In her essay "Penelope as Moral Agent," Helene Foley attempts to discuss Penelope, a major character in Homer's the Odyssey, in terms of Classical Athenian portrayals of women and, as her title suggests, in terms of what she calls a "moral agent." In her introductory paragraph she lays out guidelines as set down by Aristotle and his contemporaries that constitute a moral agent: the character must make an ethical and moral decision "on which the actions turns...without critical knowledge of the circumstances" (Foley 93). To this end, Foley ultimately decides that Penelope meets these standards and adds that her social, familial and personal responsibilities play integral roles in making that decision. Foley's examples and her in-depth analysis of the Odyssey all support her thesis as I have interpreted it to be. There are, however, problems in her comparison of the Odyssey and outside texts (especially that of Carol Gilligan), inconsistencies in citations and style, and examples that either have little or nothing to do with her thesis. The largest problem with this essay that I could find is the ignorance of a few facts that could possibly be construed as being in opposition to her findings.
Since I am not familiar with and have not read any of the outside texts to which Foley refers (Aristotle's Oedipus Tyrannos, Poetics, Politics, and Ethics, the Hippocratic medical texts, and the feminist theory of Carol Gilligan), I can only assume that her interpretations of these texts are correct. In any case, she uses Aristotle and Hippocrates in order to develop a historical framework against which she can judge Homer's fictitious character Penelope. This method would have led to a good argument if she had included in her analysis an ...
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...to be true about Odysseus' whereabouts. It is this former aspect of her thought process in making the decision to present the bow to the suitors as a more pressing concern to Penelope and ultimately makes her decision for her.
Works Cited and Consulted
Diana Buitron-Oliver and Beth Cohen, "Between Skylla and Penelope: Female Characters of the Odyssey in Archaic and Classical Greek Art," pp. 29-58.
Richard Brilliant, "Kirke's Men: Swine and Sweethearts," pp. 165-73.
Helene Foley, "Penelope as Moral Agent," in Beth Cohen, ed., The Distaff Side (Oxford 1995), pp. 93-115.
Jennifer Neils, "Les Femmes Fatales: Skylla and the Sirens in Greek Art," pp. 175-84.
Marilyn Arthur Katz, Penelope's Renown: Meaning and Indeterminacy in the Odyssey (Princeton 1991).
Nancy Felson-Rubin, Regarding Penelope: From Courtship to Poetics (Princeton 1994).
The Odyssey: Portrayal of Women How does Homer portray women in the epic, The Odyssey? In order to answer this question you must look at woman and goddesses as two separate groups of people who are "people". This is because they are portrayed in two separate ways. You see, a regular woman like Penelope is looked at as beautiful but has.
In the Odyssey, written by, Homer Penelope seems, at first, to be portrayed as someone constantly weeping for her husband, while being oblivious to the struggles of her kingdom. However, the story actually portrays her as someone who is in control of her surroundings. Penelope is torn at the thought of not seeing her husband again. Back when Penelope was alive it was not proper for a lady to be with more than one man and Penelope knew this. She did not wish to be with more than one man, so she used her weeping to distract her suitors so she would not be looked at with disgrace in her century. After twenty years Penelope is given strength, while pretending to be oblivious, in a categorical way Penelope demonstrates her
Helene Foley, "Penelope as Moral Agent," in Beth Cohen, ed., The Distaff Side (Oxford 1995), pp. 93-115.
In order to achieve this, the characters in the Penelopiad, particularly Penelope, are given “new outlook and voice” through the influence of contemporary attitudes (Irshad & Banerji 35). As such, Atwood is able to subvert the masculine focus while working within the Homeric source material. This includes frequent inclusion of asides in the text. Penelope, and the Twelve Maids, can then express their feelings, hidden in the original, in “imaginary space outside cultural constraints” (Khalid & Tabassum 19). This allows for women in Homeric culture to be finally “heard” as well as seen in the narrative (Nunes 238). As a result, the conventional faithful wife is replaced with a “woman with conflicting desires and impulses” (Neethling 127). This can be considered a challenge of one of the major cultural values of the text. Penelope’s fidelity allows her to become the “epic archetype of marital excellence” in the Odyssey (Skinner 47). Atwood challenges the foundation of this idea through deeper exploration of Penelope’s psyche. Homer must use “metaphor, simile, speech, and epithet” to construct Penelope, while Atwood can utilise “interior monologues” and “introspection” (Neethling 126). Due to this, Atwood’s Penelope can reject the idea that a woman can fully adhere to this expectation. Through narrative perspective, Atwood challenges the idea of the ever-faithful wife without any change in the plot of the
In the first section of Odyssey, mortal women are presented to us as controlled by the stereotypes and expectations of the culture of the day, and it is only within that context that we can consider the examples Homer provides of women to be admired or despised. He provides us with clear contrasts, between Penelope and Eurycleia on the one hand, and Helen and Clytemnaestra on the other.
The. Penelope's Renown. Princeton, NJ: Princeton University Press, 1991. Hesiod. Theogony.
...ow Greek civilization was founded by women; they were the ones who gave birth to the heroes. Similarly, The Odyssey is a story created by women. The plot revolves around the actions of women. Athena orchestrates all the events. The seductresses, such as Circe, the sirens, and Calypso, attempt to stop Odysseus from reaching home. The helpmeets, such as Nausicaa, Arete, and Athena, aid Odysseus in his homecoming. The wise and virtuous Penelope is the object of Odysseus’ quest. Unlike Helen who forsakes her husband, Penelope remains faithful. Unlike Clytemnestra who assassinates her husband, Penelope patiently waits for Odysseus. She becomes a model of female patience and of female intelligence. Her craftiness is the only one which can match up to Odysseus’. The Odyssey presents a wide array of women and demonstrates the influence that women have in the life of a hero.
In the ending chapters of The Odyssey Homer bring about many interesting points in which would bring us to believe that in fact Penelope had helped to slay the suitors. Penelope did not physically help to slay the suitors when Odysseus had been in the room killing them. It was Penelope’s actions leading up to this scene that may have helped Odysseus in his successful killing spree of the suitors. For the case of the argument we will discuss points in which it is believed that she had recognized him disguised as the old man, which gave her the ability to help Odysseus. On the other hand, the argument that she may have not recognized Odysseus would contribute us into believing that she did not help Odysseus to slay the suitors but that things
Women are important in life and act in many different ways, this poem portray them in the many roles they play in life. The portrayal is a generalization on all that women are capable of being and doing. Faithfulness is the quality in Odysseus that is his motivation to return to his wife who is in different ways even more faithful. Penelope represents the "best of women" in the poem. Penelope along with other characters like Nausicaa and Arete that fall under this category represents ideals for marriage. Penelope's role in the poem is the reward and prize to Odysseus' suffering but it is her virtue, which make the sufferings worthwhile. The one important role of Penelope that makes her a desirable wife aside from her beauty and faithfulness is that she anchors the kingship of Ithaka. The suitors saw that the one who married Pene...
...t get close to Penelope, only her true love. This statement proves that it is in fact Odysseus and that he has returned. Penelope knows he is the only one to know how he made the room. Odysseus used his knowledge and intelligence to win back his love. No other person was ever able to move the bed except for Odysseus. He and Penelope were the only two people who knew how the bed was made. Odysseus again conquers his task through his intelligence.
Greek women, as depicted as in their history and literature, endure many hardships and struggle to establish a meaningful status in their society. In the Odyssey, Penelope’s only role in the epic is to support Odysseus and remain loyal to him. She is at home and struggles to keep her family intact while Odysseus is away trying to return to his native land. The cultural role of women is depicted as being supportive of man and nothing more. Yet what women in ancient Greece did long ago was by far more impressive than what men did.
The first major female character introduced in this epic is Penelope. Penelope is the wife of Odysseus, and the mother of Telemachus. She is portrayed as a strong-willed widow, who even after not seeing Odysseus for twenty years, keeps her trust in her husband to return home. The main tool is the rule of law, but even before laws customs could be used” (rwaag.org).
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