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Elizabethan period in English literature ukesssy
Elizabethan period in English literature ukesssy
Virginia Woolf, a room of her own, as metaphor
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Analysis of Virginia Woolf’s "A Room of One’s Own"
Throughout history, female artists have not been strangers to harsh criticism regarding their artistic works. Some female artists are fortunate to even receive such criticism; many have not achieved success in sharing their works with the world. In Virgina Woolf’s third chapter of her essay “A Room of One’s Own,” Woolf addresses the plight of the woman writer, specifically during the Elizabethan time period of England. Woolf helps the reader appreciate her view on how stifling and difficult this time period was for women and how what little creativity emerged would have been distorted in some way. Through a number of claims, examples and other literary techniques, Woolf is able to present her argument in a structured, coherent and persuasive manner, which is compelling in drawing in the reader.
Woolf uses the first person narrative in her essay to provide a “personal” feeling to evoke feelings of sympathy and deep reflection about the treatment of these women, like Woolf is speaking directly to the reader. At the beginning of the text, Woolf tells her tale of coming home from an intellectual discussion of some sort, slightly disconcerted with the fact that there are no known female writers during the Elizabethan time period. Women during that time period had no way to express their creativity. Woolf explains how they were shackled by society, how the efforts of women as artists would go completely unnoticed due to their inferiority in society.
There is a negative or a depressed tone throughout her essay. She shows her dissatisfaction in the very beginning of the essay by saying, “it was disappointing not to have brought back in the evening some important statem...
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...on. She does not jump from subject to subject; she develops all of her claims fully and supports those claims with concrete evidence. She poses questions to the reader that makes the reader really think about the issue she is raising.
Woolf’s essay presents the reader with a subject that, although not contemporary, makes the reader aware of the history surrounding the issue. Through Woolf’s use of claims and supporting evidence, the reader takes on Woolf’s view, understanding how serious of a situation this in fact is. It makes one question what exactly happened to those women authors. This is what an effective text accomplishes, raises pertinent questions by providing examples, even though it may not have concrete answers, it sparks the creative mind of the reader.
Works Cited
Woolf, Virginia. A Room of One’s Own. New York: Harcourt Brace, 1957.
Women of both the ages of Victorian and early Modernism were restricted from education at universities or the financial independence of professionalism. In both ages, women writers often rebelled against perceived female expectations as a result of their oppression. To lead a solitary life as a subservient wife and mother was not satisfactory for writers like Elizabeth Barrett Browning and Virginia Woolf. One of the most popular female poets of the Victorian era, Elizabeth Barrett Browning, illustrated "a woman's struggle to achieve artistic and economical independence in modern society" (Longman P.1858). Many Victorian critics were shocked by Barrett Browning's female rebellion, which was rare for the era. With her autobiographical epic poem, Aurora Leigh provoked critics who were "scandalized by its radical revision of Victorian ideals of femininity" (P.1859). In the age of Modernism, women were finally given the some rights to a higher education and professionalism i n 1928 (p.2175). However, female poets of early Modernism, such as Virginia Woolf, were raised in the Victorian age. Rebellion toward "Victorian sexual norms and gender roles" (P.2175) are reflected in Woolf's modern literary piece, such as The Lady in the Looking-Glass: A Reflection. Also echoed in the piece, is how Woolf "never lost the keen sense of anguish nor the self-doubt occasioned by the closed doors of the academy to women" (P.2445).
Gendered strategies, in the criticism of early fiction, made feminine fiction incapable of excellence. By using conventional heterosexual relationships in their prefaces, authors only succeed in supporting the masculine control over fiction. The appraisals women gained only reinforced their inferior status. "Criticism placed female authors in a specific and confined critical sphere, while it located male authors in an other, more respected field" (375). By aligning their works with popular male literature, women inadvertently strengthened male authority. Women were only granted recognition in terms of their limited social stature. It is these gendered values and strategies that makes the history of the novel and feminine achievement difficult to assess.
In the predominantly male worlds of Virginia Woolf’s A Room of One’s Own and Elizabeth Barrett Browning’s “Aurora Leigh (Book I)”, the women’s voices are muted. Female characters are confined to the domestic spheres of their homes, and they are excluded from the elite literary world. They are expected to function as foils to the male figures in their lives. These women are “trained” to remain silent and passive not only by the males around them, but also by their parents, their relatives, and their peers. Willingly or grudgingly, the women in Woolf and Browning’s works are regulated to the domestic circle, discouraged from the literary world, and are expected to act as foils to their male counterparts.
These women authors have served as an eye-opener for the readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in the prior centuries). These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. Each author ignored convention a...
Woolf’s pathos to begin the story paints a picture in readers minds of what the
One of the most fascinating elements that female authors bring to light is their use of perspective—something that’s most commonly illustrated through the eyes of a man, a male author, or, more often than not, both. Women writers offer a different voice than their male counterparts, even if it’s simply by the subtle inclusion of their own experiences within the narrative of the central character. With that in mind, the question must be asked—how do these female authors present their male characters? It’s common for male authors to stick to stereotypes and caricatures of the women they include in their works; but do female authors choose to follow this style as well? How do they represent the “modern man” within their texts? Through Woolf’s
She notices how difficult it would be, even given the same talents as Shakespeare himself, to follow through and utilize them in her life.... ... middle of paper ... ... The reader of Woolf's essay clearly can understand and come to realize the unfairness and downright cruelty of the pure neglect of hidden talent among many women throughout time.
She speaks highly of the faith and undying hope of these women and their families. She even comes to recognize them as saints as she describes their faith as "so intense, deep, unconscious, the they themselves were unaware of the richness they held" (Walker 694). In a passage in which she speaks about the treatment and social status of the women of the sixteenth century, Woolf explains that a woman who might have had a truly great gift in this time "would have surely gone crazy, shot herself, or ended up in some lonely cottage on the outside of town, half witch, half wizard, feared and mocked" (Woolf 749). Her use of some of these powerful nominative shows that she feels strongly about what she is writing. Also for her, life growing up and stories she may have heard may have influenced this passage greatly.
Throughout literature’s history, female authors have been widely recognized for their groundbreaking and eye-opening accounts of what it means to be a woman in society. In most cases of early literature, women are portrayed as weak and unintelligent characters who rely solely on their male counterparts. Also during this time period, it would be shocking to have women characters in some stories, especially since their purpose is only secondary to that of the male protagonist. But, in the late 17th to early 18th century, a crop of courageous women began publishing their works, beginning the literary feminist movement. Together, Aphra Behn, Charlotte Smith, Fanny Burney, and Mary Wollstonecraft challenge the status quo of what it means to be a woman during the time of the Restoration Era and give authors and essayists of the modern day, such as Chimamanda Ngozi Adichie, a platform to become powerful, influential writers of the future.
In the context of a tumultuous time for the United States that was undergoing drastic changes socially, politically and ideologically, Kate Chopin published her first novel At Fault in 1890. Probably not aware of her role as one of the forerunners of the feminist movement in the late nineteenth century, Chopin embarked on expressing what women do feel, experience and suffer in their everyday lives. The first seeds of feminism, effectively, started essentially with the emergence of a group of women writers in England as well as in the United States who dared to speak about women from the standpoint of women and targeting a female audience. In spite of the fact that women had been taught to keep quiet, repress their voices and “internalize the codes of genteel womanhood” (Showalter 177), women writers during the nineteenth century attempted to reconstruct themselves as free individuals and refashion the image of the ideal woman. This was possible through writing that enabled them to “break new ground[s] and create new possibilities” (Showalter 19). G.H Lewes defines “female literature” as the articulation of women’s experience which “guides itself by its own impulses to autonomous self-expression” (qtd. in Showalter 13). Following women’s awareness of the unequal treatment they receive from men, their
Born in 1882 Virginia Woolf is a noted novelist and essayist, prominent for her nonlinear prose style and feminist writings. Her essay “Professions for Women” designed as a speech to be given at the Women’s Service League in 1931, informs her audience of the powerful internal dispute she and other women face in an attempt to live their everyday lives as women living in a masculine controlled society, especially within the careers they desire. Woolf adopted an urgent and motherly tone in order to reach her female audience in 1931 during her speech and in response her audience gathered. As a result of her distinct and emotional writing in Professions for Women, Woolf created an effective piece, still relevant today.
Virginia Woolf, one of the pioneers of modern feminism, found it appalling that throughout most of history, women did not have a voice. She observed that the patriarchal culture of the world at large made it impossible for a woman to create works of genius. Until recently, women were pigeonholed into roles they did not necessarily enjoy and had no way of
Woolf empowers women writers by first exploring the nature of women and fiction, and then by incorporating notions of androgyny and individuality as it exists in a woman's experience as writer.
Woolf pioneered in incorporating feminism in her writings. “Virginia Woolf’s journalistic and polemical writings show that she made a significant contribution to the development of feminist thought” (Dalsimer). Despite her tumultuous childhood, she was an original thinker and a revolutionary writer, specifically the way she described depth of characters in her novels. Her novels are distinctively modern and express characters in a way no other writer has done before. One reason it is easy to acknowledge the importance of Virginia Woolf is because she writes prolifically.
Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women and fiction. Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and fiction, what they think of; Woolf tried to answer this question through the discovery of the female within literature in her writing.