It is human nature to seek out answers and solutions to the unknown. Humans constantly create definitions for complex ideas in order to establish a sense of truth and understanding. However, not everything has one definite answer. Zora Neale Hurston proves this notion in her most popular narrative, Their Eyes Were Watching God. In her novel, Hurston uses Janie’s three husbands to reveal that happiness cannot be defined by a society nor a single individual; true happiness is different for everyone and must be sought out.
When Janie was a young girl, she allowed her grandmother’s opinions and beliefs on happiness dictate how she lived her life, which ultimately led to her misery. When Janie was caught kissing Johnny Taylor under the pear tree at the age of sixteen, Nanny told Janie how she wanted her to live her life: “Ah wanted yuh to school out and pick from a higher bush and a sweeter berry. But dat ain’t yo’ idea, Ah see” (Hurston 13). Since she was young, Janie had been mesmerized with the pear tree, the emblem of natural harmony and contentment. She had come to the realization that her dream was to wrestle with life, and just as she was experiencing this freedom, Nanny, the only family she was in contact with, challenged her plans. Nanny took her own experiences as a malnourished slave and condemned Janie to the life in which she was never able to have; Nanny wanted her granddaughter to marry a man with money so that he could support her; she believed that whatever Janie’s assertion of happiness was, was wrong and pointless. When Nanny told Janie that she wanted her to marry a rich man, she spoke with a superior tone that revealed her belittlement towards Janie. She claimed that Janie didn’t know what was best for herself,...
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...ea Cake, and that it would only end in misery, but Janie proved them wrong. Janie found the freedom she had been looking for since she was sixteen in a place no one would have expected.
Janie stumbled through life trying to decide which path would lead to contentment. She allowed her grandmother and society influence her choices and decisions, which ultimately led to her dejection. It was not until the end of the novel that Janie had finally made the decision to chase her own happiness despite the opinions of others. Life is not a “one size fits all” ordeal; life is complicated and is different for everyone. Happiness, bliss, and contentment cannot be defined by one party or individual, but can be interpreted thousands of ways.
Works Cited
Hurston, Zora Neale. Their Eyes Were Watching God. New York, New York: HarperCollins
Publishers, 1937. Print.
After this incident he continually puts Janie back in her place and allows her no authority, which causes her to relinquish her love for him. After his death, Janie is once again longing for power, which she finds in her love for Tea Cake. Tea Cake is younger than her, which automatically gives her more authority. He also loves her, an older woman, and that also gives her a sense of more power. She follows her power, and consequently her love, to the Everglades.
In conclusion, Janie is an outgoing and caring person who wants to meet and have fun with other people. Most of the people in her life made her avoid being able to fit in with the crowd. Janie could not overcome the control others had over her. People always continued the gossip throughout the community because she was different. After Janie met Tea Cake, she was determined to do as she wanted without anyone’s say so. Janie will always be known as the
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
Zora Neale Hurston’s Their Eyes Were Watching God describes the life of Janie, a black woman at the turn of the century. Janie is raised by her Grandmother and spends her life traveling with different men until she finally returnes home. Robert E. Hemenway has said about the book, “Their Eyes Were Watching God is ... one of the most revealing treatments in modern literature of a woman’s quest for a satisfying life” I partially disagree with Hemenway because, although Janie is on a quest, it is not for a satisfying life. I believe that she is on a quest for someone on whom to lean. Although she achieves a somewhat satisfying life, Janie’s quest is for dependence rather than satisfaction.
...ver have been condoned had Joe still been around. Janie can say what she wants and doesn’t have to hide her true feelings. Finally, she can be herself around someone who accepts and encourages who she is. Tea Cake adds excitement and passion to Janie’s life, something that hadn’t ever existed in her previous relationships. Despite how the town feels about the new romance, Janie and Tea Cake leave the town and are bonded by the true love Janie had yearned for since she was a child. Janie finds the future she had always wanted. All because of Joe’s death, Janie became free to live out her own dreams instead of his. She was finally accepted by someone she truly loves and the conflict she faced for so long is over. She has the independence to be who she wants, love who she wants and live how she wants. Joe’s death led her to Tea Cake where she finally found who she was.
It’s no wonder that “[t]he hurricane scene in Zora Neale Hurston’s novel, Their Eyes Were Watching God, is a famous one and [that] other writers have used it in an effort to signify on Hurston” (Mills, “Hurston”). The final, climactic portion of this scene acts as the central metaphor of the novel and illustrates the pivotal interactions that Janie, the protagonist, has with her Nanny and each of her three husbands. In each relationship, Janie tries to “’go tuh God, and…find out about livin’ fuh [herself]’” (192). She does this by approaching each surrogate parental figure as one would go to God, the Father; she offers her faith and obedience to them and receives their definitions of love and protection in return. When they threaten to annihilate and hush her with these definitions, however, she uses her voice and fights to save her dream and her life. Hurston shows how Janie’s parental figures transform into metaphorical hurricanes, how a literal hurricane transforms into a metaphorical representation of Janie’s parental figures, and how Janie survives all five hurricanes.
Janie gained this experience in love as she discovered that the promises of love are not always true. Janie was promised many things in her life and most of them were the promise of finding love and obtaining it. Janie’s grandmother promised her that even if she did not like Logan Killicks that she would find love in her marriage with him, but Janie discovered that no love was to be found in her marriage and that those more elderly than her would think she was wrong for her values (Hurston 21-25). Then after her marriage with Logan, her luck did not change with her next husband Joe who promised her nothing, but lies. Yet again promises persuaded her into another marriage where she was not happy as Joe went back on the words he promised her
In Zora Neale Hurston's Their Eyes Were Watching God, the image of a pear tree reverberates throughout the novel. The pear tree is not only a representation of Janie's life - blossoming, death, metamorphosis, and rebirth - but also the spark of curiosity that sets Janie on her quest for self-discovery. Janie is essentially "rootless" at the beginning of her life, never having known her mother or father and having been raised by her grandmother, Nanny. Nanny even says to Janie, "Us colored folks is branches without roots and that makes things come round in queer ways" (Hurston, 16). Under a pear tree in Nanny's backyard, however, Janie, as a naïve sixteen-year-old, finds the possibilities of love, sexuality, and identity that are available to her. This image, forever reverberating in her mind through two unsuccessful marriages to Logan Killicks and Joe Starks, is what keeps Janie's spirit alive and encourages her quest for love and life. "It followed her through all her waking moments and caressed her in her sleep" (10).
In the beginning of the story, Janie is stifled and does not truly reveal her identity. When caught kissing Johnny Taylor, a local boy, her nanny marries her off to Logan Killicks. While with Killicks, the reader never learns who the real Janie is. Janie does not make any decisions for herself and displays no personality. Janie takes a brave leap by leaving Killicks for Jody Starks. Starks is a smooth talking power hungry man who never allows Janie express her real self. The Eatonville community views Janie as the typical woman who tends to her husband and their house. Janie does not want to be accepted into the society as the average wife. Before Jody dies, Janie is able to let her suppressed anger out.
Through her three marriages, the death of her one true love, and proving her innocence in Tea Cake’s death, Janie learns to look within herself to find her hidden voice. Growing as a person from the many obstacles she has overcome during her forty years of life, Janie finally speaks her thoughts, feelings and opinions. From this, she finds what she has been searching for her whole life, happiness.
Janie sets out on a quest to make sense of inner questions. She does not sit back and
“Ships at a distance have every man’s wish on board. For some they come in with the tide...Then they act and do things accordingly” (Hurston 1). Men have different views on dreams than women do. Women typically live their dreams while men realize the difference between reality and the illusion of their dreams. This pertains to Janie because her entire life was her dream. As each one faded away, she discovered new ones. Her dreams were what helped her realize what she wanted in life and who she was as a person.
Zora Neale Hurston opens Their Eyes Were Watching God with an eloquent metaphor regarding dreams: “Ships at a distance have every man’s wish on board. For some they come in with the tide. For others, they sail forever on the horizon, never out of sight, never landing until the watcher turns his eyes away in resignation, his dreams mocked to death by Time (Hurston 1).” Hurston describes here how some dreams are achieved with time while others lurk out of reach until the dreamer gives up. Janie Crawford, protagonist of Their Eyes Were Watching God, encounters numerous ambitions throughout her life, mainly concerning a desire to somehow achieve something in life, and to not just go through the motions. While Janie’s dreams and my own do not exactly correspond, we both aspire to discover a greater passion in life and find a voice that will enable us to make a difference.
Once Janie was of age to have serious relationships, Janie’s grandmother tried to guide Janie in the direction of the upper class and money. The point was so that Janie would never have to work a day in her life and only have to fulfill her normal housewife duties. But once word got
Hurston’s Nanny has seen a lot of trouble in her life. Once a slave, Nanny tells of being raped by her master, an act from which Janie’s mother was brought into the world. With a crushing sense of personal sacrifice, Nanny tells sixteen-year-old Janie of hiding the light skinned baby from an angry, betrayed slave master’s wife. Young Janie listens to Nanny’s troubles thoughtfully, but Hurston subtly lets the reader know that Nanny’s stern, embittered world view does not have much to do with Ja...