Hamlet’s deadly grieving producing a fatal end
It is an innate human quality to fear death and what is to come; it is the fear of suffering and anguish. People typically grieve over the loss of a friend or loved one. In William Shakespeare’s Hamlet, Hamlet’s obsessive thoughts about the deaths of others lead to his timely demise. The deaths of his father, Ophelia, and Polonius have different impacts on Hamlet’s state of mind. His father’s death invokes revengeful thoughts of killing the King. Ophelia’s death skews Hamlet’s vision of death. The death of Polonius shows the repercussions of Hamlet’s aggressive impulse. Clearly, Hamlet is fascinated by death throughout the play. Although this is deeply rooted in his character, his obsessive thoughts are a product of continuous grieving.
In Shakespeare’s Hamlet, Hamlet learns from a ghost of his father’s brutal murder. Hamlet weeps and plans to take action but doesn’t deliver. Instead he plots his revenge and waits for the perfect moment to avenge King Hamlet. The ghost of Hamlet’s father influences Hamlet to seek revenge who would otherwise contemplate the subject to death,
GHOST: Revenge his foul murder and most unnatural murder.
HAMLET: Murder?
GHOST: Murder is most foul, as in the best it is, /
But this is most foul, strange and unnatural.
HAMLET: Haste me to know’t; that I, with wings as swift /
As meditation or the thoughts of love, may sweep to my revenge (I, v, 25-31).
Notably, the ghost tells Hamlet to enact his revenge in the opening scenes of the play; he seems hesitant, as if he questions death for the first time. Hamlet wants to make sure that Claudius did in fact kill his father, so he sets up a play to re-enact the crime scene and to Hamlet’s content, Claudius disp...
... middle of paper ...
...death of him. Hamlet’s obsession and numerous contemplations about death sets himself in the undesired direction of suffering with the deaths of his father, Ophelia and Polonius, all whom he believed were undeserving. His will to continuously get himself into situations that inflict a great deal of emotional stress is astonishing, and his change in attitude about his indecisiveness about murder is not beneficial, rather it kills him in the end. Having a healthy fear of death is normal --one must realize death is unavoidable, while constant thought about death creates unhealthy anxiety. An overdose on death-related thoughts will derange the mind of the fear of basic fear of pain or suffering. The result of fearing death too much is over-amplifying stress in a normal situation. Staying at a level of awareness of death is healthy and can help one stay alive longer.
To begin with, Hamlet starts off his speech asking, “Whether ‘tis nobler in the mind to suffer/ The slings and arrows of outrageous fortune/ Or to take arms against a sea of troubles/ And by opposing end them” (Shakespeare 3.1.57-60). He wonders if he would be more noble if he took his own life and end his sorrows than if he continued to endure him. This question shows the pain and grief that Hamlet has experienced since the death of his father. According to Ophelia, later in Act 3 Scene 1, she reveals that Hamlet was once the obvious successor to the throne since he was charismatic and admired by the people. Clearly, in this part of the play, he is suicidal, and he is uncertain about many of the big decisions in his life. This extreme change in Hamlet’s behaviors makes the audience worry about Hamlet’s mental health. Is his feigned madness transforming into true insanity? However, his comparison to death and sleep suggests that Hamlet is in a state of reflection and learning. Hamlet’s analogy between death and sleep is the musings of an ordinary man who wonders what happens to a soul once its body dies. Just as no one knows what dreams they will experience when they lay in bed, no knows what they will experience when their body is finally laid in a grave.
Hamlet wonders whether to live or die, to suffer or take arm. Given to the pain he feels at his father's murder, and his mother's hasty remarriage to his uncle, to the murderer. he wonders if it is nobler to bear his grief, or to take action. His dad’s ghost has told him what really happened at the night his father died and told him to revenge. Now Hamlet has another choice to make. To trust the ghost or not. When Hamlet made the choice to listen and believe the apparition of his dead father, he willingly buys into the spirit's claim that he has been murdered by Claudius. This decision has huge repercussions for the rest of the play.
Hamlet’s misinformed and delusional state of mind mistakes Polonius for Claudius, which results in his death. More so Hamlet also induces Ophelia to lose faith in their love, which results in her own suicide. Not only is Hamlet delusional, but he also begins to relentlessly obsess about possible enemies in the royal court. Ophelia’s death is one of the great tragedies of the play, since Hamlet is completely obsessed with the ghost’s message of revenge. This delusional state does not go unseen by Gertrude and Ophelia, as they discuss the “wildness” of Hamlet’s state of
From past experiences in ones life, whether it be the death of a long aged gold fish to a deceased elder, one knows the pain and suffering that goes on afterwards. For one to finally move on and continue life without a tear in their eyes may take a while, yet having that immense step means to put the emotions aside and live life. Hamlet's father was murdered, and he soon sees his mother move on so quickly and marries his uncle, to continue being the queen. Hamlet's love for his father does not fade away within a two month span like his mother; he refuses to accept the fact that his father was killed, instead of a natural death. Because of this, Hamlet does not know what to do with his life. He mentions "O, that this too too sallied flesh would melt,/ Or that the Everlasting had not fixed/ His canon `against self-slaughter" (129-132). Immediately does Hamlet questions the existence of his own life, as he feels the need to melt and disappear, ultimately referring to suicide. The problem we face...
During the first act, Prince Hamlet meets the ghost of his father, King Hamlet. His father's ghost tells Hamlet that Claudius poured poison in his ear while he slept. The spirit also explains that he wishes for Hamlet to avenge his death, but not to punish Queen Gertrude for marrying Claudius. He tells Hamlet that she will have to answer to her conscience, and eventually God for her incestuous actions (absoluteshakespeare.com 1 of 4). It was believed during these times that when a person died, especially in such a tragic fashion, that their spirit lingered about while suffering in Purgatory. This could cause a normally virtuous person's spirit to become filled with malevolence and begin to meddle in living men's affairs (en.wikipedia.org 4 of 9). This belief caused Prince Hamlet to want to investigate his father's spirit's claims to ensure that they were indeed true. In order to do this, Prince Hamlet feigns madness in order to remain hidden from members of the court's suspicions while he plots his revenge on King Claudius (www.sparknotes.com 1 of 3). He also takes advantage of a group of actors who come to Elsinore Castle to perform by rewriting a play to recreate the scene of his father's murder. He does this with the hope of flushing a confession out of Claudius' guilty conscience. When Claudius sees the play, he stands up and leaves the room (en.wikipedia.org 5 of 9). After many more events, Claudius' guilt becomes more obvious. Claudius then begins to change his focus towards killing Hamlet, as he is beginning to become aware of the Prince's plans to kill him. Claudius then arranges a fencing match between Hamlet and Polonius' son Laertes and has Laertes poison the blade of one of his swords to be used in the match (Hamlet).
In Hamlet, William Shakespeare presents the main character Hamlet as a man who is fixated on death. Shakespeare uses this obsession to explore both Hamlet's desire for revenge and his need for assurance. In the process, Shakespeare directs Hamlet to reflect on basic principles such as justice and truth by offering many examples of Hamlet's compulsive behavior; as thoughts of death are never far from his mind. It is apparent that Hamlet is haunted by his father's death. When Hamlet encounters the ghost of his father, their conversation raises all kinds of unthinkable questions, for example murder by a brother, unfaithful mother, that triggers Hamlet's obsession. He feels compelled to determine the reliability of the ghost's statements so that he can determine how he must act. Ultimately, it is his obsession with death that leads to Hamlet avenging the death of his father by killing Claudius.
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
Furthermore, it is possible to propose that Shakespeare merely uses this scene to provoke irritation and consequently suspense from the audience. If Hamlet wasn’t given this opportunity to kill Claudius we would have not this insight into Hamlet’s indecisiveness, possible cowardice and inability to kill Claudius in cold blood. It is probable to suggest that through this soliloquy we are shown that Hamlet’s initial passion for revenge after the Ghost’s visitation has faded as the play progresses to merely thinking about killing Claudius.
In his tragedy Hamlet, William Shakespeare explores and analyzes the concept of mortality and the inevitability of death through the development of Hamlet’s understanding and ideology regarding the purpose for living. Through Hamlet’s obsessive fascination in understanding the purpose for living and whether death is the answer, Shakespeare analyzes and interprets the meaning of different elements of mortality and death: The pain death causes to others, the fading of evidence of existence through death, and the reason for living. While due to the inevitable and unsolvable mystery of the uncertainty of death, as no being will ever empirically experience death and be able to tell the tale, Shakespeare offers an answer to the reason for living through an analysis of Hamlet’s development in understanding death.
After a death, we find ways of overcoming grief in this painful world. Some people binge eat their way out while others find the easy way out, which is suicide.In the play Hamlet, Shakespeare portrays mortality in the image of death and suicide.Shakespeare develops hamlet as a man who is sensitive and uncontrolled by his actions. Hamlet faces challenges that mess with his subconscious making him feel vulnerable to making decisions that will affect his life.We can say that Hamlet was very indecisive of living or not. He showed many signs of suicidal thoughts. Many can argue and say that Hamlet was depressed. Coming back home from school to attend his father's funeral in Denmark made him discover many things, such as, his mother Gertrude remarried to Hamlet's uncle Claudius who is the dead king's brother. To Hamlet he finds it loathsome for his
In the play Hamlet, Shakespeare uses the recurring motif of death to explore the influence of death on the living. Death is the most influential issue in Hamlet, as it is the reason for all the chaos that happens in the state of Denmark. In the beginning of the play, Hamlet is heavily influenced by the death of his father and ignores his mother’s new, hasty marriage with his Uncle Claudius. He continues to show his sympathy for his father’s death by wearing dark-colored clothes to the wedding celebration.
Hamlet’s psychological influence demonstrates his dread of both death and life. In Hamlet’s famous soliloquy, “To be or not to be” (3.1.64), he refers the “be” to life and further asks “whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune” (3.1.65.66). By this, Hamlet is asking himself the question of whether to live or die.
Revenge his foul and most unnatural murder, says the ghost of Hamlet. The fact that his own uncle could kill his father leaves Hamlet dumbfounded and confused. Although Hamlet knows something is wrong in Denmark, he begins to question everything that the ghost has told him. When something needs to be done, Hamlet is too busy thinking about his problems. An example of this is when Hamlet has his knife over the head of Claudius, and is prepared to murder him.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
This play is highly obsessed with death, just like Hamlet himself. It seems that Hamlet is on the verge of complete despair, with the only thing keeping him from committing suicide is spiritual awe. He is in the strange position of both wishing for death and fearing it instantly, and this double pressure gives the play much of its drama.