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The role of music in movies
How important is music in movies essay
The role of music in movies
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La La Land and the Movie Musical Within the last few decades we've seen a huge resurgence in the popularity of the musical. With shows like Hamilton, Wicked, and Once, musicals have become more modern, edgy, and overall more accessible to a wide range of patrons of the arts. In this, the movie musical has also seen a regrowth in popularity – with reinventions of classic musicals like Hairspray (2007), Sweeny Todd (2007), and Les Miserables (2012) and original movie musicals like La La Land (2016) and Across the Universe (2007). Hollywood began as a place for musicals – from the release of the first feature length "talkie", The Jazz Singer in 1927, which featured seven songs and very little dialogue, these films were all the rage. Hollywood executives and studios alike prided themselves on the spectacle of the piece, dazzling audiences with elaborate choreography, beautiful scenery, and star studded casts. In 1930 alone Hollywood released over 100 movie musicals including The Vagabond King, The …show more content…
Everything is bright, warm, and playful. And ultimately, maybe that's it biggest success. Writers of the past have tried to fight the comparisons, often trying and failing to be completely original, La La Land revels in it's comparison by often, using shots and scenes directly from the most poignant movie musicals of the century (hello, Ryan Gosling channeling Gene Kelly in Singin' In The Rain.) And more importantly the film doesn't ust draw from musicals, it takes pieces from other genres. "Chazelle, who directed the Oscar-winning feature Whiplash in 2014, told Ew La La Land was inspired by everything from Los Angeles traffic and Quentin Tarantino's Pulp Fiction to short stories from Ry Cooder and paintings by artists like David Hockney and Henri Matisse." [link:
Motion pictures from Hollywood had taken Broadway’s place as the king of entertainment. The main reason behind this was that because it was culturally relevant and coming out with new flashy techniques such as Todd-AO and Cinerama.
Richard Rodgers and Oscar Hammerstein were both writers and producers in the theatre, but, their collaborative venture in the 1940’s introduced a new era of musical theatre. First, they wrote the first musical in which every element: music, lyrics, narrative, and even dance contributed to telling the story, each part blending and woven into the whole. Their new idea was a huge sensation with audiences, and brought with it, new recordings of shows with albums and records to follow and revival productions around the world. The duo changed the fate of musical theatre practically overnight, but, it couldn’t have been done without the projects, big or small, that got them there, their
Kislan, Richard. The Musical: A Look at the American Musical Theater. New Jersey: Prentice-Hall, 1980. 84, 110, 116-121, 125-127, 128, 134, 163, 195, 201, 209. Print.
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
Generation X has finally taken out a lease on the future of theatre, and it looks like it is more than able to pay the "Rent" (Coulbourn 43). "Rent" is a musical for our time, for our generation and for generations to come. It has won numerous Tony Awards including best musical, book, score, lyrics, and ensemble performance. This musical is an excellent representation of cultural religion and it has had a profound impact on society both in the 90's and today. "Rent" is not only a representation of the culture of the new millennium but is an excellent representation of the faith of a new generation.
As in all genres, the musicals have had its share of failures. Some worthy dramas have been pressed into service and musicalized and sometimes butchered in the process, and audiences have had to watch a fine play diluted into a mediocre musical. But the successes have been many and spectacular and they have left a long lasting effect on the American art and culture.
Rent. To most people it is associated with an apartment, house, or another object. This word rarely conjures pleasant memories, but more often annoyance and stress. However, when someone mentions rent to me, my mind races to some of the most memorable experiences in my life.
When I first watched Chicago at the movie theater, I was not fully satisfied. I wanted more, so I went back to get some and watched it six more times with different friends and family members! Last summer during a visit to my native Mexico City, I had the opportunity to watch drag queens perform several numbers from the movie-musical. They did an amazing job, without surpassing the outstanding performances of the actors in the film. Last year, I visited NYC for the first time and indulged in the rows of the Ambassador theatre experiencing Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but it was actually the movie that influenced me to become a “Chicago fan.” The movie is based on the 1996 Chicago revival of the original musical version of 1975. It was thrilling knowing that the making of the musical into a mainstream production would increase its accessibility and widen its distribution into all the corners of the world; now there is no excuse for people not to experience Chicago, and though not everyone can go to Broadway to see it, just about anyone can indulge themselves in this dazzling movie in the comfort of their homes. In addition to a fantasy world of singing, dancing and Vaudeville, the film also provides a narrative that is explicitly presented through Roxie’s point of view, creating a counter human side to Roxie’s fantasy world so that the audience can easily identify and engage. Chicago is a must see film for anyone who likes to spoil themselves with an outstanding award-winning musical composed of a catchy plot, truly superb acting, commendable direction, and a clever soundtrack.
The Jazz Singer created a new advancement by introducing the first talking film. The article 1920s Movies mentions “The production of The Jazz Singer in 1927 did much to change the industry’s perception of talking pictures. The technology had advanced little in the previous five years, but the production was the first feature length talking picture to feature a star singer and actor, Al Jolson, speaking and singing on screen.” The Jazz Singer was the first film to incorporate speaking techniques in a cinematic setting. “The Jazz Singer is a special historical landmark as the first Hollywood feature film in which spoken dialogue was used as part of the dramatic action” (Carringer 28). In addition, The Jazz Singer was the beginning of a new technique that is still used in today’s society. “They talk of it today with awe, because in 1927 it was as though men had landed on the moon. The shaky, abrasive voice of the movies had been heard for the first time. Talkies had been born” (Higham 72)....
Sater, Steven. "Preface ." Sater, Steven and Duncan Sheik. Spring Awakening: A New Musical. New York: Theatre Communications Group, Inc. , 2007. VII-XV. Print.
The Lion King musical is a well-known musical that has taken the stages of Broadway, West End and the rest of the world by storm (The Lion King, 1997). Regarding the process of the musical, Artistic Director Julie Taymor’s first thoughts for choosing the Lion King as the next big thing on stage, was classed as ‘impossible’ due to the film’s lack of theatrical material (The Lion King, 1997). Therefore, staging this particular work contained a great deal of uncertainty and the need for taking huge risks. Taymor (1997) suggests how ‘the Lion King was the worst idea possible to create a stage show.’ It has become evident that a number of significant barriers had to be overcome to secure the practicality of the production. In view of this controversy, this dissertation will critically analyse the success of the Lion King by exploring two significant aspects that have helped to make the musical a success. Firstly, the essential components that make up this theatrical production will be explored and secondly, the roles of each producer within the Lion King and their combined and individual influences they have had from the production will be evaluated. By analysing these two central themes, this paper will show how and why this musical has developed and achieved its phenomenal success.
“The Conjuring” creeps nightmarishly, “Fast and Furious” fares recklessly. No overhyped nor forcibly pretentious as such , “La La Land” by Damien Chazelle is still hailed as a blockbuster although it starts with a rock-bottom budget and the plot mainly revolves around two sheer lives of two young people. Initially, I believed the reasons for that predestined success lay in the pageant of the film, which was brilliantly represented through colorful sequences, be it the part on a gridlocked freeway in which Angelenos pouring out of their cars twirling and dancing or possibly scenes in which two protagonists holding hands to cover Los Angeles with their bittersweet courtship. I also fell headlong for brilliant snatches of music by Justin Hurwitz
The 2000s/ 2010s brought in a wave of movie musicals- adapted from the stage shows. These brought new audiences into the theatre world, and for the first time in 20 years, brought a love to some of the timeless musicals. With slightly altered songs to appeal to a newer audience, these films brought in much needed money into the industry, with films including: Les Misérables, Phantom of the Opera, Rent, Hairspray, Mamma Mia, Fame- and many more. Together with this, musicals began to push the concept of the songs in them, with a wave of new styles being written. Rap musicals such as ‘Hamilton’ and ‘In The Heights’, Pop musicals including ‘Waitress’ and ‘Dear Evan Hansen’ and Rock musicals of ‘American Idiot’ and ‘Spring Awakening’. Together they pushed boundaries of a ‘traditional’ musical theatre sound, and brought in something never before seen. Due to the influence of ‘Rent’, controversial issues and themes began to be explored more, such as Teen suicide, Murder, Ethnic barriers and everything else, which brought with them, a world of opportunities. It was clear that musical theatre was once again showing for a promising
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
Neher, Erick. "Movie Music At The Philharmonic." Hudson Review 64.4 (2012): 668-674. Academic Search Complete. Web. 3 Dec. 2013.