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Essay on the movie matrix
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Analysis of the Opening Sequences of The Matrix
'The Matrix' is a philosophical sci-fi film, which was created in 1998
and was released in 1999, at the time there had been significant
advances in computer technology so this film would have been
appropriate for the time. It was produced by the American, Joel Silver
and was directed and created by the Wachowski Brothers, Larry and
Andy, following a dream Larry had about an alternative reality such as
the one explored in 'The Matrix.'
The main plot is about a computer vs. human war, this is what Larry
and Andy believe may take place in the future. There were many
technological advances made during the making of the film such as
bullet time which makes movement look super-natural and as if time has
been slowed.
'The Matrix' went on to be a highly successful and popular film and
spawned two sequels 'The Matrix Reloaded' and 'The Matrix Revolution.'
It also influenced many other films such as 'Shrek', which was
produced in 2001. The film is very philosophical and profound, it
raises many questions about choice and whether choice is valuable. It
also shows the viewers the things that should be valued in life such
as love, kindness and compassion
The film begins with neon green Japanese symbols scrolling down the
screen; this instantly shows the viewer the sci-fi theme of the film.
The symbols change in size and thickness and fade in and out. The
digital symbols that scroll down the screen are the colour of the
original computer text, this is fairly significant but the viewers are
oblivious to this. There are high-pitched beeping noises and a women
and man speaking in the background. This raises many questions for the
audience, as they do not know what they are talking about. The
high-pitched beeping noises create a futuristic and eerie setting,
which sets up the rest of the film for the audience. The two people
talking on the phone sound mysterious and strange and there are a lot
of things that are unexplained and questions raised for the viewers.
It is apparent that the topic of war is difficult to discuss among active duty soldiers and civilians. Often times, citizens are unable to understand the mental, physical, and physiological burden service members experience. In Phil Klay’s Ten Kliks South, the narrator struggles to cope with the idea that his artillery team has killed enemy forces. In the early stages of the story, the narrator is clearly confused. He understands that he did his part in firing off the artillery rounds, yet he cannot admit to killing the opposition. In order to suppress his guilt and uncertainty, our narrator searches for guidance and reassurance of his actions. He meets with an old gunnery sergeant and during their conversation, our narrator’s innocence
The Matrix series is much more than an action-packed sci-fi thriller. After one view of this film for the second and third time, we start to notice a great deal of symbolism. This symbolism starts to paint a completely different picture than the images of humans battling machines. It is a religious story, with symbols deeply set in the Christian faith. The Matrix contains religious symbolism through its four main characters, Morpheus, Neo, Trinity and Cypher. In that each character personifies the “Father,” the “Son,” “Satan,” and the “Holy Spirit” of the Christian beliefs only shown through the amazing performances of the actors. A critic by the name of Shawn Levy said "The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement."(metacritic.com)
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
In the book The Lathe of Heaven, by Ursula K. Le Guin, there are many similarities and some differences in society in comparison to the movie Matrix. The two stories settings take place in different locations. Although, throughout both stories many huge changes are made, the people in the societies remain unaware of the changes. Then, similarly, only a certain few individuals are knowledgeable of the true reality. A difference between The Lathe of Heaven and the Matrix is the place setting. The Lathe of Heaven's characters are in the real world. The real world is physical and tangible, filled with items that tiger senses. People have feelings and react differently to situations. Each one depending on the person and the circumstance. The real world is the truth, the truth is reality. Although, this reality is changed with one night's dream, from George Orr. Orr is a man who has the ability to change truth, including history and every humans view of what reality is. When Orr dreams, his thoughts become reality. With one dream he changes today, and the history. Orr is the only one who is aware of the original, true reality. In the Matrix, however, what the society believes to be the real world, is really a computer program invented and run by Machines. In the Matrix, Machines have taken over the human population and created a world, known as the Matrix. This world is only lived out through the minds of the people, as the people are kept in holding tanks. The world, or Matrix is a computer program, and only known to be a computer program by the Machines and a few selected individuals. Similarly, in The Lathe of Heaven and in the Matrix ...
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
Since the first Africans arrived in what is now present day America in the 1500s, there has been reaffirming data supporting the importance of community to people of African descent. Despite large efforts to destroy this aspect of the African experience, many African Americans have maintained their kinships especially when the foundation is birthed from ethnic parallels. As a result of this affirmation, Dr. Mary Pattillo’s assertion on the present day black middle class and their commitment to restoring their community of North Kenwood- Oakland in her book, Black on the Block is no surprise. However, what is shocking is that the same declaration cannot be said for the African American middle class during what Dr. Pattillo deemed the ‘Black
Let me briefly explain a simplified plot of The Matrix. The story centers around a computer-generated world that has been created to hide the truth from humans. In this world people are kept in slavery without their knowledge. This world is designed to simulate the peak of human civilization which had been destroyed by nuclear war. The majority of the world's population is oblivious to the fact that their world is digital rather than real, and they continue living out their daily lives without questioning their reality. The main character, Neo, is a matrix-bound human who knows that something is not right with the world he lives in, and is eager to learn the truth. He is offered the truth from a character named Morpheus, who proclaims that Neo is “the One” (chosen one) who will eventually destroy the Matrix, thereby setting the humans “free.” For this to happen, Neo must first overcome the Sentient Program agents who can jump into anyone's digital body. They are the Gate Keepers and hold the keys to The Matrix.
There is an extreme close up shot of Neo’s face as if he is disturbed;
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
Peripetie by Schoenberg has a time signature of triplet quavers and sextruplet semi- quavers. The tempo slows slightly in bar 7 and builds up throughout. The tempo of this song is called- ‘Sehr Rasch’ which means very fast. it differs between ruhiger ‘calmer’ and heftig ‘passionate’ throughout.
The Matrix. Dir. The Wachowski Brothers. Perf. Keanu Reeves, Lawrence Fishburne. 20th Century Fox, 1991.
In the video game world anything is possible, and if your player dies you can always play again. The videogame industry is exploding in the market place; it's far from child's play and far from the days of pong. In the most recent issue of Entertainment Weekly (December 6, 2002) there is an article, Video Game Nation, discussing a new video game experience being touted as the wave of the future, The Real World meets The Matrix. In this virtual world called The Sims Online, people "live" in a virtual environment peopled by avatars created by thousands of other gamers. Neal Stephenson envisioned this future ten years prior with his release of Snow Crash. Stephenson describes a computer-generated "metaverse" where the logged-on could take on "avatars" hang out, and walk around, meet other "avatars" and perhaps fall in love. These artificial realities offer millions of people a chance to step out of our world and enter another dimension where anything can happen. The setting may be artificial in nature, an electronic stream of data creates this artificial world for the player back home, but the interaction and the emotional appeal for the players are very real. When Neo is "reborn" we see where technology has taken us; it has enslaved us and uses us humans as a power source. Why not see that for what it is: a warning. We see computer gaming as nothing more than just escape. This is what technology offers people escape -- from this world, but is something being given up? Perhaps we should look at the nature of the beast and realize we are already enslaved. We are already there linked together in a Marxist fashion struggling for power, shelling out time and money to find solace inside the World Wide ...
Each element of the matrix is represented by the same lower-case letter with two suffixes.
No body knows what the future is going to be like. The future is an unsolved mystery that can never be unleashed. People will never be able to live in the future because the catch is once people live in the future, the future becomes the present. Even though no one knows what the future is going to be like, people like to write about this unsolved mystery because there is no right or wrong answer to what the future is going to be like. Both the novel, The Lathe of Heaven, and the movie, The Matrix, focus on the future. The writers and creators of these works not only suggest what life could be like in the future with similarities and differences, but they also add what life is like today in order to make the stories more believable. There are aspects that are different and similar about the future societies in the two works. In both works there are people who know the difference between the real worlds and then everyone else who has absolutely no idea. The majority of the people have absolutely no idea. The people live their own lives with not knowing anything that is going on. These people live their lives similar to the way people in todays society lives their lives. This is one of the reasons why people can relate themselves to both of the stories. Also, in both of the works there are characters trying to improve all of the worlds in general. Dr. Haber in the novel tries to influence George to dream a certain way in order to improve the world. For example, he tries to have George dream of equality for all people. In the movie Morphius frees Neo from the computer system because he believes that he can change the world. Neo is trying to be prevented to do so by Agent Smith because he represents the computers ...