Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
World War 2 composers
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: World War 2 composers
The siege of Leningrad in 1941 to 1944 was one of the most significant events for the city now called St. Petersburg. It had such an impact on composer Dmitri Shostakovich that he created the “Leningrad” symphony, his seventh symphony. My essay will analyse the reflections of war in the music and explain them in their historical context. Shostakovich's symphony had a huge impact on the people of Leningrad as they could identify with it. As Shostakovich was evacuated to the town Kuibyshev to escape the war, his completed score was transported in a special aircraft to Leningrad for the premier in the city. In a Times magazine dedicated mostly to Shostakovich, the composer said “I introduce the main theme, which was inspired by the transformation of these ordinary people into heroes by the outbreak of war.” (“The Phenomenon of the Seventh”, Christopher H. Gibbs) (Ordinary refers to ordinary, good, quiet people, going about their daily life, not distinguished by any special features or talents). After this preliminary theme is a requiem for the people who perished …show more content…
In a 1951 article “On True and So-Called Program Music”, Shostakovich told the critic David Rabinovich that “The Invasion” passage represented the abrupt irruption of war into the tranquil lives of the people. He also wrote that “the theme of war governs the middle passages”. This theme begins as an insipid fragment of a tune played by the strings col legno. A Soviet writer, Rabinovich, described the theme to be a “psychological portrait of the enemy” (“The Phenomenon of the Seventh”, Christopher H. Gibbs). It reflects the agony the people felt, as the music “marches and fights, it struggles and kills, it stands up and says there are a thousand terrible deaths” (“The Phenomenon of the Seventh, Christopher H. Gibbs). The people would rather die than to be under the rule of the
Over many centuries, Poetry and song has been a way for people to explore their feelings, thoughts and questions about War & Peace. Rupert Brooke's “The Soldier” and Cold Chisel’s “Khe Sanh” provide two different insights into the nature of war. . “The Soldier” conveys a message of bravery for soldiers to go into war and fight while “Khe sanh” conveys a message about post-traumatic stress and the horrible factors of coming back into civilization after war.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
With time, tragedies become statistics. The lives lost culminate to numbers, percentages, and paragraphs in textbooks,and though a recognition of its occurrence becomes universal, an understanding of its severity dies with those who lived it. “Leningrad Cemetery, Winter of 1941” is a literary medium by which the nature of tragedy is transmitted. Set in the post-battle Leningrad, the poem encapsulates the desolation not of war and its aftermath. Paramount in this translation is figurative language. Olds’ use of simile and metaphor in “Leningrad Cemetery, Winter of 1941” allows the reader to understand the incomprehensible horrors of war and, through contrast, the value of life.
Grace, Gillian. “Music for a broken city: The Cellist of Sarajevo is a novel-length lament of war.” Canadian Broadcasting Corporation. CBC, 22 April. 2008. Web. 28 Sept. 2011.
Fay, Laurel E. ‘Shostakovich vs. Volkov: whose Testimony?’ The Russian Review (October 1980), pp. 484-93.
Sergei Rachmaninoff is considered to be the final, magnificent composer of the Romantic era in Russian classical music, ushering forward its traditions into the twentieth century. His four concertos are a reflection of his development as a composer and pianist, with regard to maturity and compositional style. The evolution of music during the late nineteenth century to early twentieth century had no significant effect on Rachmaninoff; rather he continued to produce ingenious works reflective of his Russian upbringing and the Romantic era.
D”. This use of sound is also seen in pantomime 2 where he asks the
Calixta and Alce, the two main characters in the short story “The Storm” by Kate Chopin, are sexual, mature, and knowing adults. By having them discover amazing sex outside their marriages, they return to their own marriages renewed. Chopin openly condones adultery due to the fact that the characters are not punished and in the end “everyone was happy” (paragraph 40) . A common theme of fresh sexuality and desire is seen in this story though symbols and other literary elements. Kate Chopin is an American author that wrote short stories and novels in the 20th century.
The simple definition of war is a state of armed competition, conflict, or hostility between different nations or groups; however war differs drastically in the eyes of naive children or experienced soldiers. Whether one is a young boy or a soldier, war is never as easy to understand as the definition. comprehend. There will inevitably be an event or circumstance where one is befuddled by the horror of war. For a young boy, it may occur when war first breaks out in his country, such as in “Song of Becoming.” Yet, in “Dulce et Decorum Est” it took a man dying in front of a soldier's face for the soldier to realize how awful war truly is. Both “Song of Becoming” and “Dulce et Decorum Est” are poems about people experiencing the monstrosity of war for the first time. One is told from the perspective of young boys who were stripped of their joyful innocence and forced to experience war first hand. The other is from the perspective of a soldier, reflecting on the death of one of his fellow soldiers and realizing that there is nothing he can do to save him. While “Song of Becoming” and “Dulce et Decorum Est” both focus on the theme of the loss of innocence, “Song of Becoming” illustrates how war affects the lives of young boys, whereas “Dulce et Decorum Est” depicts the affect on an experienced soldier.
Has your skin ever tasted the scorching coldness to the point of actually flavoring death, has your stomach ever craved for even a gram of anything that can keep you alive, has your deep-down core ever been so disturbed by profound fear? No never, because the deep-freeze, starvation, and horror that Kolya and Lev experienced were far worse to the point of trauma. In the novel, City Of Thieves, author David Benioff describes the devastating and surreal situations and emotions that occurred to Benioff’s grandfather, Lev and Lev’s friend, Kolya, during WWII the Siege of Leningrad in Leningrad, Russia. Both Lev and Kolya share some similarities such as their knowledge of literature; even so, they are very contrastive individuals who oppose in personal
During the hard and cruel era of Stalinism, Shostakovich had the courage to express the desolation of his people by method of remarkable dramatic feeling; hence, his music became a moral support for all who were persecuted. Sofia Gubaidulina reflected, "The circumstances he lived under were unbearably cruel, more than anyone should have to endure." With Stravinsky and Prokofiev, Shostakovich embodies the culmination of 20th Century Russian music, but unlike his contemporaries, he is unique in having composed his entire opus within the framework of Soviet aesthetics. When forced onto the defensive, he did not dispute; but instead overcame the limitations of socialist realism and infused throughout his works his belief in the final victory of justice, which transformed his music into a powerful stimulus to the spirit of resistance and freedom.
With the outbreak of war in 1939, many countries gave their talented elite low-risk military positions to protect them from casualties. Olivier was assigned to be a nurse rather than a soldier. As a French soldier he was taken prisoner and lived at a POW camp called Gorlitz, where he wrote the Quartet on paper provided by a kind guard who kept watch on Messiaen while he wrote it. Although conditions were not as harsh as in other Nazi camps, it was still an emotionally and physically taxing experience for Olivier. “At the POW camp, a crowd of prisoners and Nazi guards gathered in a freezing hall to listen to the live performance of the Quartet.” With all of the prisoners and guards packed into the small space the temperature rose to just above freezing. Olivier sometimes claims that the keys on the piano did not pop back up after being pressed and that the cello used in the concert only had three strings. This goes to show how many people have had to twist and contort their memories in able to cope with the symptoms of their struggles during the Holocaust. Although his recollection of the concert is often said to be exaggerated, the piece that he composed for the “four instruments available at the camp” - a cello, piano, clarinet, and violin is still known as one of the most famous pieces to arise from WWII because of it’s unique and meaningful intertwined
Tchaikovsky is one of the most popular of all composers. The reasons are several and understandable. His music is extremely tuneful, opulently and colourfully scored, and filled with emotional passion. Undoubtedly the emotional temperature of the music reflected the composer's nature. He was afflicted by both repressed homosexuality and by the tendency to extreme fluctuations between ecstasy and depression. Tchaikovsky was neurotic and deeply sensitive, and his life was often painful, but through the agony shone a genius that created some of the most beautiful of all romantic melodies. With his rich gifts for melody and special flair for writing memorable dance tunes, with his ready response to the atmosphere of a theatrical situation and his masterly orchestration, Tchaikovsky was ideally equipped as a ballet composer. His delightful fairy-tale ballets, Swan Lake, The Sleeping Beauty and The Nutcracker are performed more than any other ballets. Swan Lake, Tchaikovsky's first ballet, was commissioned by the Imperial Theatres in Moscow in 1875. He used some music from a little domestic ballet of the same title, composed for his sister Alexandra's children in 1871.
In the novel, The Cellist of Sarajevo, the author Steven Galloway explores the power of music and its ability to provide people with an escape from reality during the Siege of Sarajevo. A man, who was once the principal cellist in the Sarajevo Symphony Orchestra, plays Albinoni’s Adagio with his cello in the streets of Sarajevo for twenty-two consecutive days at 4:00 pm as war wages around him. The cellist does this to commemorate the deaths of twenty-two citizens who were killed by the mortar attacks on the Sarajevo Opera Hall while waiting to buy bread. Albinoni’s Adagio, which was recreated from four bars of a sonata’s bass line found in the rubble of the firebombed Dresden Music Library in Germany in 1945, represents that something can
1-27. The 'Standard' of the 'Standard'. Dragomirov, M.I. & Co., Ltd. "Dragomirov on Prince Andrey and the Art of War". Tolstoy: The Critical Heritage.