Unbelievable, a Netflix series released in 2019, deeply dives into the experience of rape victims and how the people around them affect the rest of their lives. The purpose of this essay is to analyze the series of representations of the emotional and physical violations these victims go through. I begin by explaining the feminist philosopher Talia Mae Bettcher’s analysis of moral violations regarding gendered anatomy. After outlining her ideas about moral violations and how she views them, I will bring these ideas into real-world context. I will then bring Bettcher's philosophies into the Unbelievable series. I briefly summarize the show and the different storylines that are happening. I describe in more detail the depiction of moral violations in the series, while utilizing real-world analyses that also …show more content…
So even though these boundaries are inherent to individuals’ bodies, they also function as interpersonal boundaries that draw moral lines between people” (Bettcher). Bettcher uses the pronoun ‘he’ when describing a person who exposes themselves, this is because moral violation in Bettcher's terms is a very gendered concept. Throughout Bettcher's writing, she describes how male anatomy is viewed as violating and female anatomy is viewed as regularly violated. Bettcher continues to use these gendered pronouns throughout her writing to drive this point, including when she says, “In eurocentered culture, one way to transgress a boundary is to look at a person's privates without her consent” (Bettcher). The use of these pronouns drives the idea that it is more common for people who identify as male to be violators while people who identify as female to be violated. This idea is very prevalent in society and the series that is discussed later. Bettcher's concept of moral violations very clearly fits into the crime of rape on multiple
Since the second wave of feminism in the 1960’s women have demanded for equality rights. The R V. Ewanchuck case created many disagreement’s with feminists on the topic of rape myths. It has not only been seen as a precedent for the criminal law but as well an eye opener for the society to create awareness for this act. Since society continues to support most rape myths, it overlooks the act itself and puts the blame and responsibility on the victim as opposed to the perpetrator. This has created a rape culture within society. The term rape culture was created to demonstrate the ways in which victims were blamed for sexual assault, and how male sexual violence was normalized. Feminists are exploring the world of rape myths in Canadian law
According to the FBI, more than 75 percent of all murder victims are women, and more than 50 percent of the women are between the ages of 14 and 29 years old. A part of that statistic is Kitty Genovese,a murder victim who is the focus of an editorial, “The Dying Girl that No One Helped,” written by Loudon Wainwright. Kitty was a 28 year old woman who was brutally stabbed to death while on her way home from work. The woman, named Kitty Genovese, lived in a pleasant, welcoming, residential area, in New York. There was at least 38 witnesses that came forward, and they all heard her cries for help, but no one came to her aid. Wainwright effectively demonstrates how society has started turning a “blind-eye” toward problems that can endanger someone's
Rape is a hidden epidemic that affects many lives world wide. It is a problem that is so terrifying and uncomfortable that people do not talk about it. John Krakauer, author of Missoula, focuses on this issue of rape in the college town of Missoula, Montana. His focus is specifically on the case of Allison Huguet and Beau Donaldson. As the progression of Allison 's case continues we learn of more and more rape cases that happened to women on this same campus. A majority of women do not report these cases, we later learn as Krakauer continues through Allison 's case, because reporting and pursuing the case would be giving their life away. [4] Of course Allison decides to go through the trails of Beau Donaldson, however it is obvious that it is extremely difficult to convict someone with little evidence. As hard of a read as Missoula
... sabotages the subject-object relationship. To display an autonomous, free willed being will dismantle the taken for granted passivity and vulnerability of the victim. Meanwhile, it is crucial for women to acknowledge the vulnerability of male genitalia. Yet this is not the final solution to rape, Marcus argues. Rather, individuals need to “frighten rape culture to death” (p. 379).
Is the world one see around them really how it is or are they being deceived?
Susan Brownmiller’s excerpt Against Our Will: Men, Women, and Rape written in 1975 explores rape. It argues that from the beginning of time men had an advantage over women because their genitalia can serve as a weapon, which, in turn, generates constant fear. “Rape provides a sufficient threat to keep all women in a constant state of intimidation, forever conscious of the knowledge that the biological tool must be held in awe for it may turn to weapon with sudden swiftness borne of harmful intent”(Brownmiller, 312). Females are subjected to the harsh reality of rape at a young age through fairytales such as Little Red Riding Hood. Stories like these emphasize how weak women are and how heroic, brave and strong men are. Susan Brownmiller believes that the way to destroy the idea that “you can’t thread a moving needle,” and “no women can be raped against her will” by spreading awareness about rape and how it is a moral wrongdoing and punishable under the
Susan Griffin’s Rape: The All-American Crime touches on many issues within American society. She begins by recounting how she was taught to be afraid of strange men from such a young age that she had not yet learned what it was she was so afraid of, and then goes into her experience with harassment, an experience shared by every woman at some point in her life. Griffin recounts the belief that all rapists are insane and the proof that they are just normal men and dispels the myth that rape is normal activity that is prohibited by society. However, she goes on to clarify that our culture views rape: “as an illegal, but still understandable, form of behavior” (Griffin 514). It seems that the wrongness of rape is determined by the situation in
An unwelcome sisterhood.” Now, the story is about these women and the thousands of women like them who have suffered sexual assault and all it incumbent pain.(LA Times). Thirty-five women have given voice and power to the thousands of women who have hidden their sexual assault due to fear shame, fear, confusion, a desire to put it behind them, or misguided loyalty; it empowers even those who came forward with their rape allegations. Draped in black, the color of loss, the picture powerfully illustrates that sexual assault victims are from all walks of life. These women allege that their assaults took place when they were young, and middle aged, while they were in college, while they were working; while they were mothers, when they were childless.
Paglia opens her article with the line “Rape is an outrage that cannot be tolerated in civilized society”(578). She talks about how feminists have forced rape to be
One of the most horrible things that has erupted from the subjugation of women is rape culture. Rape culture is the downplaying of the crime of rape to appease the violator, the accusation that the victim made a choice that led to their rape, or even jokes that suggest rape. According to Jessica Valenti’s, “In Rape Tragedies, the Shame Is Ours,” in today's world many people give in to rape culture by participating in these acts that somehow change our mindsets into believing that, “it is more shameful to be raped than to be a rapist”. Once ...
The consequences of thinking of women as objects like the monster from Frankenstein does or like real-life monster Robin Thicke does are grave. This mindset justifies actions like sexual harassment, body-shaming, and even rape by denying women autonomy and subjectivity, and seeing them as something that can be owned. Today, one in four women will be sexually assaulted, and one in six women will experience an attempted or completed rape (“Facts and Figures”). Every woman will see body shaming to some
The reading “Stranger Than True” by Barry Winston is not familiar to me, yet an intriguing and fascinating story. The principal point of the writer, who specializes in criminal law tried to convey was that everything isn't so black and white. Everybody is honest until demonstrated blameworthy despite all proof points against them.
Though it is well-known that rape is an awful experience for someone, people’s thoughts regarding the actual effects and negative results it produces do not go beyond this broad assumption of rape being a horrible action. Margaret Atwood recognizes this and takes a different approach on informing society about specific effects rape can have on an individual. Through her short story “Stone Mattress,” Atwood covers these topics in a subtle manner where the information better relates to the reader whereas bombarding them with it. Her topics confronting rape and its repercussion that seem to only affect the victim are the focal points of the story, but Atwood includes other elements of fiction to draw the reader in and captivate their attention.
Many of the attitudes, beliefs, and mistaken ideas about rape have been with us for centuries. By looking at myths, such as “women ask for it,” and “women secretly enjoy rape,” from a historical perspective, can lead us for better understanding how they evolved. Much stems back to the idea that women are still seen as the property of men, and are protected as such. Men and women are still taught to occupy very different roles in today’s world. Men a...
Furthermore, gaining a broader and deeper understanding through personal narrative allows for the improvement of feminist issues. Feminist literature, such as Margaret Atwood’s story, “Rape Fantasies,” explorers the manner in which woman have a different way of experiencing the world than men do. This first-person creative piece illustrates the emotion and experiences of Estelle, a woman who is scared that she might get raped by the man who she is talking to. Towards the end of the story, Estelle begins rushing her words and rambling, a clear indication of her unease with the situation. She repeatedly states that she doesn’t understand “how they could go ahead with it…I know it happens but I just don’t understand it, that’s the part I really don’t understand” (Atwood 170). There is also recognition that individuals that have not experienced sexual vulnerability may not understand the situation, as Atwood states “but maybe it’s different for a guy” (Atwood 169). Traditional analyses of these situations would not be able to encompass the emotional and psychological elements of Estelle’s