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The book Bronx Masquerade by Nikki Grimes is about a group of students in Mr Ward's high school english class in Bronx NY 1990’s. Through open mic fridays a time when the students are allowed to read there own personal poems they showed their true selves. Many of them found that in doing this they felt better about themselves. One such example is Jannelle Battle. Janelle is an African-American girl with somewhat of a weight problem. Janelle has a self esteem issues and it's dragging her down. jannelle is ashamed of her weight. A good example of this is when she is in the bathroom fantasizing about being married to her high school crush Devon. when all of a sudden she stops and tells herself to forget it because devon is way out of her league.
she says devon is like denzel washington and she’s “thighs R us”. After this she sits there wishing she could look different like some of her classmates . All these things cause janelle to be angry sad and disbelieve in her self. when talking about her crush devon she puts herself down saying you'll never get him ms “thighs R us”. By the end of the book jannelle resolved her problem, it wasn't easy but she finally felt better about her weight. through open mic fridays jannelle expressed how she wanted to be thought of or looked at for something other than the size of her body. in one of her poems she stated “I am coconut and the heart of me is as sweet as ever” expressing that she wants to be thought of as a nice kind hearted person not just a fat person. and in her last poem she stated that while she was reading everyone was so deep into the meaning of her poetry that no one was looking at the size of her body not even her. this showing that they were looking at her to hear the poetry and read her body language not to look at the size of her body not even her. but it wasn't just jannelle the poetry helped it was every one who got some issues cleared, and they all felt better because of it.
Have you ever loved a place as a child, but as you got older you realized how sugar coated it really was? Well, that is how Jacqueline Woodson felt about her mother’s hometown and where she went every summer for vacation. The story, When A Southern Town Broke A Heart, starts off with the author feeling as if Greenville is her home. But one year when she has 9 she saw it as the racist place it really is. This causes her to feel betrayed, but also as if she isn't the naive little girl she once was. By observing this change, you can conclude that the theme she is trying to convey is that as you get older, you also get wiser.
Caleen Sinnette Jennings Queens Girl in the World is an bildungsroman, a coming of age story that takes place in a unique format. Queens Girl in the World is about Jacqueline Marie Butler a 12 year girl who lives on Erickson Street, Queens, New York. It’s summer 1962 and we watch her journey over the next year or so. She experiences love, conflict, ignorance, hatred, violence, and many of the experiences that can happen in the life of a preteen in the sixties as well as to any of us. The many characters depicted, the moments shared made myself and the audience experience laughter, sorrow and everything in between. Queens Girl in the World beautifully blends climatic and episodic structure by using climatic aspects such as a late plot, limited characters scenes and locales and episodic features such as multiple stories that follow a plot of theme.
By doing this, she has shown the community that a person can not always be happy with material things when she or he is not in love. Janie says, "Ah want things sweet wid mah marriage lak when you sit under a pear tree and think." She shows her grandma that she is not happy with her Janie's next husband, Joe Starks was very nice to her and gave her everything she wanted. When it came to Janie wanting to talk or speak her mind, he would not let her, and that made her feel like she was less of a person than he.
Holly Janquell is a runaway. Wendelin Van Draanan creates a twelve year old character in the story, Runaway, that is stubborn and naive enough to think she can live out in the streets alone, until she is eighteen.She has been in five foster homes for the past two years. She is in foster care because her mother dies of heroin overdose. In her current foster home, she is abused, locked in the laundry room for days without food, and gets in even more trouble if she tries to fight back. Ms.Leone, her schoolteacher, could never understand her, and in Holly’s opinion, probably does not care. No one knows what she is going through, because she never opens up to any one. Ms. Leone gives Holly a journal at school one day and tells her to write poetry and express her feelings. Holly is disgusted. But one day when she is sitting in the cold laundry room, and extremely bored, she pulls out the diary, and starts to write. When Holly can take no more of her current foster home, she runs, taking the journal with her. The journal entries in her journal, are all written as if she is talking to Ms.Leone, even though she will probably never see her again. Over the course of her journey, Holly learns to face her past through writing, and discovers a love for poetry. At some point in this book, Holly stops venting to Ms. Leone and starts talking to her, almost like an imaginary friend, and finally opens up to her.
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.
For many people love comes easily or within a short time, but for Janie it took much longer. Love was always very important to Janie. With Janie’s first husband which Nanny arranged. Feeling unloved and used Janie decided to leave logan and keep going on her search for love. “The morning road air was like a new dress”. This quote is an example of a simile revealing all the hope Janie still had for herself after leaving Logan. Dealing with many restrictions put by people in her life Janie always just dealt with stuff and went on without complaining like most women did in that time. Jody Sparks played a major role in Janie’s quest of finding herself. “To my thinkin’ mourning oughtn’t tuh last no longer’n grief.” After Jody’s death Janie feels a quick feelings of independence. Jody being represented as a character who tries to be dominate of others and is cruel makes Janie understand that in a relationship there has to be equality in order to be happy. Being a man who saw Janie as an object makes Janie speak up and stop muting herself. She rebels against him and destroys his will. Showing women can gain equality for
In the first section of the book it starts off with a little girl named Tasha. Tasha is in the Fifth grade, and doesn’t really have many friends. It describes her dilemma with trying to fit in with all the other girls, and being “popular”, and trying to deal with a “Kid Snatcher”. The summer before school started she practiced at all the games the kid’s play, so she could be good, and be able to get them to like her. The girls at school are not very nice to her at all. Her struggle with being popular meets her up with Jashante, a held back Fifth ...
The beginning of Janie’s journey is with her marriage to Logan Killicks, a man with tons acres of land to his name, but to Janie’s knowledge, is just an ugly old bag that has a huge lack of any love or companionship for her. For example, when Janie talks to Logan one night about their relationship he only says “Considerin’ youse born in a carriage ‘thout no top to it, and yo’ mama and you bein’ born and raised in de white folks back-yard” (30). Logan is emotionally destitute towards Janie in the beginning of the marriage. She cannot relate to him in any way what so ever and they both know it as well. In addition, at a point later on in the marriage Logan asks Janie to help him with chores outside, she replies “you don’t need mah help out dere, Logan. Youse in yo’ place and ah’m in mine,” (31). Not only does Logan have an absence of emotion, he also has an absence of love and he expresses the exact opposite of it through his bitterness and anger for Janie. She can now understand that Logan sees himself as supposedly “higher” than her and she loathes it even more. The marriage between Logan and Janie isn’t equal...
“We Wear the Mask” by Paul Laurence Dunbar and “Richard Cory” by Edwin Arlington Robinson are two poems that depict how many people hide their feelings from others. The two poems are similar in theme, but are told from different points of view and differ in plot.
When we first meet Jane she is a young and orphaned girl with little self-confidence and hope of feelings a sense of belonging and self worth. It is unfair that Jane already feels lonely and desperate in such a cruel world as it is. Jane is open with her thoughts during her narration, “…humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed” (Bronte 7). Jane already feels as though she cannot participate in everyday activities because she acknowledges that she is a weaker person. By Jane believing she is weak she is succumbing to her own entrapment. The novel opens with Jane feeling inadequate about going on a walk with her cousins and the novel ends with Jane embarking on a journey of her very own, this is not a coincidence.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream otherwise” (13). The unreal character of the mask has played a significant role over the life of African Americans, whom pretend to put on a smile when they feel sad internally. This ocassion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart and Miller 466). Through the utilization of iambic tetrameter, end rhyme, sound devices and figurative language, the speaker expresses the hidden pain and suffering African Americans possessed, as they were “tortured souls” behind their masks (10).
This story takes place in a New York City school in Manhattan, in the nineteen- sixties. The book covers the span of one school semester form September to February.
Throughout The Catcher in the Rye by J. D. Salinger, Holden Caulfield uses the word “phony” prolifically, using it to describe anything that hits the wrong side of his fancy. Despite Caulfield’s insistence that he hates phoniness, he himself often puts up a false front in various situations. As we will see, Caulfield’s view that most people are liars and fakes expresses disgust not with individual people but with himself and with life as a whole as well as a slightly nostalgic idealization of his memories.
David Frankel’s 2006 film The Devil Wears Prada features many examples of the concepts found in the realm of business management. In my paper, I will note and expound upon some of them.