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Essays on the horror film
Essays on the horror film
Essays on the horror film
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A blood-curdling horror movie has to tell a story while incorporating specific aspects that make it into the terrifying film that attracts an audience to the theaters. Using darkness, suspense, jump scares, and horrific background music, directors are able to create a movie that scares everyone. In the soon to be released film Leatherface, all of these aspects are addressed and play an important role in how scary it will be. The trailer for the upcoming thriller/horror movie, Leatherface is successful in capturing the audience’s attention by the way it uses color, camera angles, and sound effects to create a suspenseful feeling while raising intriguing questions that will persuade people to watch the film. One of the most important qualities …show more content…
It's the first thing people notice, so it has to be done logically to persuade the audience to feel a certain way. In the trailer for Leatherface, color is used to generate a feeling of suspense by shifting back and forth between a warmer, daylight tone to a darker, blue tone. In the beginning of the trailer, a couple is driving in a car laughing and having fun as seen in figure 1. There is a warmer tone created by the use of natural daylight to make the audience feel how the couple is feeling. Following the playful feeling created by the first scene, the color shifts when the protagonist and her child are introduced. The scene, shown in figure 2, is dimly lit by candles with no other light. Switching to darker lighting hints to the audience that the characters involved in the scene could be related to or are the problem presented in the movie. Going back to the natural daylight, figure 3 demonstrates the next shift in color when the sheriff is talking to the protagonist about her children. In this scene, the daylight is used to highlight and create shadows on …show more content…
An important part in all film is the sound effects, but it is especially vital to a horror movie. The use of sound effects in the trailer for Leatherface is successful in creating a thrilling feeling for the audience. The trailer begins with the couple driving down the road; While this is happening, calming country music are playing in the background. Starting the film off with what sounds like a soft guitar causes the audience to feel relaxed. However, after a few seconds of the soft music playing, an intense screech interrupts the scene. By incorporating the loud, train like screech right after the relaxing country music addresses the jump scare factor of a horror movie, thus, succeeding in addressing all of the aspects of a horror movie into the trailer. Along with abrupt, loud sound effects, the trailer also uses a low, constant beat to captivate the audience. When introducing the protagonist and her child, there is a chilling beat playing in the background that sounds like a low, deep drum. Adding this steady beat to the trailer is useful because it keeps the audience at the edge of their seat in anticipation waiting for what is going to happen next. In the scene involving the institution that was mentioned earlier, there is a loud siren sound constantly echoing. Then, when something unexpected
These have been adapted from the early twentieth century, and have developed a whole series of genre conventions into a familiar variety of scary settings, iconography, and stereotyped characterisation. Audiences have a clear understanding of this, and they use it to their advantage. They can keep putting the audience through the jolts that horror conventions continue to give. An effective way of keeping the horror fresh would be to break the cycle, by breaking certain conventions. The isolated setting in the two films is a key device used to establish a threatening atmosphere.
Who can forget the amazing one time prequel to the stunning trilogy of scream? Back in 1996 it came to haunt us… The brilliant director as we know of, Wes Craven; the maker of ‘Nightmare on Elm Street’; the horror movie maestro; the punch-back ultimate thriller; the complete package to your nightmare, came forward with the horrendous starter to what became as the invention of slasher genre film, not forgetting that it was a major box office success. SCREAM…. What more can I say, the title says it all. From start to finish the velocity of your heart never stops as a result your eyes will be chained with the screen. You will find yourself hunched up in the corner furthest away from the T.V screen without realizing that craven has yet made himself another victim of his movie…… and yet you’re forced to give away and let the suspense gobble you up. The intensity is just terrific, petrifying and devastating. Watch it, if you can…..If not…..“Then it’s a DEATHWISH”.
Although it may been seen partly as a historical accident forced by budgetary constraints, part of the mystique of the film is in how different it was to the horror audience of the day. Romero and the Image Ten team, working with black-and-white in a day in which most mainstream films were released in color, were able to use the black-and-white film to lend a certain documentary feel that evoked feelings of newsreels of the day, which were still shot in black-and-white (Hervey 26). This certain credibility evoked is one that is likely lost on contemporary audiences that grew up in a time in which the news and documentaries are delivered in color, but modern audiences should see parallels in the way The Blair Witch Project co-opted the use of VHS cameras to produce a low-cost horror film with a realistic feel to it.
Analysis of the Opening Sequences of John Carpenter’s Halloween (1978) and Wes Craven’s Scream (1996)
For centuries, authors have placed human features on their fears allowing their public to confront a concrete creature rather than an abstract idea. The fear of death resulted in stories regarding vampires and mummies, fears of the unknown resulted in stories about creatures invading the Earth, fears of reincarnation resulted in stories of mad scientists creating life from death. With the invention of the motion picture in the late nineteenth century, these fears were able to be seen using human actors and actual “monsters” making both the fears and the fulfillment greater. As more of these films were created, audiences grew more tolerant of the once frightening monsters forcing directors to go even farther. To continue this trend, filmmakers soon were creating more fear than they were relieving creating another psychological void that needed to be filled. Sensing that the realm of horror films and many other genres of film were saturating the film industry, Mel Brooks wrote and directed two films in 1974: Blazing Saddles and Young Frankenstein. Th...
The genre of horror films is one that is vast and continually growing. So many different elements have been known to appear in horror films that it is often times difficult to define what is explicitly a horror film and what is not. Due to this ambiguous definition of horror the genre is often times divided into subgenres. Each subgenre of horror has a more readily identifiable list of classifications that make it easier to cast a film to a subgenre, rather than the entire horror genre. One such subgenre that is particularly interesting is that of the stalker film. The stalker film can be categorized as a member of the horror genre in two ways. First, the stalker film can be identified within the horror genre due to its connection with the easily recognizable subgenre of horror, the slasher film. Though many elements of the stalker film differ from those of the slasher film, the use of non-mechanical weapons and obvious sexual plot points can be used to categorize the stalker film as a subgenre of the slasher film. Secondly, the stalker film can be considered a member of the horror genre using Robin Wood’s discussion regarding horror as that which society represses. The films Fatal Attraction, The Fan, and The Crush will be discussed in support of this argument. (Need some connector sentence here to finish out the intro)
How the Opening Sequence of Halloween Captures the Attention of the Audience ' 'Halloween' was made in 1978 and is a good example of the 'Slasher' movies from that time and this is an interesting piece of cinema as it can be related to the German expressionism of the late 1920's which used jerky camera shots and high contrast lighting to enthrall the viewer .In this essay I will discuss how the opening to Halloween captures the audiences attention and how codes and conventions create suspense and tension for the audience.
Horror films are designed to frighten the audience and engage them in their worst fears, while captivating and entertaining at the same time. Horror films often center on the darker side of life, on what is forbidden and strange. These films play with society’s fears, its nightmare’s and vulnerability, the terror of the unknown, the fear of death, the loss of identity, and the fear of sexuality. Horror films are generally set in spooky old mansions, fog-ridden areas, or dark locales with unknown human, supernatural or grotesque creatures lurking about. These creatures can range from vampires, madmen, devils, unfriendly ghosts, monsters, mad scientists, demons, zombies, evil spirits, satanic villains, the possessed, werewolves and freaks to the unseen and even the mere presence of evil.
In the film, Charlie and the Chocolate Factory, every time there was a close up of Augustus Gloop in the candy room, sinister music would play. This foreshadowed that something bad was going to happen to him in that room. It puts the viewer on edge and creates a mood of suspense because they don’t know what is going to happen. He also uses music to foreshadow events in the movie Edward Scissorhands. Every time Edward saw Kim happy, angelic music would play which foreshadowed that something would happen between them and also gave you a hint about his feelings towards her. Burton used music to show foreshadowing in the movie Dark Shadows as well. When Josette was walking toward the edge of the cliff suspenseful music played create a mood of suspense and fear that Barnabas wouldn’t make it in time and she would fall to her death. One of the many other cinematic techniques Burton often uses in his films is using lighting and color to show
The movie I chose to analyze for historical accuracy was War Horse. This movie was set in the First World War, starting in Britain but the story also explored France and Germany during this time period as well. Three scenes will be analyzed: the trench warfare scene between the British and the Germans, the scene where the British soldiers were gassed, and the scene where the British were getting patched up and nursed. War Horse does well to stick to the historical accuracy of what happened during the First World War due to the fact that the three scenes that I have chosen to analyze are not embellished and are close to what really happened.
The director uses many elements, we see examples through the brutal rapid-fire fighting scenes, and by setting it in a large arena-like ambient, which adds to the intensity, he commences to explore the affect the scene has on us, caused by an unknown world of gimmicks and special effects like, in a contained explosive fire or a birds-eye view to a brutal matched fight, with this we can fully experience the film. It causes us to sense spectacular clashes will occur and create havoc to its surroundings. In fighting scenes the director not only adds visual effect but he incorporates soft melodies to the background as to build suspense, the music slowly crescendos
Suspense is a crucial ingredient in the making of horror and thriller films. The significance of suspense in horror films is to bring out the “twist or unexpected moment of realization that makes someone scream and one's heart race. In the film industry, there are various types of genre, but as different as films may seem, they all have one element that links them all together. That element is known as Mise-en-scene. Mise-en-scene is a French phrase that means “putting into the scene.” Mise-en-scene includes elements such as setting, lighting, costume, and figure movement and expression (acting).
You panic and begin to scream and as you turn for the door there is a giant man with face made of leather and not cow leather either human leather and he is standing in your way with a chainsaw in hand ready to slice you in half. That is the Texas chainsaw massacre, a terrifying classic that never gets old. Director Tobe Hooper does a fantastic job of opening the world of Texas chainsaw massacre, from the screams of terror to the lighting no stone is left unturned. Movies made in the 70’s are not exactly known for their amazing ground breaking CGI well except for maybe Star Wars, and in the Texas chainsaw massacre this does not change. However, Tobe Hooper does an excellent job of using camera angles and fake blood to capture truly terrifying death scenes. The costumes worn by leather face were amazing to look at the leather on his face looked very real and I think Hooper did and awesome job by giving leather face different mask to wear. The one specifically were leather face has make-up on and a wig really drove home how insane this man really is, scary and in a way comedic it really made leather face stand out. The brother of leather face even though he did not wear a mask was creepy as hell. The way they made him look dirty with the long hair and the blood across the face you just knew what he was about. The death scenes were amazing and not cheesy at all. When leather face uses the sledgehammer on kirk and bashes his head we don’t get to really see the impact thanks to quick camera switches but nonetheless it is still shown what happens as blood splatters everywhere and kirk thrashes on the floor. Another good use of the camera angle is when Pam is grabbed by leather face and thrown on a meat hook. As she struggles to remove herself from the hook leather face gets to work on Kirk dismembering him right in front of Pam while we don’t see the dismembering because of the
Since the release of George Melies’s The Haunted Castle in 1896, over 90,000 horror films have been made. However, none have been more frightening and influential than that of Stanley Kubrick’s The Shining and Steven Spielberg’s Jaws. Each a product of horror’s 1970’s and 80’s golden era, the films have a reputation of engulfing viewers in fear, without the use of masked killers, vampires, or other clichés. Instead, Kubrick and Spielberg take a different approach and scare audiences on a psychological level. The Shining and Jaws evoke fear through the use of three different film aspects: the use of a “danger” color, daunting soundtracks, and suspenseful cinematography.
Hollywood has been using the genre Horror for centuries to scare and frighten the audience. Horror is by far the most popular genre due to the fact that it provides a descent thrill and gives the audience a rush so this make this a popular genre for teenagers a young adults. In my essay I will be exploring and researching into the genre Horror and also all the sub genres such as Drama horror, Slasher, Comedy horror etc. This will hopefully give you all insight into the genre and all its sub genres.