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Representation of women in horror
Representation of women in horror
Representation of women in horror
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For the past five weeks we have studied gender and psychoanalysis in horror films. Over the duration of our studies, I have learned much more about the abject and how gender in regards to female genitalia is conveyed in some horror films. The object that I decided to write my object analysis about is the film Teeth directed and written by Mitchell Lichtenstein. The film surrounded most of its attention on the protagonist Dawn and the horrors created by her vagina. In the beginning of the film Dawn remains celibate and refrains from anything that will sexually arouse her, including movies and male friends. As the film persists, Dawn eventually is raped by her crush, Tobey, during their sexual encounter Tobey’s penis is suddenly chopped off from …show more content…
She is conveyed as innocent and free from sex. At school, she is teased for her innocence and refusal to engage in sexual activities. Sex is one of the vital aspects for this film to be horrific. Throughout the film, Dawn has sex with three people; two of them are victims of the “teeth” inside her vagina and get their penises cut off while in the process of having sex with Dawn. Every time one of these sexual encounters happened, a viewer could acknowledge what was being conveyed as abject because of the unfamiliarity of a penis being cut off during sexual intercourse. Sex and death are two things that aide a slasher film such as Teeth. Clover states “Killing those who seek or engage in unauthorized sex amounts to a generic imperative of the slasher film. It is an imperative that crosses gender lines, affecting males as well as females” (200). The two times that Dawn has unauthorized sex throughout the film is when she is raped by her friend and when she has sex with her step-brother. The horror in the film is intensified during these two sexual encounters, establishing sex as one of the key aspects of horror in the …show more content…
Dawn’s vagina is introduced in the film as monstrous. During the first twenty minutes of the film, there is a scene of Dawn and her step-brother as children in a small pool, during a two minute stare down with Dawn and her step-brother (Brad) puts his finger under the water, and once he raises his hand his finger is flowing with blood from a cut. From here on out her vagina is assumed as the monster in the film. Dawn’s vagina is responsible for two penises being cut off, one finger being cut, and another finger being completely cut off. Even when Dawn isn’t having sex her vagina is still monstrous. In one scene, Dawn is having a physical exam with her gynecologist and once he sticks his finger into her vagina, his finger is suddenly cut off. Creed states ‘The difference of female sexuality as a difference which is grounded in monstrousness and which invokes castration anxiety in the male spectator” (pg 67). Throughout the film, Dawn begins to even feel as if she is a murder because of the deadly acts that her vagina has done. Even before Dawn’s vagina is touched or penetrated her vagina remains to be some sort of monster. During one scene she is having a wet dream that involves her crush (Toby) and suddenly her wet dream is turned to a nightmare and a dragon with huge teeth is conveyed on the screen and
The film that was conducted by '' Wayne Blair'' in 2012 was called ‘The Sapphires’ which was about four indigenous girls that have a special talent and strive to show their skill and talent by audition for a talent competition. In which where they meet their manager Dave also known as the sole man. As they start to gather up their group they travel to Melbourne to ask Kay if she would like to join. But unexpectly they find Julie in Melbourne too looking for them to audition too, Although Kay who still lives in Melbourne she get persuaded to do an audition with the girls to travel to Vietnam but kay had not wanted to audition but soon had second’s thoughts. The director Wayne Blair is also an Indigenous Australian and had directed this film
This essay argues that the film Bridesmaids transcends traditional representations of feminine desire that exhibits women as spectacles of erotic pleasure, through the symbolic reversal of gender identity in cinematic spaces. By discussing feminist perspectives on cinema, along with psychoanalytic theory and ideological narratives of female image, this essay will prove Bridesmaids embodies a new form of feminine desire coded in the space of the comedic film industry.
Deviating from the norm within her time, Aphra Behn’s, “The Disappointment,” tackles the concept of sex from the female perspective, something still relatively taboo in the modern world. Behn offers readers a glimpse into the confusion and anxiety that accompany a woman’s loss of virginity, in addition to the heightened expectations of masculinity enforced on the man. By creating sympathetic and pitiable characters out of both Cloris and Lysander, Behn imagines a narrative in which there are no winners or beneficiaries in this uncomfortable exchange, directly resulting from societal expectations. During the specific instance in which Cloris gives into her desires only to discover that Lysander is unable to perform, the narrator illustrates
The experiment, focuses on the effects of acidic drinks on teeth. In this experiment, the scientist is trying to answer which liquids; Arnold Palmer, Coffee, Coca Cola, V8 Splash Tropical Blend, and crest pro-health toothpaste, affect your tooth enamel the most. The Independent Variable are four ounces of each liquid, and the dependent variable is the staining of teeth. The Constants are the toothpaste, toothbrush, the amount of time the eggs stay in the liquid, and the type of eggs used. The units used while measuring the effect of liquids on teeth is ounces.
Soyokaze. "Thread: Female Sexuality in Bram Stoker's Dracula." Urch Forums RSS. N.p., 8 Mar. 2008. Web. 6 May 2014. .
The article Poor Teeth was written by Sarah Smarsh with the goal in mind being to shed light on the issue between upper and lower class society in a particularly concrete way. Teeth and dental health are an easy thing for people to imagine in their head because everyone has a set whether they’re white and shiny or black and rotted. This makes it easy to draw a comparison between people that care for their teeth and those who don’t. However, access to dental knowledge and services which the lower class often times doesn’t have is very different between the poor and the rich. While the rich stroll through life showing off their perfect glossy white rows of teeth, there are less privileged people out there with barren mouths whose weak pale gums
Bram Stoker’s Dracula illustrated fears about sexual women in contrast to the woman who respected and abided by society’s sexual norms. Joseph Sheridan LeFanu’s “Carmilla” represented not only the fear of feminine sexuality, but also the fear of sexuality between women. John William Polidori’s “The Vampyre” showed society’s fear of sexuality in terms of the seductive man who could “ruin” a young girl.These texts are representative of vampire stories in the Victorian Era, and will be the focus here.
Two of the films I watched were J. Edgar (2011) and The Doors (1991). Both films seemed to provide a number of insights into American culture during the Cold-War era and 1960’s. Granted, they did so in different ways. Where J.Edgar is detailing the history of J.Edgar Hoover, former head of the Federal Bureau of Investigations, The Doors details the history of Jim Morrison, who affectionately refers to himself in the film as “the lizard king.” The two stories portray personalities that are as different as night and day. But in those personalities are historical and cultural elements which, in some ways, might not always be corroborated with Foner’s particular view of American history. The one personality, i.e. J.Edgar, becomes a vehicle through which the history of the national security state in Cold War American culture becomes articulated to the average viewer. The other personality, Jim Morrision (and the other members of his band, “The Doors,” variably portrayed in the film) becomes a vehicle
Steven Spielberg’s summer blockbuster Jaws from 1975 is a dramatic thriller that has audiences afraid to go in the water. Dealing with the terror of the unknown is the major theme in Jaws (Goodykoontz, B., & Jacobs, C. P. 2014). In this film Spielberg uses many different techniques to draw in the suspense of the audience and to capture their imagination. This essay will analyze how the theme of the film is established by the use of cinematic techniques such as camera shots, sound, and camera edits/movements.
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
The Skin of Our Teeth by Thornton Wilder illustrates a family dodging one catastrophe after another. By the skin of their teeth, they will defeat ice, flood, and war. The main characters of this play are George and Maggie Antrobus, their two children, Henry and Gladys, and Sabina, who appears as the family's maid in the first and third acts, as well as a beauty queen seductress in the second act. The Skin of Our Teeth takes place at the Antrobus home in Excelsior, New Jersey; and the Atlantic City boardwalk.
A foundational argument made in “Visual Pleasure and Narrative Cinema” (1975) by the well-known feminist film theorist Laura Mulvey posits that in cinema the ability to subject another person to the will sadistically, or to the gaze voyeuristically, is turned onto the woman as the object of both (23). Mulvey asserts that the female figure as cinematic icon is ultimately representative of sexual difference, a signifier of the male castration complex. The woman is “displayed for the gaze and enjoyment of men, the active controllers of the look,” yet threatens to evoke castration anxiety. The male unconscious escapes castration by disavowing it, substituting a fetish object so that “it becomes reassuring rather than dangerous” (21). Mulvey describes this phenomenon as fetishistic scopophilia, which emphasizes the physical beauty of the object and converts it into something satisfying in itself. Mulvey argues that Alfred Hitchcock’s film Vertigo (1958) uses identification processes and subjective camera from the point of view of the male protagonist, John “Scottie” Ferguson (James Stewa...
These novels tell the dark love story between Bella Swan, an average, somewhat shy high school student, and Edward Cullen, a mysterious and strong vampire. Rape culture is evident throughout these four novels. For example, when Bella’s best friend Jacob kisses her against her will, she tries to fight it and then gives up “acting on instinct…I opened my eyes and didn’t fight”. Charlie, Bella’s father, asked Jacob why Bella hit him, and when Jacob said “because I kissed her”, Charlie said “good job kid”. At another point in the novels, Bella admires the bruises on her skin after having sex with
The book is laced with emotionally and erotically boosted encounters. A person who would enjoy reading about vampires, the urge to keep reading comes within the first few chapters; in this story early as chapter three. The novel is a new vampire paradigm that casts a steady eye on racism, sexism, poverty, and ignorance. Relationships in this story, as loving and loyal as they are yet, are very different. There is no moral questioning at all, but this total acceptance of paedophilia is not only seen in those having sex with children, also by every single other character. Even though being black brought Shori some str...
The gendering of the grotesque as female is an integral part of the phallogocentric discourse which naturalizes the bond between the female and the grotesque in order to subjugate women to surveillance and discipline. According to Peter Stallybrass in his essay “Patriarchal Territories: The Body Enclosed,” the patriarchal society has long been conceived of female body as “naturally grotesque” to better exercise “constant surveillance” upon (126). This categorization that basically serves the patriarchal system of binarism dependent on the polar, dichotomous opposites of male/female, angel/monster and self/other consolidates the otherization and monsterization of the female body vis-à-vis the male body. Indeed, the classificatory system of the dominant discourse strives to identify woman as either outside or inside the boundaries of