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Bell Hooks makes the claim that the poor are misrepresented in the mainstream, which bolsters a low value on our self-worth which we assign to ourselves. In the essay Seeing and Making Culture: Representing the poor by Hooks, we see how there is misrepresentation of the poor through the perspective of the author, she often weaves her personal narrative into the evidence and observations of the general population. One of the things Hooks mentions early on is that "When contemporary Left intellectuals talk about capitalism few if any attempts are made to relate that discourse to the reality of being poor in America."(Hooks). The statement sets a foundation on which the rest of the essay is being built upon, because even if the liberals are not …show more content…
including the discussion of the poor then they who are poor are being misrepresented. While many people would agree that striving for the best out of oneself, which usually involves a monetary enrichment, Hooks claims that integrity and morality are some things that the poor can have, even if the popular idea of them is a negative one.
Hooks introduces us to her life during her childhood, quickly painting the picture of her background, she says that "...we were working class, because my father worked as a janitor at the post office, however the fact that there were seven children in our family meant that we often faced economic hardships in ways that made us...think of ourselves as poor." This statement very hastily sets up our sympathizes for her, we see that she has come from where she writes about. We instantly give her some credibility in the topic because of her personal experience. The personally history is helpful in some ways but is more damaging in that with seven kids in the family there is some blame on the parents for their situation. While I would agree with most people in saying that family choice is a personal one, which everyone has the right to decided for themselves, I believe that one needs to take a look and analyze their situation before deciding on such a large family. Because a large family is helpful within a farm but is probably less helpful and a greater burden in an urban setting. Hooks continues with her child hood in saying that …show more content…
"As children we knew we were not suppose to see ourselves as poor but we felt poor" which is fine but is somewhat contradictory to a part of her argument, that is that the negative views of the poor are social. That the poor receive such negatives views about them because of how they are misrepresented. But it seems to be that her learning of the shame that people may feel from being poor was taught to her directly from her parents. Hooks says that they never talked about being poor, but a couple paragraphs later says that poverty was not disgraceful in their house and that they were socialized early that no ones value was tied directly to their material standards(Hooks). Which would be a weird thing to discuss if they were not talking about themselves, it would sort of blur the lines, because she as a kid felt poor yet the parents did not talk about being poor but taught them that it was ok and should not impact a persons sense of value. I think not talking about their own situation would caue a stigma about it and in turn teach the kids that it was actually not an alright thing. It seems like Hooks believes that there are multiple sets of realities, which is something I also believe in.
For instances, there is the reality of home and the reality of everything outside of that. At home she was taught that there is no implication of lowered value in being poor or from a lower class. This sets up the reality that everyone is morally and socially equal. This is the reality she grew up in until she transitioned into another one which was college. Hooks says that she "began to see myself as poor when I went away to college." And this is the second reality, the reality in which the popular culture stats to make poor people feel devalued. Hooks even writes that the Untied States misrepresents the poor often not exhibiting them as having integrity and dignity. This creates a sort of dichotomy within her life, of the two realities, one is of the home and her learned values growing up and the other is leaving small town America and joining the bigger world. She gives evidence in this by saying that "Television shows and films bring this message home that no one can truly feel good about themselves if they are poor."(Hooks) we see here how fully she believes that a part of the negative self identity of being poor is a social construct. She points to films that represent the poor and their struggling to do anything to escape their situation, one of the films is Menace II Society, and while I believe it is important to discuss how so many films represent the poor
like this I think it is unfair to speak about the positive perceptions that films can help bring forth. The film Boyz in the Hood, shows the majority of the stereotyping that we as a culture have about the poor, but it also shows, through Cuba Gooding jr's character, that there are those who resist the idea of being poor but at the same time do no fall into the trappings of it. Some of the trappings are things hooks writes about such as when "deprived teenagers kill for tennis shoes.."(Hooks). It is saddening to not have her write on the will to survive by any means, she completely avoids the fact that some poor people will act with a criminal nature to survive. And since we are aware of this will to survive we are quick to assume that people who maybe struggling to keep their heads above water might fall into this behavior. She also says that poor people are "socialized by film and television to identify with he attitudes and values of the privliged classes in this society...people who are poor, ...internalize fear and contempt for those who are poor" which is the opposite of her rearing that taught that being poor did not mean that she was without value. There were two realities, and she chooses to live in one because we pick our beliefs that's what makes them beliefs. While there are a lot of authors she pulls from to support what she is saying and believes in, there is very little evidence from the other side. Hooks writes that "Progressive intellectuals from privileged classes who themselves obsessed with gaining material wealth are uncomfortable with the instance that one can be poor, yet lead a rich and meaningful life."(Hooks). But who exactly are the intellectuals she is referring to? The statement makes a good point and is easily digestible for anyone reading, especially since she herself says she writes to be accesible, there is a sort of lacking feeling when reading this. It seems to me that this is anecdotal, in that this is probably her own personal belief about how the wealthier classes view poor people. And maybe she is correct in thinking the poor suffer from internalized contempt, which she could be experience by projecting her beliefs onto the upper class. While I agree with what hooks says about the role of self identity while being poor and the misrepresentation of it, I thought that there were a lot of one sided thoughts. As well as an over abundance of personal experiences and views. She claims that the poor are misrepresented but does not write about the reasons why there may be those views of the poor. But the totality of her essay is correct, there is a misrepresentation of the poor, one that teaches young people that they are of lesser value than those who are not poor. And that we need to change this systemic belief. In America it seems that it is okay to do anything to win, but not okay to do anything to survive, because then you will be viewed as shady or underhanded. Hooks says that we need to be "changing ways the poor are represented in every aspect of life..." and that it will "... challenge everyone to look at the face of poverty and not turn way."(Hooks) which I believe is true and if we can accomplish this maybe be the motivation we need to truly start helping the poor, by seeing them as valued people.
More often than not, the homeless are viewed as weak and helpless. They are seen in movies as street beggars, and are vehicles of pity and remorse to touch the hearts of the viewers. Moreover, the media trains its audiences to believe that homelessness comes from the fault of the person. They are “bums, alcoholics, and drug addicts, caught in a hopeless downward spiral because of their individual pathological behavior” (427). In reality, it is the perpetuating cycle of wealth that keeps them in at a standstill in their struggles. The media only condones this very same cycle because it trains the masses to believe that people are poor due to their bad decisions. This overall census that the poor are addicts and alcoholics only makes it easier to drag their image further through the mud, going as far as calling them “crazy.” This is highlighted in shows such as Cops, or Law & Order. With the idea that these people are bad news it is easy to “buy into the dominant ideology construction that views poverty as a problem of individuals” (428). Although some of the issues of the poor are highlighted through episodic framing, for the most part the lower class is a faceless group who bring no real value to the
hooks believes, " The racial politics of Hollywood is such that there can be no serious representation of death and dying when the characters are African-Americans" (99). By stating this, she implies that black life in movies is thought of as useless. She finds that the majority of black death in movies is done through violence. An example of such a film is Paris Trout in which a young girl is brutally murdered and her relatives "too cowardly to save or avenge her life, ...willingly show the lawyer who will defend her killer the blood stains left by her dragging body, the bullet holes in the walls. Her life is worth nothing"( hooks, 100). Not even the girl's own family could find worth in her life. Her relatives cared so little that they were willing to accept money to show her kil...
In bell hooks’ “Seeing and Making Culture: Representing the Poor”, she discusses the portrayal and misrepresentation of poverty in our society and the methods behind the dilemma. In this excerpt, retrieved from her book Outlaw Culture: Resisting Representations (1994), hooks focuses on the negative effects of contemporary popular culture and its contribution to the negative societal views on poverty.
Furthermore it creates a rhetoric that states it is the responsibility of the middle class to change the circumstances of those in need. This makes those in the middle class have a pressure they did not choose, and also those in poverty an expectation that they might not otherwise have had. Other than when Beegle states, “If the teacher had been exposed to Poverty 101, she would have the skills needed to find out what motivators made sense to me (342),” she makes no other suggestions on just how exactly the middle class would end the cycles of
The media portrays the upper class as something to strive for. Obtaining wealth and material possessions will bring you a happy life. The only way to get ahead is to emulate the rich and powerful and to live vicariously through them (Kendall 316). The media’s emphasis on the upper class takes away from people living life for themselves. Instead, they are persuaded to obtain a lifestyle that is realistically out of their means. Kendall states, “Largely through marketing and advertising, television promoted the myth of the classless society, offering on one hand the images of the American dream fulfilled wherein any and everyone can become rich and on the other suggesting that the lived experience of this lack of class hierarchy was expressed by our equal right to purchase anything we could afford”. Exaggerated views of the rich and successful in America are largely portrayed via television. Which gives a false idea of what happiness, wealth and material possessions can bring (Kendall 317). The poor and homeless are at the bottom of the class structure and are often overlooked, ignored and only portrayed as deserving of sympathy. They are stereotyped to be people who have problems such as drugs or alcohol (Kendall 318). Kendall goes on to explain that the middle class is considered the “working class” and are
In her novel called “Feminist Theory: From Margin to Center” one of the many areas bell hooks speaks of is the perpetual racial confinement of oppressed black women. The term double-bind comes to mind when she says “being oppressed means the absence of choices” (hooks 5). The double-bind is “circumstances in which choices are condensed to a few and every choice leads to segregation, fault or denial” Therefore, this essay will discuss how hooks’ definition of oppression demonstrates the double-bind in race relations, forcing the socially underprivileged minority to “never win,” and as a result allowing the privileged dominate “norm” to not experience perpetual segregation.
Hooks pointed out that many of his professors insinuated that there were negative stereotypes of being poor. Moreover, that self-esteem is linked to financial wealth; women he met with were on government assistance, but chose to get further in debt to appear to have money, never wanting to be labeled poor. Hooks was raised to believe that morals and values made one rich; that one could have all the money in the world but still be poor because of their attitude. Who’s accountable for why people in our society are poor? It’s seems a vicious circle that is hard for poor kids to escape. Many people with low incomes are “intelligent, critical thinkers struggling to transform their circumstances” (Hooks, p. 488) There are many resources, such as theaters that are empty all day, to pay it forward and help the less fortunate gain skills from college students and professors sharing their knowledge. Barbara Ehrenreich’s “How I Discovered the Truth About Poverty” questions why negative stereotypes of untrustworthiness in poor people. Because of this mistrust, the introduction of drug testing for government aid was passed. Why are those negative connotations associated with poverty? “Poverty is not, after all, a cultural aberration or a character flaw. Poverty is a shortage of money.”
Bell hooks covers an abundance of issues through different class, race, gender and nation. In her article ‘Feminism A Movement to End Sexist Oppression’ she begins by discussing the oppression of mainly black women who are in a lower class. Hooks discusses if men become associated with the feminist movement it would mainly affect the upper class and middle aged white women while just scratching the surface for working-class and poor women. In the recent article ‘Representing Whiteness in the Black Imagination’ bell hooks discusses the oppression about the racism faced by black people. I find it that this article is more non-intersectional because we are only talking about black people in general. We can only assume that hooks is discussing racism faced by poor black people because they were servants. Further into the article however hooks does focus on African Americans and we read upon what their impression of the white man could be. Hook also looks as students and how racism occurred in one of her class discussions. Finally, we look at the view of two black women and how they faced racism. The first woman was Njeri from ‘Every Good-Bye Ain’t Gone and how her grandfather was run over by 2 white guys. The second woman was Sethe from ‘Beloved’ by Morrision and how she killed her young because she didn’t want them to grow up in a world of terror. I found it that hooks did not say specifically who she is talking about like in her article ‘Feminism A Movement to End Sexist Oppression’ but is targeting the topic of racism all
A family can be classified as one of many things. It can be a group of people living under one roof; a group of people of common ancestry; or even a unit of a crime syndicate like the Mafia (Merriam Webster). But to Holden Caulfield, the main character of J.D. Salinger’s novel The Catcher In The Rye, his family was what we as a society normally think of when that word is spoken. There are always variations on a theme, but a typical family consists of two parents and at least one child. During the 1950’s when the novel is set, adoption was virtually unheard of and divorce could be considered a sin where as today these are common practices. But one thing about family that has prevailed through the decades is the family’s affect on a person’s existence. The way a person interacts with their family can affect them for the rest of their lives. And the way a family interacts with a specific person can affect that person for the rest of their life. It is a two way relationship which is often complicated and confusing, especially to Holden.
...th what little they have, however; why is it left to the poor to have to suffer the consequences of these political choices. The persistence of extreme poverty and social ills speak to a situation that bears for a different approach. It is clear that capitalism and free market solutions cannot spread wealth as advocated. American governments have shown their reluctance to admit this discrepancy through the strategic creations of welfare policies and welfare reform coupled with placing blame upon the citizens who possess little power to change market decisions that govern and effect their lives.
In addition, the poor are overburdened they always have been, especially in 2014. This is owing to the fact that the middle class is close to disappearing, which is forming a large gap between the poor and the rich. Furthermore, banking can be more expensive for nearly all poor people, whom are usually put in extreme circumstances where they are required to pay more taxes. And the poor are usually shut out from society and are left on the street as if they were a piece of garbage, which is why it is particularly difficult to attain a job as a poor person. Not many people in the world care for the poor. It is surprising to think that the poor had not been oppressed in 1791. Someone would think the poor have always had a heavy burden. The majority of America’s population is poor and they are ignored and portrayed as aliens whom we should have no contact with.
In her book Talking Back: Thinking Feminist, Thinking Black, bell hooks describes how she helps her students find their voice within her classroom.She discusses her use of authority to enable her students.For her, teacher authority is a necessary part of helping her students find their voices:
According to Schwartz-Nobel, America will lose as much as 130 billion in future productive capacity for every year that 14.5 American children continue to live in poverty (Koppelman and Goodhart, 2007). Sadly the seriousness of poverty is still often clouded by myths and misunderstandings by society at large. This essay studies the issue of poverty and classism in today's society.
Race and prejudice toward the culture of poverty was manifest during the civil rights movement and even in the American society today.. This paper will rely on examples, borrowing from past examples in trying to explain the culture of poverty, and how it can create prejudice among citizens in society due to their level of income or low-caste groups, which are considered poor within our societies. This paper will highlight a couple of examples to support its arguments.
Throughout Society, many families have seen struggle and lived through poverty. The economy is not always thriving which takes a toll on people who suffer through unemployment or low wage jobs. The Frontline documentary, “Two American Families”, is the perfect example of struggle in the United States. It shows the lives of two struggling families and their efforts to survive. Two essays, “The Sociological Imagination” by C. Wright Mills, and “The Uses of Poverty: The Poor Pay All” by Herbert J. Hans, support the analysis of the video strongly. They express many ideas that relate to the world and struggle throughout society. Also, there are many sociological terms that depict the events that occurred in the documentary.