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Womans roles in ancient greece and rome
Womans roles in ancient greece and rome
Role of women in classical greece
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Like the Egyptians, artwork and architecture of the Greek Classical Age followed a canon of more freely accepted idealistic forms. While “proportion and order are guiding principles of the classical style” (Fiero 116), other features also played a significant role. These three major ideas, used in combination, are the Humanistic approach, the Realistic approach, and the Idealistic approach. The “Relief with a Dancing Maenad”, is a classical style of art that represents a time when “dance was prized for its moral value, as well as for its ability to give pleasure and induce good health” (Fiero 129). The picture depicted on this marble relief tells the story of a time when women of various ages also took part in specific religious festivals in honor of the goddess Athena, Dionysus and other sacred goddesses. “Self-perception of a young girl in Classical Greece was manipulated through behavioral instruction in the home, through the myths that reiterated social values, and through their participation in rituals that educated them in the values and mores of their community” (Hemingway). The mythical followers of Dionysus, known as maenads, were said to roam the forests singing and dancing with ecstasy. The movement of the dance is suggested by the swaying motion of her diaphanous draperies (Fiero 130).
In contrast to the Egyptians, Greek monuments of Classical architecture were designed to serve the living, not the dead. They believed in celebrating life here on earth, and not in the afterlife. Even though these temples still served as shrines for the gods, they also served as public meeting places and a storage place for religious and local treasures. The Parthenon, on the Acropolis of Athens, was a temple dedicated to the goddess At...
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...poetry, architecture, and art - establishing the building blocks for all to follow.
Works Cited
Fiero, Gloria K. "Chapter 5 The Classical Style." The Humanistic Tradition: the First Civilizations and the Classical Legacy. Boston: McGraw-Hill, 2011. 113-36. Print.
Hemingway, Colette. "Women in Classical Greece | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art - Home. Web. 30 Sept. 2011. .
"Parthenon." SUNY College at Oneonta. Web. 29 Sept. 2011. .
"Sappho - Ancient Greece - Classical Literature." Classical Literature - Tragedy, Lyric Poetry, New Comedy, Satire, Epic Poetry ... and Much More. Web. 30 Sept. 2011. .
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
sculpture of Dionysos, it tells us about a little bit of culture. The unclothed Dionysos indicate a common
Fiero, Gloria K. "The Medieval Synthesis in the Arts." The Humanistic Tradition Prehistory to the Early Modern World. 6th ed. Vol. 1. N.p.: McGraw-Hill College, 2005. 155-157, 309-16. Print.
The Parthenon was an amazing and important temple. Dedicated to Athena, the goddess of war and wisdom, it was a very important temple to the Greeks. Greeks worshiped all of their gods by building temples for them and giving sacrifices. Most of the sacrifices were sacred tiles designed especially for the gods, not many were human.
Functions, Occasions, and the Individual: Sappho and Archilochus In his introduction to Greek Lyric Poetry, scholar M.L. West explains, “all [lyric poetry] is the poetry of the present, the poetry in which people express their feelings and ideas about all their current concerns…it is all social poetry” (p. viii). It is this sentiment that lies at the core of this analysis of the Greek lyricists Sappho and Archilochus. The functions and occasions of their poetry represents the social constructs for which their poetic thought was introduced to the ancient world. Yet, equally important to the poetic work they created in, is the individual experience they put forth in their work.
...r. "Ancient Greece." Gardner's art through the ages the western perspective. 13th ed., Backpack ed. Boston, Mass.: Wadsworth Cengage Learning, 2010. 101, 123,129. Print.
Stebbins, Elinor. "Athena." Sweet Briar College { History of Art Program }. Web. 27 Feb. 2011. .
Gods, heroes and men of ancient Greece. New York: New American Library. Original work published in the United States. Simons, P. Hercules. In Italian Renaissance Art: Masculine Labour And Homoerotic Libido.
Meyer, Jargen C. “Women in Classical Athens in the Shadow of North-West Europe or in the Light from Istanbul”. Women’s Life in Classical Athens. www.hist.uib.no/antikk/antres/Womens life.htm. Accessed: March 10, 2012
The primary focus of ancient Greek sculptures was that of the human body. Almost all Greek sculptures are of nude subjects. As the first society to focus on nude subjects, Greek sculptors attempted to "depict man in what they believed was the image of the gods and so would come to celebrate the body by striving for verisimilitude or true – likeness (realism and naturalism!)."(Riffert) Not only did the Greeks celebrate the human form in their art but also in everyday life. (Riffert) One of the favorite topics for sculptors was that of the athlete. In Greek culture athletes were described as "hero–athletes". (Riffert) This shows that athletes were revered and looked upon as heroes. The influence of athleticism is evident in many famous sculptures. I will attempt to show how the human form influenced Greek art. It is important to note that many of the Greek sculptures discussed do not exist in their original form but rather in Roman copies of the original bronze sculptures. (Riffert)
In learning about the feminist movement, we studied the three articles and discussed and reviewed the different authors perspectives on the topic and learned how important the role of woman in Greek Mythology. In presenting the feminist theory to the class we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept.
Hemingway, Colette, and Seán Hemingway. "Greek Gods and Religious Practices | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art." The Metropolitan Museum of Art, New York: Metmuseum.org. Web. 19 June 2011.
In summary, the Greeks followed the ideals of humanism, idealism, and rationalism, which can be found in the architectural wonder, the Parthenon. In this building, Gods are depicted in human form, sculptures are carved with ideal proportions, and rationalism can be found in the scenes carved there. Professor Hurwit says, “It was the physical embodiment of their values, their beliefs of their ideology. It remains for us a powerful statement of what human beings are capable of” (Beckham). Not only is the Parthenon an architectural wonder and mystery, but it also holds the beliefs and feelings of the people of Athens.
Dunkle, Roger. "The Classical Origins of Western Culture" Brooklyn College, The City University of New York. 1986 . Web. 29 July 2015.
Welcome to the Northwest Museum of Arts and Culture, commonly known as the MAC to those in the know. As you continue through our newest exhibit, Figurative Sculpture of the Ancient World, please follow the spear markers on the floor to discover our Ancient Greece gallery. This gallery showcases the works of art from the Early and High Classical periods of ancient Greek city-states. The time period of the Classical age of Greece ranged from around 480-323 BCE (Kleiner 124)! In this period, the Greeks were starting to experiment with more lifelike and naturalistic humans in their art while still holding onto that element of idealized figures for which they are so famous. The Greek ideal figure often emphasized traits the average man was to aspire