On Saturday, October 21, I watched the movie adaption of the musical, Rent. This musical takes place in New York City in the late 1980s to early 1990s, and involves a dysfunctional Bohemian friend group and their struggles. The friend group features eight characters: Mark Cohen, a Jewish filmmaker, Roger Davis, a HIV-positive songwriter and musician, Mimi Marquez, an HIV-positive erotic dancer, Maureen Johnson, a bisexual performer, Joanne Jefferson, a lesbian lawyer, Tom Collins, a gay part-time philosophy professor at NYU and anarchist who suffers with AIDS, Angel Dumott Schunard, a drag queen who also suffers with AIDS, and Benny Coffin III, a local landlord. Johnathan Larson acted as the musical’s original composer and playwright, and worked …show more content…
I believe that the character development is one of the strongest parts of the musical. One character that experiences strong character development is Roger. At the beginning of the musical, Roger is very depressed over the death of his girlfriend, and is six months clean from his heroin addiction. He is roommates with Mark, and hasn’t seen anyone but him in a very long time (Miller). He has a very heavy backstory, more so than other characters. As the musical progresses, we see Roger grow and heal with the help of his friends and his love interest, Mimi. An example of his growth can be seen through the song One Song Glory. Mimi also has strong character development, and her character steadily grows as the musical progresses. She connects strongly with Roger, and though we don’t know as much about her past as we do about Roger’s, we do know that she is a erotic dancer, and a struggling heroin addict who is HIV positive. As time passes, Mimi grows with Roger, and during the scene of Light my Candle, the two bond over their struggles and slowly fall in love. By the end of the musical, Roger and Mimi both have undergone extensive growth which can be seen when Roger sings Your Eyes to Mimi as she is faced with a near death …show more content…
I have listened to the cast albums for both the movie and the Broadway production, and many songs from the Broadway production were taken out of the movie. Some lines were not even taken out, but were spoken instead of sung. Personally, I think that when these line are sung rather than spoken, they evoke more emotional reactions in the audience. In the movie version, there are also some characters that do not appear in the original Broadway version. An example of this is seen through Roger’s backstory with April, his dead girlfriend - the movie shows Roger and April together, whereas in the Broadway version, she is only
Released in 1994, 14 years into the AIDS epidemic, the film had a phenomenal response around the world and in Australia. Travelling from Sydney, the three main characters, played by Hugo Weaving, Guy Peirce and Terrance Stamp, travel to Alice Springs for a cabaret show hosted by Mitzi’s wife. The audience is positioned to sympathise with the main characters during their hardships, and good times. The movie confronts different types of masculinity in an extreme environment. The film presents the stereotypical behavior of gay men that is evident in our society.
Amy Heckerling’s movie Clueless focuses on an upper middle class 16-year-old girl, Cher, who lives in a nice neighborhood with her father and stepbrother, Josh. Cher and her friend, Dionne, take in a new girl, Tai, to help her fit into their high school. All of the major characters in the movie are in adolescence, which ranges from 10-19 years of age. In adolescence, teenagers undergo cognitive and emotional development. According to Piaget’s cognitive developmental theory, adolescents are in formal operational period from 11-20 years of age. During this period, adolescents develop abstract thinking and rational decision making. They experience two aspects of adolescent egocentrism, imaginary audience
When I hear the word Rent, I immediately see an eclectic Broadway production, overflowing with talent, adventure, and magic. I picture scantly clad actresses, strutting across the stage. I envision stunning duets and thought-provoking lyrics. That single word transports me to a different time and place.
When I first watched Chicago at the movie theater, I was not fully satisfied. I wanted more, so I went back to get some and watched it six more times with different friends and family members! Last summer during a visit to my native Mexico City, I had the opportunity to watch drag queens perform several numbers from the movie-musical. They did an amazing job, without surpassing the outstanding performances of the actors in the film. Last year, I visited NYC for the first time and indulged in the rows of the Ambassador theatre experiencing Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but it was actually the movie that influenced me to become a “Chicago fan.” The movie is based on the 1996 Chicago revival of the original musical version of 1975. It was thrilling knowing that the making of the musical into a mainstream production would increase its accessibility and widen its distribution into all the corners of the world; now there is no excuse for people not to experience Chicago, and though not everyone can go to Broadway to see it, just about anyone can indulge themselves in this dazzling movie in the comfort of their homes. In addition to a fantasy world of singing, dancing and Vaudeville, the film also provides a narrative that is explicitly presented through Roxie’s point of view, creating a counter human side to Roxie’s fantasy world so that the audience can easily identify and engage. Chicago is a must see film for anyone who likes to spoil themselves with an outstanding award-winning musical composed of a catchy plot, truly superb acting, commendable direction, and a clever soundtrack.
This fearlessness was something that Broadway idealized, ultimately opening the doors for playwrights and composers to speak their mind by means of the shows they produced. A few leading shows in this field were the musicals Chicago, Pacific Overtures, and A Chorus Line. Each of the three plays tackled their own social injustices all while also embedding individualized views of the glorified American Dream inside their works. Chicago and A Chorus Line take you behind the scenes in the world of Broadway, one tackling the injustices of the media and glorification of crime, and the other puts a light on the “small people” often forgotten in
In the movie Silver Linings Playbook there are two main characters, Pat and Tiffany, whom portray a type of mental illness. Below, I will explain each character in regards to their symptoms and portrayal of mental illness and compare the information discussed in the Abnormal Psychology Textbook.
‘Our interest in the parallels between the adaptation inter-texts is further enhanced by consideration of their marked differences in textual form,’
Ben Affleck, director, does an excellent job with the movie Argo. Being able to find the fear and suspension in every scene is difficult to do, yet Affleck does so seamlessly. Based off a true historical event that happened in 1979, Affleck choses to pick the Iranian Hostage Crisis. He starts out the movie with some background information, so that viewers are able to have some understanding of what has happened and why this is happening. He then merges into a heartbreaking scene, where a mob of Iranians have bombarded their way into the American Embassy. Screaming and shouting at the top of their lungs, the actions happening outside are horrific. Showing the fear in every American’s eyes in the building pulls at every heart
Within the last few decades we've seen a huge resurgence in the popularity of the musical. With shows like Hamilton, Wicked, and Once, musicals have become more modern, edgy, and overall more accessible to a wide range of patrons of the arts. In this, the movie musical has also seen a regrowth in popularity – with reinventions of classic musicals like Hairspray (2007), Sweeny Todd (2007), and Les Miserables (2012) and original movie musicals like La La Land (2016) and Across the Universe (2007).
This movie starts off as Jordan Belfort, the main character in the movie, losing his job as a stockbroker in Wall Street. After losing his job, he goes and gets a job in a Long Island brokerage room. In the brokerage room, he sells penny stocks. Thanks to him being aggressive in his selling skills, he was able to make a profit. With the new income, he gives his wife a bracelet and she asked him why doesn’t he go after the people that can afford to lose money, not the middle-class people or lower income people. That is when he gets the idea to get a lot of young people and train them to become the best stock brokers.
The Wolf of Wall Street produced and directed by Martin Scorsese tells a story of Jordan Belfort, a stockbroker living a luxurious life on Wall Street. Due to greed and corruption, Jordan falls into a life of crime and abusive activities. Belfort made millions of dollars by selling customers “penny stocks” and manipulating the market through his company, Stratton Oakmont, before being convicted of any criminal activity (Solomon, 2013). Jordan reveals behaviours and impulses all humans have, however, on an extreme level. This movie illustrates “why ethics is another tool whose importance cannot be overstated” (Delaney, 2014). Without ethics and morality, individuals can never truly live an honest and happy life.
Love is a word that’s been both miss-used and over-used all at once. Romantic movies change our definition of and have a big impact on this definition greatly. There have been many movies and novels made over love, but never like this. “The Notebook” is a love story about unconditional love that two people have for each other. This emotionally, heart touching story will have your eyes blood-shot and burning from you not wanting to blink your eyes. This tremendously wonderful love story will have you not wanting to even miss a millisecond of this heart throbbing film. With many plot twists and many scenes that will have you falling off of your seat and you not having any nails by the end of the movie, this is the movie for you. This emotionally rich film is full of action, laughter, and romance, which is the perfect trio combination. This movie shows us how love can bind us together forever. This film went above and
Wall Street is a movie that exposes corruption and disguises all values, beliefs, and other ethical philosophy. Throughout the movie, Wall Street shows how ethics adapts to a person’s personality by power and wealth alongside honesty and truth. Bud Fox, a young stockbroker is looking for a way to make a name for himself. He is determined to get as many clients as he can to become successful. He later meets a ruthless man named Mr. Gekko where learns how to reach to the top by illegal actions such as insider trading. Bud Fox was an honest living man who had good ethics but was later showed what true power is became money hungry. The power of greed is fascinating the code that everyone lives by is inevitable once money comes into play. There are five types of interpersonal power; reward power, coercive power, legitimate power, referent power, and expert power. These types of power will be used to correspond relationships throughout the movie. In Wall Street we realize how Gordon Gekko uses Bud Fox for his benefit. In this paper I will show the types of powers that are used by Gordon Gekko and how they are used. One clear type of power that Gordon Gekko uses in his relationship with Bud Fox is the Referent power base. This power stands out because it is clear that Bud wants to become a top notch in the industry. Bud is striving to be successful when he exposes what he’s able to do at the meeting with Gordon Gekko he instantly become closer to his goals. There were scenes where Gordon had legitimate power. His knowledge and information was what made him rich. Bud Fox had to listen to what Gordon was telling him in order to become successful. This was an example of Gekko having legitimate power over Bud Fox. Expert power which is an ...
Personality is a branch of scientific discipline that studies temperament and its variation among people. It is a dynamic and a set of characteristics possessed by their atmosphere, cognitions, emotions, motivations and behaviours in various things. Personality conjointly refers to the pattern of thoughts, feelings, social adjustments and behaviour consistently exhibited over time that powerfully influences one’s exceptions, self-perceptions, values and attitudes. It also predicts human reactions to different folks, problems and stress.
Wells, E A. (2011) West Side Story Cultural Perspectives on an American musical. Maryland: Scarecrow Press, Inc.