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The effect of racism
The effect of racism
The civil rights movement and its effects
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In the year of 1917, Countee Cullen began writing poems over the struggles that he experienced through the civil rights movement. During this time, the black race was facing problems with white supremacy and racial violence. Three of Countee Cullen’s poem that greatly stand out to me are “Tableau”, “A Brown Girl Dead”, and also “Incident”. All three of the poems just so happen to revolve around civil rights issues. Specifically, the poem “Tableau” speaks out to me not only personally but also through literature. In this poem, Cullen speaks of racial issues between those who don’t always get to have an important say in the subject - children.
“Tableau” talks deeply behind the injustices of race but also admittedly through the way that people felt during that time. Although the racial divide was inevitable and hard to look away from, it was also being encouraged in a way that people did not realize. “Tableau” shows that at that time as well as the year we live in currently - racial segregation is something we somewhat bring upon ourselves. These two young boys that Cullen is writing of don’t see a difference between one another due to the color of their skin. As Cullen wrote, “locked arm in arm they cross the way” I felt a feeling of sympathy and equality.
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This line was very strong in the fact that it not only is the first one the reader’s picture, but that it also proved that a human is human - no matter their race, wealth, or other defying factors that we seem to feed off of in today’s day in age and so many before us. Reading this poem tells me that one of those boys may just have been Cullen himself. I believe that in order to write of an experience thoroughly and rightfully - you must live it. I trust that Cullen faced the problem of accepting the racial divide while also having that hidden urge to fight it. While some of us influence these issues, some of us see them and want to do something about it, yet aren’t so sure how to. I personally have felt this struggle before in my life, as I have personal relations to those of a differing race. The words and actions of others towards civil rights is an irking sound and sight, especially when it hits close to home. For me, reading this poem is like watching a movie. However, some others may not see it that way. The stanza that reads, “From lowered blinds the dark folk stare, and here the fair folk talk, indignant that these two should dare in unison to walk.” speaks to me in a way that proves everyone is different. As some people stared, and some may have talked - none of them had the audacity to do anything about what they didn’t believe was right. If they saw these two boys walking together against their beliefs, why didn’t they stand up for it? So many people will preach their morals, but when it comes to proving them they fail in the act. I understand that others may read this poem and not feel the same way in which I did about it.
Some readers may skim through it, and take it as yet another piece of writing that conveys the ideas and struggles that the civil rights era entailed. I believe the use of wording that Cullen used in the final stanza, “Oblivious to look and word. They pass, and see no wonder. That lightning brilliant as a sword, should blaze the path of thunder”, I interpret the words being used as the boys using their powers of “swords” against society and the expectations that they are taught to possess. Meanwhile, another reader may believe that the boys walking in unison is a sign of disrespect towards their own races and
morals. In conclusion, this poem spoke to me both personally and through interest. For myself, being passionate for the civil rights movement and all of the details that it endowed, the poem “Tableau” written by Countee Cullen is one of my favorites that will always mean much more to me than two boys walking hand in hand on any other day in society. Being so, it talks deeply behind the injustices of race but also admittedly through the way that people felt during that time, including Cullen himself.
African-Americans’/ Affrilachians’ Suffering Mirrored: How do Nikky Finney’s “Red Velvet” and “Left” Capture events from the Past in order to Reshape the Present? Abstract Nikky Finney (1957- ) has always been involved in the struggle of southern black people interweaving the personal and the public in her depiction of social issues such as family, birth, death, sex, violence and relationships. Her poems cover a wide range of examples: a terrified woman on a roof, Rosa Parks, a Civil Rights symbol, and Condoleezza Rice, former Secretary of State, to name just a few. The dialogue is basic to this volume, where historical allusions to prominent figures touch upon important sociopolitical issues. I argue that “Red Velvet” and “Left”, from Head off & Split, crystallize African-Americans’ /African-Americans’ suffering and struggle against slavery, by capturing events and recalling historical figures from the past.
Through the study of life and literature, one can tell that racism continues to be truly pervasive. In Nikky Finney’s “Dancing with Strom”, the reader can witness the tension that exists between the races in society today. Although the poem shows how as times progress, mentalites seem to change as well, it is evident that many African Americans, such as Nikky Finney, still live in fear of the racism that hides and lurks in the corners.
Countee Cullen was man who struggled to be called a “poet” instead of a “Negro poet.” His life during the Harlem Renaissance was filled with inequality and prejudice. These facts have lead many analysts to perceive his poem “Any Human to Another” as a cry for racial equality. However, Cullen’s manipulation of structure, imagery, and symbols in the poem reveals that his true theme is that all humans are individually unique but must live together in harmony and equality, caring for and helping each other.
Richard Wright describes in his autobiography 'The Ethics of Living Jim Crow: An Autobiographical Sketch' the atmosphere at his first job, where his fellow workers would not teach him anything, just because he was black: "This is a white man's work around here, and you better watch yourself" (291). From that moment on, he never really felt at ease going to work. This kind of feeling of unease is also found in Countee Cullen's 'Incident.' It shows clearly how children are not really aware of the differences adults believe to exist between different races until being told that there is a difference. The poem seems to be a product of personal experiences as a child, when another child pokes out his tongue and calls the speaker of the poem "nigger" during a stay in Baltimore, and it pictures the human tendency to look no further than the colour of the skin. This is probably an event that stayed in the child's mind all his life, hence the final lines of the poem: "I saw the whole of Baltimore / From May until December; / Of all the things that happened there / That's all that I remember" (384).
Cullen uses metaphors in the last stanza, “That lightning brilliant as a sword/ Should blaze the path of thunder” (Cullen 11-12). Lightning and thunder come together, one cannot exist without the other. In a sense, it is the same with the two boys. They are being compared to nature; They are thunder and lightning. They cannot be separated, by nature they must be together. Cullen conveys his message powerfully through this metaphor. Alliteration is also utilized, to enhance the poem. An example of this is, “The black boy” (Cullen 2), and “Fair Folk” (Cullen 6). This literary device is used to create this poem, and enhance its poetic style.
In an expressive voice, Ms. Angelou paints a memorable picture of a small black community anticipating graduation day fifty-five years ago. She describes the children as trembling "visibly with anticipation" and the teachers being "respectful of the now quiet and aging seniors." Although it is autobiographical, an omniscient voice in the first six paragraphs describes how "they" - the black children in Stamps - felt and acted before the omniscient voice changes to a limited omniscient narration in the seventh paragraph. Her eloquent voice skillfully builds the tension as she demonstrates bigotry destroying innocence.
The civil rights movement may have technically ended in the nineteen sixties, but America is still feeling the adverse effects of this dark time in history today. African Americans were the group of people most affected by the Civil Rights Act and continue to be today. Great pain and suffering, though, usually amounts to great literature. This period in American history was no exception. Langston Hughes was a prolific writer before, during, and after the Civil Rights Act and produced many classic poems for African American literature. Hughes uses theme, point of view, and historical context in his poems “I, Too” and “Theme for English B” to expand the views on African American culture to his audience members.
Reading these poems is an incredible learning experience because it allows readers to view segregation through the eyes of someone most affected by it. In the U.S. History course I took I didn’t take away the details and specific examples I did from reading and researching Brooks’ work. For example, the history textbook only mentioned one specific person who was affected by segregation, that person was Rosa Parks. The example of Rosa Parks demonstrated just one isolated incident of how black people were punished if they disobeyed the laws of segregation. In contrast, Brooks’ work demonstrates the everyday lives of black people living with segregation, which provides a much different perspective than what people are used to. An example, of this would be in Brooks’ poem “Bronzeville Woman in a Red Hat”. The speaker of this poem hired a black maid and referred to her as “it”(103). By not using the maid’s name or using the pronoun her, the speaker is dehumanizing the maid. This poem expresses to readers that white people thought that black people weren’t like them, that they weren’t even
...ites a short 33-line poem that simply shows the barriers between races in the time period when racism was still openly practiced through segregation and discrimination. The poem captures the African American tenant’s frustrations towards the landlord as well as the racism shown by the landlord. The poem is a great illustration of the time period, and it shows how relevant discrimination was in everyday life in the nineteen-forties. It is important for the author to use the selected literary devices to help better illustrate his point. Each literary device in the poem helps exemplify the author’s intent: to increase awareness of the racism in the society in the time period.
The world can only be full of hope, love, joy and redemption for certain people. Minorities constantly struggle to obtain certain rights and lack encouragement to take a stance. Though the world has shifted and developed in this day, several injustices have come to light. Poetry is one of many ways to document the world and common experiences and to say what needs to be said in a direct and powerful way. Poems give urgency yet are interesting at the same time. It captures the reader’s attention and makes them think beyond. Little things in poetry matter. The language, structure, and poetic devices can have a deeper purpose and message. It can be used to confront injustices in a way that will attract readers. It helps injustices to be unforgettable.
The effects of racism on the victims differed depending on age and whether or not a person would withstand the abuse. Moody makes these connections in her book by realizing that when the civil rights movement picked up in the 1960s, older blacks usually remained dormant and never stood up for themselves by speaking out against the abuse they received. In contrast, younger black Americans, notably teenagers, were more likely to be fearless and take part in the Movement. This theme can be seen throughout the whole book, from when Anne was a young girl and never understood why her mother co...
The Editorial Board acknowledges how the city was crumbling due to the high amounts of racism that came along with the city. Normalization of discrimination echoed throughout all blocks of Baltimore nevertheless splitting the city into two. Countee Cullen’s poem consisting of his encounter with racial discrimination is given a sharpened understanding by the article tremendously. The article speaks of how caucasian neighbors spoke of the issue that came with another color living on the exact street or block even if that person of different color hasn’t committed any wrong doings to any of these caucasians. In Cullen’s poem, Cullen is simply innocent to the residents who thrive in Baltimore but gets called a “Nigger.” by a Baltimorean while strolling on the same sidewalk as this Baltimorean. The simple factor in the article connects to Cullen’s poem as it explicits how hate can gather on color even if no crime is seen in a certain person of color. A hate towards people of color has thrived in Baltimore during the 20th century, almost splitting the city into two with its absurd laws and interracial laws as well. This pure act of hate can have events such as Cullen’s “Incident” or the unfair living multiple African Americans faced while in the city of Baltimore happen countless of
W. E. B DuBois’ “The Souls of Black Folk” is one of the most important works in African American Literature. In this series of essays, DuBois reveals, “the problem of the 20th century is the problem with the color line (DuBois 687). ” This division didn’t just pop up in the 20th century. In 1712, a slave owner from the West Indies gave a speech to slave owners in Virginia, giving a “blueprint” as to how to control the mind of African Americans. He suggested 3 concepts to put this plan into action; fear, distrust, and envy (Willie Lynch Letter). In “The Souls of Black Folk”, DuBois Presents and explains what he believes are the problem with being African American. While DuBois may have given the concepts a name, The Willie Lynch
In this short poem, the narrative follows and African American woman unsuccessfully attempting to get an abortion, then subsequently committing suicide. This poem is a great demonstration of how black women have both their race and their gender working against them in life. In the poem the condescending doctor thinks that she should “want it/you know…/talk it over with/your folks” (Walker, Ballad of The Brown Girl) even though she clearly has enough money to pay for the procedure. After getting denied, she hangs herself in her dorm room leaving a note that asks “Question-/did ever brown/daughter to black/father a white/baby/take-?” (Walker, Ballad of The Brown Girl) Her note confesses that death would be a more attractive alternative to living in a society as the unwed mother of a mixed race baby. The girl in this poem is a black woman who is experiencing two different prejudices; race and gender. Walker has already started to explain to audiences that there are many different trials that black women have to face versus white
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.