Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Music and narrative in film
Diversity in hollywood essay
Diversity in hollywood essay
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Music and narrative in film
There are different ideas and themes covered in musical performances in this modern society, for example war and love in Miss Saigon, feminism in Mamma Mia! and racial issues in Porgy and Bess. In the musical film Hairspray, there are more interesting ideas in the plot so I would like to discuss the musical further in this piece of work. Hairspray was an American musical film in 2007, it was a adaptation from a musical and comedy in 2002 and 1988 respectively. There were several changes in the 2007 film, for example some characters in the older versions did not appear in the 2007 version, and some songs changed order for the plot. The new version of this musical received a lot of positive reviews from public, in a review from BBC Movies the rating of the film was quite high. For instance, the reviewer gave full marks for the musical and the user of the website gave 4.5 marks in average out of 5 (Papamichael, 2007). The general idea of this musical film was about a fat girl chase for her dream in the American society in the 1960s, there were racial issues in the plot as well. In this piece of work, comparison between stage and film version, features of the musical performance from different scenes in the film will be illustrated and I will talk about the theme and symbols in this movie as well.
Although this piece of work will mainly focus in the movie version, there is a discussion about the similarities and differences between stage and movie version, I have chosen the 2011 stage version to investigate in it. Firstly about the similarities, the story plots in both stage and movie versions were mostly the same in the first act and there were not many differences on the cast as well. However, there were also differences between b...
... middle of paper ...
...attracted more audiences. There were different features in this musical like stereotype on teenagers and racial issues, they appeared in some of the scenes and they were important to the story plot. The other big feature in the production was the tradition of cast in Edna Turnblad’s role, every production of this musical used actor to take the role instead of actress. It became one of the reasons that made audience went to cinemas to watch this film and this role received quite a number of positive comments. There were also symbols in the production as well, they signified different meanings towards to plot and the character traits for example fame and the growth. Finally the themes were positive in the musical and made the audience learn from most of the characters, the settings were also good and it was a good piece of production either in stage and film version.
The production had many elements which for the most part formed a coalition to further the plot. The characters, the three part scenery and costumes represented well the period of time these people were going through. As far as the performers entering and exiting the stage, it could have been more organized. There were a few times when the performers exited at the wrong times or it seemed so due to the echo of the music. At certain moments the music was slightly loud and drowned the performers. Many of the songs dragged on, so the pacing could have been more effectively executed. Though the music was off at times, the director's decision to have most of the songs performed center sage was a wise one. Also the implementation of actual white characters that were competent in their roles came as a great surprise to the audience and heightened the realism.
If there is truly tradition to be found among the great theatres both on and off Broadway, then certainly the Sullivan Street Playhouse and its long running production of The Fantasticks rates as one of the most celebrated of New York theatrical traditions. Maintaining its place as the longest running production Off Broadway, The Fantasticks remains an enchanting and insightful tale of both young love and bitter disillusionment. It also reminds one, in this age of spectacle and the mega-musical, how powerful and truly inspiring theatre itself can be. Clearly, one of the great strengths of this production and a large part of its appeal for audiences over the last four decades lies in the fact that both the story and the style of presentation compliment each other so completely. Here we find the non-essentials are stripped away, and we are left to rely simply on the imagination of both the audience and the performers to create a magical evening.
What could make a comedy film better? Combine it with a musical that will have you singing along with it. I have decided to look at the 2007 movie “Hairspray”. This is a light hearted film that is loved by all ages. While most see this movie as a comedy/musical the film can also add campy to its genre list. This movie address several different social issues while making the audience laugh and sing along with it. The main social issue at hand in this movie is that one of racism. This movie also touches on gender roles with John Travolta playing a woman, as well as being judged by personal appearances. The main character, Tracy Turnblad is at the center of all these issues.
As in all genres, the musicals have had its share of failures. Some worthy dramas have been pressed into service and musicalized and sometimes butchered in the process, and audiences have had to watch a fine play diluted into a mediocre musical. But the successes have been many and spectacular and they have left a long lasting effect on the American art and culture.
To realize the vision of the play, the script, set-up, costumes, stagecraft, sound design, and acting have to communicate a unified message with which the audience will relate. The script will be tailored to ensure that the audience can understand the play as it proceeds. This is in terms of the language and terms used. Though the language will not be modern, it will be English that can be understood by the audience. This will be English of antique England as it will give the play a feeling of ancient times. The scriptwriter will carry out research on the level of understanding the local people will have of ancient English so as to ascertain that the script matches this level. Although many plays of that era were sung and accompanied by dance, this play will be acted out with spoken word rather than songs. This is because speaking will ensure the audience hears the conversations as they go on and that they understand. This is ...
The sound design and choreography intensified the overall musical. They created the time, place, and mood through rhythm and great energy. The actors had wireless, behind the ear mikes, that attached to the mike pack which amplified the sound, making it very clear. I could easily understand what they were talking about or singing.
Throughout the musical, the prowess of each individual performer was on display. Every performer, with the exception of Kristine, expressed a power and vibrato that was breathtaking; the highest notes lilting and the lowest notes thundering. I was in awe during a majority of the performances because of the commanding singing in each performer.
...h reality versus the appearance of reality and various types of madness that occur when the line between the two is crossed. The various adaptations of these plays play on these themes in new and creative ways. The many adaptations show the immortality of these stories. Dreams, reality, and art will never cease to be applicable questions to different societies and different eras. With adaptations, these stories will never cease to be created anew, they will always be fresh, and they will never die.
Lazarus, Joan. "On the Verge of Change: New Directions in Secondary Theatre Education." Applied Theatre Research 3.2 (July 2015): 149-161. EBSCOhost, doi:10.1386/atr.3.2.149_1.
This implication is shown in all three studied films with Singin' In The Rain being a romantic musical, Grease being a coming of age musical and Hirspary being a coming of age drama musical. In Hirspray, the genre hybridisation is quite apparent with the racial inequality issues that are faced in the film along with the drama and coming of age aspect of the film.With the genre of being musical mixed with one or more genres it expands the target audience by bringing in people who enjoy coming of age films and drama films as well as those who are interested in Black Civil Rights. This expansion of genre also changes how musicals are viewed, not subjecting them to only being amusical but allowing them to be more by combining romance or comedy or other possible genres. The charcteristics of breaking into song and dance and the grand finale also effect genre hybridisation in films as they can change how a film pans out, with what the songs say and how the grande finale concludes the film, making it sad or happy ie. weither charcters graduate or not. In 'Singin' In The Rain' the romantic songs help to shape the film into a romantic musical hybrid, for example the grande finale of 'Hairspray' with the integration of black and white people shapes the filmas one that deals with Blck Civil Rights and also a drama musical. Genre hyrbridisations expansion of ausience and genre brings in more money for the director(s) and industry by how it provides a larger, more diverse audience that it would have been previously. Genre Hybridisation can make films extremely successful, as shown by the film 'Grease' which is now known known world wide, had massive soundtrack sales and is still popular
The Lion King musical is a well-known musical that has taken the stages of Broadway, West End and the rest of the world by storm (The Lion King, 1997). Regarding the process of the musical, Artistic Director Julie Taymor’s first thoughts for choosing the Lion King as the next big thing on stage, was classed as ‘impossible’ due to the film’s lack of theatrical material (The Lion King, 1997). Therefore, staging this particular work contained a great deal of uncertainty and the need for taking huge risks. Taymor (1997) suggests how ‘the Lion King was the worst idea possible to create a stage show.’ It has become evident that a number of significant barriers had to be overcome to secure the practicality of the production. In view of this controversy, this dissertation will critically analyse the success of the Lion King by exploring two significant aspects that have helped to make the musical a success. Firstly, the essential components that make up this theatrical production will be explored and secondly, the roles of each producer within the Lion King and their combined and individual influences they have had from the production will be evaluated. By analysing these two central themes, this paper will show how and why this musical has developed and achieved its phenomenal success.
Reimagining classic pieces of theatre may seem silly and unnecessary. However, with changing times and evolving tolerance, it might be crucial. The Phantom of the Opera is an example of a beloved classic that could benefit from some restructuring, as well as a redefinition of it’s production goals. In such a revamped show, the production team can contemplate varying casting ideas, character alterations as well as highlighting certain themes over others and redefining some all together. I will be discussing this revamped production, in addition to specific casting concepts and deviations to the text and character list.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...
There wasn’t any particular scene on stage that made me doubt the integrative work of the director since all the staging work such as lighting, design, costumes and performance were well coordinated and blended for a very good production. The lights were well positioned with well fitted costumes and a very ideal scene to match. There wasn’t much change of scenes in the play except for some movement of tables and chairs. There was an entrance and exit for the performers which made their movements uninterrupted. There was a loud sound of a bell when school was over while the lights were dimmed whenever there was a change of scene. The pace of the production was very smooth since one scene followed the other without delay and most likely because most of the performers wore the same costume; especially all eight students wore the same costume for the entire