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Wizard of oz analysis movie
Wizard of oz analysis movie
Wizard of oz analysis movie
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“We’re off to see the wizard, the wonderful Wizard of Oz!” This was a phrase probably used by the people who went out to see the movie, The Wizard of Oz when it premiered in theatres. As a communications student at Misericordia University, it is important to not only analyze the film, but to also analyze how the movie and the production company advertised themselves in getting the public to know about this movie. Before there was Fandango, Facebook, and other online resources to know when the movie was, word of mouth was the best source of communication. Whether it was postcards, or posters, once people knew it was going on, they made sure everyone and their mother’s knew what was going on. The primary source that will be discussed and analyzed in this …show more content…
analysis is a movie poster from the movie, The Wizard of Oz. The content in the poster contains many aspects that go into the movie.
The creator of the poster made sure the name of the movie was the main focus of the whole poster. They also included some of the main characters that are featured in the movie. They only included the actor’s true names such as Judy Garland and Frank Morgan. The poster believable because if one was to be present during the time of the release of the movie and if one was to have seen Judy Garland in previous movies, one would be able to recognize Judy Garland automatically. The only way it could be non-believable if one were to point out that there is no date visible in the movie poster (Brady).
Mercury Press & Media Ltd created the poster for the movie. Although the date is not visible, one can assume that it was made in 1939 when the movie premiered. There is no location to where the poster was created. This may be a reason why one must question why it may not be a reliable source because there is no location or date located on the movie poster. It is still reliable even though the location and date is not present. The company that made it Mercury Press & Media Ltd is still a present company that runs posters like the Wizard of Oz poster
(Brady). During 1939, one of the major wars in American history was just beginning: World War II. Movies were made to get the mind off of the war that was going on. As magical as The Wizard of Oz was, it was a good movie for people in the United States to be able to relieve stress and get their minds off of the war (News and Events of 1939.) Information that can be obtained through sources of seeing if the characters match up with the characters. Jack Haley does play The Tin Man as to Bert Larh plays as The Cowardly Lion. The directors also match up with the poster and the source as well. The director, Victor Fleming name is also viewed in the movie poster along with writer Noel Langley (The Wizard of Oz). If one were to analyze this movie poster, they would ask if the creator is biased. In terms of it being a movie, the creator has to be biased. The creator is getting paid to make believe that movie is going to be worth more than Toto was to Dorothy. There was some information that was left out in the poster. Based upon common knowledge, the Wicked Witch of the West was not featured in the poster that is analyzed. The explanation of that would be that the producer of the creator wanted to keep that character a secret until one was to see the movie (Brady). In an overall analysis, the poster of the movie, The Wizard of Oz is indeed a useful resource for when it comes to discussing whether or not it is a reliable resource. With the accurate actors in the movie, and the correct directors, it is safe to say that this indeed was a resource to people for when the movie came out.
Both posters don’t reflect the art deco style but the sets in the film do. The JC poster is an Ancient Roman style. To represent the films decade. Like the earlier Arts and Crafts Movement, as well as the curvilinear style of design known as Art Nouveau, as well as the German Bauhaus design school concept, Art Deco embraced all types of art, including crafts as well as fine arts. It was applied to decorative art like interior design, furniture, jewellery, textiles, fashion and industrial design, as well as to the applied art of architecture and the visual arts of painting, and graphics.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” 1892. Ed. Dale M. Bauer. Boston: Bedford/St. Martin’s, 1998.
Frank Baums, The Wizard of Oz is arguably one of the most popular films made. Even though it was released in 1939, nearly three-quarters of a century ago, the film continues to entertain audiences and speak to them in a personal way. The question that comes to the mind when analyzing this film is: What is it about this film that gives it such timelessness? When reflecting on the film’s timeless qualities, it seems clear the plot is one of the things that enable it to maintain its relevance. Primarily, the plot of The Wizard of Oz is timeless because it is such an excellent example of the heroic journey, both in literally and cinematically. This journey of self-awareness is a metaphor for growth, which is something we all search to discover at some time in our lives.
The Wizard of Oz is a 1939 film directed by Victor Fleming, which follows Dorothy Gale on her journey through the magical land of Oz. Dorothy is swept away from a farm in Kansas to the land of Oz in a tornado and embarks on a quest to see the Wizard who can help her return to her home in Kansas. The director, uses a number cinematic techniques such as camera angles, lighting, colour and dialogue to portray a central theme of There’s no place like home.
This poster was executed by Cornelius Hicks for the American Red Cross in 1928, shortly after World War I. It is recruiting poster for volunteer nurses/ mother dressed in a white nurses outfit with a white hat and the Red Cross symbol on the front and red cap. This figure is the lightest and most prominent figure in the illustration drawing mediate attentions to her and her motherly features. The nurse’s right hand is open and stretched as
The Wonderful Wizard of Oz is more than just a mediated artifact it is breakthrough, said to be one of the most famous films ever made. The film was not a box office success, it only received 3,017,000 on a 2,777,000 dollars budget but it still receive a large amount of positive reviews and remakes (). This is important in terms of the audience it reaches because it was not just a children’s movie, or an adult movie, or a movie for teens, it was a movie for the entire family that targeted no specific audience. The Wizard of Oz has won critical acclaim by being nominated for multiple academy awards such as best picture, best original song and is often ranked one of the top ten movies of all time (). The creator Frank L. Baum is very much significant because this was not his first ball game. He was originally an author of children’s books but wrote many novels, sequels and made many attempts to bring his work to stage and screen (). He had a vision like no other and saw things in a different pe...
Shot 1: Wide shot. View behind Dorothy in black and white. Dorothy opens the door to the color world of Oz. She steps out into Oz and stops. Straight on shot, camera moves into Oz first through the door, followed by Dorothy appearing again in the foreground. Light symphonies playing magical music, birds are singing in the background.
- - -. "The Yellow Wallpaper." 1892. Ed. Dale M. Bauer. Boston: Bedford/St. Martin's, 1998. 41-59.
[22]There was also a prominent use of propaganda in the novel, Such as a poster
In the words of Michael O’Shaughnessy, ‘narratives, or stories, are a basic way of making sense of our experience’ (1999: 266). As a society and a culture, we use stories to comprehend and share our experiences, typically by constructing them with a beginning, middle and an end. In fact, the order that a narrative is structured will directly impact the way it is understood, particularly across cultures. This idea originated through Claude Lévi-Strauss’s concept of structuralism in anthropology which ‘is concerned with uncovering the common structural principles underlying specific and historically variable cultures and myth’ in pre-industrial societies (Strinati 2003: 85). In terms of media studies, structuralism’s inherent objective is to dig beneath the surface of a media text to identify how the structure of a narrative contributes to it’s meaning. Structuralism encompasses a large range of analytical tools, however, this essay will examine Joseph Campbell’s monomyth and Claude Lévi-Strauss’s theory of binary oppositions. Through analysis of Victor Fleming’s film, The Wizard of Oz (1939), it will be shown that although the monomyth and binary oppositions are useful tools with which to unveil how meaning is generated in this text, structuralism can undermine the audience’s ability to engage with their own interpretations of the film.
The above printed poster “summer at the cape of good hope-afternoon tea on the stoep”. The signifiers include a poster that tries to sell tea to the reader. Men and women seated outside
The Wizard of Oz is a fiction story written by L. Frank Baum. The story has two main settings. The first setting is, Dorothy’s home, the Kansas prairies. The prairies are described as dry and gray. The second setting is the land of Oz. Oz is opposed from Kansas, it is colorful, bright, and full of joy. The Wizard of Oz has a grate theme or message behind the story. The message is that we all have good qualities in us, but it is up to us to use them.
The Wizard of Oz is a film created by MGM Studios in 1939, directed by Victor Fleming and starring Judy Garland as Dorothy Gale, Frank Morgan as the Wizard and Margaret Hamilton as The Wicked Witch of the West. The Wizard of Oz is commonly known as the classic film of American cinema and is loved by many people. It can be classified as a Family, Fantasy, Musical film due to the touching messages told throughout the film, the magical special effects featuredn and the beautiful musical numbers highlighted in the film.
At the same time, the National Socialist German Workers' Party used a variety of campaign posters as a form of propaganda. Posters became an effective propaganda tool based on its low cost and fast production. The NSDAP was able to create thousands of posters at a fast rate and plaster them within Germany. Other propaganda tools such as newspapers, pamphlets, and leaflets took a vast amount of time in order to create. Early NSDAP posters include vibrant illustrations of illusive members and political figures including Adolf Hitler. An election poster from 1929 Saxon campaign reads: “Two million dead. Did they die in vain? Never! Front soldiers! Adolf Hitler is showing you the way!” The claim is that Hitler will redeem Germany from the loss of World War I. This poster depicts a mournful solider who appears to have lost all sense of hope. It also illustrates colorless colors to provide a sorrowful feeling. A second poster consists of the November 1932 election. The text: “Papen is crippling the economy! Away with him and his program for the ruling class! Come to Hitler!” Examples of these posters were used to stir the anger and hatred of the German people against the Weimar Republic in regards to its response towards World War 1.
Movie posters are a way to grab people’s attention and a way to make profit. Some posters are funny, some romantic, mysterious, terrifying, or informing. No two movie posters are the same. Grabbing someone’s attention with a poster can be tricky. The colors, scenery, words, actors, together will see what makes a person want to attend a movie. “The Blood of the Vampire”is the poster that I chose to describe.