Triple Wadsworth Mr. Dejong English Composition 121 17 December 2014 The Two Knights of Rock n’ Roll Close your eyes for just a moment. Got them closed? Good, now I want you to picture yourself in medieval England during a time of kings and kings . Put yourself in the stands of spectators watching a jousting match between two noble knights. Now imagine for just a second that these knights are beating the living tar out of each other to a soundtrack of classic rock n’ roll music. Brian Helgeland was a genius for making this the opening scene for A Knight’s Tale. The story of a peasant in the 15th century who pretends to be a knight, becomes a jousting champion, and would dare to court the daughter of a noble. There are those who would say that this movie breaks all tradition by telling a tale of knights and kings to a soundtrack of classic rock. These people may as well be arguing that it breaks every commandment in the movie rulebook by mixing classic rock and the middle ages together. There is only one question to ask. Who exactly cares? The movie is immensely fun, and for the opening scene it still would have been great if the knights came out dancing to the …show more content…
All movies state that there must be a villain, and that would be none other than Count Adhemar (Rufus Sewell) . Now given that the knights wear face plates, it might seem a little hard to distinguish them. Good thing, since time immemorial the great, and revered movie geniuses have managed solve this dastardly dilemma by giving the good knights attractive facial armor. While evil knights get an unappealing set with only a small slit to see through. It seems to be that a bad knight has to go into the armor store and saying, "I want the ugliest, the most unattractive, and truly terrifying face mask in this place!" Only Darth Vader is allowed to have cool facial armor, and that is it no one
Life during the Middle Ages was full of social change, division, and classism. This feudal society of Britain was divided into three estates. (social classes) Within the second estate was the the knight who was a soldier for the king who fought in many battles. Even though the knight is expected to have the strength and the skills to fight in battle, all knights during the Medieval period additionally had a chivalrous aspect to them. Chivalry was the honor code of a knight which included bravery, courtesy, honor, and gallantry toward women. Within the stories of the “Wife of Bath’s Tale” and “Le Morte d’Arthur”, the code of chivalry was broken by knights which show the corruption of England’s feudal society.
In the movie A Knight’s Tale the two main knights were William Thatcher and Count Adhemar. They both showed chivalry and courtly love, but not correctly. More of chivalry was followed more and the right way. The movie is very loosely based on Geoffrey Chaucer’s book Canterbury Tales. His father always wanted him the change his stars so he would not live in poor life forever. Even though both knights were good, William was better because he followed chivalry, courtly love, and prowess in battle.
Thomas Malory’s Le Morte D’arthur, T.H. White ’s Once and Future King, and George Romero’s Knightriders encompass the evolution of the Arthurian tale from Malory’s time to the 1980s. Through this time many things have changed and these changes can be seen within the differences between each work. While there are many prominent differences chivalry or the knightly code is one of the main forces that tie these tales together.
The film Monty Python and the Holy Grail satirizes the medieval “epic hero” through parodying actual heroes in medieval literature. The comedy film displays important medieval values in a humorous light and pokes fun at Arthurian legends. Sir Gawain and the Green Knight and other tales of Arthur’s Knights of the Round table are heavily parodied through out the film. The medieval tales often include the knight errant, or a knight who wandered the lands in search of chivalrous adventures, and throughout the film Arthur and his newly formed gang portray the knight errant as foolish and cowardly.
The Arthurian legends of Iwein and Gawain and the Green Knight are two examples of the medieval initiation story: a tale in which a character, usually in puberty or young adulthood, leaves home to seek adventures and, in the process, maturity. Through the course of their adventures, including a meeting with the man of the wilderness, temptations at the hands of women, and a permanent physical or mental wounding, the character grows from adolescent awkwardness and foolishness to the full potential knightly honor. While both Arthurian legends fit this format, the depth of character development, specifically in terms of relationships, is vastly different. Whereas Gawain and the Green Knight does little more with relationships than demonstrate the evils of female temptations, Iwein effectively explores the formation, destruction, and resurrection of numerous male and female relationships.
In Medieval Times knights are the protectors. The knights fight for, and obey the king. And for that reason Knight’s are in high rankings in the class system, compared to the peasants and merchants. The Canterbury Tales by Geoffrey Chaucer, people are going on the pilgrimage to Canterbury for Salvation. The knight is Chaucer’s ideal of a night should be. The knight is a highly principled killer who travels the world and fights for what he believes in with unequivocal bravery and valor.
So, what we have is a case of an dishonorable knight, who proved his worth in dishonorable battles, and tells stories so packed with chivalrous pomp and circumstance that it actually parodies itself. All I can say is that if Chaucer's Knight truly was an "every knight," as Laura Hodges says, and not a parody of the ideals of the time, I am very glad I live in the 20th century, not the 14th century, and that my life doesn't depend on Knights to keep me safe and happy.
In the Canterbury Tales, the Knight begins the tale-telling. Although straws were picked, and the order left to "aventure," or "cas," Harry Bailey seems to have pushed fate. The Knight represents the highest caste in the social hierarchy of the fourteenth century, those who rule, those who pray, and those who work. Assuming that the worldly knight would tell the most entertaining and understandable story (that would shorten their pilgrimage to St. Thomas Becket), Harry tells the Knight to begin.
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
The Canterbury Tales, written by Chaucer, and Sir Gawain and the Green Knight, written by an anonymous author, are both sophisticated fourteenth-century examples of medieval romance. Medieval romances captured the heart of their audiences as narratives and stories that featured a protagonist, often a knight, and dealt with religious allegories, chivalry, courtly love, and heroic epics. The concept of the knight emerged from the remnants of the Anglo-saxon literature and ideals and influence of the Christian religion and church. There is a distinct difference between the famous pagan heroic like Beowulf and the romantic medieval tales like Sir Gawain and the Green Knight of the Canterbury Tale. The Anglo-Saxon hero Beowulf exemplified qualities expected of warriors who could attain kingship by their heroism and battle deeds. They possessed the qualities of valor, military prowess, generosity, and honor. The hero fights for the survival of their tribe and nation, and it is in battle that the mettle of the epic hero is ultimately tested. The romantic conventions , influenced by Christianity and French ideals, created a new chivalric knight who sets out on a trial or adventure. They possessed similar qualities to their epic hero counterparts – valor, loyalty, honor, and skill in battle – but differed in knowing temperance, courtesy towards women, and courtly skills. The hero is no longer fighting for his people but for his ideals. By the 14th century, The Tale of Sir Gawain and the Green Knight and The Canterbury Tales have began to criticize the notion of chivalry which had become old and obsolete in their society; the idealization of chivalry practiced by knights could longer withstand the complexities and indeterminateness of situa...
Emma Reyes Mrs. Lagor AP/Honors Senior English 28 February 2024 The words “knights” and “chivalry” bring to mind great fighters dressed in armor, living by a strict moral code that demands they act with honor, bravery, and politeness. The age of chivalry was not just a battle with swords but a dance of dignity and respect that created heroes such as Sir Gawain, whose stories of courage and moral dilemmas continue to captivate us in today’s world. In the excerpt Sir Gawain and the Green Knight, the unknown author weaves together the ideals of bravery and the moral struggles of its characters, using dialogue and symbolism to reveal the overall message that true honor does not rely on the chivalric codes, but in the courageous acceptance of one's
Band of Brothers is a ten part, eleven hour mini series directed by Tom Hanks and Steven Spielberg. The series aired on HBO in 2001 and is based on the book by Stephen Ambrose by the same title.
At the time of Chaucer’s writing, English knights had fallen out of favor as new forms of warfare began to take over. Still, chivalry remained an important aspect of authority, a model for behavior at the time. Chaucer brings in elements of chivalry to tell “The Knight’s Tale.” Palamon and Arcite fight an idealized, courtly battle for the love of a woman. Critique of authority in “The Knight’s Tale” is rather subtle, and appears through the use of fortune, which plays a large role. Though the knights are in a high station in their world, neither are immune to misfortune. By portraying fortune as the ultimate power in the world, Chaucer undermines constructed power of the knights and the court. Chaucer leaves these contradictions open for interpretation, allowing power to be questioned without outright dismissing
In the movie And the Band Played On, stakeholders’ interests stymied public health efforts to research and implement health policy to control the rapidly emerging disease, acquired immune deficiency syndrome (AIDS). The stakeholders within the movie, those whose interest would be impacted by policy change, included the affected populations, scientists, state and federal public health officials, and organizations including blood banks. Early in the epidemic, the Center for Communicable Disease Control and Prevention (CDC) were tentative in disclosing vital information – many homosexual men were becoming infected in the bathhouses (Pillsbury, Sanford, & Spottiswoode, 1993). Despite having the supporting evidence of patient zero and a sexual cluster