The poem, “On the Subway” written by Sharon Olds, expresses the contrast between the rich Caucasian population and the African-American, which is broken up into three sections. The first expressing contrast of the white and black persons through imagery. The second explaining the relationship between them in a shift of tone. And the third describing the white population of America as a whole with another shift in tone. The imagery used in the first section demonstrates the difference between the narrator, who is an implied female and observer, and the black boy, who is being watched, in the subway car. “Black sneakers/Laced with white,”(Line 2-3) are described by the narrator as “intentional scars” (Line 4) due to the zigzag pattern of the laces. The effect of the implied scars refers to the intolerance against the African-American boy by the white culture. The connotation of “intentional” invokes the thoughts of whites consciously harming blacks. Which brings up the contrast of whites being dominate and blacks being submissive. Lines four through five, “stuck on/opposite sides of the car,” characterizes the characters as being separated forever, The third contradictory amongst the woman and boy are their clothing. The boy is referred to as being “exposed” while the woman …show more content…
The section also illustrates the speaker’s trepidation. This being that she is unsure whether “I am in his power... or if he is in my power” (Lines 14-15,18). This statement makes the boundaries between Caucasians and African-Americans not so ambiguous. This making the implication of slavish blacks and domineering whites inaccurate. Another connection between the two is with the reiteration of the word “Life.” But the implied woman cannot determine if the power of her prosperity annexes the capability of the boy or if his potential encroachment annexes her power (Lines
In this poem, “On the Subway”, written by Sharon Olds brings two worlds into proximity. We will identify the contrast that develops both portraits in the poem and discuss the insights the narrator comes to because of the experience. The author refers to several literary techniques as tone, poetic devices, imagery, and organization. The poem talks about a historical view based on black and white skin. It positions the two worlds the point of view of a black skinned and a white skinned. The boy is described as having a casual cold look for a mugger and alert under the hooded lids. On the other hand, based on his appearance the white skinned person felt threatened by the black boy. She was frightened that he could take her coat, brief case, and
In the article, “A Letter My Son,” Ta-Nehisi Coates utilizes both ethical and pathetic appeal to address his audience in a personable manner. The purpose of this article is to enlighten the audience, and in particular his son, on what it looks like, feels like, and means to be encompassed in his black body through a series of personal anecdotes and self-reflection on what it means to be black. In comparison, Coates goes a step further and analyzes how a black body moves and is perceived in a world that is centered on whiteness. This is established in the first half of the text when the author states that,“white America’s progress, or rather the progress of those Americans who believe that they are white, was built on looting and violence,”
Without the use of stereotypical behaviours or even language is known universally, the naming of certain places in, but not really known to, Australia in ‘Drifters’ and ‘Reverie of a Swimmer’ convoluted with the overall message of the poems. The story of ‘Drifters’ looks at a family that moves around so much, that they feel as though they don’t belong. By utilising metaphors of planting in a ‘“vegetable-patch”, Dawe is referring to the family making roots, or settling down somewhere, which the audience assumes doesn’t occur, as the “green tomatoes are picked by off the vine”. The idea of feeling secure and settling down can be applied to any country and isn’t a stereotypical Australian behaviour - unless it is, in fact, referring to the continental
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
The transition of being a black man in a time just after slavery was a hard one. A black man had to prove himself at the same time had to come to terms with the fact that he would never amount to much in a white dominated country. Some young black men did actually make it but it was a long and bitter road. Most young men fell into the same trappings as the narrator’s brother. Times were hard and most young boys growing up in Harlem were swept off their feet by the onslaught of change. For American blacks in the middle of the twentieth century, racism is another of the dark forces of destruction and meaninglessness which must be endured. Beauty, joy, triumph, security, suffering, and sorrow are all creations of community, especially of family and family-like groups. They are temporary havens from the world''s trouble, and they are also the meanings of human life.
In the book, the readers see the wall between black and white people during the movement. An example is a reaction to Fern’s doll which is white, while Fern, however, is black. On pg.65, it reads, “‘Li’l Sis, are you a white girl or a black girl?’ Fern said, ‘I’m a colored girl.’ He didn’t like the sound of a colored girl,’ He said, ‘Black girl.’ Fern said, ‘Colored.’ ‘Black girl.”
In the world of teenagers everything seems to come and pass by so quickly. For instance the beginning of senior year. In Spite of being happy and excited were also generally nervous and anxious to see what our future holds. As senior year comes to an end, It then becomes as temporary as the summer sun but also the boundary of our life before we enter adulthood. Even then our future is still undefined.
Janie Crawford, the novel’s main character, is an African American woman who eventually married three times throughout her lifetime. Her mother was raped by her schoolteacher and eventually gave birth to Janie, leaving her behind for Janie’s grandmother to raise her. A research article focused on Their Eyes Were Watching God concluded that “The devastating impact of the white discourse on black people which has targeted their identity is an integral part of this paper” (J Nov. Appl Sci. 1). It is evident in the novel that Janie (along with several other African Americans) are mistreated because of their skin color. This novel was set in the early 1900s, when although slavery was abolished, African Americans were not treated equally; the whites still held an unwritten superiority towards them. Although an imbalance of equality between whites and blacks is present, this novel should not be banned from the classroom because it teaches the cruel but true history of our nation. Our country’s history cannot be ignored like this, because it is a part of a valuable piece of literature and it makes society appreciate our new customs of equality that currently
The opening paragraph of the story contains a metaphorical passage: "I stared at it in the swinging light of the subway car, and in the faces and bodies of the people, and in my own face, trapped in the darkness which roared outside"(349). This reference is significant because it is a contrast to the dismal society that the narrator and his brother Sonny live in. The darkness is the portrayal of the community of Harlem that is trapped, in their surroundings by physical, economic, and social barriers. The obvious nature of darkness has overcome the occupants of the Harlem community. The narrator, an algebra teacher, observes a depressing similarity between his students and his brother, Sonny. This is true because the narrator is fearful for his students falling into a life of crime and drugs, as did his brother. The narrator notes that the cruel realities of the streets have taken away the possible light from the lives of his brother and his students. The narrator makes an insightful connection between the darkness that Sonny faced and the darkness that the young boys are presently facing. This is illustrated in the following quote:
“On the Subway,” by Sharon Olds as she contrasts the two worlds of a wealthy Caucasian and a indigent African-American. The Caucasian narrator, a female, describes how this black man appears to her as she fears for her life as if he is ready to prey on her. She brings two worlds from different backgrounds together through the use of imagery and fearful and hopeful tones.
...ith money on the floor and tell the blacks to get the money. The blacks dive on the rug, only to find that it is electrified. The whites push the blacks onto the rug so that the whites can laugh at the black people’s pain and suffering. This demonstrates the stereotype of whites in charge of blacks and blacks being submissive to the whites. The white people are forcing the blacks to do something for the whites’ entertainment. The narrator wants to overcome these stereotypes and have his own individual identity.
While underground in Philadelphia’s subway, Ross repeatedly uses word correspondence to establish a narrative rhythm for the reader. Fran Ross critiques different commuters as they struggle to avoid the “irritation, humiliation, irrigation, and syncopation,” caused by the station’s leaky pipes. The vernacular is strongly based on tempo, rhyming and movement through the composition’s emphasis on movement. Furthermore, she stresses the consecutive repetition in the following sentence, stating, “According to the number of drops that fell on the traveler from the Leaky Pipes, he or she was irritated, humiliated or irrigated.” Not only does this establish a friendly narrative voice, it stresses what is at stake for the passengers on the subway. If they take a wrong step, the
In Sharon Old’s, “On The Subway,” the speaker compares her life to a black boy. She compares their different lives and the different positive or negative connotations that may be associated with them. Olds does this with her use of metaphors, similes, and imagery.
The speaker is posing herself as a Cree student in school who is being silently ostracized. The student hates the education system, as she thinks it is dull and tedious, and the teachers have no faith in her intellect. However, she does not stop at her frustration, as, in the poem we see a certain turn-around: she is sick of playing dead, and as a result, she makes a firm decision to push for change. In the poem “Communications Class,” Connie Fife shows through form and school imagery, the frustrating experience of ostracization in school, but also the resilience a student can exhibit against it.
Hook has a sharp focus on black people, the disadvantaged group which is a characteristic of an intersectional approach, as mentioned in Lecture 7 (Klement). Moreover, hooks considers the shift that occurs when two or more statuses collide; she considers her personal experience as a poor black girl and each of these parts of identity separately when considering whiteness and how it is perceived. For example, she looks at how her experience of whiteness is affected by her gender and how her gender is affected by whiteness (48-49). Furthermore, hooks emphasizes black servants (women) and white control (men) which compare and contrast one another; how black servants perceive whiteness and how white control is whiteness. In addition, she proves how statuses and their relationships with each other become complicated by being bound together; the assumption that they are continuously and conjointly establish each