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Gender stereotypes in mass media
Gender stereotypes in mass media
Gender stereotypes in mass media
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The idea of telenovelas being only for women comes from an earlier time, in which men were the one who strictly worked while women stayed at home. This dynamic between men and women, that was established by society, resulted in telenovelas being dramatic, emotional, and romantic. In Loving with a Vengeance: Mass Produced Fantasies for Women by Tania Modleski it is stated that "soap operas [and their commercials] train women to become, like women in the home..." (Modleski 24) However, telenovelas are not only aimed at women. They do, however, receive the same message that women receive about how to perceive each other. According to Gabinete de Comunicación Estratégica (Office of Strategic Communications), which is in charge of surveys done …show more content…
The telenovela is about a woman whose days consist of taking care of her plants, managing the house, taking care of her children, and especially taking care of her husband. Victoria must also keep herself looking young and beautiful. In episode five, Victoria goes the beauty parlor and is mocked by person because she looks old and fat. The insecurities of women play an important role in this telenovela and it explains the decisions made by her husband later on. Her oldest daughter looks down on her for having decided to stay a housewife for the rest of her life. Her husband grows tired of their monotonous life and has an affair for two years. When Victoria finds out about the affair, her husband decides to leave her and moves in with his lover, who is twenty years younger than Victoria. Victoria 's mother and children blame her for the marriage 's rupture and do not allow her to find new love. In episode one of Victoria, Victoria goes to celebrate one of her friends, Camila, birthday. The main topic of discussion was that birthdays should not be celebrated because they are getting old, but it is a reality that they all fear. In the same episode, there is another character that helps show double standards in society. Camila is Victoria 's friend and is perceived as a whore because she is old, single, and likes younger men. While she is with her friends, Camila, begins to discuss how she is having intimacy with her doctor and personal trainer. Victoria and her other friend find the relations Camila has as outrageous and out of the norm, but they seem to ignore the fact that Camila is a single woman. Camila carries the stigma of being older and single with dignity, instead of feeling shame, she embraces her situation and acts more outrageous. This double standard goes back to the idea of the natural place of women that Richard
To keep her daughter’s “virtue” intact Macaria beats her. In this way the mother establishes complete control over Marcela’s sexuali...
Sharon, through her telling of Nelly’s story, gets to understand the mistress’ perspective. By trying to see how a mistress might
These two women had primary roles during the Mexican revolution. Camila who is conservative, played the domestic role. She provided shelter and care to the soldiers during the harsh times. She was seen as a playing the traditional roles of women in society. However War Paint played the complete opposite role of what society expects of a woman. She was a fierce woman who partook in different events and fought along with the men. She was the type of women who drank a lot and had many love interests. In the novel, Camilla explains to Luis Cervantes about how Demetrio Macias was feeling her and wanted to know if he would do anything about it. From the statement she made, Luis laughed and preached to Camila about how she should take interest because Demetrio really likes her. However, Camila is not convinced because she is attracted to Luis. “Camilla felt a welling up in her chest, rising to her throat, nearly choking her. She pressed her fist hard against her squinting eyes to stop the tears starting to flow from them. Then she wiped the moisture away from her cheeks with the back of her hand and ran away quickly as a musk deer, just as she had done three days ago” (Azuela, pg 36). Instead of telling her real feelings to Luis, she felt like it was better if she kept her feelings to herself. As we can see, this was the submissive and innocent role expected from women during the Mexican
Pre-Revolution, women were expected to work “in the home and in the fields with their men and wielding little political, economic, or social clout” (Minster). During the Mexican Revolution, women typically chose to either fight in the conflicts to advance their rights or to take a submissive role and accept status quo. Azuela portrays her as an innocent, sweet girl, who would lower her eyes when addressing the men. The author also portrays Camila as the cultural norm provided by Gloria Anzaldua. In Borderlands La Frontera, Gloria Anzaldua states, “The [Mexican] culture and Church insist that women are subservient to males” (39). Camila, like many other women within the conflict, took the role as a support figure with her refusal to join the battles. These women typically were submissive to their male counterparts and provided medical attention to soldiers, carried equipment for them, cooked meals, and gathered supplies for the missions (Fernandez 56). Azuela portrays Camila as an easily manipulated character who is forced to become Demetrio’s woman and to bed with him. She eventually accepts her fate and plays her role as Demetrio’s woman. Eventually Cervantes convinces Camila to join him in going back to the rebel forces
At the beginning of the story, the protagonist, Cleofilas, had an illusion that all romances are like the ones she has seen on television. However, she soon realizes that her relationship with Juan Pedro was nothing like what she had dreamed it would be. Cisneros wants to emphasize the idea that when men bring home the primary source of income in the family, they feel they have power over their wives. Cisneros uses Juan Pedro in the story to portray this idea. For instance, Cleofilas often tells herself that if she had any brains in her, she would realize that Juan Pedro wakes up before the rooster to earn his living to pay for the food in her belly and a roof over her head (Cisneros, 1991, p.249). Cisneros wants to make a point that when men feel that they have power over their wives, women begin to feel a sense of low self-worth.
Arredondo exposed Luisa as a dynamic character because during the story the readers can see the changes that her personality had over the time. At the beginning of the story the reader can see how Luisa takes care of her uncle with devotion and love, but after they married she considered it as a disgusting duty. Ines Arredondo described Luisa as woman who has the power of “purify everything” (81), but after suffering the physical abuse of her uncle, all her innocence disappear. She was an innocent girl that was reserving herself for marriage. However, after married her uncle, she started seen the things in a different way. Now, she thinks of herself as “the vilest of harlot” (87). The way that the author exposes Luisa is like happy young lady that thanks to the circumstances enter to a deep depression that changes her life and she “was not able to go back to who I [she] was”
Cleofilas grew up in a male dominant household of six brother and father, and without a mother, she no woman figure to guide her, give advice on life, or how to love a man. Cleofilas turned to telenovelas for a woman’s guidance on love and appearance, and she began to imagine her ideal life through the television series. Once Cleofilas was married she moved away into a home with her husband, were she pictured everything to be like the couples on the telenovelas, but she soon starts to realize life isn 't exactly like how they view it in the telenovelas. In the story Sandra make the statement ‘From what see can tell, from the times during her first year when still a newlywed she is invited and accompanies her husband, sits mute besides their conversations, waits and sips a beer until it grows warm, twists a paper napkin into a knot, then another into a fan, one into a rose, nods her head, smiles, yawns, politely grins, laughs at the appropriate moments, leans against her husband’s sleeve, tugs at his elbow, and finally becomes good at predicting where the talk will lead, from this Cleofilas
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these components played an important role in each civilization read, and even over 1,000 years later it continues to be a social topic as well as a large part of the culture. The only difference a reader or scholar could make for this particular piece of literature is its authenticity and how it was based on a true event. Regardless, new views on power and how one obtain it become apparent through the dialogue between characters like Laurencia and the Commander.
One of the issues that was raised is the idea of the relationship between femininty, technology and sexuality. The relationship between all of these qualities converse in one character, Maria. The real Maria has many roles thoughout the movie, including one who cares for the workers children, a preacher of peace for the workers, and one who loves Freder. The machi...
The television shows known as telenovelas in the Hispanic culture are not only to entertain but show the shared values of that culture nationwide. Popular well known telenovelas Yo Soy Betty La Fea, Juegos de Fuego, Marimar, and along with several others. Magazine such as the Hispanic Network Magazine, Hispanic Times, and Hispanic Executive are all representations of the Hispanic culture that is different from American culture by publishing their own magazines. Also, is done through local radio and newspapers station to inform the Hispanic community of local
In order to complete an analysis of a television show through six basic theoretical approaches, I chose to use the pilot episode of Gossip Girl due to its strong representation of class differences. In this episode, the interesting characters of the Upper East Side are introduced and viewers begin to get a sense of the lifestyles that they live. From the elite, to the middle class, issues and attitudes are established. All of the main characters attend an established private high school and seem to backstab each other as a form of entertainment. The main issues of this first episode are Serena sleeping with her best friend’s boyfriend, Lower class Dan’s infatuation with the upper class Serena, and Chuck being an overall bad person and predator
Today, love, sex and romance are three main topics that presented in media as main themes discuss in contemporary popular culture. Social media is important in shaping audience value about feminism through the framework of contemporary media like films, magazines, plays, advertisements, TV shows, graphic novels, etc. The television show “Sex and the City” incorporates “pop feminism” that influences many lives of women. Sex and the City is originally talking about four single thirty-something women living in Manhattan. They are coming to New York in order to seek “love and labels” (Sex and the City). The main theme of Sex and the City is concentrating on contemporary American woman’s conception of sex, love, and romance. As we learned from lecture, sex, love, and romance have a history; they are different in different cultures; they are shaped by gender, class, race, ethnicity, nation, ability, and other differences (Lecture Notes). Sex and the City is focusing on modern American woman’s experiences and their thinks with sex, love, and romance. The four main women characters in Sex and the City represent diversity of gender, class, race, ethnicity, religion, age, able-bodiedness through their different experience and expectations of their life (Lecture Notes). Sex and the City represents that the feminism notions of sex, love, and romance are socially constructed, and this social construction of sex, love and romance are featured in these female characters’ personalities.
HBO's Sex and the City has become a cultural icon in its 6 seasons of running. Based on Candace Bushnell's racy book Sex and the City, the show exhibits an unprecedented example of the sexual prowess of women over the age of 35. The result is an immense viewing audience and an evolving view on the "old maid" stigma that a woman's chances of finding love are significantly reduced after thirty-five. In this paper, we will closely analyze the characters and themes of Sex and the City to explain the significance of what the show represents in American culture.
...the story he is inviting the reader to condemn the mistreatment of women and lack of freedom in the family particularly under the institution of marriage. The attitude of the author gives the story a condemning tone. The tone is appropriate for the theme which is a strained relations in the family and specifically in marriage relations.