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Symbolism in the literary criticism
The use of symbolism in the novel
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In As I Lay Dying, by William Faulkner, the coffin is an important inanimate object. After the death of Addie Bundren, the Bundren family embarks on a 40-mile journey to Jefferson to respect her wish to be buried there. Cash Bundren builds the coffin while Addie is dying, the coffin goes through many obstacles with the Bundrens during the journey, and the overall objective of the journey is to bury the coffin. Although the coffin literally serves as a box that contains the corpse of Addie, the coffin also serves as the central symbol of the family's love and gratitude towards her as well as their instability. One of the purpose that the coffin serves is as a container to hold Addie Bundren. Cash builds the coffin right under Addie's window so that “it will give her confidence and comfort.” Before she passes away, she calls out to Cash to see the coffin since she wants to see it during her final moments. Another purpose of the coffin is that the coffin serves as the symbol for the family's love and gratitude for Addie. Cash shows his appreciation by building the coffin. Since the coffin is his final parting gift to his mother, he makes sure that the coffin is perfect and “lifts the board for (Addie) to see, (…) shaping with his empty hand in pantomime the finished box.” Furthermore, he carefully places the coffin's planks “as if any movement might dislodge them,” and “bevels the edge of it with the tedious and minute care of a jeweler.” The image of Cash delicately constructing the coffin signify his determination of perfectly making his symbol of gratitude towards his mother. Likewise, the coffin symbolizes Vardaman's gratitude when he drills holes on the coffin “so she can breathe.” Even though his mother is dead, Vardaman do... ... middle of paper ... ...ce to get rid of Darl, who knows about her “female trouble.” Also, the purpose of the coffin serving as the symbol of the Bundrens' gratitude to Addie leads to the coffin's purpose of serving as the symbol of the family's instability. Darl, the most perceptive and observant one in the family, realizes that the coffin is causing the family to destruction and that the journey is absurd. Darl desperately tries to burn the coffin at Gillipsie's barn to properly cremate her and “so she can lay down her life.” After he fails, because of the Bundrens' dysfunction, they prioritize burying the coffin over Darl and have him sent to the mental institution instead since, “it was either send him to Jackson, or have Gillipsie sue (them).” Darl's act of burning the coffin for his gratitude for Addie leads to him falling into the instability of his family, in which he goes insane.
This article is a narrative. It does not aim to analyse the topic. It describes the author's experiences at the mortuary and the resulting disturbing thoughts she had.
In the poem “Unveiling” by Linda Pastan, the speaker's point of view is from an older woman who is walking through a cemetery and admiring her deceased family members. Pastan uses allusion, enjambment and imagery to display to the reader what the speaker is feeling and thinking, as she explores her family members’ graves.
Rejected by his mother, Darl exhibited signs throughout the novel of an ego at odds with itself; lacking a definitive way of identifying himself. He demonstrated in his narratives detailed descriptions of events but rarely did he reveal any emotional attachment to his subjects. When they are trying to cross the flooded Yoknapatawpha River, Darl was useless in trying to save the wagon or Addie's coffin. Later, when they stayed at Gillespie's place, he set the barn on fire where Addie's coffin was, supposedly to end the journey with Addie's decomposing corpse.
Addie causes all the painful actions around her family either directly or indirectly. Addie is foremost the prominent abuser of her upcoming death in As I Lay Dying. She predetermines her time to die, and she makes sure that the people in her family whom she dislikes must experience her wrath before she moves on to the next life. "Addie is the one who is dying, but she makes revenges run throughout the family and extend beyond" (Wadlington 35). Inflicting pain mostly on Anse, Addie enjoys herself. Anse, a lazy man, is forced by his wife to take her to Jefferson to be buried as her final request. Addie's revenge on Anse was payback for all the times when he just sat around while Addie, her children, and sometimes neighbors do all the hard work for him. Also "Addie reacts to Anse's arid conventionality by having a clandestine affair with minister Whitfield" (Wadlington 31). Addie also indirectly hurts one of her favorite sons, Cash. Cash is hurt indirectly when he helps ! his kinfolk carry his mother's coffin to Jefferson, where along the path, he breaks his leg while crossing a flooded river. Although Cash is one of Addie's favorites besides Jewel, Addie's cruel revenge carries over to Cash's broken leg, which later becomes infected. Besides her indirect action on Cash's leg, Cash is the most favorite of Addie. As Wadlington states, "He is very much his mother's son in expressing his feelings through physical action rather than through words by building a coffin for the mother he loves" (Wadlington 41).
He is opposed to the family sitting by the bed and watching Addie die and cash sawing away at Anse's coffin. But at the same time, he tells Darl to shut up when Darl raises an objection to the three-dollar trip Addie tells them to make. Imagery is an integral part of any narrative. The multiple narratives and cross observations made in As I Lay Dying are complex and they consist of many spectrums. Imagery alone can be sufficient to give the reader a rich sense of emotion, but when it symbolizes the themes of the story and reflects on the characteristics of the narrator, it is truly a masterpiece.
Addie is actually the perfect character to try and describe the lack or void of words and meanings. The very fact that she is dead and is talking about this void from the dead is important. In a way she is speaking from a void between life and death. Morna Flaum expresses this idea in her article, “Elucidating Addie Bundren in As I Lay Dying.” “Her condition of deadness, speaking from the void between is and not-is makes her the perfect vehicle for Faulkner to describe the indescribable, approach the unapproachable, express the inexpressible, as he so gracefully does, does-not. The placement of Addie’s chapter in the middle of her long journey from deathbed to grave is also significant.” Flaum goes on to say that this placement of Addie’s chapter
The black box is a good representation of the central idea to the story. The box is painted in black, which has always been a universal symbol for evil and death.
Early in the book, Faulkner Throughout the novel As I Lay Dying by William Faulkner, the reader views Jewel as the most aggressive of Addie Bundren’s children. He is constantly arguing with his brothers, sister and father as they make their journey to Jefferson to bury his mother Addie, and he nearly gets in a knife fight when they reach town. Because of his angry responses and bad language it can be hard to recognize the significant impact Jewel has on his family. Jewel is courageous and sacrifices for his family even if the other Bundrens do not acknowledge or honor him for his actions. Jewel may not the most balanced son in the world, but neither are his siblings, and he shows throughout the forty-mile trip to his mother’s hometown of Jefferson that he wants to honor his mother’s wishes. Addie wanted to be buried in Jefferson, and without Jewel this would not have happened. In terms of his actions, Jewel shows that he loved his mother the most out of all her children. Cora argues that Jewel is the worst of the Bundren children though Addie also treated him as her favorite:
One large coffin capable of fitting an adult and a smaller coffin presumably of a young child. The significance of the inclusion of a child’s coffin is an example of how slave life was hard on everyone, including the children of slaves who were slaves themselves. This is made further evident by the nearby wall containing photographs of the remains found at the site with the age and gender listed below each. I found this the wall of photographs to be particularly haunting not only because of the graphic imagery, but because it illustrates how young many of the bodies were. It is estimated that nearly forty percent of the bodies excavated at the burial ground were under the age of 15, with infants under age 2 possessing the highest mortality rate. Malnutrition and disease are considered to be the cause of the majority of deaths of slaves as a result of the poor and harsh conditions slaves had to live
...daries and what belongs to her. She seems to think that objects that are important in Mother and Maggie's life are just aesthetic pieces of art instead of real life tools. Her idea of reality became warped around the lack of respect she showed the rest of her family.
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
Some of the most persistent patterns in the Old Testament are the ranges from blessing to punishment and from life to death. These patterns are very reminiscent of the appeal that Melville’s Moby Dick has over its readers. Symbols of life and death follow us throughout both books in many variations: flooding of the sea, pillars of salt, drowning, murders of brethren, plagues from God and so on (Leiter 1958). However, the symbol I am most interested in is the reoccurring image of the coffin. Imbedded within the story of Ishmael, Queequeg, Melville and Moby Dick, are many versions of coffins.
Addie has a death wish, and that wish was to be buried in Jefferson. So after Anse finally agreed, they set off to Jefferson to bury Addie. Cash, however broke his leg while working on the coffin, but doesn’t hesitate to help carry the coffin with them. “It aint balanced right for no long ride,” Cash says, so Jewel helped carry the coffin, almost all by himself as he put it in the wagon for them to begin carrying. (pg. 35)
hearse a car to carry a coffin, now to hear the word hearse is sad
In “Home Burial,” Robert Frost uses language and imagery to show how differently a man and a women deal with grief. The poem not only describes the grief the two feel for the loss of their child but also the impending death of a marriage. Frost shows this by using a dramatic style set in New England.