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How women's changing role affected literature
Role of women in literature
Female roles in literature
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Behind a Mask is a book that demonstrates the power a woman possesses. During a time in which those who are not rich are considered mere human beings, Louisa May Alcott creates a character by the name of Jean Muir who surpasses the society she lives in. Muir is a woman who seeks to have a prestigious title that will give her the recognition she desires. As governess to the Coventry family Muir puts in play a plan to marry Sir John, the old uncle in the family, whose title she wants. In the process of getting sir John’s tittle Jean causes controversy in between the family which results as a positive thing for the family as a whole. While stepping over the boundaries set by her society, Muir takes a journey which she must face with intelligence and courage. Throughout her wake for Sir John’s title Muir is portrayed as the protagonist with her characteristics and with the fact that she must overcome the obstacle which is her society. Muir is a well-educated woman with a lovely voice that can play the piano, sing, act, and bring books to life and it is through her independence and skills that she defies the society she lives in by marrying Sir John. Muir can easily be defined as the protagonist, for a protagonist is an independent person that is a well-meaning person who is smart, influential, brave, and who is capable of overcoming obstacles. In order to get the title she wants, Muir deceives the family by passing as an innocent young girl when in reality she is a grown woman using them for her benefit, thus her role as the protagonist can be questioned by some. She is a smart and manipulating woman capable of making the men in the family fall down to her will. Her intentions are for the two young brothers in the family, Gerald, who... ... middle of paper ... ...ss and lazy person that thanks to Muir changes into a responsible and much more humble man that takes up his duties as the head of the household. There is also Ned, a noble young man that is kept from becoming a real man, and that is sent away thanks to Muir only to return a full grown man. The greatest positive effect Muir has is in Sir John’s life, for she is giving him a partner to spend his life with. Bella is taught to not be so naïve and it is possible that Muir even helps Lucia better her relationship with Gerald, because there is a point when Gerald gets protective of her and it is something he had never done. Overall the Coventry family is benefited from Muir. Muir is without doubt the protagonist. She is a smart woman, which results capable of deceiving a prestigious family. Works Cited Alcott, Louisa May. Behind a Mask. London: Hesperus, 2004. Print.
A heroine's journey usually involves a female protagonist, however, the relationship with this story structure goes much deeper in this book.
Little Girls in Pretty Boxes and The Scarlet Letter. Both authors persuade the reader to feel pain of the stories subject. In Little Girls in Pretty Boxes the author used pathos and interviewing to share the stories of these overly dedicated youth. Joan Ryan wrote to show how these young, talented, sophisticated women can hide the harsh reality of the sport. In her biography she listed the physical problems that these young girls go through. They have eating disorders, stunted growth, weakened bones, depression, low self esteem, debilitating and fatal injuries, and many sacrifice dropping out of school. Whereas the Scarlet Letter is a fictional drama that uses persuasion and storytelling to involve the reader. Nathaniel Hawthorne discusses
The reader is forced into the role of a character that already has some developments. Walton’s sister is a character that exists prior to the story; this can be seen by the way Walton treats his subject. Because the reader is the audience with her, the reader is pushed into that role, but not to become a part of the story, only to develop the relationship with Walton.
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
A person’s identity develops from birth and is shaped by many components, including values and attitudes given at home. We all have a different perspective about who we want to be and what fits better with our personality. However, is our identity only shaped by personal choices or does culture play an important role here? It is a fact that the human being is always looking for an inclusion in society. For instance, there is a clear emphasis in both, “Masks”, by Lucy Grealy, and “Stranger in the Village”, by James Baldwin that identity can be shaped by culture. Grealy does a great job writing about the main issue that has made her life so difficult: her appearance. Cancer has placed her in a position where people,
The film chronicles the histories of three fathers, and manages to relates and link their events and situations. First is Mitchell Stephens and his relationship with his drug-addict daughter. Second is Sam, and the secret affair he is having with his young daughter Nicole. He is somewhat of a narcissistic character because of his preoccupation with himself and pleasing himself, and his lack of empathy throughout the film for the others in the town. Third is Billy, who loves his two children so much that he follows behind the school bus every day waving at them. Billy is also having an affair with a married woman who owns the town’s only motel. On the exterior the town is an average place with good people just living their lives. But, beneath all the small town simplicity is a web of lies and secrets, some which must be dealt with in the face of this tragedy.
Stein and Pablo Picasso, her friend and contemporary, both used masking as an aesthetic means by which to alter the nature of an initial subject. Inspired by African masks, Picasso painted a mask on a portrait of Stein, while Stein rewrote her own story, first captured in Q.E.D., into the black characters of the central tale in Three Lives. In doing so, North argues, Stein both invited her white readers to live in to her characters, and allowed herself to see both race and gender as a “role,” not as a biologically predetermined attribute. At the same time, the literary and linguistic mask establishes itself as representative of freedom from European “convention” and as an example of nature and freedom, but also as a construction, a cultural convention and restriction fin and of itself. The usage of the mask, for North, represents the breaking down of the dichotomy between “impersonality and individuality, [and] conventional representation and likeness.”
narrative focuses on a father and son, Grange and Brownfield Copeland, and illustrates how their respective demons and destructive tendencies affect the people around them. In the opening chapter of the novel, the reader is introduced to Grange as he exhibits abusive tendencies towards his wife, Margaret, while he is in a drunken state. ?Late Saturday night Grange would come home lurching drunk, threatening to kill his wife and Brownfield, he threatened Margaret and she ran and hid in the woods with Brownfield huddled at her feet? (Walker 14). Grange?s prolific consumption of alcohol seems to be a conscious effort to blunt the feeling inferiority he feels as marginalized citizen in southern society. Grange Copeland?s fits of violent anger seems to be misdirected at his family instead of the person whom he truly hates: Shipley.
Who was Louisa May Alcott? Alcott was a nineteenth century author who wrote numerous famous books, such as the book series Little Women. However, Alcott did not start out famous. As a child, Alcott’s family lived in poverty. Though her family lived in poverty, Alcott had an extremely vivid imagination, especially for a girl during the time period that she lived in. Even when she was young, Alcott’s biggest dream was to become a famous author. She wrote one of her first poems at the age of eight when she saw a robin. With the money she made from her works, Alcott hoped to someday be able to pull her family out of poverty. Alcott was an extremely determined woman who used her determination to help her family rise out of poverty, and also accomplished many of her other goals in life.
The book Bronx Masquerade by Nikki Grimes is about a group of students in Mr Ward's high school english class in Bronx NY 1990’s. Through open mic fridays a time when the students are allowed to read there own personal poems they showed their true selves. Many of them found that in doing this they felt better about themselves. One such example is Jannelle Battle. Janelle is an African-American girl with somewhat of a weight problem.
... woman who comes from a very rich family. She has plenty of friends and money and she is a good student at Julliard, a school for music. Andrea is not satisfied with what she has and yearns for more. She wants to find out who Goddard is and steal all his money. Just when she has almost fulfilled her dream, she is shot, and left without even her life.
The narrator was accused of being a threat to the Brotherhood. He was given the choice of either becoming inactive in the Brotherhood completely or lecturing on the "woman question" in another neighborhood until an investigation into his loyalty was conducted. The narrator was rewarded with an important insight into his character. Many women believe that he would understand them and their needs, because of his talks about women and their place in society. The narrator is able to realize that these girls are seeing him only as they want to see him instead of how he really is. This was an important realization for the narrator to make, but the discovery of his true self was still unfound
In A Wrinkle in Time by Madeleine L’Engle, Meg Murry overcomes evil. Meg journeys through the world of Camazotz that has given into evil. Charles Wallace gets drawn into “IT’ and it is Meg’s job to save him. Throughout the novel, A Wrinkle in Time, Meg proves to be a character who shows self- doubt, learns that love is very powerful, and understands she does not have to be like everybody else.
Both Elizabeth Braddon’s novel, Lady Audley’s Secret and the critical essay by Jill Matus examine the concept of “madness” as it relates to Victorian society. At first glance, the novel’s use of madness seems to be nothing more than a plot device of a revelatory manner. It is hard to gainsay this initial reaction, but upon further thought and in light of Matus’ essay, the condition of madness provides a springboard for multiform interpretations of the text. The novel seems fully aware of the hazy line that surrounds the condition of madness. Lady Audley herself recognizes that, intellectually, she was always in control of her actions, turning the motivations of her crimes to the force of emotion. As Matus’ article touches upon, this distinction
Women are portrayed in a variety of ways in media, with the parts they play reflecting upon the ideals of society. Creating characters outside of the conventional mold reflects upon the author and proposes open opposition to what society holds in high esteem. The novella, Behind a Mask, or a Woman’s Power written by Louisa May Alcott, showcases two women with contrasting personalities and roles; Lucia Beaufort who conforms to society and Jean Muir who openly defies it. The characters of Jean and Lucia display Alcott’s diverse views on women, with Lucia representing the stereotypical female and the ideal for women and Jean being the embodiment of a woman with desires outside of pleasing men.