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Importance of communication for movies
Role of communication in movie
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The movie industry has its own set of unique jargon that both the actors, directors, and crew members need to learn in order to understand the trade and make the production run smoothly. Everyone on the set has a specific role to play, whether it be the lead actor to someone holding the boom during filming, and each group has developed their own language in order to make their lives easier. This lingo originally established in Hollywood allowed for cast and crew to assign each other different tasks in preparation for the next stage of production, while not mixing up any of main scene for filming at hand. The language itself has remained predominantly inside of the movie industry, but a few terms have managed to become infused into mainstream …show more content…
The jargon itself is entirely specialized vocabulary items for all three categories, rather than linguistic features such as syntax or stress. The most common terms heard between actors before going into a scene are “banana, and big eyes” as explained by acting coach Marci Liroff. A banana is, “walking a slight curve rather than a straight path” in order to help the, “camera department get the shot they need rather than resetting” as explained by backstage.com. This term was first coined by Grant Williams while filming the movie The Incredible Shrinking Man, and has since been a staple in the film industry for the past 58 years. The dialect allows for the actor to get a better sense of how the cameraman want them to walk in the scene, so they do not have to take any extra time to refilm a scene when the crew has to meet a certain deadline. Big eyes is a term used to describe, “When an actor (normally a child) is meant to use their charm to convince the parent to give them something that they want”. This …show more content…
This specialized language can take on many forms, but the most popular phrases on the set are, “Check the gate, That’s a wrap, and Blacklist”. Check the gate is a term used to ensure, “the camera and film is free of any impurities or blockages”, as a precaution to avoid having the film unusable, or re filming the scene. This effective jargon would allow for the director to make sure that there is nothing present to disrupt his filming that he could control. The next phrase, “That’s a wrap”, is used to signal the ending of filming for the day, and the director is happy with how the scene came out. The Oxford Dictionary described how the word wrap was a backronym, and stood for, “Wind, Reel and Print” once the movie went into post-production. This phrase has become infused into the mainstream culture, and is synonymous with completing a task, which can still be heard even in the halls of Joel Barlow High School. The final term, Blacklist, has taken on different variations since it’s original practice during the 1950s, largely due to the simplicity of the word, and how the movie industry could associate a plethora of movies and directors with this list. Blacklist’s original meaning was filled with shame, as this was originally referred to actors and directors who were shunned by Hollywood for ties to Communism.
However, after the dust settled, it was widely accepted that the blacklist was unjust, which enabled many film workers to pursue the movie studios in civil courts through the 1950’s for unpaid contracts and wages (Lewis, 2008). While the studios were initially impacted by the Paramount decision, the breadth of competition and independent successes of smaller studios gave rise to the advancement of innovative filmmaking that may not have been possible if it were not for the Paramount decision. Filmmaking is one of the riskiest and most profitable ventures in modern day society, and without these events, the studios and the film workers may not share the successes that they do
The constant changing of technology and social norms makes difficult for different generations to understand one another and fully relate to each other. Diction and slang change as years pass and what is socially acceptable may have been prohibited in the previous generations.
Lexis is referred to as terminology that is used by only members of the community for intercommunication that outsiders of the community would not comprehend. “Serve it”, “Hold It”, “HBO”, “WOW”, and “Working” are some of the terminology that we use at the McDonald’s that I work at. The first phrase “Serve it”, is used to serve off the orders on the screen in drive thru. There is a timer that keeps up with how long it takes to have the order ready from the time the order is cashed out until the customer makes it to the second window. You tend to hear the runner who is bagging the orders for the person in the drive thru window yell to “Serve it”. “Hold it”, the second phrase is when the order at the window is not ready yet or something for that order is in the process of cooking. We tend to tell them to pull around and park in a reserved spot that is only for drive thru. “HBO”, is yelled by the person presenting the order at the second window in drive thru. HBO means when an order is ready before the customer makes it to the second window. “WOW” is when a customer brings back an order that is either messed up, or wrong. Last but not least, “Working” is used by the people on the grill. When the people in the front call out something their waiting on to the grill people they tend to say “working”, which means it is in
Since the 1930’s until now, studies show that about 64% of kids and teens have been using slang terms in their school work. It is amazing what some of them are. Slang is used all of the time by almost all people and has changed a lot over the past decades. In To Kill a Mockingbird, Harper Lee uses a child’s perspective to show how slang has changed from the 1930’s until today.
The nature of humanity frequently masks and distorts an individual’s concept of their own true self-identity. By creating unique and controversial symbolic objects, Ralph Ellison conveys this notion in his novel Invisible Man. Ellison uses the symbolic objects the briefcase, the bank, and the Sambo doll to demonstrate the idea that human stereotypes, different ideologies, and an individual’s past all control personal identity. However, one can only discover self-identity if they give up interaction with these aspects of life.
William Lutz in “the world of doublespeak” states that jargon is the specialized language of a trade, profession, or similar group, such as that used by doctors, lawyers, engineers, or educators” (391). Also to someone not associated with a specific group and their language jargon will not make sense. It is often used by individuals who wish to sound more intelligent or important. As mentioned in “the world of doublespeak” by Lutz that “jargon as doublespeak often makes the simple sound complex” (391). For example, when the news says intruders instead of bad people or execution instead of killing or when lawyers use the term “involuntary conversion” of property when discussing the loss or destruction of property that is considered using jargon. Lutz finds mainly doctors, lawyers and high educators that are responsible for the spread of jargon
This paper will look analyze the sociolinguistic style of The Crazy Nastyass Honey Badger, a parody of a nature documentary narrated by czg123 (Randall). A transcript of the video will be included as well as an analysis of specific linguistic features used by Randall, the meanings indexed by these features, the style created by these features, and the importance of these features within a social context.
Hollywood’s Blacklist developed out of complex social, political, and economic conditions. Hollywood’s blacklist was a method utilized by the federal government to deny employment to many professionals in the entertainment industry, including but not limited to screenwriters, actors, producers, directors, musicians, and animators. These professionals were “blacklisted” as a result of suspected political affiliation with the Communist party. The manufacturing of the blacklist sprung out of panic and fear of communist reconnaissance as a result of many events that were taking place around the world such as the Soviet Eastern Europe, Berlin blockade, Chinese Civil War, confessions of high-ranking government officials of espionage for the Soviet Union, Korean War and,, Atomic bomb. Hollywood’s blacklist was also a manifesto of extreme paranoia related to the Cold War.
Ralph Ellison speaks of a man who is “invisible” to the world around him because people fail to acknowledge his presence. The author of the piece draws from his own experience as an ignored man and creates a character that depicts the extreme characteristics of a man whom few stop to acknowledge. Ellison persuades his audience to sympathize with this violent man through the use of rhetorical appeal. Ethos and pathos are dominant in Ellison’s writing style. His audience is barely aware of the gentle encouragement calling them to focus on the “invisible” individuals around us. Ralph Ellison’s rhetoric in, “Prologue from The Invisible Man,” is effective when it argues that an individual with little or no identity will eventually resort to a life of aimless destruction and isolation.
In the short story The 7th Man, the narrator's best friend dies. He is swept away by a typhoon wave. Although the 7th man could’ve saved him, he didn’t. This man shouldn’t feel guilty for not saving his friend. He was surviving and didn’t know exactly what to do in that instant.
Upon opening Ralph Waldo Ellison’s book The “Invisible Man”, one will discover the shocking story of an unnamed African American and his lifelong struggle to find a place in the world. Recognizing the truth within this fiction leads one to a fork in its reality; One road stating the narrators isolation is a product of his own actions, the other naming the discriminatory views of the society as the perpetrating force infringing upon his freedom. Constantly revolving around his own self-destruction, the narrator often settles in various locations that are less than strategic for a man of African-American background. To further address the question of the narrator’s invisibility, it is important not only to analyze what he sees in himself, but more importantly if the reflection (or lack of reflection for that matter) that he sees is equal to that of which society sees. The reality that exists is that the narrator exhibits problematic levels of naivety and gullibility. These flaws of ignorance however stems from a chivalrous attempt to be a colorblind man in a world founded in inequality. Unfortunately, in spite of the black and white line of warnings drawn by his Grandfather, the narrator continues to operate on a lost cause, leaving him just as lost as the cause itself. With this grade of functioning, the narrator continually finds himself running back and forth between situations of instability, ultimately leading him to the self-discovery of failure, and with this self-discovery his reasoning to claim invisibility.
The ‘New Hollywood Cinema’ era came about from around the 1960’s when cinema and film making began to change. Big film studios were going out of their comfort zone to produce different, creative and artistic movies. At the time, it was all the public wanted to see. People were astonished at the way these films were put together, the narration, the editing, the shots, and everything in between. No more were the films in similar arrangement and structure. The ‘New Hollywood era’ took the classic Hollywood period and turned it around so that rules were broken and people left stunned.
The Many Themes of Invisible Man Ralph Ellison achieved international fame with his first novel, Invisible Man. Ellison's Invisible Man is a novel that deals with many different social and mental themes and uses many different symbols and metaphors. The narrator of the novel is not only a black man, but also a complex American searching for the reality of existence in a technological society that is characterized by swift change (Weinberg 1197). The story of Invisible Man is a series of experiences through which its naive hero learns, to his disillusion and horror, the ways of the world. The novel is one that captures the whole of the American experience.
Anxious to get Mr. Norton request for whiskey drives to Golden Day a bar and brothel all in one. The Golden Day is on outskirts of the college separate by railroad track into different world. He arrives one the worst day were “shell shocked” veterans are allowed to get fresh air and girls come to visit. His path is blocked by the unattended vets one who think he is drum major gives him hard time. He tells him he driving General Pershing to by past the crowd of former vets now patients. Rushing into the bar Halley the bartender refuses to serve him a drink for outside. His fear of the bar being shut down from the school regardless his pleads of dying man needing a drink outside. Mr. Norton still fainted in backseat motionless
To understand the subjective ideation of film scripting, one has to consider the various possibilities of changing a section of a scene. There are innumerable po...