World-renowned trainer, competitor, and a leader in horsemanship techniques as applies to modern day methods, the man named Monty Roberts overturned the horse world as it was, and founded a completely new philosophy: that of natural horsemanship. As he writes in his book, “The Man Who Listens to Horses,” Roberts grew up in a very different horse world of “rough and ready” cowboys determined to beat their horses into submission by breaking their spirits. Convinced there was a better, kinder, more natural way of training a horse, Monty set out at the age of thirteen to observe wild mustangs in their natural habitat. Through his quest over his many years as a trainer and world-class competitor on the Western circuits and later in Thoroughbred …show more content…
racing, he successfully developed techniques that have not only proven the existence of the language of the horse, but also demonstrated how to use it. A unique and utterly remarkable concept for his time, Roberts based his methods on an understanding of how a horse responds to the body signals of their own kind, and worked to emulate and convey those signals using his human body. Most, if not all, of his methods stem from the basic idea of “join-up”, a term he coined himself. This follows the simple, yet novel idea that a horse’s trust must be earned through compromise on both ends. Roberts emphases the difference between “fight” and “flight” animals, where humans are the “fight” animals looking for the chase and domination, while horses are very much “flight” animals (Roberts 10). Roberts states, “Fear is the tool that allows [a horse] to survive. This has to be respected in any dealings with a horse, or he will be misunderstood” (Roberts 10). When taught about horse behavior now, the first topic students cover are body signals to indicate how to proceed handling a particular horse.
Some examples of this includes a cocked hoof, which may indicate either relaxation or irritation, the direction of both ears to determine what the horse is paying attention to, as well as tail swishing or teeth exposure (Conant). All of these behaviors are very simple yet obvious signs that can allow a horse to communicate exactly what he is thinking or feeling, as well as give a good idea of how he might react to certain behaviors of the handler. On this topic, Roberts writes that over the years, a mantra he came up with that proved to be true through experience is, “A good trainer can hear a horse speak to him. A great trainer can hear him whisper” (Roberts 46). In addition, he claims that every horse speaks this same communicative, physical language, which he calls Equus, if one can only learn it. Supporting this is Dr. Robert Miller, who writes in his book, “Understanding the Ancient Secrets of the Horse’s Mind”, that certain traits are genetically installed into each horse, and these traits, anatomical, physiological and behavioral determines how each horse responds to different training techniques. Thus, by observing, respecting, and learning the language of the horse, a handler can get through to just about any …show more content…
horse. This was certainly put to the test throughout his life, as he worked with and started thousands of horses. This concept of “join-up” though, was utterly unique and it came to him by watching wild lead mare mustangs disciplining the other horses, mainly the young colts. This technique of training stems back to the idea of “advance and retreat” (Roberts 68), or compromising, while also remaining in control of the situation without asking too much or being unfair. Working in a round pen, he begins by squaring his body to the horse, locking eye contact, and extending his arms while opening his hands. This mimics both a direct command to “leave” with his eyes, while the opening of his fingers imitates claws coming out from a predator. This causes the horse to run, and demonstrate a flight response. The flight can be controlled using a soft long line as an extension of the arm to cause the horse to continue running, in first one direction and than the other. The reason for going both directions is so the horse does not think it can escape, nor can it come into the middle with Roberts, or any handler undertaking this. He can also control how fast or slow the horse’s “flight” is by adjusting where he shifts his gaze. Looking the horse straight in the eye is the strongest position to be in, and it very clearly means ‘go away’, whereas shifting the gaze to the neck or shoulder is less severe, so the horse slows down. After an average of five laps each direction, he looks for telltale signs that the horse is becoming submissive and therefore willing to “talk”. The first of these signs is for the inside ear to lock on to him. Roberts explains that this is a sign of respect, and it says that she is accepting his importance and beginning to consider what he might want. Once this is achieved, the next step is for the horse to start licking and chewing as an offer of both respect and submission. He describes the horse’s thought process, in this case of a filly, as if she’s saying “that she’s a herbivore, that if she can be allowed to eat safely, if she can be allowed to stop running away, then we can come to an agreement” (Roberts 168). The final sign that shows trust is the dropping of the horse’s head so that it hangs low and close to the ground even as it continues to move around the circle. In a demonstration video posted to YouTube, Roberts explains that once this happens, in the next round, he allows himself to “go passive”, which involves moving his shoulders to point ahead of the horse at a 45 degree angle and dropping his eye away from the horse’s eye. It is at this point that join-up occurs, as the horse ventures in to the middle to “join” with him. He emphasizes the need to not look the horse in the eye at this point, since he has established with the horse that direct eye contact means to ‘go away’. Finally, after “join-up” is “follow-up”. During this phase, the horse follows Roberts as he walks away, making turns to prove true connection with the horse, before coming to rest in the center of the pen. Once join-up is achieved, training can commence in a productive, trustworthy way with the continuation of the body signals the horse just learned from join-up. While this method it is widely known world-wide in the modern day, most of the horse world refused to believe that this kind, humane method of training horses could possibly be true. Therefore, his breakthrough moment into the public’s approving eye was when Queen Elizabeth II invited Roberts for a demonstration of his proposed new methods. Charged with the task of saddling and mounting a young Thoroughbred filly owned by the Queen Mother, he achieved both, and greatly impressed the royal family. Accused of cheating, he was then challenged to do the same with two very large, three-year-old stallions who had hardly been handled throughout their lives (Roberts, 195). No longer was he challenged every step of the way by non-believers, although progress was still slow until much later in the years. Naturally, over his long years of travel and training, Monty Roberts came across several horses that are of particular interest due to the techniques and creativity he used to help.
One such horse went by the name of Lomitas. A chestnut, sixteen hands high Thoroughbred stallion, he was an up and coming talent in the racing circuit. The problem though, was that after several starts as a two-year-old, he came to be terrified of the starting gate. His refusal to enter resulted in Lomitas actually injuring someone when he turned vicious after being pushed, shoved, hit, blindfolded, and whipped by the track officials who were meant to load him in. He was finally banned from the track for being too dangerous in the starting gate, which is when the owner called in Roberts with a plea for help. Roberts began soon after, experimenting with the horse and learning his nature. After achieving join-up, he tested the stallion’s limits, and discovered that he was incredibly claustrophobic. “He was prepared to blame us for placing him inside enclosed structures such as starting gates and vans,” writes Roberts (212). Thus, although he had always been treated well in the eyes of his handlers, Lomitas interpreted being forced into the starting gate as though his people were treating him unfairly. Robert’s first goal was to load the horse on the van, which after earning the stallion’s trust, was not an issue whatsoever, whereas previously the horse would not go near the van, much less
inside of it. He then began working within a round pen, then a training gate, and finally a real starting gate. Lomitas eventually made it back on the track by passing his reevaluation to go on to become a very successful racehorse as Horse of the Year and accumulated $1.1 million in earnings (Roberts 211-7). This horse, among thousands of others, was one which Monty Roberts was able to help, not through brutal and cruel “training” sessions that was detrimental to both horse and handler, but through a conversation of trust. His ideas and methods, and ability to stand up for his belief in a kind, humane, working relationship with horses truly changed the entirety of the horse world as it is today. The ridicule he experienced, and the tough times he went through were truly the lowest of lows in his life. Due to his perseverance and determination though, he made people aware of just how wrong they had been to break the spirits of these wonderful animal, and his philosophy of Natural Horsemanship became firmly rooted in society from then on.
Once you get them to settle down and get there mind focused on just walking and the rider then you know the bond with the rider and horse are strong. When it is time for the second run of the night you want to warm them up again but not as hard this time because he or she has already been warmed up once before this, so just a little warming up won’t hurt. When it is that time for the second run the rider will bring the horse him a set him or her up for their first barrel and make the most of the race. If you see the rider smiling then everyone knows she has done her job with this horse. The rider can make an automatic barrel horse where that horse know his job and she barely has to ask the horse for a turn or touch his face to go around that barrel. When the rider gets a horse to be like that everyone can tell they spent hours and days together. The rider worked with that horse but never made him sour or hate coming into the arena. They spent time working on flexing the horse and making sure he knew when to tuck his nose and leave it for an extra second. They will all see when they are running home how much they spend time they spend together if they are fast and smooth through the pattern and don’t have any blow ups before or after coming in and out of the arena. After the race is over and the announcer say who
Authors and speakers alike use some type of persuasion on their intended audience. They often try to make you agree with their argument before considering other factors. Persuasive writing often has a copious amount of logical fallacies, defined by the Perdue Online Writing Lab as “errors in reasoning that will undermine the logic”, despite that they tend to have success with sympathetic audiences. Wendell Berry’s essay “The Whole Horse” is an example. Berry is likely to persuade his conservationist audience because of his use of emotive language.
Cormac McCarthy, All the Pretty Horses, is an incredulous story with no happy ending, where no one attains what they were attempting to achieve in the end. The story begins with a flat tone, but eventually grows to be suspenseful .[It] is set in a world of comparative [regularity], which is not to say it is any less dominated by evil ,any more controlled by rationality , logic or a divine purpose, than that of its predecessors.”(McCarthy) John and Rawlins are seventeen year olds, who have left their hometown to seek a better life,but what John doesn't know is that things will only turn for the worse. Both individuals come across a boy named Blevins ,who will be a very important character throughout the novel. As the story progresses, John will be faced with many poisonous encounters . John will face evil and evil will face him in the wake of the resurfacing of the heinous crimes that Blevins has committed, which leads them to being arrested and tortured atrociously. From having everything he will go to having nothing. Nothing.. This was
Indian Horse is a novel by Richard Wagamese that beautifully explores the idea of family, and what it means to have people around you that make you feel at home. The reader is bombarded with an overwhelming sense of family and betrayal in the first few pages of the novel. As Richard Wagamese continues to write, one is able to see how safe Saul Indian Horse felt with his biological family, and he also shows how lost he felt without their love when he was taken to the Residential School. The school he was brought to was drained of all consensual love the moment it was open, and continued to fill the children with horrible feelings the entire time they were there. Indian Horse was unable to really feel as though he still had family while he was in the
The symbolism of the color black in literature, has a strong connotation that involves intricate depths and brings realization to the surface. In All the Pretty Horses by Cormac McCarthy, Alejandra embodies the characteristics of black, including mystery, power, and unintentional cruelty. Within the context of each passage and action of this character, the color black has a more complex and intricate meaning. McCarthy’s use of characterization, imagery, and point of view reveals the importance of symbolism and how it effects themes such as Romanticism versus Realism, and Masculinity versus Femininity.
When individuals face obstacles in life, there is often two ways to respond to those hardships: some people choose to escape from the reality and live in an illusive world. Others choose to fight against the adversities and find a solution to solve the problems. These two ways may lead the individuals to a whole new perception. Those people who decide to escape may find themselves trapped into a worse or even disastrous situation and eventually lose all of their perceptions and hops to the world, and those who choose to fight against the obstacles may find themselves a good solution to the tragic world and turn their hopelessness into hopes. Margaret Laurence in her short story Horses of the Night discusses the idea of how individual’s responses
had no money, and what the town would think of her. She was one of
Depression has a major effect on a person life. The accumulation of hidden emotion could cause difficulty in life. The consequences could be irrational thinking, suffering in ceased emotion or lead to a total disaster. In “Horses of the night” by Margaret Laurence and “ Paul’s case” by Willa Cather, both authors introduce the concept of depression. Although both selections offer interesting differences, it is the similarities that are significant.
And after all of that, as if he ever had any luck picking just 1 horse, he always had to have two or more in any race. Of course, he never did win very much and never hit the big trifecta that none of us ever do. That didn't change how much he loved to go or the fun we had when we were there; rooting all the way to the finish, standing and shaking our programs at the horses and their jockeys on the last leg. After most races he'd say "2, 5. Do you see that? I looked at that stupid 5 horse and changed my mind" ... And while he may have won more often with just 1 horse, I know it was the challenge he loved... not the winning.
Both Saul Indian Horse and Winston Smith use writing as a means of survival from repression. In Indian Horse, Saul uses writing as a means of seeing what made him turn away from the pain of his rape and cease repressing its happening; for him survive and live on with his life. Saul writes memoirs to find the hidden answers of why he turned to violence and alcoholism and using them to break free of the cycle. From pages two to three Saul says “They say I can’t understand where I’m going if I don’t understand where I’ve been. The answers are within me, according to them. By telling our stories, hardcore drunks like me can set ourselves free from the bottle and the life that took us there …. So Moses gave me permission to write things down. So
Young, Rhoria Lee, and Maggie Bracher. "Horsemastership part 2: Physical, psychological, educational and social benefits." International Journal of Therapy & Rehabilitation 12.3 (2005): 120-125. Web. 8 Mar. 2011.
In Kurt Vonnegut’s two short stories, ‘All the Kings Horses’ and ‘Manned Missiles’, he tried to reflect on the actual international backdrops of the time the stories were based on, in two different ways. While both stories reflected on the events that took place during the Cold War, the author managed to portray the actors involved the United States and Russia, in different ways in order to show the historical implications the stories had, and how it could be related back to that time period. Even though the stories had certain similarities like the actors involved and the time period it was based on, it also differed in the way the actors were portrayed and how they impacted the Cold war.
Horses use touch to convey to other animals that they like them or dislike them. Meaning that if a horse is pleased and likes something they may nudge their head on it, rub the side of their face on the object and be very gentle. If they are displeased they may swing their head at it, buck it, bite or stomp. These behavior displays of touch show th...
Dorothy Johnson in “A Man Called Horse” writes about a young man who was born and raised in Boston. He lives in a gracious home under his grandmothers and grandfather’s loving care. For some reason, he is discontent. He leaves home to try to find out the reason for his discontent. Upon leaving he undergoes a change in status and opinion of himself and others. He begins a wealthy young man arrogant and spoiled, becomes a captive of Crow Indians- docile and humble, and emerges a man equal to all.
The Strength of Dedication Lies in Actions “Death and The King’s Horseman” by Wole Soyinka tells the story of a man in Nigeria who must fulfill his obligation to follow the king into the afterlife in order to guide the king’s spirit and avoid complete chaos. The visitors from England hold no understanding toward the traditions of the locals and spoil the sacredness of many of their traditions, shedding light on Europe’s ignorance of traditions. They ruin the Horseman’s suicide, and the Horseman’s son has to step up to complete the ritual. In reality, it was due to the selfishness of the king’s horseman that led to the failed ritual, and the horseman is completely distraught. One of the main themes of the play is individual duty, and how each character understands the concept and how they act in accordance to their duty.