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Greek culture impact on the Romans
Women in ancient literature
Research paper outline about gender roles in ancient greece and rome
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In this paper, I will explain the binary approach to gender in ancient Greek and Roman culture. By analyzing Ovid’s myth of Hermaphroditus in the Metamorphoses, I will explain a common misconception of nonbinary gender in ancient Greek and Roman culture. I will discuss Aristophanes’ Speech in Plato’s Symposium and Aristotle’s Metaphysics as further evidence for the pervasiveness of binary thought in antiquity. In addition, I will explain the invasion of binary thinking in states of transition by using Hippocrates’ Epidemics. Finally, Hippocrates’ On Airs, Waters, Places showcases the inconceivability of nonbinary gender in Greek and Roman thought. Overall, Greek and Roman culture used the binary approach in conversations of gender too often …show more content…
Aristophanes explains that a so-called third human gender, “a combination” of male and female, used to exist (Plato). Once again, this gender is not outside of the binary but an even mix between the two elements. A nonbinary combination would include some features not considered distinctly female or male, and this notion of nonbinary options does not appear in this text either. While a fault in translation may exacerbate the prevalence of the binary, I persist that Greek and Roman thought revolved around only two, often opposing, genders. Since ancient Greek and Latin had three genders for the description of nouns (masculine, feminine, and neuter), translating the neuter gender may be difficult in English, which has almost no gender attached to nouns. However, this difficulty of conveying a noun’s gender does not mean that nonbinary gender was erased in translation. Greek and Roman thought continued to reference only two human genders during descriptions of possible neuter or third gender people, such as Hermaphroditus and Aristophanes’ third gender. Even when a possible third gender is introduced, Greek and Roman authors referenced binary gender to describe that gender and explain such gender to their audiences. Aristotle describes gender as an opposite in the Metaphysics on the same level of difference as light and darkness (986a21a). Male and female are complete …show more content…
These two options could mix, as seen in the myth of Hermaphroditus; nonetheless, Greek and Romans could only comprehend this mix in terms of the two, originally separate genders. The mixing of the two genders does not disprove the fact that ancient Greeks and Romans only had a binary system for gender. As in Aristophanes’ Speech, a possible understanding of combinations does not discount the continuous reference to only two genders. Aristophanes’ supposed third gender still references the system of only two possibilities, male and female. Aristotle demonstrates that Greeks and Romans largely considered gender an opposite of those two distinct options, and this opposition was on the same level as light and darkness, as good and evil (986a21a). Those oppositions still permitted mixings but were still binary systems. Greek and Roman thought did not disprove the possible of movement between the two genders, but this movement had to be almost a complete shift. Hippocrates’ description of Phaethousa’s transformation shows that Greeks believed people could shift gender presentations, but this shift used the ideas of two genders to explain the change. Hippocrates’ description of the foreign Scythians also shows that Greeks did not comprehend a gender system with more than two parts. The Scythian Anares may have been third gender of the nomadic culture, but
In this essay I will examine the war-of the-sexes taking place in The Eumenides, the final play of The Oresteia. The plot of The Eumenides pits Orestes and Apollo (representing the male gods and, to a certain extent, male values in general) against the ghost of Clytemnestra and the Furies (equally representative of female values.) Of more vital importance, however, is whether Athene sides with the males or females throughout the play.
Yet isn’t a need for feeling accomplished found in both genders? Why are the two sexes divided? What is Euripides achieving through this division? Yet, “Wait are we the only men in Thebes to follow Bacchus?” (196). Cadmus and Tiresias question why they are the only male representatives in the Bacchantes. What opens the pathway for these two men to pursue a, by standard, feminine outlet.
Though easier to consider The Aeneid as a work which clearly defines the roles of man and woman, with men upholding traits of stability, rationality, and containment of oneself, with the women acting irrational and without jurisdiction, this is not quite the case. Gender is not quite the cookie cutter structure one is accustomed to, instead it acts as a much more complicated force within the interactions of the characters. The masculine and feminine become combined within individuals, blended to the point where perhaps sometimes understanding a character is far more complicated than knowing whether it is a 'he' or 'she'.
This paper will discuss the well published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomerory uses this book to educate others about the role women have played throughout ancient history. Pomerory uses a timeline to go through each role, starting with mythological women, who were called Goddesses. She then talks about some common roles, the whores, wives, and slaves during this time. Pomerory enlightens the audience on the topic of women, who were seen as nothing at the time. Men were seen as the only crucial part in history; however, Pomerory’s focus on women portrays the era in a new light.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
In The Bacchae, I believe that Euripides uses the relationship of male and female to explore the alluring concept of feminine empowerment in a patriarchal society and to demonstrate the cost this empowerment subsequently has on ordered civilization. In this paper, I will argue that Euripides uses the conflictual relation between the genders to criticize the role of women in Greek society while also showing the consequences of a total feminine revolt. Through developing this conflict, Euripides is demonstrating how the path to the most successful civilization is through a balance of masculine rationality and feminine emotional freedom. I will prove this by analyzing the positions of Pentheus, the Bacchants, and Dionysus throughout the play. The character Pentheus
Aristophanes has mildly insulted the previous speakers in two ways. By claiming that one of the original forms was androgynous, he has suggested that heterosexuality is at least as natural as male homosexuality – as is being a lesbian. In contrast, Empedokles in fact did hold to a theory of sorts based on fitness to the environment, the description at 191c strongly suggests that only heterosexual relationships yielding only a temporary satisfaction and relief, allowing the participants to go about their business.
...herself as a man and has misogynistic tendencies. Fortunately, the role of women in society today has changed very much from the roles that they played in classical mythology. Women are now seen as being able to play any role they desire, whether it is the role of a housewife or the role of a workingwoman with a successful career. It is no surprise that achieving the roles that women play today took such a long time when for so long even in mythology women’s roles in society were constantly pushed in the direction of domestics and when for so long women were portrayed as less then pleasant creatures. The fact that these sorts of roles were pushed on women in the Greco-Roman society was proof enough that it was a patriarchal society. It is astoundingly wonderful that the roles that women play in modern society have evolved so much since the times of classical myths.
What makes the depiction between Athena and Aphrodite interesting is the different ways they are portrayed even sharing the similarity of being born strictly from male only. Athena from the all-powerful king of the gods Zeus and Aphrodite from Ouronos. Though they were both born from man alone, the content of these births caused Athena to be expressed in a more dignified, respected, and superior way. Hesiod’s recount of the births of Athena and Aphrodite in his Theogony reveals the source of Athena’s superiority. According to the Theogony, Ouranos’ genitals are thrown into the sea where they mix with the sea foam to result in Aphrodite (Hesiod 180-192). Aphrodite is said to be called, by Hesiod, “Philommedes, fond of a man’s genitals” ( Hesiod, 200-201). In contrast, Hesiod writes that Athena is born from Zeus’ head (Hesiod 924) after Zeus consumes her mother Metis, the goddess whose name means wisdom, for fear of her giving birth to someone who was destined to be his match in wisdom (Hesiod 894-900).
In learning about the feminist movement, we studied the three articles and discussed and reviewed the different authors perspectives on the topic and learned how important the role of woman in Greek Mythology. In presenting the feminist theory to the class we analyzed the three articles, Women in Ancient Greece; Women in Antiquity: New Assessments; and Women in Greek Myth, and discussed how although the three articles provided different views on Feminism in mythology, they all essentially are aiming to teach the same basic concept.
The construction of gender is based on the division of humanity to man and woman. This is impossible ontologically speaking; because the humans are not divided, thus gender is merely an imaginary realm. It only exist in the language exercises, and the way that cultural products are conceived in them. This essay is a preliminary attempt to offer an analysis of ‘One Is Not Born a Woman’ by Wittig and ‘The Second Sex’ by Simone De Beauvoir holds on the language usage contribution to the creation of genders and the imagined femininity.
...lings that they went through. Aristophanes could only tell you from his male outlook. If the two genders were treated completely differently, how could he possibly be able to take his privileged self and replace that outlook with one of absolute oppression? It simply cannot be done.
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
The speech by Pausanius in Plato’s Symposium divides the goddess Aphrodite into two beings, each responsible for a different aspect of love. To prove the existence of her double life he cites her creation. There are two versions of the birth of Aphrodite, one coming from Hesiod’s work, Theogony, where she is borne out of Uranus’ castrated genitals as they splash into the sea; the other is from Homer’s work, the Illiad, where she is said to be the daughter of Zeus and Dione. (Notes on Plato’s Symposium 180e) From these two vastly different creations she takes on two vastly different forms. Pausanius describes one of her forms as “Celestial” love. This type of love springs out of the Aphrodite created from Uranus’ genitals. This form is “wholly male” (Symposium 180c) which inspires men to be a...
Walcot, P. “Greek Attitudes towards Women: The Mythological Evidence.” Greece & Rome 2nd ser. 31.1 (Apr., 1984): 37-47. Cambridge University Press on Behalf of The Classical Association Article Stable. Web.