The motion picture I selected to analyze is Relatos Salvajes (Wild Tales) an Argentinian movie, directed and edited by Damián Szifrón and Pablo Barbieri. Wild Tales is dark, comedy with a series of realistic events that turn unpredictable. This film displays six different segments and six different story lines with a variety of actors. I believe that the best edited segment is the “Road to Hell” segment. The “Road to Hell” story line is about two male drivers, where their road rage becomes deadly. This analysis will go over how Szifron and Barbieri used certain shot angles, sound, and music to intensify and bring the story together. In the “Road to Hell” segment the director does not include the character’s name, for analysis purposes I will refer to the first character as Carlos and the second character as Pete. In the beginning of the segment, there is a wide shot of all the mountains and the never-ending road, with a soft and calming song playing in the background. This shot is used to show the audience the location and setting of the scene. Carlos is the first character presented in a close up shot of him with a suit inside an Audi car. This selection profiles Carlos as a well off man that is possibly wealthy with a steady career. The song selected also plays in to Carlos’s calm life. The mood changes once the second driver, Pete is introduced in a broke-down vehicle with various items on top of the roof of his …show more content…
car. This selection of Pete’s worn-out vehicle tells the viewers that Pete is a man that has a low income and might be homeless, with the several items on top of his roof. While the camera introduces Pete in a shoddy car, the sound effect of the Audi’s blinkers are blinking. The editor makes a smart decision of adding the sound of the blinkers and the sound of the car speeding up to illustrate the mood changing and the rising frustration Carlos is having, because Pete will not speed up. The sound effect selected also demonstrates that Carlos is in a hurry. The scene does a close-up of Pete’s car not moving or speeding up. To show the viewers Carlos trying to pass Pete, the editor selects a far-shot of Pete not letting Carlos pass. This scene foreshadows a conflict arising. After the Audi is able to pass the other car, the editor makes a decision to show the Carlos cussing out of his car window to Pete, then cutting to Pete smiling back at Carlos. Then the camera goes back to Carlos driving off and zooming into Carlos throwing the middle finger up. This scene selection shows Carlos’s frustration and relief that he passed Pete. Then a far-shot is shown of Carlos driving away into the never-ending road, and the music changes back to the same soft, calming song played in the beginning; which leaves the audience to think that the conflict is over. The segment continues by displaying the mountains and desert that Carlos is passing giving the viewers an impression that the location is an isolated setting full of scenery. The music then changes, this lets the audience know that a change of action is about to happen.
While the radio is playing in the background, the editor adds a sound effect of a tire “thumping”, which the audience can already predict that Carlos’s tire is flat. Carlos swerves his car and stops his car, the camera then shoots to the flat tire. Szifron and Barbieri use sound, emotion, and image to fully illustrate the situation to the audience. They use music to let the audience know that the event is about to change, it also allows the frames to
flow. Fast forwarding towards the end of the segment, the two men Carlos and Pete end up seeing each other again, when Carlos gets a flat tire and is waiting for a tow truck. To know what happens next I suggest everyone to watch the film. It gives the audience different visuals. Damián Szifrón and Pablo Barbieri did a good job overall putting different segments together into one film by using a variety of camera shots, sound effects and music.
This analysis will explore these cinematic techniques employed by Pontecorvo within a short sequence and examine their effects on our understanding of the issues and themes raised within the film.
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
...ley’s admiration towards ‘Drover’ with their desirable love developing over time. Luhrmann contrasts the audience with the emotional expressions and differing body language, which is significantly visually depicted The non-diegetic music tempo speeds up, creating a dramatic tension and signifying the importance of the couple’s connection and emphasises on their emotional intensity.
The police and car owner follow close behind him, trying to get the husband to pull over. The use of the single frame displays the husband’s dark silhouette as the camera focuses on the rearview mirror where the police can be seen gaining on him. It allows the viewer to take in both storylines simultaneously. The husband is still racing home to help his wife, but the police in the mirror also show the duality of his worries as they literally and figuratively hang over his shoulder. Meanwhile, in the mirror, the police are seen trying to grasp the husband in order to get him to stop. The two spaces for the characters gives the chance for the film to focus on the overall plot progression versus the time cut between the husband and the police separately. It decreases the amount of time that audiences spend on one character and their storyline instead it forces them to understand the dynamics of every storyline and how they interact with one
The film is about change and every element of sound functions to reinforce that theme. The opening sequence uses an audio recording of a prisoner’s interrogation to transcend space and time. The scene bridges sound from the actual interrogation, where the sound is synchronized with the prisoner speaking the words, to a training session for future interrogators, where the sound is now simultaneous with a recording from the interrogation. The actuality of this recording is used to instruct the students in the art of extracting information and confessions from enemies of the state. The theme of change is asserted when on...
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
In conclusion, I have demonstrated how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types. With this sequence, Coppola has shown the savagery of war and our complicity in this violence as an audience.
Williams juxtaposes the three genres together, to reveal similarities and differences, and, in turn, their similar and different desire effects on the audiences. Specifically, she points out the physical reaction of characters in the films, and how the audience members mimic them. Firstly, in regards to the physical body, Williams discusses the similar uncontrollable “convulsion or spasm,” that comes with the different genres; a body on the screen is “’beside itself’ with sexual pleasure, fear and terror, or overpowering sadness.” (729) Next, she dissects the sound of these bodily reactions – the overpowering moan, scream, or sob that the chara...
In the developing world women are the most influential to change. Historically women have been the catalyst for change, they are the most influential because they hold the most respect in their communities. Women are able to invoke the most change because historically they are held at such a high esteem in their communities, this can be seen most obviously in African communities. Women’s desire and determination has enabled them to make the most change in their communities. The woman of Liberia, are the most recognized and praised for their part in the removal of their Dictator Charles Taylor. Their attempt and success of the removal of Charles Taylor is documented in the documentary “Pray The Devil Back to Hell”. Their actions in this movement
Baker hope to be able to get Rennalls to admit his hatred towards other races, specifically Europeans. I feel that his aim was to get it out in the open so that it could be discussed, and thereby dealt with before he took on the job of head of engineer, a role that would require impartial and a good treatment of subordinates from races other than his own. After I am read this case study, I was under the impression that Baker was between a rock and a hard place, due to the fact that it was not just his own perception of Rennalls' behavior, which he may have been able to overlook, but the perception by all Europeans working for the company that Rennalls had a race awareness problem. The complain of Martha Jackson, and a conflict with Godson, another employee, helped to lean my assessment in that direction.
In Dante’s Inferno, Dante is taken on a journey through hell. On this journey, Dane sees the many different forms of sins, and each with its own unique contrapasso, or counter-suffering. Each of these punishments reflects the sin of a person, usually offering some ironic way of suffering as a sort of revenge for breaking God’s law. As Dante wrote this work and developed the contrapassos, he allows himself to play God, deciding who is in hell and why they are there. He uses this opportunity to strike at his foes, placing them in the bowels of hell, saying that they have nothing to look forward to but the agony of suffering and the separation from God.
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Although admittedly some scenes have a comical side to them, Besson's fast paced action and gruesome images hold the tension and suspense brilliantly. His use of close-ups and camera movements, especially the subjective stance used by the victim, convey the feelings felt by the characters and the way in which they behave. Sound plays a crucial role in the opening sequence because, in my view, it is used to control the level of suspense and intrigue.