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The theme of death used in literature
What character uses most imagery in as i lay dying
Theme of life and death in literature
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This is a story of a journey, the adventures on the road that creates disconcert. Having died while a son sawed her coffin beneath her window, Addie Bundren is carried away in the family wagon through the road of yoknapatawpha. The family wanted to pleases her wish to be buried near her blood relatives in the Jefferson. Nothing goes well, their journey, like their spiritual life, is empty and confused. All the family members have their own reasons and motives for the journey, as they pass through unfortunate accidents both comic and terrible, fire and flood, suffering and stupidity, until at least, they reach the town. The rotten corpse is buried, Dewey Dell fails in her effort to get an abortion, Cash is badly injured, Darl has gone to a mental institution, and at the very end, and the father suddenly remarries to another woman. The various ways each Bundren family member deal with Addie's death is related to Addie's view of each child. In analyzing Addie's behavior, her understanding of life, maternity and sexuality we can determine that she represents not only the stereotyping but the feeling of revenge and defiant, that lead us to understand why her children react the way they do. (sparknotes.com)
Indeed, Addie in As I Lay Dying is, on the surface, portrayed as incompetent, unfulfilled, and dead. Most of what we know about her we learn from the narration of the other characters in the novel, including her husband and her children. Addie is an unhappy schoolteacher, who uses physical punishment in an attempt to establish a relationship with others. She also comments that she cannot wait for the last of them to leave and thus be free to go to the spring, which serves to her as a source of relaxation and retreat. She ...
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...e, it is a burden and overwhelming life.
By the end of the novel, however, laughter seems to be the only response. After spending nine days passing through all kinds of adversities in order to bring Addie's corpse to its final resting place, the funeral process ended in a scene that is described in less than two lines. All we hear of the actual burial is: "we got it filled and covered " ( ). The same sentence then describes how Darl is betrayed by his family and sent away to a Jackson's institution. The few remaining sections focus not the family's loss or on their sadness on burying the family matriarch, but on the individual motives that were the real driving force behind the journey. The introduction of the new Mrs. Bundren provides one of the biggest laughs in the novel,yet somehow such an ending hardly seems like a celebration of life's victory over death.
Darl, the second child of Anse and Addie Bundren is the most prolific voice in the novel As I Lay Dying, by William Faulkner. Darl Bundren, the next eldest of the Bundren children, delivers the largest number of interior monologues in the novel. An extremely sensitive and articulate young man, he is heartbroken by the death of his mother and the plight of his family's burial journey. Darl seemed to possess a gift of clairvoyance, which allowed him to narrate; for instance, the scene of Addie's death. Even though he and Jewel were away at the time. Similarly, he knew Dewey Dell was pregnant because he had seen her with Lafe, and he also knew that Jewel was illegitimate. Nevertheless, he was regarded as strange. Cora Tull says, he was "the one that folks says is queer, lazy, pottering about the place no better than Anse." Out of jealousy, he constantly taunted Jewel, Addie's favorite child. Except for Jewel, he alone among the Bundrens had no hidden motive for wanting to go to Jefferson.
When Janie was a young girl, she allowed her grandmother’s opinions and beliefs on happiness dictate how she lived her life, which ultimately led to her misery. When Janie was caught kissing Johnny Taylor under the pear tree at the age of sixteen, Nanny told Janie how she wanted her to live her life: “Ah wanted yuh to school out and pick from a higher bush and a sweeter berry. But dat ain’t yo’ idea, Ah see” (Hurston 13). Since she was young, Janie had been mesmerized with the pear tree, the emblem of natural harmony and contentment. She had come to the realization that her dream was to wrestle with life, and just as she was experiencing this freedom, Nanny, the only family she was in contact with, challenged her plans. Nanny took her own experiences as a malnourished slave and condemned Janie to the life in which she was never able to have; Nanny wanted her granddaughter to marry a man with money so that he could support her; she believed that whatever Janie’s assertion of happiness was, was wrong and pointless. When Nanny told Janie that she wanted her to marry a rich man, she spoke with a superior tone that revealed her belittlement towards Janie. She claimed that Janie didn’t know what was best for herself,...
He is opposed to the family sitting by the bed and watching Addie die and cash sawing away at Anse's coffin. But at the same time, he tells Darl to shut up when Darl raises an objection to the three-dollar trip Addie tells them to make. Imagery is an integral part of any narrative. The multiple narratives and cross observations made in As I Lay Dying are complex and they consist of many spectrums. Imagery alone can be sufficient to give the reader a rich sense of emotion, but when it symbolizes the themes of the story and reflects on the characteristics of the narrator, it is truly a masterpiece.
Addie is actually the perfect character to try and describe the lack or void of words and meanings. The very fact that she is dead and is talking about this void from the dead is important. In a way she is speaking from a void between life and death. Morna Flaum expresses this idea in her article, “Elucidating Addie Bundren in As I Lay Dying.” “Her condition of deadness, speaking from the void between is and not-is makes her the perfect vehicle for Faulkner to describe the indescribable, approach the unapproachable, express the inexpressible, as he so gracefully does, does-not. The placement of Addie’s chapter in the middle of her long journey from deathbed to grave is also significant.” Flaum goes on to say that this placement of Addie’s chapter
As the novel begins, Janie walks into her former hometown quietly and bravely. She is not the same woman who left; she is not afraid of judgment or envy. Full of “self-revelation”, she begins telling her tale to her best friend, Phoeby, by looking back at her former self with the kind of wistfulness everyone expresses when they remember a time of childlike naïveté. She tries to express her wonderment and innocence by describing a blossoming peach tree that she loved, and in doing so also reveals her blossoming sexuality. To deter Janie from any trouble she might find herself in, she was made to marry an older man named Logan Killicks at the age of 16. In her naïveté, she expected to feel love eventually for this man. Instead, however, his love for her fades and she beco...
During his journey to the burial site of his wife, he always was worrying about his well being before the family’s well being. The only reason that he decided to carry out Addie’s wish was that he wanted to improve his image by getting false teeth. He did care for his wife, but this caring was overshadowed by his love to improve himself.
Early in the book, Faulkner Throughout the novel As I Lay Dying by William Faulkner, the reader views Jewel as the most aggressive of Addie Bundren’s children. He is constantly arguing with his brothers, sister and father as they make their journey to Jefferson to bury his mother Addie, and he nearly gets in a knife fight when they reach town. Because of his angry responses and bad language it can be hard to recognize the significant impact Jewel has on his family. Jewel is courageous and sacrifices for his family even if the other Bundrens do not acknowledge or honor him for his actions. Jewel may not the most balanced son in the world, but neither are his siblings, and he shows throughout the forty-mile trip to his mother’s hometown of Jefferson that he wants to honor his mother’s wishes. Addie wanted to be buried in Jefferson, and without Jewel this would not have happened. In terms of his actions, Jewel shows that he loved his mother the most out of all her children. Cora argues that Jewel is the worst of the Bundren children though Addie also treated him as her favorite:
Also, the purpose of the coffin serving as the symbol of the Bundrens' gratitude to Addie leads to the coffin's purpose of serving as the symbol of the family's instability. Darl, the most perceptive and observant one in the family, realizes that the coffin is causing the family to destruction and that the journey is absurd. Darl desperately tries to burn the coffin at Gillipsie's barn to properly cremate her and “so she can lay down her life.” After he fails, because of the Bundrens' dysfunction, they prioritize burying the coffin over Darl and have him sent to the mental institution instead since, “it was either send him to Jackson, or have Gillipsie sue (them).” Darl's act of burning the coffin for his gratitude for Addie leads to him falling into the instability of his family, in which he goes insane.
Ah, love. Love is so often a theme in many a well-read novel. In the story, As I Lay Dying, one very important underlying theme is not simply love, but the power to love. Some of the characters have this ability; some can only talk about it. Perhaps more than anyone, Addie and Jewel have this power- one which Jewel, by saving his mother twice, merges with his power to act. As the Bible would have it, he does "not love in word, neither in tongue; but in deed and in truth" (1 John 3:18).
After five years of being raised and living with their grandmother whom they truly loved, the girls had a rude awakening. Their grandmother, Sylvia had passed away. “When after almost five years, my grandmother one winter morning eschewed awakening, Lily and Nona were fetched from Spokane and took up housekeeping in Fingerbone, just as my grandmother had wished” (Robinson 29). This was the final attempt that their grandmother had made in order for the girls to have a normal and traditional life. This is a solid example of how the sister’s lives are shaped by their family and their surroundings. Lucille’s ultimate concern in life is to conform to society and live a traditional life. She wishes to have a normal family and is sorrowful for all of the losses that she has experienced such as her mother’s and grandmother’s deaths. On the other hand, Ruthie, after spending more time with her future guardian, Aunt Sylvie, becomes quite the transient like her.
This death imagery creates an ominous tone for the reader. She uses many different elements to foreshadow the deaths of all six family members in the conclusion of the story. She also uses a great deal of irony. The grandmother puts her hat on before the family leaves in case anything were to happen to them. She wants people to know for sure that she is a lady when her body is found if something does happen and she dies. When she does die in the conclusion of the story, she ironically does not even have her hat on, as she has let it fall to the ground. The grandmother also tells the family about the misfit before they leave. She says “I wouldn’t take my grandchildren in any direction with a criminal like that aloose in it” (O’ Connor 852). Yet, ironically, it is her directions that lead the entire family right to the misfit. She asks John Wesley what he would do if the Misfit were to catch him. John Wesley replies, “I’d smack his face” (O’ Connor 853). However, when captured by the Misfit, John Wesley does not move a muscle. On the drive there, the family passes six graves, foreshadowing the deaths of all six family members that are in the car. When they see the Misfit’s car, it is described as a hearse, which dead people are carried in. Throughout the story, the grandmother seems to judge whether a person is good or bad based on physical appearance and behavior. After the family’s car
According to Frederick Asals, the first half of the story serves a significant purpose as it informs the audience that the family’s journey to Florida is only a “mere empty movement through space” (42). Prior to the car accident, the family acts out of vanity and disobedience despite believing they are devote Christians. Through their actions and behaviors, O’Connor reveals that they are heading down a path of destruction. T.W. Hendricks examines the structure of the family and their relationships with each other, he comments that “the structure of the family is in disarray” (203). The patriarch of the family, Bailey, despises his mother and prefers to overlook her presence by participating in self-absorption. In comparison, his wife does not pay attention to her external surroundings, but simply puts sole focus on her infant child. Furthermore, she and her husbands are parents t...
In Sam Shepard’s The Buried Child there are numerous twists and turns that have the reader spinning and wanting more. Shepard develops a play that has a plethora of illusions, not only towards such works as Oedipus Rex, where he includes the theme of incest. He has also incorporated symbolic emasculation and Native American symbols of renewal with the abundance of vegetables in the backyard.
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
The mother in the story a nameless figure with very little description and almost no voice what so ever. She is a bitter reminder of how society views some woman. They are seen as a permanent stature of a home but not necessarily a figure in society. The kids both very loud and annoying portray a selfish, rude, an almost ignorant way of society such as Jo...