She does not care about the value of the quilts to her family, rather she sees it as a work of art, valuable as an African heritage but not as a family heirloom. She wants the quilts because they are handmade, not stitched with around the borders. She tells Mama, “Maggie can’t appreciate these quilts!... She’d probably be backward enough to put them to everyday use… But, they’re priceless!.. Maggie would put them on her the bed and in five years they’d be in rags. Less than that!” (317). The quilt signifies the family pride and history, which is important to Mama. She makes the decision to give the quilt to Maggie who will appreciate it more than Dee, to whom she says, “God knows I been saving ‘em for long enough with
Tate, Claudia C. "'Everyday Use' by Alice Walker." African American Review 30.2 (1996): 308+. Literature Resource Center. Web. 2 Feb. 2014.
Alice Walker is a well-known African- American writer known for published fiction, poetry, and biography. She received a number of awards for many of her publications. One of Walker's best short stories titled "Everyday Use," tells the story of a mother and her two daughters' conflicting ideas about their heritage. The mother narrates the story of the visit by her daughter, Dee. She is an educated woman who now lives in the city, visiting from college. She starts a conflict with the other daughter, Maggie over the possession of the heirloom quilts. Maggie still lives the lifestyle of her ancestors; she deserves the right of the quilts. This story explores heritage by using symbolism of the daughters' actions, family items, and tradition.
exactly what's going on and begins to resent Wangero even more. The quilts themselves are symbols in the story, interpreted in different ways, by the narrator, the author, the reader, and Wangero. Again, Walker uses the narrator's simplicity to her advantage. While Wangero sees the quilts as a symbol of her heritage, the narrator. sees them only literally, as blankets to be used, not saved for. cultural posterity.
“Everyday Use” is a story based in the era of racial separation between communities of diverse ethnicity. “Everyday Use” by Alice Walker merely scratches the surface of racial heritage and the elimination of previous ways of living. This discontinuation of poverty driven physical labor shines through Dee as she grows to know more of her heritage throughout her years in school. An example of this is when Dee changes her name; this is an indication of Dee/Wangero wanting to change her lifestyle after the harsh truth she is hit with while going to school. Dee learns about the struggles of African Americans during this time, which changes her view on the unforgiving reality of her family’s lifestyle. In “Everyday Use”, the author opens the mind
Every possible type of character is displayed in this short story. Dee starts out the story as a stereotypical light-skinned black person. Feeling as though she was better than everyone else was because her: waist was small, skin was light, a nice grade of hair, and she was somewhat educated. Dee was in a hurry to get out of the country and never come back. She wrote to her mother saying "no matter where we choose to live, she will manage to come see us. But she will never bring her friends" (Walker 63), letting everyone know that she thought she was too good to continue to take part in her heritage. Maggie was portrayed as a flat character. The reader is not told much about her, and she never changes throughout the whole story. The mother would be the static character. She is seen as an older women set in her ways from life experiences, and from what she had been taught growing up black in the south. She made up her mind that the two family quilts would go to Maggie and she did not give it a second thought. Dee is also the dynamic character round. She is dynamic when she returns home to the country. She had previously said she would not bring any of her friends home, but when she gets there she is accompanied by a gentleman. Other aspects of her dynamics are displayed when she changes her name to "Wangero Leewanika Kemanjo". She went from dyeing and hating her upbringing to wanting to take a piece of it with her back to the city. To show off where and what she comes from. Dee is truly a round character. Walker did an excellent job with these characters especially Dee.
Quilts symbolize a family’s heritage. Maggie adheres the tradition by learning how to quilt from her grandmother and by sewing her own quilts. Maggie also puts her grandmother’s quilts into everyday use. Therefore, when Dee covets the family’s heirloom, wanting to take her grandmother’s hand-stitched quilts away for decoration, Mama gives the quilts to Maggie. Mama believes that Maggie will continually engage with and build upon the family’s history by using the quilts daily rather than distance herself from
Alice Walker’s “Everyday Use” is a short story about an African American family that struggles to make it. Mama tries her best to give Maggie and Dee a better life than what she had. In Alice Walker’s short story “Everyday Use,” Dee is the older sister and Maggie is younger. Dee is described as selfish and self-centered. Maggie is generous, kind, and cares the family’s history together. She would go out of her way to make sure that her older sister, Dee has everything she needs and wants. Maggie is also willing to share what she has with her sister. Maggie is also shy and vulnerable. Mama is the mother of Maggie and Dee. Mama is fair and always keeps her promises to her children. Hakim-a-barber is the boyfriend
The short story “Everyday Use” by Alice Walker and the drama “Los Vendidos” by Luis Valdez both are during the 1960’s. Luis Valdez was born and raised to a migrant farm worker family. As well as in the play, it is meant to entertain and raise awareness in the lives of different social classes. Also, to inform the public of the stereotypes and prejudices that were applied to the Chicano experience. Alice walker, the author of the drama “Everyday Use” was active in Civil Rights movement in the 1960’s. The purpose of the drama was to express and explore the traditional versus the progressive attitudes of young African American females. In the drama, Ms. Johnson is uneducated but uses sophisticated diction to
Animal Imagery In Timothy Findley's The Wars. Works Cited Missing The abundant animal imagery in Timothy Findley's book The Wars is used to develop characterization and themes. The protagonist, Robert Ross, has a deep connection with animals that reflects his personality and the situations that he faces. This link between Robert and the animals shows the reader that human nature is not much different than animal nature.