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Ancient greek art styles
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Ancient greek art styles
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On 3/29/2016 I ventured out to the Art Institute of Chicago. Going there I planned that I wanted to focus on the Ancient Greek and Ancient Rome, because not only did I learn the most through these periods but I also found it most interesting. So I started off in the entire exhibit and when I finished with that I went straight into today modern art, because I wanted to see the gap difference. The atmosphere seemed very crisp and as if I felt like I was the outsider. A bodyguard stood in every room and the second you got too close to the artifact an alarm would sound. Its different looking at someone 2,000 years old in our textbooks rather seeing that age of work in real life. Being there I was in complete awe of everything because of how incredible …show more content…
interesting everything was turning into. Being there made me see the true beauty despite it being 2,000 years old! The visitors completely stood out to me, I again felt like the oddball out, everyone there spent a long intricate amount of time examining the pieces with a look of a long puzzled face as I stood there slowing grazing by, everyone seemed to play the typical role as serious artistic viewer blocking the world around them out. One of the very most statues that stood out to me in the entire collection was the Roman Statue of Meleager made by Skopas of Paros in 50 B.C made entirely from marble.
The statue depicts the Greek hunter Meleager, who earned his fame by killing a ferocious boar that terrorized the people of Calydon. According to AMCA, this is from the era of Roman Republic of Greece. Meaning, this piece is Roman but clearly influenced by Greece. Rome was so infatuated by Greece that they actually copied Greek and the Hellenistic period. It was practical and utilitarian; justifying imperial power, providing comfort and entertainment. Greek also were known for their prefect depitions poised typically as a god or warrior. Movement was key; showing strength and intuitivity. Showing strength was popular within movement because we are able to see the masculine side of the individual. Typically, Roman era scuptual dicpitcs; realism, political and clothing. When clothing is present its usually in the form of armor, symbolizing important figures. But, the Roman statue of meleager made by skopas of paros in 50 bc is clearly depicted from the Greek ideas based upon the perfect depictions of idealism. Melegar poise emphasized with immense detail portraying the human form, in a naturalist stance. "The Greek Classical style encourages oblique views and even the movement twisting of bodies."visual-arts-cork, Movement in this piece is shown by the twisting of body and flowing of the cloak. This sculpture reminds me of the 34 BCE Greek, Praxiteles, Hermes and the infant Dionysus that we examined in class. In relation of these they are both very similar, in terms of body structure they are near identical even the way the fluid s curve structure seen throughout the bodies, along with the relaxed stance. It rather amazes me to think they are both built from different periods from different
people. Walking Through the museum, I felt as if this collection stood out the loudest and the most amount of voice. Everything had a story and "song" especially this statue; it reminded me of the Disney movie Hercule not only the time period but how detail by detail this was. It truly is amazing to think people from 2,000 years ago had this much abilities and were able to create such art. Think of what we know today and what they knew then; by far they had much more of a greater mindset.
A Greek funerary plaque, these often decorated the walls of ancient tombs, created in a beautiful terracotta medium. These are dated in the late sixth century BC. Often these plaques would show different funeral customs, myths associated with death, or events within the culture.
“Dance is movement aware of itself. Dance is purposeful movement that employs artful communication to express ideas and feelings, meaning that aesthetic intention is present” (Cornett, 2014, p 394). Art could be anywhere and anything it just needs to have creativity in order to make it unique and beautiful. One simple art form, could speak for a thousand words and convey many significant messages such as the art form of dance. Baile Folklorico is a great example of communicating in a unique and a stunning art form. Baile Folklorico is a folk dance that elaborates different dances, music and costumes to represent a Latin or Mexican culture.
The statue is made of marble, instead of the bronze statue. This statue is one of the earliest marble statues of a human figure carved in Attica. The statue is a kind of symbol; he does not in any way a likeness. This is my first expression when I saw the statue: the statue is showing me a simple, clear action that was used by Greek youth sculptures throughout this period. Looking at this statue, he expanded into 3D space, because he is standing straight and facing forward without any exaggerated movements, thus the post makes him look closed-off and a column his limbs are locked in space. Therefore, the standing posture, the decorations on his body, his hair and knee’s texture and how the Egyptians impact Greek art, is what makes me interested in it. A question that has always been in my mind is
My first experience at the museum was a good one. I had so much fun even after we were done with the Norton-Simon. Being a business major, I did not know that art could speak to me as it did. It has not influenced me so much as to change my major, but it did open my eyes to a whole new world. Now when I look at art, I do not just see a pretty picture, but what the artist is actually trying to say.
I chose this sculpture because I was intrigued by the position of the man and the centaur. I was able to witness that the centaur is trying to invade the personal space of the man. The sculpture showed me that there is a strong relationship between man and creature. The quality of the sculpture made me realize that animals play a big part of a human’s life and can be seen as threatening to humans. It was interesting to see that both the man and centaur were created to have almost of the same structures. This statue has a metallic brown and green, bronze tone and appeared undersized. It has a height of four and a half feet, and six inches. It has long, thin, legs with calf muscles, and bulging thighs. The sculpture evolved from Olympia, Greece. The man and centaur sculpture was created in 750 BCE during an orderly time period. The colors used for this sculpture, proved that it has a longer lasting mold for statues. On the left side of the sculpture, the man has a wrap on his head, that can symbolize, he is some form of a god. On the right side, the centaur has the same head piece as the man, but the body of a horse. It can be seen that the man and
He discusses that Roman statues appear greatly similar to those of Ancient Greece, both in material and in style. The statues both from Greece and Roman Republic were made from slabs of marble and bronze. In both cultures, portraits were used as expressions of honor to both the living and the dead. They were often used in funerary spaces and sanctuaries. Stewart supports the same principle that the other critics have stated, that portraits and statues were used primarily by the wealthy and elite members of the republic. They decorated the public spaces of the people, as a reminder of leadership within the community and as a way to honor the authority’s power. Imperial portraits were used as a symbol of devotion and established the presence of a powerful empire, bringing the devotion towards the emperor
This is a copy of the sculpture of Athena Parthenos, dressed in battle attire, that was originally created by Phidias during the period of 447-39 B.C. The statue of Athena Parthenos was to be constructed, not of bronze, but of gold and ivory. The face, arms, and feet of the statue were to be made of ivory and the clothing, of thickly plated gold. The statue was an enormous size that towered thirty-three feet tall. The costly nature of the materials out of which it was designed was intended to overwhelm the viewer, creating a sense of religious awe.
oco period took place during the first half of the 18th century across Europe. The Rococo style of art is erotic, sexual, and uses escapism. Escapism means that the art is not meant to be serious. Several popular themes arose during the Rococo period such as affection, love, and flowers. The Neoclassical period was a time of Enlightenment. Inspiring artists of the time were encouraged to take a grand tour before they went on to become famous artists. The grand tour is when these artists would travel to various places such as Rome to observe the techniques used in famous paintings and architecture. Both the Rococo and Neoclassical eras would lead up to a new construction of government.
The Tampa Museum of Art was not always the same museum that we see today. It went through multiple stages throughout the years. The works vary, creating a large spectrum from the old to the new. The social angles change with the exhibits in the museum, combining to create the diversity we see today. Visiting this museum in person helped me to appreciate it even more than I would have thought possible. Observing and analyzing the other visitors helped me to understand the museum’s impact on the community more than I would have been able to just by reading about it. This museum is much different from others than I have visited.
Both of these pieces of art have much in common. Their functions are almost identical. Both were used to mark burial sites and to honor the deceased buried there. The body language of both the pieces’ figures are similar, with one seated and several others standing around them. Neither has color, but unlike the grave stele, the funerary banquet does show some degree of emotion. The figures in the banquet scene have slight smiles. These pieces played an important role in their times, honoring those who had passed on to the afterlife. For both of these people, it was important to memorialize them very similar to our practices today.
With exhibitions of the most thought-provoking art, The Museum of Contemporary Art in Chicago is one of the Nation’s largest facilities devoted to the art of our time (“About the MCA”) . The mission of the MCA is to offer a direct experience to the public of modern day art and living artists. German architect Joseph Paul Kleihues designed the new building with seven times the square feet of its previous facility (“The Building”) . October of 1967 the museum opened its doors to the public for the first time. The Museum of Contemporary Art is a symbol of modern art, culture, and the artist of our time. It is a stepping stone in history and will leave footprints in the heart of Chicago for many generations to come.
The primary focus of ancient Greek sculptures was that of the human body. Almost all Greek sculptures are of nude subjects. As the first society to focus on nude subjects, Greek sculptors attempted to "depict man in what they believed was the image of the gods and so would come to celebrate the body by striving for verisimilitude or true – likeness (realism and naturalism!)."(Riffert) Not only did the Greeks celebrate the human form in their art but also in everyday life. (Riffert) One of the favorite topics for sculptors was that of the athlete. In Greek culture athletes were described as "hero–athletes". (Riffert) This shows that athletes were revered and looked upon as heroes. The influence of athleticism is evident in many famous sculptures. I will attempt to show how the human form influenced Greek art. It is important to note that many of the Greek sculptures discussed do not exist in their original form but rather in Roman copies of the original bronze sculptures. (Riffert)
Perhaps one of the most defining and easily identifiable aspects of the ancient Greek culture was the immortalization of humans and gods in sculpture. Sculpture had existed in the world for thousands of years before the ancient Greeks made their stake in the art, but the Greeks added an entirely new set of aspects to their sculptures. Unlike the Egyptian and Mesopotamian sculpture centuries earlier, the Greeks set forth not just to capture the image of a man but to capture that which made him a man. The Greeks set in place three base tenants to display the tone of a sculpture. Through the use of Humanism, Realism, and Idealism the ancient Greeks were able to capture humans and gods forever in marble.
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
Roman artwork is extremely intricate and diverse, however, a lot of what is referred to as Roman art can better be described by the cultures it conquered. The ancient Greeks were the most influential of these cultures, from their temples and sculptures, to their reliefs and paintings. Greece was the first culture to create major programs for sculpture, painting, and architecture. Many of the first Roman artists were of Greek descent as their artwork reflects the Classical and Hellenistic periods of ancient Greece. A lot of what is considered to be Roman artwork is criticized as being mere copies of Greek artwork since they modeled their forms and styles after the Greeks, but other cultures influenced the Romans as well, mainly the Etruscans,