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Poem analysis
Poem analysis essays
Research paper on poem analysis
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Etheridge Knight’s “Hard Rock Returns to Prison from the Hospital for the Criminal Insane” is an interesting poem spurred from his own experiences, that explores a variety of things from basic human emotions to controversial medical treatments. Knight was incarcerated for 8 years for robbery, during which he began to develop his skill as a poet, and this stint in prison influenced the settings and styles of his poetry. Knight’s poem is unique in its slang-styled diction, but brings about relatable concepts to allow the reader to connect with the text. Two prominent themes within the poem are that anyone, no matter how strong or looked up to, can be broken, and also that slavery is still alive today, even if it is not in its traditional form. Knight combines these themes with deeper meanings and an individual way of writing to create a poem that is compelling and classic.
It is important to know a little of Etheridge Knight’s background to fully understand his poem “Hard Rock Returns to Prison from the Hospital for the Criminal Insane”. Knight began exploring the world of poetry when he was young in the form of humorous, verbal poems used for entertaining. An African American born in 1931, Knight undoubtedly faced racism and prejudice throughout his life, leading him to explore those concepts within his poetry. Knight became a well-known figure within the Black Arts movement, partly due to encouragement from his wife at the time; Sonia Sanchez, who was also a poet involved in the movement. As stated before, Knight also spent several years in prison, giving him knowledge of the feelings and slang within jail, both of which he later interjected into his writing. Knowing his background helps the reader further understand the feelings...
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...” (6) and the fact that many of the other prisoners regard him as a “nigger”. Later on Hard Rock is expressly called black by a hillbilly, one of Knight’s ways of contrasting Hard Rock with Caucasian individuals. These subtle references to race give the poem an underlying tone of racial tension; however, it is not until the final stanza that Knight brings about the lines most important to his theme of slavery still occurring. He writes “The fear of years, like a biting whip, / Had cut deep bloody grooves / Across our backs.” (36-38). Not only is this an allusion to the slavery that African Americans in America were subjected to for centuries, but it also shows that this feeling had not disappeared from many individuals minds. The prisoners are practically the same as slaves, forced to work against their will, held captive by those designated more powerful than they.
In the existence and effort of Etheridge Knight, the premise of prisons inflicted from slavery, racism, poverty, incarceration along with addiction and repetition of painful patterns are offset with the subject of freedom. His poems of travail and endurance, misery and tribute, loss and love bear witness to the reality that we are under no circumstance entirely confined. Knight's poetry articulates our choice of awareness and makes plain our capability for relationships with others.
...from the dullness of schoolwork to many possibilities. The next lines poke fun at the value of education and celebrate their street learning. ?Lurk late,? ?Strike straight,? ?Sing sin,? and ?Thin gin,? contradict any possibility for mental growth. Symbolism comes in the picture in the next line, ?We Jazz June,? which has many meanings. The word ?Jazz? signifies sexual intercourse. Then the word ?June? becomes a female. The tone of the poem dramatically changes when the reader learns the dropouts die soon. The group end in the last line, ?Die soon,? the final consequence of trying to be cool. Seemingly having fun in the beginning being cool, they are now completely powerless because they are dead. The poem really gives an obvious picture of what young African-American males are driven to do under the impression of trying to be cool. Since their minds are headed straight to corruption, they have no clue because they are having so much fun being cool. Leaving school, staying out late, singing sin, drinking alcohol, and having sex apparently are the only things that are important to them. With this mentality, more and more inner city males while continue hastening toward their death.
Although prisons have the primary objective of rehabilitation, prisoners will likely go through many other troubling emotions before reaching a point of reformation. Being ostracized from society, it is not uncommon to experience despair, depression, and hopelessness. Be that as it may, through reading various prison writings, it can be seen that inmates can find hope in the smallest things. As represented in “Hard Rock Returns to Prison from the Hospital for the Criminally Insane”, the author, Etheridge Knight, as well as other black inmates look up to Hard Rock, an inmate who is all but dutiful in a world where white people are placed at the top of the totem pole. However, after Hard Rock goes through a lobotomy-esque procedure, the motif
The 1990 poem “I Am Offering This Poem” by Jimmy Santiago Baca is themed around the life of a prisoner who has nothing else to offer except poetry. As one learns, more about the author’s background, the context of the poem becomes clearer. Examine this piece of information taken from the biography of Baca, “A Chicano poet, Baca served a ten-year sentence in an Arizona prison and his poetry grows out of his experience as a convict” (Baca). Baca’s experience as a prisoner reflects in his writing in that prisoners are often deprived of their rights and many of their possessions while serving a sentence. In his poem, “I Am Offering This Poem”, Baca speaks from the point of view of a prisoner having nothing to offer his love interest except the
A notoriously known singer, Elvis Presley, sang the song Jailhouse Rock in 1957. Elvis was born on January 8th 1935 and died August 16th 1977. Naturally, he was known for his singing, acting and songwriting. Presley was also known as “The King of Rock ‘n’ Roll.” However, he did not compose Jailhouse Rock. The single, Jailhouse Rock was originally released in September of 1957 and reached # 1 on October 21st, 1957. Mike Stoller composed the song and was writing partners with Jerry Leiber. Stoller was born in Belle Harbor, Long Island. He was dedicated to writing songs mainly for genres, such as R&B and the Blues. Clearly, the music speaks of dancing and jamming to music in jail. Around this time, the song Jailhouse Rock was created to be used in an Elvis Presley movie. Elvis was to play a prisoner who becomes a star after he gets out of prison. Solely, the song was meant to better illustrate a movie Elvis was in at the time and the song also inspired the name for the film. As this song was released, America was going through the Civil war. During this month, the news reported federal troops escorting nine Black students into an all-white school.
The theme throughout the two poems "A Black Man Talks of Reaping" and "From the Dark Tower" is the idea that African American live in an unjust
To understand the desperation of wanting to obtain freedom at any cost, it is necessary to take a look into what the conditions and lives were like of slaves. It is no secret that African-American slaves received cruel and inhumane treatment. Although she wrote of the horrific afflictions experienced by slaves, Linda Brent said, “No pen can give adequate description of the all-pervading corruption produced by slavery." The life of a slave was never a satisfactory one, but it all depended on the plantation that one lived on and the mast...
Though this poem is only a small snapshot of what I personally thought Douglass was going through, I could never adequately understand the frustration he must have had. My hope in writing this poem was not to provide a psychoanalysis or theoretical idea structure to any audience, but rather to show that even today, a modern audience member like me, can appreciate the struggle of a fellow human and speak against injustices, specifically in Douglass’s time.
One of the effects of the legacy of the residential school system is isolation and it plays a big role in both Creative Escape 2013 and Kiss of the Fur Queen. The incarcerated people face isolation from all families, communities and friends while in jail. In Creative Escape one poem discusses...
James Baldwin tells a story about an African American man named Sonny. The setting of the story takes place in the projects of Harlem New York during the nineteen fifties. The story is narrated by Sonny’s brother and in this story the narrator describes the hardships of growing up in the projects. Sonny was the family screw up for he fell into the life of crime and drug uses. Sonny fell into the life of crime for he grew up in Harlem where he “turned hard... the way kids can… in Harlem” (Baldwin 49). Sonny was especially into heroin or referred to as horse in this story. Because of his drug use he was always in and out of jail “He had been picked up, the evening before, in a raid on an apartment downtown, for peddling and using heroin” (49). Harlem and the society had and impact on the African Americans for they never had the same opportunities to succeed before the civil rights act. Even the narrator who was the good and smart kid who had a college education and who was sober could not afford to live outside of the projects. It seems as if nothing would work for every escape lead them back to the projects. Sonny tried every thing to escape poverty, but never could escape it. Sonny said “I don’t want to stay in Harlem no more, I really don’t… I want to join the army or the navy, I don’t care” (60). Sonny was so desperate to escape poverty that
As Kendrick entered the stage shackled to his black comrades with a soulful saxophone playing in the background, it is obvious that the imagery of imprisonment was a commentary on incarceration in America and its similarities with slavery. By amplifying this modern twist on slavery, Kendrick provokes American viewers to reflect on the struggles that black Americans still go through today. At the start of his performance he goes on to rap “I’m African-American — I’m African” as if he was correcting himself. This isn’t surprising as black identity is hard to establish in a country that implicitly detests you, but explicitly fetishizes your culture. Stuart Hall discusses this in his text when he states, “’the primitive is a modern problem, a crisis in cultural identity’…the modernist construction of primitivism, the fetishistic recognition and disavowal of the primitive difference” (Hall 125). There is no wonder why Kendrick, like many African-Americans, finds comfort in placing his identity with the mother land rather than his true country of origin. How can the black multitude stand in solidarity with a country who will continuously praise black culture but refuse to recognize the black struggle? Kendrick Lamar then conjures imagery of Africa, where he danced and rapped in front of a raging bonfire, one of the most powerful imagery included in his entire performance. One can interpret
As much as society does not want to admit, violence serves as a form of entertainment. In media today, violence typically has no meaning. Literature, movies, and music, saturated with violence, enter the homes of millions everyday. On the other hand, in Beloved, a novel by Toni Morrison, violence contributes greatly to the overall work. The story takes place during the age of the enslavement of African-Americans for rural labor in plantations. Sethe, the proud and noble protagonist, has suffered a great deal at the hand of schoolteacher. The unfortunate and seemingly inevitable events that occur in her life, fraught with violence and heartache, tug at the reader’s heart-strings. The wrongdoings Sethe endures are significant to the meaning of the novel.
These constant feelings of discontent, and annoyance were seen frequently by African Americans who suffered from injustice acts from the white majority during these times. Many of the poems written during this time showed some sort of historical reference of maltreatment, or inequality. For years, African Americans were not allowed to have a voice, and if they did they wen’t unheard. However, when poems got published, the deep emotion, and rage that African Americans lived through for many years was released to the public, and shocked a majority of people when they quickly became influential to society.
Throughout life, we have all experienced the loneliness of being excluded at some point or another. In “This Lime-Tree Bower My Prison,” Samuel Taylor Coleridge shows how his experience with this resentful jealousy matured into a selfless brotherly love and the acceptance of the beneficial effects some amount of denial can have. Each of the poem’s three stanzas demonstrates a separate step in this transition, showing Coleridge’s gradual progression from envy to appreciation. The pervading theme of Nature and the fluctuating diction are used to convey these, while the colloquial tone parallels the message’s universal applications. The poem culminates to show the reader that being deprived of something in life is not always to be regretted, but rather to be welcomed as an opportunity to “smell the roses,” so to speak, and appreciate the blessings we often take for granted.
Poetry is such a different and intricate form of literature. It can not only be dissected with different bits and pieces to the puzzle, but can have more than one meaning for each piece as well. Many layers can be interpreted differently depending on the certain way an author or poet writes them. The audience could have a different view of a poem than the author had initially intended to come across. But with prison poetry, it almost has twice as many meanings, because the symbolism and tones that the poet shapes within their writing, needs to be taken into consideration. In Etheridge Knight’s “For Freckle-Faced Gerald,” Knight uses symbolism in such a tender and raw way to explain the shifting tone and situation that occurs to the innocent